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Artykuły w czasopismach na temat „Psalter”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 lipca 2025

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1

Bulas, Ryszarda Maria. "Dekoracje irlandzkich psałterzy." Vox Patrum 60 (December 16, 2013): 93–109. http://dx.doi.org/10.31743/vp.3980.

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A particularly interesting question in medieval Irish literature, is decorating Psalters. Since the Biblical psalms were very popular among the Anglo-Saxons, they were often copied and decorated also in Ireland. Initially, the decoration was limited to ornamentation letters. Later there were elements depicting scenes from the life of David, which had its origins, according to F. Henry, in the Carolingian art. In this article, the author presents in chronological order all decorated Irish and Anglo-Saxon Psalters, which show visible influence of the Irish art (Cathach, Durham Cassiodorus, Psalt

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Millard, Matthias. "Von Der Psalmenexegese Zur Psalterexegese Anmerkungen Zum Neuansatz Von Frank Lothar Hossfeld Und Erich Zenger." Biblical Interpretation 4, no. 3 (1996): 311–27. http://dx.doi.org/10.1163/156851596x00040.

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AbstractDer neue Kommentar über Psalm 1-50 von Frank-Lothar Hossfeld und Erich Zenger ist der erste Kommentar in deutscher Sprache mit einem Interesse an kontextueller Auslegung seit dem von Franz Delitzsch (1860; 5. Auflage, 1894). Seine Methode, die Kontextbezogenheit der Psalmen zu erklären, ist aberwiegend die Redaktionskritik; einige Psalmen werden aber auch als kompositorische Psalmen betrachtet. Der Kommentar führt zwei typische Phasen der Redaktionsarbeit aus: eine formative-exilische und eine nachexilische, die ein besonderes Interesse an einer Theologie der Armen hat. Die Kritik dies

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Dahmen, Ulrich. "Psalmen oder Psalter?" Biblische Zeitschrift 59, no. 2 (2015): 312–18. http://dx.doi.org/10.1163/25890468-059-02-90000018.

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Bashanova, M. A., Yu Zhang, and A. A. Yakovlev. "Names of the days of the week in the language consciousness of Russian and Chinese undergraduate students." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 2 (2019): 102–14. http://dx.doi.org/10.25205/1818-7935-2019-17-2-102-114.

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During the Middle Ages on the Eastern Orthodox Church territories there existed an encyclopedia book, entitled the Palaea Interpretata that was extremely popular and highly respected. The current paper studies one of the Biblical sources of The Palaea Interpretata – namely, the collection of selected psalms, entitled “David’s Prophesies” (давидъ же прорицаше). The discussion is focused on the compiler’s placing of the collection in The Palaea, in the part dedicated to David (i.e. after the excerpts from the First and Second Books of Samuel and before the First Book of Kings). David’s Prophesie

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Slavova, Tatyana. "Selected Psalms (“David’s Prophesies”) of The Palaea Interpretata." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 2 (2019): 5–13. http://dx.doi.org/10.25205/1818-7935-2019-17-2-5-13.

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During the Middle Ages on the Eastern Orthodox Church territories there existed an encyclopedia book, entitled the Palaea Interpretata that was extremely popular and highly respected. The current paper studies one of the Biblical sources of The Palaea Interpretata – namely, the collection of selected psalms, entitled “David’s Prophesies” (давидъ же прорицаше). The discussion is focused on the compiler’s placing of the collection in The Palaea, in the part dedicated to David (i.e. after the excerpts from the First and Second Books of Samuel and before the First Book of Kings). David’s Prophesie

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6

Gretsch, Mechthild. "The Junius Psalter gloss: its historical and cultural context." Anglo-Saxon England 29 (January 2000): 85–121. http://dx.doi.org/10.1017/s0263675100002428.

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Oxford, Bodleian Library, Junius 27 (S.C. 5139), the Junius Psalter, was written, Latin text and Old English gloss, probably at Winchester and presumably during the reign of King Edward the Elder. Junius 27 is one of the twenty-nine complete or almost complete psalters written or owned in Anglo-Saxon England which have survived. (In addition to these twenty-nine complete psalters, eight minor fragments of further psalters are still extant.) This substantial number of surviving manuscripts and fragments is explained by the paramount importance of the psalms in the liturgy of the Christian churc

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7

Pulsiano, Phillip. "The originality of the Old English gloss of the Vespasian Psalter and its relation to the gloss of the Junius Psalter." Anglo-Saxon England 25 (December 1996): 37–62. http://dx.doi.org/10.1017/s0263675100001927.

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In a brief discussion of the Vespasian Psalter in 1898, Albert S. Cook offered a statement that set the tone for subsequent debate about the relationship between the Old English gloss of the Vespasian Psalter (A = London, British Library, Cotton Vespasian A. i) and that of the junius Psalter (B = Oxford, Bodleian Library, junius 27): ‘It seems not improbable that it [i.e. the gloss to the Vespasian Psalter] is the original from which all later Old English glosses on the Psalms have been derived, undergoing in the process such modifications as were due to the language of the particular dialect

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Prinsloo, Gert T. M. "Reading the Masoretic Psalter as a Book: Editorial Trends and Redactional Trajectories." Currents in Biblical Research 19, no. 2 (2021): 145–77. http://dx.doi.org/10.1177/1476993x20944675.

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The publication of Gerald H. Wilson’s The Editing of the Hebrew Psalter in 1985 marked a distinct shift in approaches to Psalms research. This article reviews this shift from psalm to Psalter exegesis. North American scholarship tends to follow a synchronic approach and to describe the shape of the Psalter. German scholarship tends to use a diachronic perspective and trace the shaping of the Psalter to explain how it attained its final form. There are growing signs of dialogue and convergence between these two main approaches to the editing of the Hebrew Psalter, which overshadow form-critical

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9

Kancheva, Stefka. "The Miniatures in the Medieval Illustrated Psalters as Exegesis of the Text." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 10, no. 1 (2024): 17–33. http://dx.doi.org/10.55630/kinj.2024.100102.

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The Psalter is the Bible book most used in Orthodox worship. In the Middle Ages, illustrated psalters spread, and miniatures with New Testament subjects appeared on their pages. The paper shows the direct connection between the miniatures with a New Testament character and the worship of the Orthodox Church and confirms the perception of the Psalter in the Church as a book of prophecies.

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10

Grund-Wittenberg, Alexandra. "Wer schrieb und wer las den Psalter?" Biblische Zeitschrift 67, no. 2 (2023): 186–211. http://dx.doi.org/10.30965/25890468-06702002.

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Abstract Im Blick auf Gebrauch und Trägerkreise des Psalters in seiner formativen Phase wurden, in Variation, zwei unterschiedliche Positionen vertreten. Die eine sieht dem zweiten Tempel und seiner Liturgie nahestehende Kreise am Werk, die andere geht von der Tradierung in schriftgelehrten Kreisen und der privaten lectio continua eines „Lesepsalters“ aus. Der vorliegende Beitrag nähert sich der Frage nach Gebrauch und Tradentenkreisen des Psalters in seiner formativen Phase von außen und fragt nach einschlägigen Einsichten aus antiken Quellen, darunter den Textfunden vom Toten Meer, die weite

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Dunham, Kyle C. "‘I Am Poor and Needy’: The Worshipper’s Posture Within the Psalter’s Structure." Perichoresis 22, no. 4 (2024): 4–26. https://doi.org/10.2478/perc-2024-0025.

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Abstract This study builds upon Johannes Bremer’s thesis that the main theme of the Psalter is YHWH’s concern for the poor (the so-called Armentheologie or theology of the poor). I argue that the phrase ‘poor and needy’ does not occur randomly through the Psalter but at strategic junctures. Traced from its inception to conclusion, seven Psalms (35, 37, 40, 70, 74, 86, 109) utilize this phrase to create a trajectory that moves from suffering to triumph, from oppression to deliverance, from denigration to vindication. Along this plotline, the psalmist identifies himself with the poor and needy i

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Jakšić, Nikola. "Iluminirani psaltir 15. stoljeća zadarskih franjevaca." Ars Adriatica, no. 2 (January 1, 2012): 119. http://dx.doi.org/10.15291/ars.444.

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The author discusses an illuminated manuscript from the convent of St Francis at Zadar. Nine folios featuring the most representative initials from this manuscript were cut out in 1974 and their whereabouts have been unknown ever since. Only old black and white photographs of this psalter are known in the scholarly literature. With the aid of colour details preserved on a roll film at the Conservation Office at Zadar, the author attempts to reconstruct their original appearance. He highlights the fact that this psalter has not been thoroughly analyzed or consistently described. He establishes

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13

Biegas, Marcin. "Ulrich Dahmen, Psalmen- und Psalter-Rezeption im Fruhjudentum. Rekonstruktion, Textbestand, Struktur und Pragmatik der Psalmenrolle 11QPsa aus Qumran (Studies on the Texts of the Desert of Judah 49; Leiden – Boston: Brill, 2003)." Biblical Annals 6, no. 4 (2016): 695–98. https://doi.org/10.31743/ba.871.

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Recenzja książki: Ulrich Dahmen, Psalmen- und Psalter-Rezeption im Fruhjudentum. Rekonstruktion, Textbestand, Struktur und Pragmatik der Psalmenrolle 11QPsa aus Qumran (Studies on the Texts of the Desert of Judah 49; Leiden – Boston: Brill 2003). Ss. XI + 360. EUR 161,00. USD 198.00. ISBN 9004132260.

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IRVING, DAVID R. M. "The Genevan Psalter in Eighteenth-Century Indonesia and Sri Lanka." Eighteenth Century Music 11, no. 2 (2014): 235–55. http://dx.doi.org/10.1017/s1478570614000062.

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ABSTRACTThe spread of Protestant Christianity to Indonesia and Sri Lanka in the early modern period involved large-scale translation projects and, from the beginning of the eighteenth century, the publication of metrical psalms in languages spoken by local communities: Portuguese, Malay, Tamil and Sinhala. Selected psalms from the Genevan Psalter, as well as complete versions, were translated and published in South and Southeast Asia on several occasions in the eighteenth century, representing the earliest printing of Western staff notation in Jakarta and Colombo. These psalters were issued in

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Specland, Jeremy. "Competing Prose Psalters and Their Elizabethan Readers." Renaissance Quarterly 74, no. 3 (2021): 829–75. http://dx.doi.org/10.1017/rqx.2021.102.

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Layouts and paratexts of Elizabethan prose psalters advocate two competing reading methods: reading sequentially according to the church calendar or selecting psalms by occasion. Marked psalters and bibles, however, show that Elizabethan readers often disregarded printed prescription, practicing either method, or both, as they chose. To capitalize on reader independence, printers eventually produced texts that encouraged comparative reading across multiple translations, culminating in the two-text psalter of the 1578 Geneva Bible. This episode in the history of devotional reading demonstrates

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Смирнова, Э. С. "About the customer and the original assignment of the Psalter of Simon (SHM, A. I. Chludov Collection No. 3), as well as the likelihood of its connection with Yuriev monastery." Architectural archeology, no. 4 (February 12, 2023): 195–204. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-371-8.195-204.

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Богато иллюстрированная Псалтирь в Отделе рукописей ГИМ (Хлуд. 3) создана в Новгороде во второй четверти XIV в. и содержит 119 иллюстраций. Рукопись не была предназначена для новгородского Софийского собора, поскольку там такая Псалтирь уже, видимо, существовала. Одна из миниатюр Симоновской Псалтири повторяет редкую композицию иконы «Спас на престоле» 1337 г., заказанной новгородским архиепископом Моисеем в промежутке между двумя его архиепископскими сроками. Связь Моисея с Юрьевым монастырем, где он когда-то был архимандритом, позволяет предположить, что дорогостоящая рукопись Псалтири могла

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Moscal, Dinu, and Ana-Maria Gînsac. "Les ainsi nommées « reliques » lexicales d’origine latine des psautiers roumains du XVI^e siècle." Zeitschrift für romanische Philologie 139, no. 4 (2023): 1220–50. http://dx.doi.org/10.1515/zrp-2023-0049.

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Abstract This paper discusses the hypothesis of a Latin source involvement in the process of translating and transmitting the sixteenth century Romanian Psalters. This hypothesis is based on a few words of Latin origin, called “lexical relics”, that might have been selected by etymological attraction under the influence of a Latin source. The methodological issues, arguments and examples referred to by the supporters of this theory are subjected to a critical analysis based on a textual comparison of the Romanian Psalters and their Slavonic and presumed Latin sources. The complete analysis of

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Ho, Peter CW. "Pan-Psalter Occurrence Scheme of ‘Jacob’ and ‘Covenant’." Journal for the Study of the Old Testament 44, no. 2 (2019): 217–32. http://dx.doi.org/10.1177/0309089219860165.

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Recent doctoral research on the Psalter continue to reinforce the idea that the 150 individual psalms are not haphazardly arranged and that various editorial techniques have been employed to shape the Psalter. In this article, I propose a novel editorial technique that has hitherto not been recognized or systematized in the literature on Hebrew poetry or the Psalms—the ‘Pan-Psalter Occurrence Scheme’—a careful use and placement of certain words/phrases across the entire Psalter such that all their sequential occurrences reflect a well-designed schema. Two lexemes, יעקב‎ (‘Jacob’) and ברית‎ (‘c

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Desplenter, Youri. "The Oldest Middle Dutch Translation of the Psalms (c. 1275–1400). Context of Origin, Functions, and Nachleben." Roczniki Humanistyczne 72, no. 5 Zeszyt specjalny (2024): 43–66. https://doi.org/10.18290/rh24725.3s.

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This article presents a new perspective on the oldest Middle Dutch translation of the Psalter. The region of origin of this influential translation has remained uncertain for a long time, but current assumptions suggest that it likely originated in the western part of the medieval county of Flanders, probably in the last decades of the thirteenth century. A recent and noteworthy discovery, discussed here for the first time, comprises a bifolio from a Latin psalter dating from the late thirteenth century, featuring an interlinear version of the oldest Psalter translation added in the late fourt

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Orlova, E.A. "Some Features of Christian Religious Symbolism in the Mother of God Psalter." Humanity space. International almanac 12, no. 3 (2023): 203–15. https://doi.org/10.24412/2226-0773-2023-12-3-203-215.

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The article is devoted to the peculiarities of Christian religious symbols in the Mother of God Psalter. The author of the Church Slavonic translation of the Theotokos Psalter relies on Bonaventure's “Psalterium Beatæ Mariæ Virginis”, but creates a different version of the Theotokos Psalter. The author of the article notes some nuances in the interpretation of the image of the Virgin Mary in the sources under consideration. In the Church Slavonic Psalter of the Theotokos, in particular, a manifestation of filial appeal to the Mother of God as the Mother of all Chris

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Longacre, Drew. "The 11Q5 Psalter as a Scribal Product: Standing at the Nexus of Textual Development, Editorial Processes, and Manuscript Production." Zeitschrift für die alttestamentliche Wissenschaft 134, no. 1 (2022): 85–111. http://dx.doi.org/10.1515/zaw-2022-0004.

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Abstract This article demonstrates how pragmatic factors impacted the formation of the 11Q5 (11QPsa) psalter, confirming the essential interdependency between textual development, editorial processes, and physical manuscript production. I enumerate several default modes that guided the compiler and the types of editorial interventions by which he created the 11Q5 psalter. These suggest that the 11Q5 psalter was produced as a revised version of the traditional psalter, expanded and rearranged from an MT-like base text to enhance thematic, lexical, and sometimes formal connections between psalms

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Rush, Rebecca M. "Authority and Attribution in the Sternhold and Hopkins Psalter." Renaissance and Reformation 38, no. 1 (2015): 57–82. http://dx.doi.org/10.33137/rr.v38i1.22782.

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This essay addresses the vexed question of the genre of the Sternhold and Hopkins psalter by considering the framing of the psalms in the early editions printed in England and on the continent. It is undeniable that all of the producers of the Sternhold and Hopkins psalter were committed to the dissemination of Scripture in the vernacular and that many were concerned with approximating the hebraica veritas. But comparing the title pages, prefaces, and marginal notes included in the sixteenth-century versions of the psalter with those of contemporary prose translations reveals that the editors

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MacRobert, Catherine Mary. "The Place of the Mihanović Psalter in the Fourteenth-Century Revisions of the Church Slavonic Psalter." Studia Ceranea 6 (December 30, 2016): 75–98. http://dx.doi.org/10.18778/2084-140x.06.05.

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Modern scholarship on the textual history of Church Slavonic biblical translation recognizes two distinct revisions of the Church Slavonic Psalter from the early fourteenth century, Redaction III (sometimes called the ‘Athonite’ redaction) and Redaction IV, known only in the Norov psalter manuscript. Although they are both attested from the same period and in manuscripts of similar Bulgarian provenance, these two redactions are in some respects systematically different in their linguistic character, their approach to translational issues and their Greek textual basis. In the light of A.A. Turi

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CAMARĂ, IOSIF. "ORIGINEA CELUI MAI VECHI TEXT ROMÂNESC." Receptarea Sfintei Scripturi: între filologie, hermeneutică şi traductologie 12 (2024): 111–40. http://dx.doi.org/10.47743/rss.2023.12-9.

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The oldest preserved Romanian text is the Hurmuzaki Psalter (ca. 1491- 1504), a unilingual version extracted from a bilingual Psalter. The present research attempts to shed light on the issue of the origin and the context in which the Psalter was translated and disseminated at the beginning of Romanian vernacular writing. The main source of the translation and the model for the composition of the bilingual Psalter was a Church Slavonic commentated Psalter. Several data suggest that the Psalter was not translated in Romanian countries: the sources used for the translation are recorded predomina

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Ho, Peter C. W. "The Macrostructural Logic of the Alphabetic Poems in the Psalter." Vetus Testamentum 69, no. 4-5 (2019): 594–616. http://dx.doi.org/10.1163/15685330-12341395.

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AbstractWith the emergence of the canonical approach to the Psalter, individual psalms are no longer studied as standalone compositions, but viewed along a continuum of psalms to provide meaning. While scholars have analysed alphabetic poems and how they add to meaning, the study of such poems has rarely gone beyond the individual psalm. This paper seeks to understand alphabetic poems within the horizon of the Psalter and whether they function together to provide meaning at the macrostructural level. The paper begins with analyses of eight generally accepted alphabetical acrostics in the Psalt

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Dunham, Kyle C. "The Wisdom Shaping of the Psalter: From Wisdom Psalms to a Wisdom Framework." Old Testament Essays 36, no. 2 (2023): 445–70. http://dx.doi.org/10.17159/2312-3621/2023/v36n2a9.

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Much debate surrounds the alleged presence of wisdom in the Psalter. Many studies focus on the identity and nature of wisdom psalms. This approach remains controversial in that few interpreters agree on which psalms constitute wisdom psalms. This article argues that a preferable approach concentrates on the function of wisdom persons, terms and themes in shaping the Psalter. Key markers suggest that the final editors of the Psalter intended the book to be read and mastered as a wisdom writing by their placement of wisdom vocabulary, paragons and motifs as mnemonic benchmarks. These features in

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Pietkiewicz, Rajmund. "The Psalter in Polish in the Middle Ages and the Renaissance: An Attempt at Bibliographical and Bibliological Synthesis." Roczniki Humanistyczne 72, no. 5 Zeszyt specjalny (2024): 161–83. https://doi.org/10.18290/rh24725.8s.

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The paper constitutes an attempt to synthesize information on the achievements of Polish biblical editing in the Middle Ages and in the Renaissance period as regards the Psalter. The Author reviews the bibliography of Renaissance prints with the text of the psalms in Polish, presents the dynamics of Psalter editing development in quantitative, qualitative and functional aspects, presents the root causes, which were decisive in the emergence and development of the Polish Psalter editing.

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Karzarnowicz, Jarosław. "Psalmy 50 i 120 w cerkiewnosłowiańskich tekstach psałterza. Nowe spojrzenie na przekład biblijny." Linguodidactica 26 (2022): 95–109. http://dx.doi.org/10.15290/lingdid.2022.26.07.

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In the article I discuss the problem of the translation of the biblical book of psalms into the Church Slavonic language. Psalms 50 and 120 are of particular interest here. My goal is to show a different, more recent view of the issue of translation from Greek to Slavonic from the earliest translations starting from Psalterium Sinaiticum and Psalterium Bononiense. In my paper I am not interested in the way the text is translated, the degree of dependence on Greek, but rather in certain innovations of all texts and what they can testify to. In the analysis of the material I use issues of interp

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Pilch, Herbert. "The Sondershäuser Psalter." NOWELE Volume 31/32 (November 1997) 31-32 (November 1, 1997): 313–23. http://dx.doi.org/10.1075/nowele.31-32.24pil.

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Kauffmann, C. M., and William Noel. "The Harley Psalter." American Historical Review 103, no. 2 (1998): 495. http://dx.doi.org/10.2307/2649795.

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Pentkovskaya, Tatiana V. "Maximus the Greek's Biblical Philology in the European Context and in the Church Slavonic Tradition." Slovene 9, no. 2 (2020): 448–60. http://dx.doi.org/10.31168/2305-6754.2020.9.2.18.

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[Rev. of: Verner I. V. The Interlinear Slavonic-Greek Psalter of 1552 Translated by Maximus the Greek. Moscow: Indrik, 2019, 928 pp. (in Russian)] The article offers a review of the study and publication of Maximus the Greek's 1552 translation of the Psalter. This translation, which has remained in manuscripts until now, is viewed as part of the European biblical revision, ialongside other well-known Renaissance translations and editions of the Holy Scriptures. The Church Slavonic-Greek Psalter of 1552 is a monument at once to Byzantine-Slavic, European-Slavic, and inter-Slavic cultural and li

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Yudin, A. A., V. V. Podoprigora, I. A. Shilova, and A. N. Kovalenko. "Ivan Fyodorov’s Psalter with Book of Hours as a Miscellany: Composition and Sources." Vestnik NSU. Series: History and Philology 23, no. 9 (2024): 92–101. http://dx.doi.org/10.25205/1818-7919-2024-23-9-92-101.

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Purpose. The article studies the features of composition and structure of Ivan Fyodorov’s edition the Psalter with Book of Hours, which is considered as a particular version of the Augmented Psalter miscellany.Results. Authors analyze main components of the edition from the point of view of their correspondence to the manuscript and early printed tradition of the Augmented Psalter of the 15th – 16th centuries and search for their possible sources. The article reveals peculiarities of composition of the texts in the Horologion part and suggests that the miscellany was specially adapted to the n

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Zagórska, Paulina. "The coordinated glosses of the Eadwine Psalter and their source(s)." Biuletyn Polskiego Towarzystwa Językoznawczego LXXVI, no. 76 (2020): 257–73. http://dx.doi.org/10.5604/01.3001.0014.6659.

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The paper presents the results of an extensive study into double glosses employed in the Old English gloss to the Eadwine Psalter in order to verify the possible sources of this linguistically complex manuscript. The analysis shows that the affiliation of the gloss is complicated, with numerous glosses which do not belong to the established Old English psalter glossing tradition. Additionally, the results shed some light on several of the baffling questions concerning the Old English gloss to the Eadwine Psalter, such as the number of hands and the glossing practice behind the production of th

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Lemeshkin, Ilya Vasil’evich. "THE CZECH FIRST PRINTED PSALTER OF 1487 AND THE PSALTER OF F. SKORINA (1517) AD GLORIAM VENERATIONEMQUE DEI." Russkaya literatura 1 (2022): 153–61. http://dx.doi.org/10.31860/0131-6095-2022-1-153-161.

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The article establishes a textological correlation between the Czech First Printed Psalter of 1487 and the Psalter of F. Skorina (1517). Following the example of his predecessors — the Prague printers of the late 15th century (the printer of the Psalter and the printer of Prague Bible), F. Skorina used the wide-known stereotypical expression, rooted in the Medieval literary tradition, where the abovementioned construction was also used in the author’s dedication. The colophon and the foreword to the Incunabula from the year 1487 affected the language, composition and content of F. Skorina’s fo

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Wójcik, Jerzy. "The First English Printed Psalters — George Joye’s Translations and Their Editions." Roczniki Humanistyczne 67, no. 5 (2019): 143. http://dx.doi.org/10.18290/rh.2019.67.5-8.

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The paper discusses four English Psalters which are the work of a prominent, although largely forgotten, English protestant George Joye, whose first English translation of the whole Psalter appeared in Antwerp in 1530. The original publication was followed by two reprints, both of which appeared in London in 1534 and 1544. The fourth publication, which appeared in Antwerp in 1534, was a new translation prepared by Joye on the basis of a different Latin text. The text of Psalm 1 from each of these publications is provided, enabling the comparison of the differences displayed by the texts in que

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Toswell, M. J. "The relationship of the metrical Psalter to the old English glossed Psalters." English Studies 78, no. 4 (1997): 297–315. http://dx.doi.org/10.1080/00138389708599079.

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Buszewicz, Elwira. "Jan Kochanowski’s Psalter – a Source of Polish Poetry and Mirror of the Human Mind." Biblical Annals 13, no. 3 (2023): 419–37. http://dx.doi.org/10.31743/biban.14572.

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The article deals with Jan Kochanowski’s Psałterz Dawidów [David’s Psalter], published in 1579. This paraphrase of the biblical Psalter, intensely lyrical in its spirit, was inspired by George Buchanan’s Latin poetic paraphrase of the Psalms, which is strongly Horatianising. Kochanowski’s work can be seen as a presentation of humanist piety. That is to say that the borders between secular and sacred spaces, or even between Judeo-Christian and Pagan traditions, may seem blurred. The Psalter is also interconfessional (or “doctrinally neutral”) and acts as a universal mirror reflecting the human

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Deshman (†), Robert. "The Galba Psalter: pictures, texts and context in an early medieval prayerbook." Anglo-Saxon England 26 (December 1997): 109–38. http://dx.doi.org/10.1017/s0263675100002131.

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The ‘Galba Psalter’ (London, British Library, Cotton Galba A. xviii) is a pocket-sized (128 × 88 mm.), early-ninth-century Carolingian book, perhaps made in the region of Liège, that was originally decorated with only ornamental initials. By the early tenth century the manuscript had reached England, where an Anglo-Saxon scriptorium added two prefatory quires (1r–19v) containing a metrical calendar illuminated with zodiac signs, KL monograms and single figures (pls. IX–X), and five full-page pictures. Two miniatures of Christ and the saints on 2v and 21r (pls. X–XI) preface the calendar and a

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Nowak-Barcińska, Małgorzata. "Psałterz poznański. Prolegomena lingwistyczne." Poznańskie Studia Polonistyczne. Seria Językoznawcza 25, no. 2 (2019): 221–42. http://dx.doi.org/10.14746/pspsj.2018.25.2.12.

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This article discusses a collection of fifty psalms published as The Poznań Psalter. A Collection of Psalms for Common Singing at Home and in Church (Poznań 2017). As a text genre, the publication represents a song book, which – according to its dictionary definition – is: ‘a collection of songs (solemn or popular) with their lyrics and notes’. The publication can alternatively be classified as a hymnal. The authors of the paraphrased psalter intended to underscore the musical character of the Biblical texts. This musical character is underscored by giving the particular psalms their regular r

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De Claiss, NL. "Reading backwards from the beginning: My life with the Psalter." Verbum et Ecclesia 27, no. 2 (2006): 455–67. http://dx.doi.org/10.4102/ve.v27i2.158.

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The Psalter is more than the sum of its individual parts. The book is indeed the collected hymns of ancient Israel and its designation as “the hymnbook of second temple period” is appropriate. But, in addition, the Psalter is a narrative within a poetic text. Contem-porary interest in the Psalter includes the desire to flesh out, give breath to, and stir the nephesh (“the inmost being”) of the text of the book of Psalms. But are scholars making any progress? In this article the author answers positively and is intended to provide a summary of this same learning experience.

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Cook, Ryan J. "“They were Born There”." Horizons in Biblical Theology 39, no. 1 (2017): 16–30. http://dx.doi.org/10.1163/18712207-12341342.

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The Psalter references other nations or people groups frequently and in richly diverse ways. This article seeks to understand the role and function of these references in ancient Israelite worship. It conducts this study by outlining the diverse roles the nations play in the Psalter, then utilizing rhetorical criticism, it examines their suasive role in the Psalm 2. It argues that the primary function of the nations in the Psalter, despite the various ways in which the nations are depicted, is to help shape Israel’s identity both between itself and yhwh and between itself and the nations.

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Levin, Christoph. "DIE ENTSTEHUNG DER BÜCHEREINTEILUNG DES PSALTERS." Vetus Testamentum 54, no. 1 (2004): 83–90. http://dx.doi.org/10.1163/156853304772932942.

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AbstractThe division of the Book of Psalms into five books in line with the Torah was first created by the doxology of Ps cvi 48 which repeats Ps xli 14 verbatim and combines it with a quotation of Dtn xxvii 16ff. (cf. Neh viii 1-6). The three other doxologies which divide the Book of Psalms relate to the former separate collections: Ps xli 14 concludes the first Davidic Psalter Pss iii-xli, Ps lxxii 18-19 rounds off the 'elohistic' Davidic Psalter Pss li-lxxii, and Ps lxxxix 53 concludes the 'messianic' Psalter Pss ii-lxxxix.

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Verner, Inna V. "QUOTATIONES FROM THE PSALTER IN THE “EPISTLE TO MARCELLINUS ON THE INTERPRETATION OF THE PSALMS” BY ST. ATHANASIUS IN THE EPIPHANIUS SLAVINETSKY’S TRANSLATION." Lomonosov Journal of Philology 47, no. 5, 2024 (2024): 77–93. https://doi.org/10.55959/msu0130-0075-9-2024-47-05-7.

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Numerous quotations from the psalms in the “Epistle to Marcellinus”, first translated from Latin into Church Slavonic by Epiphanius Slavinetsky, are of interest both from the point of view of potential Slavic sources of translation and in relation to the mechanism of quoting the biblical text. Textual analysis of the quotations does not confirm the scholarly hypothesis that Slavinetsky had in his disposal an early Bulgarian translation of the work of Athanasius of Alexandria that has not reached us. Most of the Psalter quotations are close parallels to the readings of the fourth edition of the

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Whiting, Mark J. "Psalms 1 and 2 as a hermeneutical lens for reading the Psalter." Evangelical Quarterly 85, no. 3 (2013): 246–62. http://dx.doi.org/10.1163/27725472-08503004.

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Psalms 1 and 2 are considered unimportant in many interpretative paradigms. It is argued that this is due, in part, to the canonisation of the presupposition that there is no coherent determinable literary structure in the Psalter. This presupposition is challenged by noting the evidence that exists of literary intentionality at the micro-, meso- and macro-structural levels within the Psalter. The content of Psalms 1 and 2 is identified and the use of these themes and motifs within the Psalter is explored. A unifying overarching concern with Zion Theology is tentatively considered. The hermene

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Groenewald, A. "Psalms 69:33-34 in the light of the poor in the Psalter as a whole." Verbum et Ecclesia 28, no. 2 (2007): 425–41. http://dx.doi.org/10.4102/ve.v28i2.115.

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The Psalter has very often been regarded as the prayer book of the poor. In the Psalms God is portrayed as the saviour of the poor, their hope, their stronghold and liberator – whether these are prayers of an individual or prayers of the community. The high concentration of the term(s) for the “poor” in the Psalter, in relation to the rest of the books of the Old Testament (OT), indeed indicates a profound affinity for the “poor” in the Psalter , which is an indication that the Psalter underwent a redaction of the “theology of the poor”. In this article the focus will be on Psalm 69, as it see

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Rogers, Nicholas. "The Original Owner of the Fitzwarin Psalter." Antiquaries Journal 69, no. 2 (1989): 257–78. http://dx.doi.org/10.1017/s0003581500085437.

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The Fitzwarin Psalter (Paris, B.N. MS lat. 765) is one of the most striking English manuscripts of the fourteenth century. Its miniatures are characterized by bold compositional experiment and a mannered figure style of extreme emotional intensity. The conventional name of the manuscript derives from the presence of two shields in the lower border of the Beatus page (fol. 23), which were identified by Francis Wormald as those of the families of Fitzwarin and Clevedon. But he was unable to find any evidence connecting the two families by marriage. He dated the Psalter to the third quarter of th

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O'Neill, Patrick P. "Latin learning at Winchester in the early eleventh century: the evidence of the Lambeth Psalter." Anglo-Saxon England 20 (December 1991): 143–66. http://dx.doi.org/10.1017/s0263675100001794.

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Aside from its Old English gloss, the Lambeth Psalter has largely been ignored. Yet this manuscript furnishes valuable evidence about Latin learning in late Anglo-Saxon England, specifically at Winchester. And it can lay claim to be the most important surviving witness to psalter scholarship from this period.

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Powell, Morgan. "Making the Psalter of Christina of Markyate (the St. Albans Psalter)." Viator 36 (January 2005): 293–335. http://dx.doi.org/10.1484/j.viator.2.300014.

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Spieckermann, Hermann. "From the Psalter back to the Psalms. Observations and Suggestions." Zeitschrift für die alttestamentliche Wissenschaft 132, no. 1 (2020): 1–22. http://dx.doi.org/10.1515/zaw-2020-0008.

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AbstractThe essay is a plea for ending the hunt for the message inscribed into the final shaping of the Psalter. After the psalms had to suffer from exaggerated form-critical categorisation and other approaches, the Psalter is not in need of having its content labelled with inadequate generalising terms. The complexity of the psalms does not favour this approach. Instead, the psalms are waiting to be appreciated as textual individuals and each psalm as part of its special position in a manageable cluster of texts. In view of the Psalter as a whole the predominance of petition and praise, manif

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Creach, Jerome F. D. "“Happy Are All Who Take Refuge in Him”: The Theological Shape of the Psalter." Interpretation: A Journal of Bible and Theology 78, no. 2 (2024): 120–30. http://dx.doi.org/10.1177/00209643231222910.

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By reading the Psalms in its entirety as a book (also called the Psalter) rather than focusing on individual psalms or sections, a primary theological claim becomes clear: the Lord alone reigns over the cosmos and therefore is the only reliable source of refuge. The essay also explores the role of David in the formation of the Psalter and the ancient view of David as a prophet that grows out of the structure and content of the Psalter. David, along with Moses, is the primary voice that urges hearers and readers to take refuge in the Lord alone (Pss 2:12; 37:39-40; 146:3-4).

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