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Artykuły w czasopismach na temat „Poetic innovation”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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1

Sharma, Amrita. "Innovation and the Poetic Discourse: Reading Experimental Trends in Post-War American Poetry." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10371.

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This paper aims at analysing the rise of innovative and experimental poetics within the American poetic grounds and the factors that remain extremely influential in establishing an alternate poetic culture that emerged with the rise of modernism within poetic circles. With influential and significant American poetic voices like Ezra Pound, T.S. Eliot and innovative women poets like Gertrude Stein popularising the use of ‘experimental’ techniques within the processes of poetic construction, the American poetic culture witnessed the rapid growth of an alternate realm of poetic activity that part

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Pakenham, Michael, and Anne Holmes. "Jules Laforgue and Poetic Innovation." Modern Language Review 92, no. 4 (1997): 977. http://dx.doi.org/10.2307/3734255.

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Bittirova, Tamara Shamsudinovna. "Synthesis of European and national traditions in the poetry of Dina Mamchuyeva." Philology. Issues of Theory and Practice 17, no. 1 (2024): 171–76. http://dx.doi.org/10.30853/phil20240025.

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The article examines the creative work of the famous Karachay-Balkarian poetess Dina Mamchuyeva, whose innovation has not been sufficiently studied, despite the fact that she has made a great contribution to the development of national poetic structures and has long occupied a place on the literary Olympus of the North Caucasus region. D. Mamchuyeva’s innovation manifested itself both in the subject matter of her poems and in poetics, primarily in introducing a new genre into Karachay-Balkarian poetry, i.e., the sonnet genre in its original form, as well as in giving new features to the classi

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Al-Obeid, Abdul-Salam Hazim Mohammad Ali. "Rebellion and Innovation in Abi- Nawas' Poetry." JOURNAL OF LANGUAGE STUDIES 3, no. 2 (2023): 299–316. http://dx.doi.org/10.25130/jls.3.2.20.

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Abu Nawas is an Abbasid poet whose life and poetry were differentfrom those of his contemporaries. As a child, he lived a hard life, beingborn for an Iraqi father and Persian mother. His poetry was like hislife, being a reflection and internal and psychological rebellion. Hewas known as "the poet of wine" because he devoted much of hispoetry to drink. However, he wrote on many other poetic topics suchas satire, love, elegies, and hunting. Abu Nawas rebelled against thetraditional love-opening in classical poems and rejected the tribalpride. He also innovated the use of poetic image depending m

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Norova, Nasiba. "TRADITION AND INNOVATION IN USMON KUCHKOR'S POEMS." Scientific Reports of Bukhara State University 5, no. 3 (2021): 100–111. http://dx.doi.org/10.52297/2181-1466/2021/5/3/9.

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Introduction. The article discusses the poetic innovations, formal and stylistic peculiarities in the work of the talented poet Usmon Kuchkor. The poet's “muqarnas” are analyzed. The second half of the twentieth century and the period of independence have a special significance with Uzbek poetry, its charm, new tones and visual features. Methodological and formal research, the renewal of artistic thinking, the human heart and spiritual experiences, the vivid depiction of emotions form the basis of this poetry. In this, the importance of artistic thinking in particular is immeasurable. As the l

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Schulte, Rainer. "Transferral of Poetic Frontiers: Renovation and Innovation." World Literature Today 59, no. 4 (1985): 525. http://dx.doi.org/10.2307/40141929.

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Bernstein, Charles. "Provisional Institutions: Alternative Presses and Poetic Innovation." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 51, no. 1 (1995): 133–46. http://dx.doi.org/10.1353/arq.1995.0010.

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Hannoosh, Michele. "Jules Laforgue and Poetic Innovation. Anne Holmes." Modern Philology 93, no. 3 (1996): 404–7. http://dx.doi.org/10.1086/392333.

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S. Sultan, Sabbar. "The Poetic Innovation in the Poetry of Ahmed Hijazi." International Journal of Comparative Literature and Translation Studies 6, no. 1 (2018): 65. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.1p.65.

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The contemporary Egyptian poet, critic, editor and convener of many conferences and cultural committees Ahmed Abdul Mu'tiHijazirepresents a case of dispute and discussion thanks to the selection of the material of his poems as well as the distinct shape and innovative aspects of his verse. As will be shown in the following pages,Hijazi's version of poetic modernism is devoid of mythology, intersexuality and deliberate obfuscation or self-indulgence. Every word in his poem is aligned in a seamless mosaic that eventually succeeds in conveying the poet's message in clear and lucid but highly sugg

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Kelgembayeva, B. B., and А. М. Kartayeva. "The Tradition of Zhyrau in the Lyrics of Nurlan Maukenuly." Iasaýı ýnıversıtetіnіń habarshysy 136, no. 2 (2025): 18–29. https://doi.org/10.47526/2025-2/2664-0686.190.

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The article examines the problem of tradition and innovation in the poetry of the outstanding representative of 1980s and 1990s poetry, the talented poet Nurlan Maukenuly. The authors highlight the vivid connection between the poetic thinking of this modern poet and the worldview of the zhyrau, the poetic tradition of the XV–XVIII centuries. Using examples from Nurlan Maukenuly's lyrics, the article assesses the beneficial influence of the zhyrau tradition on the artistic and ideological achievements of modern Kazakh poetry. The authors identify the deep philosophical and ideological continuit

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11

Lefkowitz, Jeremy B. "Innovation and Artistry in Phaedrus’ Morals." Mnemosyne 70, no. 3 (2017): 417–35. http://dx.doi.org/10.1163/1568525x-12342148.

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In his creative and original deployment of the ‘morals’ attached to his fables, Phaedrus boldly asserts his independence from the prosaic fable tradition and embeds his work within the framework of a broadly fictionalized poetic career. Whilepro- andepimythiain Phaedrus have attracted scholarly attention as aides in calculating his chronology or deciphering his perspective on life in Rome, Phaedrian ‘morals’ do more than express a particular historical or socio-political outlook. Indeed, in his morals Phaedrus repeatedly challenges the idea that fables carry any universal or even coherent mean

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Baharul Sheik. "Nature and Imagination: Influence of the female poets of British Romanticism on the poetry of Rabindranath Tagore." Creative Launcher 9, no. 3 (2024): 59–65. http://dx.doi.org/10.53032/tcl.2024.9.3.08.

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This research article explores the profound influence of female poets from the British Romantic Canon, specifically Charlotte Smith (1749-1806) and Felicia Dorothea Hemans (1793-1835), on the poetic works of Rabindranath Tagore (1861-1941), focusing on their treatment of Nature and Imagination. While the Romantic Period traditionally emphasizes male poets, this study contends that the contributions of female Romantic poets are equally significant in shaping literary discourse. Tagore, a renowned figure in Bengali and world literature, was deeply influenced by the poetic themes and stylistic in

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Kowalska, Magdalena. "Xavier Forneret odczytany przez surrealistów i czytany Norwidem." Przegląd Humanistyczny 61, no. 4 (459) (2018): 173–84. http://dx.doi.org/10.5604/01.3001.0012.0680.

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The author discusses the history of Xavier Forneret’s (1809–1884) reception focusing on the trend which portrayed the Romantic as a surrealist and a precursor of vers libre. At the heart of the considerations there is the volume Vapeurs, ni vers, ni prose (1838) regarded as exceptional in both the publishing format and the content. The author, however, argues that the poet’s innovation can also be seen in his presentation of typically romantic themes: love, death, poetic vocation, as well as oneiric poetics. The last part of the article is a comparative analysis of the Forneret’s poem “Elle” a

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Pizza, Joseph. "Breathing Between the Lines: Diane di Prima and the New American Poetry." Tulsa Studies in Women's Literature 42, no. 2 (2023): 235–55. http://dx.doi.org/10.1353/tsw.2023.a913021.

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ABSTRACT: This essay situates the poetry and poetics of Beat writer Diane di Prima in the context of mid-century approaches to voice and breath, locating her writing within then-contemporary debates concerning the application of projective verse and other emerging poetics of the period. It explores the significance of gender in her adoption of these approaches amidst a predominantly male subculture, employing Adriana Cavarero’s feminist perspectives on the materiality of voice and the centrality of the body. In addition, di Prima’s writing is read alongside insights from Hannah Arendt, Judith

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15

CHADWICK, C. "Review. Jules Laforgue and Poetic Innovation. Holmes, Anne." French Studies 48, no. 3 (1994): 350. http://dx.doi.org/10.1093/fs/48.3.350.

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Kabylov, A. D. "Ideological and Artistic Features of the Poetry of Svetkali Nurzhan." Iasaýı ýnıversıtetіnіń habarshysy 127, no. 1 (2023): 69–86. http://dx.doi.org/10.47526/2023-1/2664-0686.06.

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Svetkali Nurzhan (Aitman) is one of the outstanding poets who came to the world of poetry with their style, won the hearts of readers, determined their place in modern Kazakh poetry. His poems and stories depict various problems of the historical era and the present with a special artistic manner and deep socio-philosophical overtones and give rise to their own thoughts. The poet's desire to reveal the deep layers of social reality and human nature is distinguished by its ideological scope and poetic innovation. In addition to the subtle lyricism that penetrates deep into the human soul, epic

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Aliyeva, Gultakin. "Poetic voice and innovation in Ramiz Rovshan’s free poems." AZERBAIJAN LITERATURE STUDIES, no. 01 (2023): 128. http://dx.doi.org/10.59849/2663-4406.2023.1.128.

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Othman, Mohsen. "Manifestations of Islamic Religious Intertextuality in Modernist Poetry: Between Imitation and Innovation." Anbar University Journal of Languages and Literature 17, no. 2 (2025): 38–61. https://doi.org/10.37654/aujll62.

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This study is founded on a central hypothesis: that religious intertextuality in modernist poetry—whether with the Qur'an, the Prophetic Hadith, or religious heritage—is not merely a formal invocation of texts, but rather an active mechanism for generating meaning and reshaping poetic discourse within modernist frameworks that oscillate between absorption and transcendence. This is achieved through elevated language, radiant and elegant expression, refined sensitivity, keen insight, and an organized, conscious intellect. The methodology adopted in this study is the generative structural approa

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19

Cho, Hyunyoung. "Surveying “Paradise’s only map”: Andrew Marvell and Early Modern Science." Institute of British and American Studies 10, no. 1 (2022): 129–56. http://dx.doi.org/10.25093/ibas.2022.55.129.

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Andrew Marvell has rarely been studied in relation to early modern science, even though his poetry reveals his interest in the scientific and technological developments of his time. In this study, I make a claim that Marvell’s poetic innovation of the country house poetry results from his active engagement with the new insights of early modern science, articulated most famously by Francis Bacon. In his poetic innovation, Marvell draws upon the new empirical and analytic methodology of early modern science. My focus is the poet’s impersonation of an estate surveyor. By taking up the role of an

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Seitbekova, A., and N. Yelesbai. "HISTORICAL POETIC SUBCORPUS: DATABASE OF OLD KAZAKH POETIC TEXTS." Tiltanym, no. 3 (October 13, 2024): 140–50. http://dx.doi.org/10.55491/2411-6076-2024-3-140-150.

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The relevance of the research is due to the need to develop a «Historical poetic subcorpus» of the National Corpus of the Kazakh Language (hereinafter – the NCKL) as an information and innovation base of the state language, a scientific research and educational Internet resource. The text base of the "Historical Poetic subcorpus" should cover the texts of written monuments of the VI – XIX centuries. However, at the initial stage of the development of the «Historical Poetic subcorpus», Old Kazakh poetic texts of the XV-XIX centuries will be included in the database. The written legacies of this

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Sastri, Reena. "Louise Glück's Twenty-First-Century Lyric." PMLA/Publications of the Modern Language Association of America 129, no. 2 (2014): 188–203. http://dx.doi.org/10.1632/pmla.2014.129.2.188.

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This essay examines a contemporary poetics that implicitly challenges prevailing critiques of lyric as asocial, monologic, and naively self-expressive. Louise Glück practices a lyric mode whose plainspoken surface and emotional immediacy belie its metalinguistic and metafictional complexity. Her poems' illocutionary structures and their attunement to everyday grammatical nuance convey an understanding of language as situational, context-dependent shared action, an understanding that chimes with the insights of ordinary-language philosophy. The perspectives offered by Glück's work can fruitfull

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В.В., Щербина. "ОБРАЗЫ ПРИРОДЫ В ХУДОЖЕСТВЕННОМ МИРЕ ЮРГИСА БАЛТРУШАЙТИСА В КОНТЕКСТЕ РУССКОЙ СИМВОЛИСТСКОЙ ПОЭЗИИ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 87 (2018): 187–99. https://doi.org/10.5281/zenodo.1322554.

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The peculiarities of creating and developing nature images, which accompany a lyric character on his way to the spiritual summits in Yurgis Baltrushaitis` poetic world are taken into consideration in the article. It is shown that the idea of possible harmonic coexistence of man and nature and necessity of their spiritual connection can be heard in early poems. In the poems that belong to later periods of Baltrushaitis` creative activity nature images are often connected with the concept of life and death. The world of nature seems distant and hostile. It is shown that the poet uses images of n

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Shockley, Evie. "Going Overboard: African American Poetic Innovation and the Middle Passage." Contemporary Literature 52, no. 4 (2011): 791–817. http://dx.doi.org/10.1353/cli.2011.0051.

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Koronkiewicz, Marta. "Politics of the Poetic Form: Adam Ważyk and the Americans." Acta Universitatis Lodziensis. Folia Litteraria Polonica 40, no. 2 (2018): 77–89. http://dx.doi.org/10.18778/1505-9057.40.03.

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The article discusses Adam Ważyk – one of the foremost representatives of the Polish poetic avant-garde – and his meta-poetic reflection on the form of the poem in comparison with the paralel considerations offered, later in the 20th c., by the American poets of the LANGUAGE movement. Most importantly, I mention Adrienne Rich, Muriel Rukeyser, Ron Silliman, and James Scully. These poets saw the poetic practice as part of the active and reconstructive approach to everyday reality, which is an approach that sets them apart from more theoretically predisposed strands of the Marxist literary theor

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BOUZIDI, SALLIME. "Ancient Magreben Poetry and the problematical Issue of Imitation and Innovation A study of the Poet Iben Kadi Mila’s Madripal Poem." Milev Journal of Research and Studies 2, no. 1 (2016): 5–32. http://dx.doi.org/10.58205/mjrs.v2i1.1168.

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Iben Kadi Mila is one of the superbly gifted Magreben poets. He is theproprietor of an outstanding school of poetry. He is mostly renowned for hiscontributions in developing Arabic poetry at the linguistic and stylistic levels.Notwithstanding his scarce poetic products, which are dispersed in a few literaryand historical resources, his laudably matchless praises of Thiquat EddawlaIben Elkalbi is a prototype of well-developed Maghrebian poetry. He knewthrough it how to take full advantage of the Eastern poetic school and craftthereafter his own peculiar poetic style.

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Britsyn, Victor. "MODAL ASPECTS OF INTERPRETATION OF POETIC TEXT." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2021, no. 32 (2021): 35–44. http://dx.doi.org/10.24195/2616-5317-2021-32-2.

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The article outlines the main provisions of the cognitive theory of modality and shows the possibilities of applying this theory in the process of describing poetic texts. The methodology of applying the cognitive theory of modality is demonstrated mainly on the material of the poetic works by T. Shevchenko. They exhibit an extremely wide palette of modal meanings and modal thought transitions. In particular, the visual perceptions presented here are an example of the verbal continuation of the talent of the wonderful artist. The article shows the innovation of T. Shevchenko in the modal organ

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Chen, Hong. "Analysis of the Characteristics of E.E. Cummings' Poetic Creation from the Perspective of Foregrounding Theory." International Journal of Education and Humanities 17, no. 3 (2024): 32–38. https://doi.org/10.54097/995dmk57.

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As a representative of modernist poet, Cummings has a unique style in poetic creation. His bold innovation in poetic language strengthens the visual effect of poetry and broadens the meaning of poetry. Cummings boldly challenges people's traditional perception of poetry, breaking the original limitations in all aspects of language, forming a strong and eccentric personal style. His poetry is often the subject of study for linguists. Based on the foregrounding theory in stylistics, this paper attempts to analyze Cummings’s visual poems from graphological deviation, lexical deviation and semanti

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Zirfas, Jörg. "Reproduktion und Innovation der Lebenskunst." Vierteljahrsschrift für wissenschaftliche Pädagogik 101, no. 1 (2025): 71–87. https://doi.org/10.30965/25890581-10101006.

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Abstract Reproduction and Innovation of the Art of Living Theory, Practice, Poiesis and Pedagogy This article attempts to show that the art of living in the West represents a form of knowledge that draws on both every day and scientific knowledge in order to realize a successful life. In the art of living, both the quantitative as an economic approach and the qualitative as an evaluative description of the state of affairs have retained their relevance to this day. The art of living is understood as the theoretical and practical reproduction of knowledge in the form of exercises and, historica

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Nguyen, Thi Thanh Nguyen, and Son Lam Huynh. "<span>Some characteristics of poetic genres in poetry section of Dong Thap Literature And Arts Newspaper</span>." Dong Thap University Journal of Science 12, no. 7 (2023): 99–109. http://dx.doi.org/10.52714/dthu.12.7.2023.1143.

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Understanding the characteristics of poetic genres showcased in the poetry column of Dong Thap Literature and Arts Newspaper helps us gain insight into the newspaper's position amidst the changing modern life. The poetry compositions in this newspaper not only inherit various forms of national poetry but also demonstrate innovation and creativity by incorporating traditional poetic structures. This is evident in the portrayal of emotions that resonate with the intricate and multidimensional mood swings of contemporary individuals, while reflecting aspects of social life and local cultural valu

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Reimer, Jennifer A. "Precarity and the Practice of Chicana/o Poetry." Aztlán: A Journal of Chicano Studies 45, no. 1 (2020): 109–32. http://dx.doi.org/10.1525/azt.2020.45.1.109.

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This essay intervenes in an ongoing debate within ethnic literary studies about the tension between identity-based, or more overtly political, forms of poetry and experimental poetry that treats language as art material. I show how Javier Huerta’s “American Copia” (2012) enlists poetic form to serve the oppositional acts of documenting the undocumented. I argue that Huerta’s innovations draw on existing traditions of Chicana/o poetry infl uenced by twenty-first-century conditions of precarity, specifically undocumented status. Huerta shows how an active practice of poetic innovation responds t

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Lane, Eric. "“My body is its image, here”: Diasporic Identity and the Deconstruction of Binary Division in 21st Century Asian American Poetry." Oregon Undergraduate Research Journal 20, no. 2 (2022): 155–63. http://dx.doi.org/10.5399/uo/ourj/20.2.11.

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This paper examines the poems of Franny Choi and Victoria Chang within the context of Asian American poetry, poetics, and criticism. It demonstrates how Choi and Chang’s work engage in a destabilization of binaries in order to rewrite and re-construct Asian American identity. A close reading of Choi’s “Chatroulette” from her collection, Soft Science, and Chang’s “Home” from her collection, Obit, reveals disruptions of five binary divisions, broadly identified as “high” poetic form and “low” poetic form, Eastern and Western, English and non-English, embodiment and disembodiment, and past and pr

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Liberman, Anatoly. "Poetic Style and Innovation in Old English, Old Norse, and Old Saxon." Scandinavian Studies 94, no. 1 (2022): 129–31. http://dx.doi.org/10.5406/21638195.94.1.08.

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Bergren, Katherine. "Wordsworth’s Fun; Poetic Innovation in Wordsworth 1825–1833: Fibres of These Thoughts." European Romantic Review 31, no. 4 (2020): 494–500. http://dx.doi.org/10.1080/10509585.2020.1775972.

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S, Vignesh. "Panjali Sabatham: Prosodic Features and Poetic Style." International Research Journal of Tamil 4, S-11 (2022): 69–75. http://dx.doi.org/10.34256/irjt224s119.

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Bharathiyar was the one who created Tamil so that the honey-like Tamil music could spread all over the world. He made many innovations with his songs to remove the distance between people and Tamil poetry. He composed poems following tradition in traditional forms like song and poetry. He introduced innovation into traditional forms of poetry and gave rise to modern poetry. Panjali Sabadham is a unique record among Bharathiyar's songs. This book is full of simple Tamil, subtlety and emotions. The Panjali Sabatham consists of two parts. This book contains four hundred and twelve songs in five c

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Pan, Yirui. "From the Classical to the Modern: Form Changes and Language Innovations in Modern Chinese Poetry." Frontiers in Humanities and Social Sciences 4, no. 12 (2024): 200–205. https://doi.org/10.54691/msr73b94.

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The development of modern and contemporary Chinese poetry can be described as a comprehensive transformation from the classical to the modern, from form to content, and from language to poetic field. The form changes of modern poetry are a complex and rich process. The changes are not only reflected in the liberalization of forms and the innovation of language, but also in the expansion of themes and the innovation of forms. These changes have made modern poetry more contemporary and modern, and have also provided valuable inspiration and reference for later poetry creation. Additionally, ther

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Beck, Boris. "Idyll and fissure – Ivo Kalinski's poetological texts about kajkavian children's poetry 1992 - 2003." Kaj 55, no. 3-4 (2022): 48–57. http://dx.doi.org/10.32004/k.55.3-4.2.

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The topic of this paper is the analysis of a series of nine texts by Ivo Kalinski dedicated to the Dragutin Domjanić Festivity of Kajkavian Children's Poetry, which is held in Sveti Ivan Zelina. The articles were written each year from 1992 to 2003 and published in the book “Anatomija kmice ili Umjetnina teksta – zanos i tjeskoba“ (2004). These are poetological articles in which Kalinski makes various observations about children's poetic texts, from which his starting points will be extracted in order to gain insight into his description and prescription of elementary school children's poetry.

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صالح, ابراهيم راوي. "Vinegar Humor Death in the Diwan of Ibn Shahid Andalusi." JOURNAL OF LANGUAGE STUDIES 5, no. 4, 1 (2022): 169–81. http://dx.doi.org/10.25130/jls.5.4.1.14.

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The summary of the research is based on the fact that the political events (the period of sedition) that took place at the beginning of the literary poet’s career, have refined his personality and his poetic flair and prompted him to pay attention to the affairs of people and rulers once and to harmonize with every ruler who enters Cordoba in a hope that he will find in this ruler his desire for the return of Andalusian glory, but he gets disappointed over and over again. And also the strife prompted him to play his literary role in defending the Andalusian character from being lost. The compl

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Magee, Paul. "Poetic Judgement in Everyday Speech." Philosophies 9, no. 5 (2024): 144. http://dx.doi.org/10.3390/philosophies9050144.

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Speaking is a highly conventional enterprise. But unusual usages are, nonetheless, frequently encountered. Some of these novelties fall flat, while others find favour, to the extent of entering common usage. He considered to say something will sound wrong to most native speakers, while The military disappeared her husband, which was more or less unsayable prior to the 1960s, has come to seem fine. Linguist Adelle E. Goldberg has recently argued that speakers display a remarkable openness to new words, phrases and even grammatical forms, when there is no current way of communicating whatever it

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Supian, Supian, Ekaterina Prikhoda, Ruswan Dallyono, Ladinata Ladinata, Tri Yulianty Karyaningsih, and Miksalmina Miksalmina. "The Creative Legacy of the Great Russian Poet Boris Pasternak: Traditions and Innovation in His Poetic Works." Poetika 10, no. 2 (2022): 142. http://dx.doi.org/10.22146/poetika.v10i2.67383.

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This study examines the poems of Boris Pasternak, the famed Russian literary figure. It analyzes and compares the poet's works with those of his contemporaries and predecessors’. Some motifs, themes, images, and characteristic features of the stylistics and tropics of poetic creativity in Pasternak's lyrics were revealed, which signify the influence of traditions and innovation. By employing several literary criticism methods, namely those of close reading, a structuralist analysis, and biographical criticism, this study found that there is a wealth of themes both old and new in Pasternak’s po

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Mitchell, Jack. "The Culture of the Ancient Epithet: Gerard Manley Hopkins and the Translation of Imagination." Translation and Literature 22, no. 2 (2013): 149–66. http://dx.doi.org/10.3366/tal.2013.0110.

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A culturally nuanced translation of archaic Greek verbal culture can only be achieved with reference to the original audience. In Bacchylides 17 (‘Theseus’ Dive’), the fifth-century poet's compound epithets operate entirely within an epic-lyric tradition, in contrast to the fourth-century verbal innovation of Timotheus. Poetry in the English language has always followed Timotheus more than Bacchylides, reaching a climax in the theory of ‘inscape’ and expressive epithets of Gerard Manley Hopkins. As a classicist, Hopkins was intimately familiar with Greek poetic diction, and his notebooks recor

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Moskalov, Dmytro, and Anastasiia Yozhykova. "Japanese tradition and Western innovation in the work of Nakahara Chūya." Synopsis: Text Context Media 27, no. 2 (2021): 105–12. http://dx.doi.org/10.28925/2311-259x.2021.2.9.

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The subject of the study is the poetics of the Japanese poet Nakahara Chūya. The relevance of the study is due to the fact that there is very little research on the poet’s oeuvre in general, and in Ukrainian Japanese studies there is none at all. And despite the fact that Nakahara Chūya is one of the key figures of the Japanese avant-garde in the early twentieth century, there is no edition of translations into Ukrainian, just as there is not a single publication in Russian, except for a few amateur translations on the Internet. The novelty is due to an attempt to fill the gap and to present a

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Mammadli, Shargiya. "The poetic legacy of Almaz Ildirim in the context of tradition and innovation." Poetika.izm, no. 01 (2023): 35. http://dx.doi.org/10.59849/2663-2926.2023.1.35.

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Klotz, Sarah. "Many Voices, One Page: Poetic Innovation and Intercultural Protest in “The Cherokee Mother”." ESQ: A Journal of Nineteenth-Century American Literature and Culture 69, no. 3 (2023): 329–60. http://dx.doi.org/10.1353/esq.2023.a915298.

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Toichkina, Alexandra V. "The Poetics of the Image of the“Russian Civilization” in Dostoevsky’s Novel The Adolescent (About the Sources)." Dostoevsky and World Culture. Philological journal, no. 4 (24) (2023): 202–36. http://dx.doi.org/10.22455/2619-0311-2023-4-202-236.

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The article analyses some works by Nikolay Strakhov that served as a source of poetics for Dostoevsky’s novel The Adolescent. It explores how historical-literary and historical-philosophical facts became material for the writer’s poetic laboratory. Namely, the paper describes Strakhov’s articles from the magazines “Vremya,” “Zarya,” and “Grazhdanin,” together with letters to Dostoevsky that are important for the poetics of The Adolescent. Particular attention is paid to the article “A Fatal Question” (1863), in which Strakhov formulated his understanding of “the foundation of Russian civilizat

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Burrell, Gibson. "Book Review: The Poetic Organization." Organization 23, no. 4 (2016): 607–9. http://dx.doi.org/10.1177/1350508415575096.

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Ayyıldız, Esat. "Ḥāfiẓ Ibrāhīm’s Two Odes for Fetḥī Bey: Honoring the First Martyr Pilot of the Ottoman Empire". Harran Theology Journal, № 51 (16 травня 2024): 26–45. http://dx.doi.org/10.30623/hij.1313884.

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This study delves into the enduring legacy of Fetḥī Bey, the Ottoman Empire’s first martyr pilot, as manifested in Arabic poetry. Focused on the poignant odes by Ḥāfiẓ Ibrāhīm dedicated to Fetḥī Bey, this paper aims to explore the historical and cultural context that influenced the creation of these specific poetic tributes. It delves into how Ḥāfiẓ Ibrāhīm conveyed his admiration, sorrow, and commemoration of Fetḥī Bey’s pioneering spirit and tragic demise through his verse. By examining Arabic poems dedicated to Fetḥī Bey, the paper endeavors to provide a unique lens through which to view th

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Asmis, Elizabeth. "An Epicurean Survey of Poetic Theories (Philodemus On Poems 5, Cols. 26–36)." Classical Quarterly 42, no. 2 (1992): 395–415. http://dx.doi.org/10.1017/s0009838800016025.

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If one wants to know what happened in Hellenistic poetic theory, Philodemus' survey of poetic theories in the fifth book of his On Poems is an excellent guide. Even though I the survey is well preserved, it has been neglected. Jensen, who published the first complete edition of On Poems 5 in 1923, did not discuss this part of the text; and it has been treated only briefly by others. This is a pity because, as Philodemus shows, the Hellenistic period was an era of great diversity and innovation in literary theory. Philodemus gives evidence of: (1) a refined and highly systematic critical vocabu

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Harrison, Olivia C. "Cross-Colonial Poetics: Souffles-Anfas and the Figure of Palestine." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 353–69. http://dx.doi.org/10.1632/pmla.2013.128.2.353.

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From the mid-1960s onward, Moroccan, Algerian, and Tunisian writers have turned to the question of Palestine as a model of political and aesthetic innovation. Taking the Moroccan cultural journal Souffles-Anfas as an early, paradigmatic example of the literary turn to Palestine in the Maghreb, I argue that writers such as Abdellatif Laâbi and Abdelkebir Khatibi used Palestine as a springboard for “cultural decolonization,” reactivating global anticolonial discourses in order to articulate a relational, cross-colonial Maghrebi identity. Focusing on discussions of language, poetic form, and cult

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Bdil, Bracha. "Thomas Bernhard: Seeming Volatility, Innovation in Purity." Itamar. Revista de investigación musical: territorios para el arte, no. 9 (July 4, 2023): 274. http://dx.doi.org/10.7203/itamar.9.27012.

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Why doesn't Rudolf manage to start his musicological work on Mendelssohn-Bertoldi? Who is Anna Hertel? What floating card game is the protagonist running throughout Concrete? And what is so revolutionary about the misanthropic-musical writing of Thomas Bernhard in this novel? The following article seeks to answer these questions while examining the act of art re the technical and content aspects, while examining Bernhard's unique use of the "System of Gaps", the "Showing" against "Telling", and the reliability of the protagonist. These and other means are used by the author to lay out the card

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Ramalho, Maria Irene. "Writing and Merriment. Gertrude Stein’s Erotics of Language." Elyra, no. 16 (2020): 13–22. http://dx.doi.org/10.21747/21828954/ely16a1.

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As it revisits Gertrude Stein’s relationship with Alice B. Toklas – lifetime companion, collaborator, and lover – the paper shows how Stein’s writing is at the forefront of Modernism’s poetic innovation by dismantling grammar and syntax, calling into question the referentiality of language, and dealing with words as if they were sensuous objects. It concludes that Stein’s creative writing is as erotic as her love life.

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