Gotowe bibliografie tematyczne / Photographed moment

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Gotowa bibliografia na temat „Photographed moment”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 1 lutego 2022

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Artykuły w czasopismach na temat "Photographed moment"

Wicky, Érika. "L’imaginaire pictural de la matière photographique (1850–1860) : la cuisine de l’art, du peintre au photographe." RACAR : Revue d'art canadienne 40, no. 1 (August 27, 2015): 85–94. http://dx.doi.org/10.7202/1032758ar.

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The writings on photography published in the 1850s reveal the emergence of a pictorial imaginary of photographic matter that grew in the margins of the amazement at a medium completely dominated by nature and the precise developments of the photographic technique. In some of these texts, photographers were likened to painters because of the application, in both techniques, of multiple layers of varied and more or less opaque substances. Inasmuch as it concerned the process of fabrication more than the image itself, the understanding of the work performed by photographers, of their action on ma

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Ferenc, Tomasz. "Praca, robotnicy, archiwa, fotograﬁa — utrwalanie stereotypów i walka o emancypację". Kultura i Społeczeństwo 59, № 3 (11 серпня 2015): 203–21. http://dx.doi.org/10.35757/kis.2015.59.3.10.

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Work, workers, and workers’ living conditions quickly became a ﬁeld of interest for photographers. Already by the middle of the 19th century there were photographs showing working people. Nevertheless, the contexts in which such photographs were taken varied considerably. The ﬁrst part of this article presents, in the historical perspective, the different causes and strategies involved in making these types of documents, up to the moment when photographs began to appear that had been made by workers themselves. The movement to photograph workers, which developed in the ﬁrst decades of the 20th

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Side, Katherine. "Grimaldi’s iconic photograph: Bloody Sunday, Derry 1972." Irish Journal of Sociology 26, no. 1 (November 21, 2017): 71–93. http://dx.doi.org/10.1177/0791603517741072.

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This article examines the concept of photographic iconicity in relation to Italian press photographer, Fulvio Grimaldi’s photograph of the evacuation of Derry-born marcher, John [Jackie] Francis Duddy, at Bloody Sunday, 1972. This historical photograph continues to instigate remembering and forgetting among nationalists and unionists in the context of Northern Ireland. Its uses, in state-led government inquiries, among nationalist communities and in the form of artistic intersessions, are demonstrated to be consistent with the hallmarks of iconicity, particularly the ability to situate viewers

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Vanover, Charles. "The Magic of Theater: Photographing a Performative Academic Career." Cultural Studies ↔ Critical Methodologies 21, no. 1 (June 26, 2020): 41–55. http://dx.doi.org/10.1177/1532708620931136.

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I discuss my efforts as a “good enough” photographer and describe the role photographs play communicating important moments from a series of ethnodramas I built about the Chicago Public Schools. I discuss my early efforts to use photography to legitimize my arts-based research practice, describe how my goals changed, and explain how I created images to communicate the energy of live theater. Building on Eisner’s theoretical work, I discuss three tensions of my photographic practice: intention versus improvisation, action versus artifice, and safety versus possibility. These tensions emphasize

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Redmond, Eden. "Radiant Traces." Departures in Critical Qualitative Research 3, no. 4 (2014): 418–26. http://dx.doi.org/10.1525/dcqr.2014.3.4.418.

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Photography is a referent medium. While a photograph is a physical object with its own ontology, the image depicted references a moment that has already ended. The mobility of a photograph relies on the divide between presence and absence, the material and the ephemeral. This photographic essay considers the tensions and parallels of such divides in photographing and photographs of sadhus, holy men who wander throughout East Asia. Sadhus relinquish worldly possessions in the name of spiritual pursuits, surviving on whatever the divine provides. The following images illustrate both their radian

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Savisaar, Remo. "Animal behaviour // Comportamiento animal." Ecozon@: European Journal of Literature, Culture and Environment 6, no. 1 (March 9, 2015): 170–74. http://dx.doi.org/10.37536/ecozona.2015.6.1.646.

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Nature photography has many different categories: there’s no easy or hard one. One might think that taking photos of animals is harder than, for example, doing landscape photography. But all the best photography goes beyond mere documentation to overlay the moment with the artistic vision of the photographer. In the end, knowledge of subject, field craft, approach, patience (a lot of patience), composition and technical ability with the camera are all that matters. We nature photographers search for special moments which sometimes last only for brief seconds. These can be rarely seen moments o

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Durusoy, Murat. "In-Game Photography: Creating New Realities through Video Game Photography." Membrana Journal of Photography, Vol. 3, no. 1 (2018): 42–47. http://dx.doi.org/10.47659/m4.042.art.

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Computers and photography has had a long and complicated relationship throughout the years. As image processing and manipulating capabilities advanced on the computer front, photography re-birthed itself with digital cameras and digital imaging techniques. Development of interconnected social sharing networks like Instagram and Twitter feeds the photographers’/users’ thirst to show off their momentaneous “been there/seen that – capture the moment/share the moment” instincts. One other unlikely front emerged as an image processing power of the consumer electronics improved is “video game worlds

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Lessard, Bruno. "The Refracted Moment: Photographing Chinese History in the Making." Journal of Chinese Humanities 1, no. 1 (April 24, 2014): 170–93. http://dx.doi.org/10.1163/23521341-01010009.

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Abstract This article examines the way in which both Western and Chinese photographers have documented Chinese history in the making by focusing on the photographic documentation of two key events in the formation of Chinese society: the 1911 Revolution that laid the foundation for the birth of the republic and the “energy revolution” that was the Three Gorges Dam project (1994-2012). The major difference between the two revolutions is that the latter was documented by the Chinese themselves. No longer relying upon images made by Westerners exclusively, as was the case in 1911, the Chinese app

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Steciąg, Magdalena, and Anna Karmowska. "Lingua Materna, Lingua Receptiva, Lingua Franca, Multilingua Franca? The Linguascape of the Polish-Czech Borderland from the Perspective of Sustainable Multilingualism." Sustainable Multilingualism 16, no. 1 (May 1, 2020): 21–38. http://dx.doi.org/10.2478/sm-2020-0002.

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SummaryAs statistical surveys show, both Poland and the neighbouring Czech Republic are single-ethnic and highly monolingual countries. The observation of the linguistic landscape of the Polish-Czech borderland suggests, however, that the display of common natural heritage is conducive to weakening monolingualism and the development of multilingual practices instead. The hypothesis is being checked in a comparative analysis of the linguistic landscape of two picturesque locations - Czech Adršpach and Polish Karłów where a lot of natural sights in the form of rocks can be found. The case study

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Nestayko, Markiyan. "Photos of Levko Yanushevych on the pages of Ukrainian magazines." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 362–75. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-26.

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The article studies the activities of one of the famous Ukrainian photographers of the XX century — Levko Yanushevych in the field of photography. We have systematized and characterized the artist’s photographs on the pages of Ukrainian and foreign (for Ukrainian emigrants) periodicals of the XX century, specifically, «Dilo», «Nashi Dni», «Nova Khata» (all titles in Lviv), «Kholms’ka zemlya» (Krakow), «Ukrainskyi visnyk», «Holos» (both in Berlin), «Na slidi» (Augsburg). The process of shaping Yanushevych’s creative personality via a prism of public activity and cooperation with famous figures

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Rozprawy doktorskie na temat "Photographed moment"

Xie, Jiahua. "Moment beyond moment." Click here to access this resource online, 2008. http://hdl.handle.net/10292/452.

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This practice-based project explores the photographic phenomenon of ‘moment beyond moment’, which refers to the combined representations of an existing image in an environment, together with the real-life situation at the moment the photograph is taken. I call this photograph an ‘extended photograph’. Employing practical works of extended photographs and focusing on interactions between the moment in real-life and the moment in an existing image, the research explores the transformation of meanings caused by the interactions of these moments in an extended photograph. The research owes its app

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Schnarr, Christopher E. "Moments between the surface : photography and fiction." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.

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Architecture exists as shelter, separating space into the inside and the outside. This separation is a crucial point in our experience of architecture. This separation is the first moment of physical interaction with the construct in our penetration of the construct. However, architecture is not only a physical language. It is nonphysical, in that architecture is defined as the art and science of building, etc. This separation, internally, both produces the architecture as well as the ideas that are produced from the architecture. Architecture is held in-between, the movement or passage from o

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Castoro, Manila. "The decisive moment and the moment in between : Kairos, Tyche and the play of street photography." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60420/.

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This dissertation provides a theoretical and historical exploration of two contrasting approaches and attitudes that took hold in street photography during the 1950s, and of their impact on the street photography of the 1960s and 1970s. The two approaches and attitudes are identified as, firstly, that of the "decisive moment," and, secondly, what is referred to as the "moment in between." The former attitude was famously introduced by Henri Cartier-Bresson and exemplified within his work, while the latter is distinctly manifested in the work of William Klein and Robert Frank. Through a compara

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Ebner, Bonnie M. "Many telling moments the essence of fragmented image culture /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002116.

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Thallon, Norma-Louise. "The relationship between the visual and the verbal within a comedic moment : after the laughter." Thesis, Royal College of Art, 2011. http://researchonline.rca.ac.uk/396/.

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This research looks at comedy and question what its function is. It identifies the gag as a specific moment that solicits laughter and examines what is expressed within and through a gag and whether a gag can trigger a change in our thinking. What are the structures, functions and outcomes of a gag? The project approaches these questions through an examination of the relationship between the visual and the verbal within the gag. This examination involves two very different types of comedy, silent and stand-up, and considers specific gags from both. The methods used for this examination take th

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Kaufman, Sarah K. "Moments of Absorption." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1133.

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Moments of Absorption explores the conceptual and visual themes that are presented in my MFA thesis exhibition. The research looks into the absorption of the nude subject, the gestures that communicate this absorption, and the domestic space as a stage for the presentation of these gestures. This work investigates a tension between the theatrical and the natural as represented by images.

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Bruce, Janine. "Static Moments Photographic Notions of Time in the Paintings of Degas, Vuillard, Bonnard and Sickert." Thesis, University of Canterbury. Art History and Theory, 2012. http://hdl.handle.net/10092/8192.

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This thesis explores the relationship between photography and painting from the mid-nineteenth-century to the early twentieth-century. Specifically, I focus on the artistic outputs of four painters, Degas, Vuillard, Bonnard and Sickert, and the different manners in which they incorporated photography within their creative practices. In particular, I concentrate on photography’s representation of and relationship with time, discussing this in relation to three concepts, that of the narrative moment, memory and motion; concepts that painters often experimented with and explored during the timefr

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Korver, Ruth M. "In memory of cats : the camera and the ordinary moment : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/956.

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In memory of cats: The camera and the ordinary moment looks at the way in which families use photographs to remember the past. Photography’s offer of memory is limited to a visual trace, so strategies of oral telling are examined to interrogate the way in which memories can be recovered from photographs. Martha Langford’s study of the similarities between structures in oral culture and the photograph album and Annette Kuhn’s strategies for reading family photographs in a broader historical context, are used to examine and recover memories from my own photographic archive. Using moving image to

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Martins, José Francisco Greco. "Despejo da favela Jardim Maria Virgínia: fotografias, práticas e representações sociais nos momentos de perigo (1999 e 2011/12)." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2576.

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Made available in DSpace on 2016-04-25T20:21:31Z (GMT). No. of bitstreams: 1 Jose Francisco Greco Martins.pdf: 3777368 bytes, checksum: 2e84278c0946fce6f6cb13dfbebd31d6 (MD5) Previous issue date: 2015-09-25<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The present research problematizes the social practices and representations within the social space of the favela (slum) Jardim Maria Virgínia (JMV) in the years of 1999 and 2011/12. The area is located in the southern outskirts of the city of São Paulo, in the Campo Limpo district. The research was carried out through a qu

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Revenäs, Björn. "Några aspekter på filmens tid : Ögonblicket och nuet i filmen och fotografiet." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62335.

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Abstract Cinematic time is the most complex of all: it is composed of public time (clock), personal time (experienced) and in addition, it can run backwards, be contingent, stored and (re)created. The present study examines some aspects of cinematic time, with special reference to the instant, the moment and the present. The strictly defined instant or moment does not exist. It is a passage between the past and the future and it is impossible to record on film or a photograph. One example is the moment of death, which is an abstraction with zero duration. The present must consequently conta

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Książki na temat "Photographed moment"

McCurry, Steve. The unguarded moment. London: Phaidon Press, 2009.

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Robert, Mapplethorpe, Joselit David, Larson Kay, and University of Pennsylvania. Institute of Contemporary Art., eds. Robert Mapplethorpe: The perfect moment. 2nd ed. Philadelphia, Pa: Institute of Contemporary Art, University of Pennsylvania, 1989.

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Decydujący moment: Nowe zjawiska w fotografii polskiej po 2000 roku = The decisive moment : new phenomena in Polish photography since 2000. Kraków: Wydawnictwo Karakter, 2012.

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Jussim, Estelle. The eternal moment: Essays on the photographic image. New York, NY: Aperture, 1989.

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Shamis, Bob. Leon Levinstein: The moment of exposure. Ottawa: National Gallery of Canada, 1995.

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Shamis, Bob. The moment of exposure: Leon Levinstein. Ottawa: National Gallery of Canada, 1995.

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Akntʻartʻ: Moment. Erevan: "Van Aryan", 2012.

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Ken, Miller. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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Penny, Martin, and Shore Stephen 1947-, eds. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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Ken, Miller. Shoot: Photography of the moment. New York: Rizzoli, 2009.

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Części książek na temat "Photographed moment"

De León, Jason. "The Indecisive Moment." In Photography and Migration, 115–29. London ; New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315276953-9.

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Bohn, Ralf. "Schreiben mit Licht." In Bewegungsszenarien der Moderne, 93–109. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-6.

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In the 19th century, the stillness of movement during a photographic exposure required a staging based on academic traditions. Staging is the »spatialization« of a present absence – comparable to »writing« in the sense of Derrida. With the increasing mobility of camera techniques from the 20th century onwards, the focus is no longer on the reproduction of a moment, but instead on its performative invention.With the digital photography of the 21st century, a transformation from theatrical to functional staging takes place. The history of the writing scene of photography illustrates the interplay between concealment through technology and re-aestheticization, which with increasing oscillation turns into motor dizziness.

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Brogden, Jim. "Walking as a Decisive Moment." In Photography and the Non-Place, 13–50. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03919-6_2.

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Knight, Mark, and Lesley McFadyen. "'At Any Given Moment': Duration in Archaeology and Photography." In Archaeology and Photography, 55–72. London; New York: Bloomsbury Visual Arts, 2019. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-3.

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Belden-Adams, Kris. "Photography, Instantaneity, and the “Frozen Moments”." In Photography, Temporality, and Modernity, 8–41. First edition. | New York, NY : Routledge, 2019. | Series: Routledge history of photography: Routledge, 2019. http://dx.doi.org/10.4324/9781138544321-2.

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Fischer, Gunther. "The Moment of Incorporating Stabilizers." In Stabilizers for Photographic Silver Halide Emulsions: Progress in Chemistry and Application, 143–57. Boston, MA: Springer US, 2004. http://dx.doi.org/10.1007/978-1-4419-9108-9_7.

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Van Zyl, Llewellyn Ellardus, Inge Hulshof, and Leah R. Dickens. "#NoFilter: An Online Photographic Meaningful-Moments Intervention." In Evidence-Based Positive Psychological Interventions in Multi-Cultural Contexts, 57–82. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20311-5_3.

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Lahiji, Nadir. "From the photographic moment of critical philosophy to the optical unconscious." In Architecture, Philosophy, and the Pedagogy of Cinema, 25–38. Abingdon, Oxon; New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003166252-3.

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"From that moment on, I photographed..." In Bark. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/11239.003.0011.

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"Photography, Memory, and the Frail Instant." In Cultural Sustainabilities, edited by Timothy J. Cooley, 158–73. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042362.003.0013.

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This chapter begins with the idea of the photograph as an integral component in the ecology of memory, exploring the nature of the photograph as key in the sustaining of community identity and knowledge. Focusing on the documentary photographic work and life of Maggie Lee Sayre and Paul Kwilecki, it looks at ways in which memory, imagination, and creativity propel the making of photographs and also are served by the lasting nature of photography. The photographs of Sayre and Kwilecki, born of ordinary life and passing moments, are discussed as key elements the artists' attempt to arrest time–frail instant–and nourish personal and sustainable community-based memory.

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Streszczenia konferencji na temat "Photographed moment"

Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.

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Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han dejado de ser lecturas impresioni

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"WEIT 2013 moments [official photographs]." In 2013 2nd Workshop-School on Theoretical Computer Science (WEIT). IEEE, 2013. http://dx.doi.org/10.1109/weit.2013.5.

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Zhang, Renjie. "Study on Photography, Images and Paintings of the Moment." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.031.

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Esmaeelpanah, J., A. Dalili, S. Chandra, J. Mostaghimi, H. C. Fan, and H. Kuo. "Interactions Between High-Viscosity Droplets Deposited on a Surface: Experiments and Simulations." In ASME 2012 Fluids Engineering Division Summer Meeting collocated with the ASME 2012 Heat Transfer Summer Conference and the ASME 2012 10th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/fedsm2012-72068.

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A combined numerical and experimental investigation of coalescence of droplets of highly viscous liquids dropped on a surface has been carried out. Droplets of 87 wt% glycerin-in-water solutions with viscosity 110 centistokes were deposited sequentially in straight lines onto a flat, solid steel plate and droplet impact photographed. Impacting droplets spread on the surface until liquid surface tension and viscosity overcame inertial forces and the droplets recoiled, eventually reaching equilibrium. Droplet center-to-center distance was varied and droplet line length was measured from photogra

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Kim, Deokho, Taehyuk Kwon, Byeongwook Yoo, Gunill Lee, Wonwoo Lee, Jaewoong Lee, Sunghun Yim, and Jiwon Jeong. "Seamless Capturing of Moments Using Photographic Compositions and Image Aesthetics." In 2020 International Conference on Electronics, Information, and Communication (ICEIC). IEEE, 2020. http://dx.doi.org/10.1109/iceic49074.2020.9051282.

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Madadnia, Jafar, Mostafa Amjad, and Jeffry Kusnan. "Analysis of Severe Erosion in Industrial Centrifugal Slurry Pumps." In ASME 2013 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/fedsm2013-16435.

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Centrifugal pumps designed for homogenous slurries experience inefficiency, off-design operations, shorter service-life expectancy, and rapid geometry change due to localized and uneven erosion. Experimental and numerical research to design erosion-free pumps has been inconclusive due to complexity of heterogeneous, multiphase slurry flows and mechanism of the localized material losses. This paper reports on erosion-effects of slurry flows on a number of industrial centrifugal pumps selected from an active copper mine field. The field samples include three metallic pumps operating in a serial-

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Yoshikawa, Takaya, Nobuyuki Hotta, and Masaya Ito. "Estimation of the Fracture Origin of Ceramic Gas Turbine Rotors." In ASME 1995 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1995. http://dx.doi.org/10.1115/95-gt-250.

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The fracture origin of ceramic gas turbine rotors has been estimated by photographing the moment of burst during high speed spinning. Three types of ceramic rotors were designed to induce a fracture at the surface, the inside, and a pre-defect area. From photographic analysis of typical fracture behavior of these rotors, the fracture origins of ceramic rotors were estimated. The estimated fracture origins did not correspond to the calculated maximum stress areas in the rotors.

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Kamiya, Nobuo, Mitsuru Asai, Akinobu Bessho, and Shigetaka Wada. "Determination of Fracture Origin in Ceramic Radial Rotor by Taking Photographs at Failure From Two or Three Directions." In ASME 1990 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/90-gt-383.

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A technique involving taking moment photographs from two or three directions at failure of ceramic radial rotor was developed to determine the position of fracture origin of the radial rotor revolving at a high speed. The position of the fracture origin of the silicon nitride radial rotor, 60mm in outer diameter and fabricated by injection molding, was demonstrated to be the fillet at the base of the shaft subjected to high stress. Furthermore, the dependence of cracking modes of rotors on the position of fracture origin was demonstrated using ceramic rotors with artificial flaws.

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Dintenfass, L. "AGGREGATES OF RED BLOOD CELLS, AND AGGREGATES OF PLATELETS UNDER ZERO GRAVITY: EXPERIMENT ON NASA SPACE SHUTTLE "DISCOVERY" STS 51-C, JANUARY l985." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644538.

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The aim of experiment "ARC" on the space shuttle "Discovery STS 51-C, was to define effect of zero gravity on kinetics and morphology of aggregation of red cells in blood obtained from patients suffering from ischaemic heart disease, colon cancer, insulin-dependent diabetes, hyperlipidaemia, IgG and IgM papa-proteins. Space-rated automated slit-capillary photo-viscometer contained a motorized infusion pump capable of handling eight different blood samples. Two cameras and a microscope allowed micro and macrophotography, and total of 500 photographs was obtained in space; and equivalent number

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Gold, Vladimir M. "Numerical Modeling of Fragmentation Characteristics of Explosive Fragmentation Munitions." In ASME 2002 Pressure Vessels and Piping Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/pvp2002-1150.

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Numerical simulations of explosive fragmentation munitions presented in this work integrate three-dimensional axisymmetric hydrocode analyses with analytical fragmentation modeling. The developed analytical fragmentation model is based on the Mott’s theory of break-up of cylindrical “ring-bombs” (Mott, 1947), in which the average length of fragments is a function of the radius and velocity of the ring at the moment of break-up, and the mechanical properties of the metal. The fundamental assumption of the model is that the fragmentation occurs instantly throughout the entire body of the shell.

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