Gotowe bibliografie tematyczne / Photographic space

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Gotowa bibliografia na temat „Photographic space”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 19 lutego 2022

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Artykuły w czasopismach na temat "Photographic space"

Sile, Agnese. "Through the mother’s voice: Exposure and intimacy in Lesley McIntyre’s photo project The Time of Her Life and Elisabeth Zahnd Legnazzi’s Chiara A Journey Into Light." Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine 24, no. 5 (December 2, 2018): 461–75. http://dx.doi.org/10.1177/1363459318815933.

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When it comes to depicting ill or disabled children, the ethics of representation becomes increasingly complex. The perception of photographs as voyeuristic and objectifying is of particular concern here and resonates with widespread fear about the eroticisation, mistreatment and exploitation of children. Although these fears are reasonable, this view does not take into account the voice and agenda of the photographic subject, disregards the possibility of recognition and the participatory nature of photography. In this article, I focus on photography as a collaborative practice. I analyse two

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Cole, Emily. "Photography magazines and cross-cultural encounters in postwar Japan, 1945-1955." Mutual Images Journal, no. 8 (June 20, 2020): 21–46. http://dx.doi.org/10.32926/2020.8.col.photo.

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This article examines cross-cultural encounters between Japanese and western (European and American) photographers in the immediate postwar period (1945-1955), asking how these encounters influenced Japanese photographic trends. In addition, this article considers what photographic representations of western cultures reveal about postwar constructions of Japanese cultural identity. Building upon recent research framed by conceptions of photography as sites of cross-cultural encounter (see Melissa Miles & Kate Warren), this article argues that photography magazines provided space for consis

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Tee, Sim-Hui. "Transparency, Photography, and the A-Theory of Time." Problemos 93 (October 22, 2018): 177–92. http://dx.doi.org/10.15388/problemos.2018.93.11761.

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 [full article, abstract in English; only abstract in Lithuanian] Walton’s thesis of transparency of photographs has spurred much dispute among critics. One of the popular objections is spatial agnosticism, an argument that concerns the inertia of egocentric spatial information vis-a-vis a photograph. In this paper, I argue that spatial agnosticism fails. Spatial agnostics claim, for a wrong reason, that a photographic image cannot carry egocentric spatial information. I argue that it is the disjuncture of the photographic world in which the depicted object situated from the space

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Cronin, Anne M. "Researching Urban Space, Reflecting on Advertising." Space and Culture 14, no. 4 (September 19, 2011): 356–66. http://dx.doi.org/10.1177/1206331211412278.

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This photo essay places into dialogue practices of photographing urban space and the market research practices of the U.K. outdoor advertising industry. It explores photography as a method for accessing understandings of cities, and it examines ways of analyzing the interplay between photographic practices and data gathered through ethnography. Through personal reflections on the research process, the essay considers the spatial practices of the outdoor advertising industry and how its billboards and panels act to space out cities and city imaginaries.

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Koureas, Gabriel. "Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East." Memory Studies 12, no. 5 (October 2019): 493–513. http://dx.doi.org/10.1177/1750698019870689.

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This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory the

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Sile, Agnese. "Mental illness within family context: Visual dialogues in Joshua Lutz’s photographic essay Hesitating beauty." Arts and Humanities in Higher Education 17, no. 1 (January 12, 2018): 84–103. http://dx.doi.org/10.1177/1474022216684635.

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The status of photography within medical arts or humanities is still insecure. Despite a growing number of published photographic essays that disclose illness experience of an individual and how illness affects close relatives, these works have received relatively little scholarly attention. Through analysis of Joshua Lutz’s Hesitating Beauty (2012) which documents his mother who was suffering from schizophrenia, this article will explore how the photographic essay attempts to reconstruct a dialogue between mother and son out of fragmented, broken and undeveloped communications, and in the pro

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Watanabe, Toshio. "Geometrical Structures of Photographic and Stereoscopic Spaces." Spanish Journal of Psychology 9, no. 2 (November 2006): 263–72. http://dx.doi.org/10.1017/s1138741600006168.

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Two experiments were conducted to investigate the geometrical structures of photographic and stereoscopic spaces. In Experiment 1, it was investigated how accurately photographic space reproduces real physical space, and the geometrical structure of photographic space was compared with that of visual space. As a result, the mapping function of distance between photographic and physical spaces (δ = adb) shows that a and b range from 0.96–1.1 and 0.69–0.78. The mapping function of angle between photographic and physical spaces (Φ = gϕh) shows that g and h range from 2.37–5.29 and 0.74–0.97. Furt

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Noble, Anne, and Geoffrey Batchen. "Had We Lived ... Phantasms & Nieves Penitentes: Conversation between Anne Noble and Geoffrey Batchen." Grimace, Vol. 2, no. 1 (2017): 20–29. http://dx.doi.org/10.47659/m2.020.art.

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In the conversation, two of the most prominent New Zealand authors in the field of photography talk about the body of work of Anne Noble’s Antarctica photography projects. Had we lived is a re-photographic project reflecting on the tragedies of heroic age exploration (commemorating the centenary of the deaths of Robert Falcon Scott and his men on their return from the South Pole – Terra Nova Expedition or British Antarctic Expedition to the South Pole, 1912) and on the memory of Erebus tragedy of 1975, when a tourist plane flying over Antarctica crashed into Mt Erebus, killing all 257 people o

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Kanicki, Witold. "Wundercamera Obscura." Cabinet, Vol. 2, no. 2 (2017): 70–73. http://dx.doi.org/10.47659/m3.070.art.

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Archives abounding in collections of nineteenth-century photographs contain numerous examples of works dealing with the subject of bodily anomalies. Information about such pictures being taken used to be published on a regular basis in daily press, in which the readership were notified about photo ateliers which immortalised a variety of “monstrosities”. Although it would seem that such pictures were taken solely for scientific purposes, the many and varied contexts of their use let us link them to a much older tradition of viewing and collecting visual curiosities. Having the above facts in m

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Tavakol, Reza. "The time(s) of the photographed." Philosophy of Photography 10, no. 2 (October 1, 2019): 195–206. http://dx.doi.org/10.1386/pop_00015_1.

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The relationship between the photographic and optical images and time has been the subject of great deal of debate. Despite their differences, what many of these considerations have in common is their focus on the receiver, whether mechanical (the camera), biological (the eye‐brain as the optical receiver), social or the memory and imagination of the observer. My aim here is to shift the emphasis from the receiver to the object or vista that is photographed or viewed and to explore how the constraints implied by our modern understanding of the Universe, concerning space and time, impact on the

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Rozprawy doktorskie na temat "Photographic space"

Stead, Sarah. "PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.

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Inspired by Buddhist philosophy, the photographic series Architectural Zen attempts to beautify banal and pragmatic architecture through limiting and preexisting artificial light conditions. The selective illumination of artificial light eliminates the non-essential details and enhances the pure forms and saturated color presented by the camera lens. This encourages the photographer and the viewer to enter a state of meditation. The resulting process is similar to a Zen approach to image making. The ancient Zen artistÂ s compositions are strengthened by a meditation on form and subsequent elim

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Schoenwandt, Jeanne Marie. "Toward a feminist 'third space' : photographic 'sites' of cultural transformation." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37725.

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This thesis examines the notion of a 'third space'. 'Third space' is a way to examine the question of culture in a time marked by large epistemic, political and representational shifts. Recent theorization of 'third space' often locates this as a cultural 'in-between' or field of liminality, beginning with the polarities of hierarchical and binary dualisms. The body, as one half of dualistic thought and practice, remains conspicuously absent from concepts of 'third space' and its activities. A series of dynamic modes of engagement, in which embodiment figures centrally, constitutes 'third spac

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Sile, Agnese. "The space of love in photographic essays of illness narratives." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231012.

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Santamas, Mihalis. "The space between : time, memory and transcendence in audio-photographic art." Thesis, University of Huddersfield, 2015. http://eprints.hud.ac.uk/id/eprint/29144/.

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This portfolio and commentary documents an approach to audiovisual composition that utilises sound and photographic images in an effort to create immersive, affective art which I call audio-photographic art. When presented in an immersive context, I contend that the temporal dissonance between still image and sound opens up a space between the materials. I draw upon Gernot Böhme's writings on the aesthetic of 'atmosphere', as well as the the theoretical writings of Roland Barthes, Paul Ricoeur and Eleni Ikoniadou among others to illustrate how this experience is constituted. This space between

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Naude, Elmarie. "Embodying space : Capture Image Gallery." Diss., University of Pretoria, 2009. http://hdl.handle.net/2263/30248.

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The city of Pretoria has a diverse mix of people moving in and around it. This dynamic, ever-changing movement, combined with the city’s cultural diversity, renders it ideal for an investigation into the relationship (or lack thereof) that exists between the moving body and architectural space. The city and its architectural spaces are viewed as static. The human body and its movement is dynamic. These static spaces cannot always accommodate the dynamic movement taking place within and around them. This leads to a lack of dialogue or interaction between the two, causing a tension which is furt

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Baek, Juyeon. "A Piece of Space : Exploring photographic space as a visualized form of spatial experience and thinking about how a designer can position it in reality." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7274.

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This project recognizes photographic space as a visualized form of spatial experience and tries to read unspecified spatial information in photos shared in social media. By exploring a photograph, I research how photography, which is a framing activity, has affected spatial experience and cognition. I try to re-build a space with photographs and compare the different characters of original space and photographic space by juxtaposition. The combination of original space and photographic space through a mechanism tool makes designers understand people’s experiential space over spatial hierarchy

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Mountain, Michelle Fiona. ""The secret rapport between photography and philosophy" considering the South African photographic apparatus through Veleko, Rose, Goldblatt, Ractliffe and Mofokeng." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002211.

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This thesis is an attempt at understanding South African photography through the lens of Nontsikelelo “Lolo” Veleko, Tracy Rose, David Goldblatt, Jo Ractliffe and Santu Mofokeng. Through the works discussed this thesis intends to unpack photography as a complex medium similar to that of language and text, as well as attempt to understand how exploring South African experiences and spaces through the lens of photography shapes and mediates them. Furthermore it also attempts to understand how these experiences and spaces conversely affect the discourse of photography or at the very least our per

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Mota, João. "Beyond visibility and monumentality : photographic images in the public space : a study for two cases, Terreiro do Paço-Lisbon, Times Square-New York." Doctoral thesis, Universidade de Aveiro, 2001. http://hdl.handle.net/10773/15329.

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Doutoramento em Design<br>This thesis seeks to address the issue of retrieving / adapting the tradition of site-specific large-scale images, (other than images commercially motivated) to contemporary architectural spaces. To achieve this we discussed a conceptual framework to introduce the constitutive and operative concepts of visual public art and spatial politics. Then we made a historical overview of former uses of images in the public arena with special emphasis in the public visual art produced after 1960. Based on those operative concepts, historical framework and on the analy

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Adams, Bradley Jay. "Space Use and Annual Survival of Hybridized Mouflon Sheep in Hawaii and Comparing Estimates of Population Size through Instantaneous Sampling and Photographic Capture-Recapture." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/8260.

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Significant efforts in conservation are devoted to the management and study of ungulates, due to their significant roles in ecosystems as well as their potential economic value. This is especially true for species considered exotic, such as mouflon sheep (Ovis musimon) in Hawaii. Effective management of an exotic species requires an understanding of ecological metrics such as space use, survival, and population size. We provided these metrics for a population of mouflon that have hybridized with feral sheep (Ovis aries) on the island of Hawaii. In Chapter 1, we quantified space use and annual

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Bucksdricker, Luciane Silva. "Sometimes the same sky : construção de uma cartografia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/135381.

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Sometimes the same sky: construção de uma cartografia trata do processo de realização de três séries fotográficas produzidas desde 2008. Partindo do processo de criação, questões sobre errâncias urbanas, espaço e lugar, ficção e realidade na elaboração da imagem fotográfica são abordadas nesse estudo. O texto carrega a vontade de montar uma cartografia própria que inicia com impressões sobre encontros no espaço público até chegar a exploração de objetos no espaço doméstico. A pesquisa teve início com a série de fotografias Salas de[não] estar, onde concentrei a reflexão nas errâncias urbanas e

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Książki na temat "Photographic space"

The peripheral space of photography. Københaven [Copenhagen]: Green Integer, 2003.

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Ulrike, Jehle-Schulte Strathaus, and Schweizerisches Architekturmuseum, eds. Christian Vogt: Photographic essays on space. Basel: Merian, 2006.

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Harrington, Philip S. The space shuttle: A photographic history. San Francisco, CA: Browntrout Publishers, 2003.

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Michael, Parker. United space: Photographic works of Michael Parker. United States?]: M. Parker, 2004.

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The photograph--a strange confined space. Stanford, Calif: Stanford University Press, 1994.

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O'Neal, Robert L. Photographic survey of the LDEF mission. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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O'Neal, Robert L. Photographic survey of the LDEF mission. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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Holy places of Celtic Britain: A photographic portrait of sacred Albion. London: Blandford, 1999.

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Zhigui, Hu. Robust estimation applied to SPACE - M. Mississauga, Ont: University of Toronto, Erindale Campus, Survey Science, 1989.

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Smithsonian Institution. Guide to photographic collections at the Smithsonian Institution. Washington: Smithsonian Institution Press, 1989.

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Części książek na temat "Photographic space"

Sterken, Chr, and J. Manfroid. "Photographic photometry." In Astrophysics and Space Science Library, 211–17. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-011-2476-8_14.

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Thiel, Walter. "Retroperitoneal Space 1." In Photographic Atlas of Practical Anatomy I, 142–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60435-5_72.

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Thiel, Walter. "Retroperitoneal Space 2." In Photographic Atlas of Practical Anatomy I, 144–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60435-5_73.

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Thiel, Walter. "Retroperitoneal Space 4." In Photographic Atlas of Practical Anatomy I, 150–51. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60435-5_76.

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Thiel, Walter. "Retroperitoneal Space 5." In Photographic Atlas of Practical Anatomy I, 152–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60435-5_77.

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Loeb, Arthur L. "Coda: Unwrapping the Cube: A Photographic Essay (With technical assistance of C. Todd Stuart and photography by Bruce Anderson)." In Space Structures, 147–62. Boston, MA: Birkhäuser Boston, 1991. http://dx.doi.org/10.1007/978-1-4612-0437-4_19.

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Thiel, Walter. "Retroperitoneal Space 3 Renal Fasciae." In Photographic Atlas of Practical Anatomy I, 146–47. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-60435-5_74.

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Liu, Z., C. Sterken, H. Hensberge, and J. P. De Cuyper. "Calibration of Large Batches of Photographic Images." In Astrophysics and Space Science Library, 193–98. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-011-2472-0_25.

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Bienaymé, O., and C. Soubiran. "Proper Motions of M.A.S./Year Accuracy with Photographic Schmidt Plates." In Astrophysics and Space Science Library, 177–83. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-011-2472-0_23.

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Gendler, Robert, and R. Jay GaBany. "The Photographic Exploration of Deep Space and the Realm of the Nebulae." In Breakthrough!, 31–48. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20973-9_3.

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Streszczenia konferencji na temat "Photographic space"

Endelman, Lincoln L. "The Use Of Photographic Instrumentation And Motion Picture Photography In Nasa Space Programs." In 17th Int'l Conference on High Speed Photography and Photonics, edited by Donald Hollingworth and Maurice W. McDowell. SPIE, 1987. http://dx.doi.org/10.1117/12.975577.

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Liu, Haoting, Wei Wang, Feng Gao, Zhaoyang Liu, Yuan Sun, and Zhenlin Liu. "Development of Space Photographic Robotic Arm based on binocular vision servo." In 2013 Sixth International Conference on Advanced Computational Intelligence (ICACI). IEEE, 2013. http://dx.doi.org/10.1109/icaci.2013.6748528.

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Nekrasov, Victor V. "Use of space photographic survey for exploration of the earth's natural resources." In The Hague '90, 12-16 April, edited by Hans O. Nielsen. SPIE, 1990. http://dx.doi.org/10.1117/12.20357.

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Gaunce, Mike, Robert A. Scharf, Nicholas L. Johnson, and Eric L. Christiansen. "Photographic surveys of the Mir space station and the detection of orbital debris and meteoroid impacts." In Optical Science, Engineering and Instrumentation '97, edited by Firooz A. Allahdadi, E. Kane Casani, and Timothy D. Maclay. SPIE, 1997. http://dx.doi.org/10.1117/12.293332.

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Brukhanova, E., and O. Chekryzhova. "The problems of the Siberian urban space reconstruction at the turn of the XIX–XX centuries (on the example of Tobolsk city)." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1818.978-5-317-06529-4/257-264.

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The aim of the study is the Siberian cities’ social space reconstructiong in the late 19th – early 20th centuries based on the various sources and their comprehensive analysis, as well as the historical data representation in the interactive geoinformation system. As part of the project, the web-GIS of social topography of Tobolsk province’s cities at the turn of the XIX–XX centuries was created, including the reconstruction of more than 50% of Tobolsk’s urban development based on the study of historical maps, materials of the 1897 Census, photographic documents and other sources.

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Winfield, Darrell, Russell Graves, Eric Christiansen, and Mike Gaunce. "Meteoroid and orbital debris risk mitigation planning for the International Space Station - Photographic damage assessment of Russian Mir station." In 34th Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1996. http://dx.doi.org/10.2514/6.1996-630.

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Lestari, Endang Sri. "Visual Character of the Area Support Corridor: Case Study of the Great Mosque of Palembang." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021151n3.

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The aim of this study is to understand what was changed in a Levantine mansion in the Buca district of Izmir, from its construction date to now. Since the construction date is 1876, the study is scoped into a 150 years period in time. The data collection method includes photographic documentation and laser measurements. The evaluation method is comparative analysis to relate the common properties of Levantine houses with the plan typology and the traces in the building. A short periodization and descriptions of each space have been made. The mansion had not experienced radical changes, even if

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Ergül, Emre, and Beste Demircan. "A Levantine Mansion: Buca Guidance Centre for Disabled Students." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021137n2.

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Takamatsu, Misao, Kazuyuki Imaizumi, Akinori Nagai, Takashi Sekine, and Yukimoto Maeda. "Development of Observation Techniques in Reactor Vessel of Experimental Fast Reactor Joyo." In 17th International Conference on Nuclear Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/icone17-75088.

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During the investigation of an incident that occurred with the experimental fast reactor Joyo, In-Vessel Observations (IVO) using a standard Video Camera (VC) and a Radiation-Resistant Fiberscope (RRF) took place at (1) the top of the Sub-Assemblies (S/As) and the In-Vessel Storage rack (IVS), (2) the bottom face of the Upper Core Structure (UCS) under the condition with the level of sodium at −50 mm below the top of the S/As. A simple 6 m overhead view of each S/A, through the fuel handling or inspection holes etc, was photographed using a VC fixed to the Rotating-Plug (R/P) with the acrylic

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Lasaosa, Virginia Espa, María José Gutiérrez Lera, María Cañas Aparicio, and María Adelaida Gutiérrez Martín. "Veinte años de docencia de la fotografía. Estudio de caso: Escuela de Arte de Huesca (España), Twenty years teaching photography. Case study: The Art School of Huesca (Spain)." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6741.

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ResumenEl Ciclo Formativo de Grado Superior en Fotografía pertenece a la familia profesional artística de Comunicación Gráfica y Audiovisual y forma parte del sistema educativo español público.Esta comunicación presenta un panorama de la evolución de los estudios sobre fotografía en las Escuelas de Artes Plásticas y Diseño, exponiendo, a través del ejemplo de la Escuela de Arte de Huesca, el caso de la Comunidad Autónoma de Aragón.La implantación del grado superior de fotografía en Huesca se incardinó en la estructura propicia que aportaba una ciudad acostumbrada a valorar este modo de expresi

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Raporty organizacyjne na temat "Photographic space"

Costa, Pedro, and Ricardo Lopes. Urban design, public space and the dynamics of creative milieus: a photographic approach to Bairro Alto (Lisboa), Gracia (Barcelona) and Vila Madalena (São Paulo). DINÂMIA'CET-IUL, 2012. http://dx.doi.org/10.7749/dinamiacet-iul.wp.2012.18.

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Sutton, Kevin Matthew, and Brent Scott Budden. Space and Atmospheric Burst Reporting System Flight Unit 3 (SABRS-3) Official Photographs. Office of Scientific and Technical Information (OSTI), March 2019. http://dx.doi.org/10.2172/1504635.

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Sutton, Kevin Matthew, Sandra M. Valdez, and Brent Scott Budden. Space and Endo-Atmospheric NuDet Surveillance Experimentation and Risk-Reduction (SENSER) Official Photographs. Office of Scientific and Technical Information (OSTI), March 2019. http://dx.doi.org/10.2172/1504636.

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Wren, James. Photographs of Gunsmoke-J Satellites and Integration with Launch Vehicle at VOX Space, Inc., in Long Beach California [Slides]. Office of Scientific and Technical Information (OSTI), June 2021. http://dx.doi.org/10.2172/1805704.

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Tabinskyy, Yaroslav. VISUAL CONCEPTS OF PHOTO IN THE MEDIA (ON THE EXAMPLE OF «UKRAINER» AND «REPORTERS»). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11099.

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The article is devoted to the analysis of the main forms of visualization in the media related to photo. The thematic visual concepts are described in accordance with the content of electronic media, which consider the impact of modern technologies on the development of media space. The researches of the Ukrainian and foreign educational institutions concerning the main features of modern photo is classificate. Modifications and new visual forms in the media are singled out. The main objective of the article is to study the visual concepts of modern photo and identify ideological and thematic

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