Gotowe bibliografie tematyczne / Pictures in the theater

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Pictures in the theater”

Autor: Grafiati
Data publikacji: 27 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Pictures in the theater"

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Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i
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Langworthy, D. ""LISTEN TO THE PICTURES"-ROBERT WILSON & GERMAN THEATER CRITICISM." Theater 23, no. 1 (1992): 35–40. http://dx.doi.org/10.1215/01610775-23-1-35.

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Jannarone, Kimberly. "Jarry's Caesar Antichrist and the Theatre of the Book." New Theatre Quarterly 25, no. 2 (2009): 121–36. http://dx.doi.org/10.1017/s0266464x09000220.

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The familiarity bred by the notoriety in its own times of Alfred Jarry's Ubu Roi has been accompanied by neglect for his other work, especially that which seems of peripheral interest to the theatre practitioner. In this article, Kimberly Jannarone argues that his earlier Caesar Antichrist falls into the unusual category of ‘a piece of theatre not intended for the stage’ – apparently unstageable, yet not a closet drama since, in Jarry's scrupulous care for its published form, he created his own ‘theatre of the book’, anticipating the later modernist use of collage while also demonstrating in w
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Smekalin, I. "Movies That Change Lives. Evaluating the Social Impact of Motion Pictures and the Practice of Evidence in Filmmaking." Positive changes 3, no. 2 (2023): 28–38. http://dx.doi.org/10.55140/2782-5817-2023-3-2-28-38.

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Cinema is one of the most popular art forms among people of all ages. Just like music, theater, architecture, literature or painting, cinema certainly has an impact on people. At the same time, it has the capability to not just draw attention to social problems, but also to change people’s attitudes and behaviors — thus changing the world as a whole. This article provides an overview of various approaches to researching social impact of motion pictures and raises a number of important issues related to the current state of the impact assessment industry in motion pictures.
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Perevalova, Yelena V. "“The theater is an open book, it is a living picture of life accessible to everyone”: Problems of the domestic theater on the pages of the newspaper Moskovskie Vedomosti and the weekly Sovremennaya Letopis’ (1860s–1870s)." Voprosy zhurnalistiki, no. 16 (2024): 150–77. https://doi.org/10.17223/26188422/16/10.

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The article analyzes the speeches on the national theater transformation by one of the most influential Russian publications of the 1860s-1880s - the newspaper Moskovskie Vedomosti with its appendix, the weekly Sovremennaya Letopis’; the authoritative publicist Mikhail Katkov was its editor-publisher. The relevance of the research is due to the need to study the historical experience of the domestic theater business in connection with the ongoing processes of reforming the modern Russian theater, as well as the growing interest in the role of domestic conservative journalism in the cultural li
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Yurganov, Andrei L'. "On the original version of the play "Fear" by Stalinist playwright Alexander Afinogenov. 1930s." Herald of an archivist, no. 2 (2024): 480–94. http://dx.doi.org/10.28995/2073-0101-2024-2-480-494.

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The article examines the work of Stalinist playwright Alexander Nikolaevich Afinogenov (1904-1941) through the prism of his complicity in the ideological campaigns of the Bolshevik Party. The study of the impact of party-state ideology on the broad masses of people during the Stalinist era is a priority direction of historical science. However, this direction needs further thematic and problematic expansion. The ideological campaigns of the Bolshevik Party in the 1930s found their artistic expression on the theatrical stage, in the plays of the most famous playwrights. This interaction between
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Dr, Keerty Goyal. "THEATER: A PERFORMING ART OF KNITTING EMOTIONS." International Journal of Human Resource & Industrial Research 3, no. 3 (2016): 73–78. https://doi.org/10.5281/zenodo.10699920.

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<em>Theater being and direct medium operates on human level with its audience. Though theater has always been facing upheavals and difficulties claiming for the audience but finally has a beauty of its own. The accomplishment that an artist and the director expect from the audience is only the curtain falling with a thunderous applause. Theater artists live in a world of their own and are fully passionate about their work. Theater is an art to be felt and experienced. Theater is a live medium of entertainment which engages its audience through creative expression. The artist has the inner pict
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Hennig-Thurau, Thorsten, Victor Henning, and Henrik Sattler. "Consumer File Sharing of Motion Pictures." Journal of Marketing 71, no. 4 (2007): 1–18. http://dx.doi.org/10.1509/jmkg.71.4.001.

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Illegal consumer file sharing of motion pictures is considered a major threat to the movie industry. Whereas industry advocates and some scholars postulate a cannibalistic effect on commercial forms of movie consumption, other researchers deny this effect, though sound evidence is lacking on both sides. Drawing on extant research and utility theory, the authors present hypotheses on the consequences and determinants of consumer file sharing and test them with data from a controlled longitudinal panel study of German consumers. The data contain information on the consumers' intentions toward an
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Kareem, Nazar Shibib, and Hayder Jaafar Aldaghlawy. "Pictures of death in the Iraqi theatrical performance." Funon Al-Basrah Journal, no. 22 (March 20, 2022): 178–206. https://doi.org/10.5281/zenodo.7779693.

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The research deals with the concept of death as one of the important phenomena that cast a shadow over the nature and entity of the individual.&nbsp; Human civilizations and religions have been interested in its two parts of heavenly and positivism, and the perception of it has become clear, each according to his beliefs and behaviors.&nbsp; With the development of human thought, currents and schools began to appear in various sciences by studying that phenomenon, especially after the outbreak of the World War and its consequences in human life at all levels, especially social and economic, an
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Hennig-Thurau, Thorsten, Victor Henning, Henrik Sattler, Felix Eggers, and Mark B. Houston. "The Last Picture Show? Timing and Order of Movie Distribution Channels." Journal of Marketing 71, no. 4 (2007): 63–83. http://dx.doi.org/10.1509/jmkg.71.4.063.

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Movies and other media goods are traditionally distributed across distinct sequential channels (e.g., theaters, home video, video on demand). The optimality of the currently employed timing and order of channel openings has become a matter of contentious debate among both industry experts and marketing scholars. In this article, the authors present a model of revenue generation across four sequential distribution channels, combining choice-based conjoint data with other information. Drawing on stratified random samples for three major markets—namely, the United States, Japan, and Germany—and a
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Rozprawy doktorskie na temat "Pictures in the theater"

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Gunckel, Colin. ""A theater worthy of our race" the exhibition and reception of Spanish language film in Los Angeles, 1911-1942 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1997008061&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Chiu, Chun-Kai. "Movie theater ticket order system: (MTTOS)." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2541.

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This project is a movie theater order system. This system allows people to get movie information and purchase tickets on the Internet. This project is based on a Model-View-Controller (MVC) architecture, which introduces a controller servlet to provide a single point of entry to the web system and encourages more reuse and extensibility of the code.
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Luce, Micah. "The cinema and the church experiential [koinonia] in audience and congregation /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.

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Khazaal, Natalie Michaylova. "Sectarianism, language, and language education in Lebanese theater, television, and film." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Overpeck, Deron. "Out of the dark American film exhibition : political action and industrial change, 1966-1986 /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459904671&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Odenwald, Florian. "Der nazistische Kampf gegen das "Undeutsche" in Theater und Film 1920-1945." München : Utz, 2006. http://books.google.com/books?id=cOtkAAAAMAAJ.

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Perugini, Sas̆a. "The aesthetics of Fellini's art seen through its ties with popular entertainment /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2001.

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Thesis (Ph.D.)--Tufts University, 2001.<br>Submitted to the Dept. of Drama. Advisers: Laurence Senelick; Jeanne Dillon. Includes bibliographical references (leaves 228-243). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Sava, Laura. "Intermedial encounters : the representation of theatre in film." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49180/.

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This thesis closely examines the representation of theatre in film, using insights derived from an ever-growing literature dedicated to the notion of intermediality, in order to understand film’s temporary disguise as another medium. With the realization that theatre is not just another object of representation in film, it becomes increasingly apparent that an analysis of theatre-in-film has the potential of serving as a catalyst for a complex reflection on the nature of mediation. The present dissertation studies the conditions under which this potential is realized. Throughout the thesis, I
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Slaughter, Stephany Lynn. "Performing the Mexican revolution in neoliberal times reinventing iconographies, nation, and gender /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164735049.

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Urquijo-Ruiz, Rita E. "Las figuras de la peladita/el peladito y la pachuca/el pachuco en la producción cultural chicana y mexicana de 1920 a 1990 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2004. http://wwwlib.umi.com/cr/ucsd/fullcit?p3138840.

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Thesis (Ph. D.)--University of California, San Diego, 2004.<br>Accompanied by compact disc sound recording of 11 Pachuco trio songs by Lalo Guerrero with Trio Imperial. Vita. Includes bibliographical references (leaves 200-209).
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Książki na temat "Pictures in the theater"

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Francis, Sandy. At the movie theater. Child's World, 2000.

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Holcomb, Billy. Theater row: Movie palaces of Denison, Texas. Denison Heritage Inc., 1999.

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Goossens, Jesse. Tuschinski--droom, legende en werkelijkheid: De geschiedenis van het theater. BZZTôH, 2002.

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Athanasatou, Gianna. Skēnes, eikones, vlemmata: Diastaurōseis tou theatrou kai tou kinēmatographou. Ekdoseis EAP, 2021.

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Jones, Robert Edmond. Towards a new theatre: The lectures of Robert Edmond Jones. Limelight Editions, 1992.

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B, Balme Christopher, Hasche Christa, Mühl-Benninghaus Wolfgang, and Fiebach Joachim, eds. Horizonte der Emanzipation: Texte zu Theater und Theatralität. Vistas, 1999.

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Alexandre, Olivier. Utopia, à la recherche d'un cinéma alternatif. Harmattan, 2007.

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Protti, Paolo. Un orizzonte chiamato cinema: Mantova e l'Italia dal 1904 ad oggi nella storia della famiglia Protti. Editoriale Sometti, 2018.

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Richardson, Adele. Manners at the movies. Capstone Press, 2006.

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McCully, Emily Arnold. You lucky duck!: Story and pictures. Golden Book, 1988.

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Części książek na temat "Pictures in the theater"

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Roznowski, Rob, and Kirk Domer. "The Life in Pictures." In Collaboration in Theatre. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620193_12.

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Newey, Katherine. "Speaking Pictures: The Victorian Stage and Visual Culture." In Ruskin, the Theatre and Victorian Visual Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236790_1.

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Mardnli, Judy. "Involuntary journey—a picture theater in unjust scenes." In In/Visibility of Flight. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839469033-003.

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Manzetti, Maria Cristina. "Combining 3D Visibility Analysis and Virtual Acoustics Analysis for the Architectural Study of Ancient Theatres." In Capturing the Senses. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23133-9_6.

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AbstractThe research presented in this chapter demonstrates the fruitful combination of interdisciplinary and multisensory approaches in the field of archaeology. Several disciplines, such as architecture, archaeology, computer science, acoustics and geophysics, cooperated to obtain new data and to elaborate new hypotheses about the original structure of the Roman theatres in Crete. All the information available about these monuments (such as ancient drawings, descriptions of travellers, plans, archaeological reports, aerial pictures and geophysical anomalies) were the basis to hypothesise the
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Cat, Jordi. "Vague Pictures as Pictures." In Fuzzy Pictures as Philosophical Problem and Scientific Practice. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47190-7_9.

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Mendling, Werner. "Pictures." In Vulvovaginal Candidosis. Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-83312-0_11.

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Cometa, Michele. "Pictures." In The Literary Life of Pictures. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52897-2_5.

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Holkham, Tony. "Pictures." In Label Writing and Planning. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4613-1231-4_41.

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"Four. The Theater as a Visual Art." In Mute Poetry, Speaking Pictures. Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400844784-006.

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Peters, Julie Stone. "Scenic Pictures." In Theatre of the Book 1480–1880. Oxford University Press, 2003. http://dx.doi.org/10.1093/acprof:oso/9780199262168.003.0015.

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Streszczenia konferencji na temat "Pictures in the theater"

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Galt, John. "Interfacing HDTV and Motion Picture for the Electronic Movie-Theatre." In SMPTE HDTV Workshop. IEEE, 1996. http://dx.doi.org/10.5594/m001251.

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Crump, Evan. "Amputating Shakespeare: Theater Becoming-Theater." In 2021 AERA Annual Meeting. AERA, 2021. http://dx.doi.org/10.3102/1681701.

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Chandler, Corey D., Gloria Lo, and Anoop K. Sinha. "Multimodal theater." In CHI '02 extended abstracts. ACM Press, 2002. http://dx.doi.org/10.1145/506443.506642.

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Lorig, Gray. "Electronic theater." In ACM SIGGRAPH 92 Visual Proceedings. ACM Press, 1992. http://dx.doi.org/10.1145/131340.260553.

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"Pictures." In 2009 IEEE International Integrated Reliability Workshop (IRW). IEEE, 2009. http://dx.doi.org/10.1109/irws.2009.5383000.

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"Pictures." In 2010 IEEE International Integrated Reliability Workshop (IIRW). IEEE, 2010. http://dx.doi.org/10.1109/iirw.2010.5706518.

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"Pictures." In Conference Record of the Thirty-First IEEE Photovoltaic Specialists Conference. IEEE, 2005. http://dx.doi.org/10.1109/pvsc.2005.1488050.

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Bryce, Renee, and Vicki Allan. "Mystery Bug Theater." In 2011 24th IEEE-CS Conference on Software Engineering Education and Training (CSEE&T). IEEE, 2011. http://dx.doi.org/10.1109/cseet.2011.5876109.

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"Theater Missile Defense." In Space Programs and Technologies Conference. American Institute of Aeronautics and Astronautics, 1995. http://dx.doi.org/10.2514/6.1995-4000.

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Velho, Luiz. "VR Kino+Theater." In 2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2019. http://dx.doi.org/10.1109/vr.2019.8797795.

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Raporty organizacyjne na temat "Pictures in the theater"

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UNITED STATES JOINT FORCES COMMAND NORFOLK VA. Single Integrated Air Picture (SIAP) Data Management and Analysis for Analysis of In-Theater Data. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada413164.

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McClure, Melissa. Moving pictures. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6298.

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Parma, Edward J. AWE-UUR-Pictures. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1433785.

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Wong, Amy. Glovebox Fabrication Pictures. Office of Scientific and Technical Information (OSTI), 2023. http://dx.doi.org/10.2172/2228625.

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Blattner, M., F. Sierra, and P. Prassinos. PixMail: Pictures through mail. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6138623.

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Cutler, Theresa Elizabeth, and Jesson D. Hutchinson. NCSP NCERC Class Pictures February 2016. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1242921.

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Starrett, Charles Edward. Pseudo-atom Molecular Dynamics in Pictures. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1321710.

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Coleman, Cornelia. Pictures of Lily and Other Stories. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1352.

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Imhoff, Seth. Problems, Pictures and Stories… with Solidification. Office of Scientific and Technical Information (OSTI), 2023. http://dx.doi.org/10.2172/2246825.

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Strebe, Luke. NAI Waste Receptacle Prototype 1 Pictures. Office of Scientific and Technical Information (OSTI), 2024. http://dx.doi.org/10.2172/2305288.

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