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Książki na temat „Poetic innovation”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

L, Berghahn Klaus, and Grimm Reinhold, eds. Utopian vision, technological innovation, and poetic imagination. Winter, 1990.

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Movimiento de Arte y Cultura Latino Americana., ed. Poetic paradox: 10 years of innovation in Latino art. MACLA, 2001.

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Rasula, Jed. Syncopations: The stress of innovation in contemporary American poetry. University of Alabama Press, 2004.

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4

Cummings, E. E. 95 poems. Liveright, 2002.

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1942-, Morris Adalaide Kirby, ed. Sound states: Innovative poetics and acoustical technologies. University of North Carolina Press, 1997.

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Kate, Eichhorn, and Milne Heather 1973-, eds. Prismatic publics: Innovative Canadian women's poetry and poetics. Coach House Books, 2009.

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Eichhorn, Kate. Prismatic publics: Innovative Canadian women's poetry and poetics. Coach House Books, 2009.

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8

Kate, Eichhorn, and Milne Heather 1973-, eds. Prismatic publics: Innovative Canadian women's poetry and poetics. Coach House Books, 2009.

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Kate, Eichhorn, and Milne Heather 1973-, eds. Prismatic publics: Innovative Canadian women's poetry and poetics. Coach House Books, 2009.

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10

Caracchini, Cristina, and Enrico Minardi, eds. Il pensiero della poesia. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-480-0.

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Cosa hanno in comune gli studi raccolti in questo volume, su autori così disparati come Conte, Palazzeschi, Zanzotto, Caproni, Rosselli, Biagini, alcuni poeti crepuscolari, Leopardi, Annovi, Giuliani, e perfino certe traduzioni novecentesche di R.M. Rilke? La convinzione che la parola poetica – etimologicamente ‘creatrice’ – generi prospettive cognitive che alterano la nostra percezione del mondo. La lettura della poesia non ha un effetto confinato alla pagina e al momento, ma incide sul nostro rapporto con la realtà, lo cambia e lo arricchisce in maniera spesso insospettabile e sorprendente.

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Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. University of Iowa Press, 2011.

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Sheppard, Robert. Far language: Poetics and linguistically innovative poetry, 1978-1997. Stride Publications, 1999.

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Fiume, Valentina. Codici dell’anima: itinerari tra mistica, filosofia e poesia. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-298-0.

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Codici dell’anima: itinerari tra mistica, filosofia e poesia. Con un’antologia di testi al femminile investigates the rhetoric of ‘vision’ at a theoretical, literary and linguistic level: through the analysis of a corpus of important authors of the twentieth century – Campo, Guidacci, Virgillito, Zambrano and Weil – it traces the routes of a new resemantization of some symbols from the mystical tradition. After a theoretical reflection on the most significant aspects of philosophical and poetic itineraries, the volume philologically analyzes the fundamental aspects of this new alphabet of ecst

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Gigli, Daria, and Enrico Magnelli, eds. Studi di poesia greca tardoantica. Firenze University Press, 2014. http://dx.doi.org/10.36253/978-88-6655-488-2.

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Il volume contiene gli atti della giornata di studi svoltasi a Firenze il 4 ottobre 2012 e presenta i contributi di nove giovani studiosi di provata competenza, formatisi in varie Università italiane. La multiforme produzione poetica greca di età post-ellenistica è indagata attraverso i suoi generi letterari e le specifiche problematiche che essa pone: si tratta di epica mitologico-narrativa e didattica, di oracoli teologici, di innografia pagana e cristiana, di epigramma, di sopravvivenza del codice espressivo poetico nella prosa della prima età bizantina. I saggi sono diversi per prospettiva

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15

Paola, Bottalla, Marra G, Marucci Franco 1949-, and International Conference "Gerard Manley Hopkins" (1989 : Mira, Italy, and Venice, Italy), eds. Gerard Manley Hopkins: Tradition and innovation. Longo, 1991.

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16

Vignes, Jean. Paris 1553: Audaces et innovations poétiques. Honoré Champion éditeur, 2021.

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17

Archambeau, Robert, Steve Tomasula, and Davis Schneiderman, eds. The & Now Awards: The Best Innovative Writing. Lake Forest College Press: Northwestern University Press, 2009.

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18

Greene, Roland. Post-Petrarchism: Origins and innovations of the Western lyricsequence. Princeton University Press, 1991.

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Archambeau, Robert, Steve Tomasula, and David Schneiderman, eds. The & Now Awards: The Best Innovative Writing. Lake Forest College Press, with Northwestern University Press, 2009.

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Archambeau, Robert, Steve Tomasula, and Davis Schneiderman, eds. The & Now Awards: The Best Innovative Writing. Lake Forest College Press, 2009.

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21

Jules LaForgue and poetic innovation. Clarendon Press, 1993.

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Robinson, Jeffrey C. Poetic Innovation in Wordsworth 1825-1833: Fibres of These Thoughts. Anthem Press, 2019.

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Poetic Innovation in Wordsworth 1825-1833: Fibres of These Thoughts. Anthem Press, 2019.

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Robinson, Jeffrey C. Poetic Innovation in Wordsworth 1825-1833: Fibres of These Thoughts. Anthem Press, 2019.

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25

Orji, Linda. Cracked Concrete : Vol. 1: A Poetic P of Her. Self. Innovation. Soul Survivor Publishing, 2019.

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Hartman, Megan Elizabeth. Poetic Style and Innovation in Old English, Old Norse, and Old Saxon. de Gruyter GmbH, Walter, 2020.

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Poetic Style and Innovation in Old English, Old Norse, and Old Saxon. Medieval Institute Publications, 2020.

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Poetic Style and Innovation in Old English, Old Norse, and Old Saxon. de Gruyter GmbH, Walter, 2020.

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Eberle-Sinatra, Wendy Joan. East and West in Dialogue: Poetic language innovation in the May Fourth and Modernist movements. 2000.

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Rasula, Jed. Syncopations: The Stress of Innovation in Contemporary American Poetry. University of Alabama Press, 2011.

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31

Seo, Mira. Aesthetics of Enlightenment. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190278359.003.0004.

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Among the intellectual and literary elites of Roman Italy in the late first century CE, Christianity had yet to make significant inroads. The Stoicism of Panaetius and Seneca dominated ethical discourse in the imperial capital, whereas in the Hellenic center of Neapolis (Naples) and surrounding Campania, elites maintained the genteel Epicureanism of Philodemus. This chapter explores the innovative regional poetics and philosophy of the Bay of Naples through the architectural poems of Statius’s Silvae. Statius’s remarkable poetic innovation engages a new rhetorical approach to displays of mater

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32

Knoppers, Laura L., ed. The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198852803.001.0001.

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Abstract By taking as its purview the full seventeenth century, 1603–1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into seventeenth-century literary history, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates

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Hazzard, Oli. John Ashbery and Anglo-American Exchange. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822011.001.0001.

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This book shows how the work of a major post-war American poet has been centrally concerned with questions of national identity and intercultural poetic exchange, by reading crucial episodes in John Ashbery’s oeuvre in the context of an ‘other tradition’ of twentieth-century English poets he himself has defined. This line runs from the editor of Ashbery’s recent Collected Poems, Mark Ford, through Lee Harwood in the late 1960s, F. T. Prince in the 1950s, to ‘chronologically the first and therefore most important influence’ on his own work, W. H. Auden. Through detailed close readings of the po

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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. The poetics of language. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0035.

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The chapter analyzes language-oriented poets and movements, showing how different conceptions of the poetic word emerged and influenced writing and performance throughout the period. The chapter follows the ramifications of avant-garde experiment, expressed in manifestos, public gestures, and performances. These innovations continued to influence the artistic practices of the 1920s and were revived later in the 1960s–80s. They comprised a legacy for concrete and Conceptualist poetry and, later, Metarealism. The chapter discusses the connection of these groups to underground culture, and shows

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Ramalho-Santos, Irene. Fernando Pessoa and the Lyric. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666991413.

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Fernando Pessoa and the Lyric: Disquietude, Rumination, Interruption, Inspiration, Constellation is an in-depth exploration of Pessoa’s major innovations in lyric writing and thinking. This book is an original contribution to comparative literature and poetic theory that puts Pessoa side by side with several other poets. It delves into Pessoa’s poetic theory, with an emphasis on Livro do desassossego and the heteronymic drama, and discovers new approaches to reading and appreciating the lyric. Such Pessoan literary concepts as disquietude, rumination, interruption, inspiration, and constellati

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Newcomb, John Timberman. There Is Always Others. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036798.003.0005.

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This chapter examines how the experimental verse of Others, the quintessential aestheticist-modernist little magazine of American poetry, emerges from and responds to the climate of metropolitan activism that links it to The Masses. Others, published between July 1915 and July 1919 by Alfred Kreymborg and various friends, published works by such distinguished poets such as Ezra Pound, T. S. Eliot, William Carlos Williams, Marianne Moore, and Carl Sandburg. This chapter argues that Others's commitment to stylistic experimentalism possessed a strong social dimension by showing how its verses add

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Lutjeharms, Rembert. A Vaisnava Poet in Early Modern Bengal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827108.001.0001.

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This book examines the practice of poetry in the devotional Vaiṣṇava tradition inspired by Śrī Kṛṣṇa Caitanya (1486–1533), through a detailed study of the Sanskrit poetic works of Kavikarṇapūra, one of the most significant sixteenth‐century Caitanya Vaiṣṇava poets and theologians. It places his ideas in the context both of Sanskrit literary theory (by exploring his use of earlier works of Sanskrit criticism) and of Vaiṣṇava theology (by tracing the origins of his theological ideas to earlier Vaiṣṇava teachers, especially his guru Śrīnātha). Both Kavikarṇapūra’s poetics as well as the style of

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Wellman, Donald. Expressivity in Modern Poetry. Fairleigh Dickinson University Press, 2019. https://doi.org/10.5040/9781683935216.

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Expressivity in Modern Poetry explores three interrelated subjects. The first is a general exposition of the radical or deeply realistic aspects of the poetry and visual arts of the modem period. The focus is on the works of Ezra Pound as understood through a prism of postmodern thought. The second subject is the poetry and poetics of Charles Olson, a pivotal figure during the transition from modernism to postmodemism. The third subject is contemporary innovative poetry with special attention to transcultural, neobarroco, and language-centered aspects of composition. The grounding for this sec

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Narrative poetics: Innovations, limits, challenges. Center for Comparative Studies in the Humanities, Ohio State University, 1987.

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Shamma, Yasmine. Spatial Poetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808725.001.0001.

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Emphatically coming after the enthusiastic, dexterous, and avant-garde First Generation New York School poets, the Second Generation New York School poets Ted Berrigan, Alice Notley, Ron Padgett, and Joe Brainard engaged with highways and byways of both the poetic line and Manhattan’s grid. These poets lived in and wrote from alternative domestic spaces—untidy, disordered, congested apartments in downtown New York City. This study argues that the forms of their poems are accordingly untraditional, highlighting how New York School stanzas often take on the contours of these spaces, becoming lin

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The consequence of innovation: 21st century poetics. Roof Books, 2008.

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Renker, Elizabeth. Late-Century African American Poets and Realist Gentility. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808787.003.0006.

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This chapter argues that late-century black poets carved out a new postbellum form of African American poetic realism. These poets, too, have fallen prey to the twilight narrative. While critics often fault their work as “conventional,” this chapter contests the scholarly argument that the “conventionality” of black genteel verse is a problem to be lamented, showing it instead to have been an arena for innovation. Priscilla Jane Thompson, George Marion McClellan, William H. A. [W. H. A.] Moore, and Henrietta Cordelia Ray all carved out unique forms of African American poetic expression in whic

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Orphic Bend: Music and Innovative Poetics. University of Alabama Press, 2021.

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Zamsky, Robert L. Orphic Bend: Music and Innovative Poetics. University of Alabama Press, 2021.

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Chasar, Mike, ed. Poetry of Bob Dylan. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765124215.

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Through short essays, leading poetry critics and Bob Dylan experts analyze songs from a range of perspectives to illuminate the songs’ poetic and literary character. An innovative resource for Bob Dylan fans and scholars alike, these thirty essays by leading scholars of poetry, music, and literature illustrate how and why the work of the 2016 Nobel Literature Laureate is in fact so literary. Examining how Dylan’s lyrics shape or get shaped by vocalization, performance, instrumentation, film, recording technologies, and the forces of history unfolding around him, this collection models a range

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Miller, Peter. Poetry, Sound, and the Matter of Prosody, 1800–2000. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198937210.001.0001.

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Abstract When modernist poets rejected meter at the beginning of the twentieth century, they seemed to reject something at the heart of poetry: sound. Yet meter was only one of the many sound media that poets on either side of 1900 used to structure their poems. As new technologies like the phonograph unsettled print modes of representing sound, language, and voice, poets likewise pluralized the sonic basis, or “prosody,” of their work. Enlisting talking birds and printed ballads, illuminated manuscripts and books shaped like vinyl LPs, poets in Britain and America mixed new media with old to

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Morris, Adalaide. Sound States: Innovative Poetics and Acoustical Technologies. Edited by Adalaide Morris. The University of North Carolina Press, 1997.

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Morris, Adalaide Kirby. Sound States: Innovative Poetics and Acoustical Technologies. University of North Carolina Press, 1998.

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Sound States: Innovative Poetics and Acoustical Technologies. University of North Carolina Press, 2018.

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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Institutions of writing and authorship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0016.

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The chapter discusses the development of literature within its institutional and historical context, considering how patronage, a fledgling book market, and publishing conditions delineated the spaces of a literary field. The chapter looks at court literature and the ode as the definitive genre, examining its techniques and scope for variation. Literature began to flourish outside court, and the chapter traces the evolution of poetry into an amateur pastime. The discovery of poetic genius added to the delight afforded by poetry as a form of sociability. This innovation coincided with pre-Roman

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