Gotowe bibliografie tematyczne / Singers/songwriters

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Gotowa bibliografia na temat „Singers/songwriters”

Autor: Grafiati

Data publikacji: 27 lipca 2024

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Singers/songwriters"

Shevlyakova, Daria. "Depicting Italy in Singers-songwriters’ Songs." Stephanos. Peer reviewed multilanguage scientific journal 28, no. 2 (2018): 218–24. http://dx.doi.org/10.24249/2309-9917-2018-28-2-218-224.

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Prayogi, Akhwan, and I. Gede Agus Kurniawan. "Existence of Performing Rights: An Analysis of Implications and Orientations for Café Singers." SASI 29, no. 3 (2023): 605. http://dx.doi.org/10.47268/sasi.v29i3.1529.

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Introduction: Performing rights are rights attached to copyright as an integral part of the creation of a work. In the context of copyrights to songs or music, performing rights relate to the need to pay royalties to songwriters or music for attempts to use songs or music commercially.Purposes of the Research: Implications of performing rights for café singers to continue paying royalties based on statutory regulations and how the performing rights orientation for café singers is ideal in ensuring justice for songwriters or music as well as for café singers.Methods of the Research: Normative l

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Smith, Graeme. "Singers and Songwriters in Australian Country Music." Musicology Australia 33, no. 2 (2011): 213–22. http://dx.doi.org/10.1080/08145857.2011.596140.

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Nuraddinovna, Davletova Nodira. "The Psychological Characteristics of Stinginess Among University Students." Jurnal Psikologi 2, no. 4 (2025): 7. https://doi.org/10.47134/pjp.v2i4.4589.

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This study aims to analyze the fairness of royalty agreements between songwriters and singers in the Indonesian music industry and to assess the extent to which legal protection of songwriters' economic rights has been implemented. The research employs a normative juridical approach with qualitative analysis. Data were obtained through literature review, including statutory regulations, John Rawls’ theory of distributive justice, and contract law theory, as well as case studies of existing royalty agreement practices in Indonesia's music industry. The findings reveal that songwriters often hol

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Qian, Lijuan. "Which Identity Matters? Competing Ethnicity in Chinese TV Music Contests." World of Music (New Series) 6, no. 2 (2017): 57–82. https://doi.org/10.5281/zenodo.7828579.

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<em>This article reviews the performance of ethnic minority singers and singer-songwriters in both Western-derived and locally-devised talent show programmes in China from 2012–17, asking how these musicians manipulate their multi-layered identities in order to balance their identity articulations, audiences’ expectations and political pressures. Based on five years of watching the most widespread TV music talent show in China, the author provides comparative examples as to how ethnic minority singers and singer-songwriters create and negotiate ethnic-national, pan-ethnic and polit

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Fortoul van der Goes, Teresa I. "Seré famoso algún día algún día." Revista de la Facultad de Medicina 63, no. 3 (2020): 57–58. http://dx.doi.org/10.22201/fm.24484865e.2020.63.3.09.

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For some reason, creators are more likely to die at the age of 27. Several singers and songwriters often fell by the wayside, as consequence of an overdose. Names like Jimmy Hendrix, Amy Weinhouse, Janis Joplin, Jim Morrison and to this list we add Jean-Michel Basquait. What do they have in common? A success that they did not know how to handle? "The Radiant Child" could not escape that curse ...drugs, success and 27 years

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Morshedi, Pouya, and Lisa-Jo K. Van den Scott. "Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland." Qualitative Sociology Review 21, no. 1 (2025): 28–45. https://doi.org/10.18778/1733-8077.21.1.02.

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We ask how being apart from home impacts the very definition of home. We conducted a content analysis of songs produced by Iranians who have left their first “home” in Iran and resettled in Los Angeles. Our findings suggest that distance from one’s home expands the definition and image of home from a structure where one dwells and calls home, to an imagined community at the personal (home family), local (hometown), and regional (homeland) levels. The 1979 revolution in Iran caused many people, including singers and songwriters, to immigrate. Many of them moved to Europe and North America. We a

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Gomes, José António. "Songs in the shape of Abpril: the 25 of April and music with words for adults and for children." Child Studies, no. 5 (December 16, 2024): 47–62. https://doi.org/10.21814/childstudies.6083.

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One of the main instruments of democratic resistance to the fascist dictatorship of Salazar and Marcello Caetano, in Portugal, was the so-called canto de intervenção (protest songs). Preceded by composers and pioneer works, such as the Heróicas songs, by Lopes-Graça, these protest songs in Portugal are linked to several unavoidable names: José Afonso, Adriano Correia de Oliveira, Luís Cília, José Mário Branco, Sérgio Godinho, Fausto Bordalo Dias and other singers and songwriters. A striking feature of this musical expression of great political-cultural relevance was its connection to the writt

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ADENIYI, KIKELOMO O., and TAYE A. KEHINDE. "Code Shifting or Code Switching as a Style in Simi’s and Adekunle Gold's Songs." International Journal of Linguistics Studies 2, no. 2 (2022): 01–06. http://dx.doi.org/10.32996/ijls.2022.2.2.1.

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Adekunle Kòsọ́kọ́ and Sìmisola Kòsọ́kọ́ (nee Ogunleye) are married singers, both born and bred in Lagos known by the stage names Kunle Gold and Simi respectively. They are among a group of young, popular, and successful songwriters, composers, and singers. Their music has gained the hearts of Nigerian people, especially the youth. The focus of this paper is to examine critically how they make use of code-switching or code-shifting in their respective music as a 'style' in order to differentiate their songs and also to make a unique identity. It is observed that they alternate between two or mo

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Hughes, Diane, and Amanda Bayley. "Pedagogical considerations: Facilitating agency in the vocal recording of early career singer-songwriters." Journal of Popular Music Education 8, no. 2 (2024): 179–96. http://dx.doi.org/10.1386/jpme_00141_1.

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Audio recording is a much anticipated and integral component in the career trajectories of contemporary singers. This article discusses research undertaken through three in-depth case studies, each of which focused on the recording of original songs by early career singer-songwriters. The research examined the ways that recording techniques, associated technologies and studio interactions affect vocal performance during the recording processes. Participants were purposively sampled for their early career interest in songwriting and recording. The findings identified specific educational consid

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Książki na temat "Singers/songwriters"

Marcus, Greil. The folk years: A singers and songwriters collection. Time-Life Music, 2002.

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Marcus, Greil. The folk years: A singers and songwriters collection. Time-Life Music, 2002.

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Marcus, Greil. The folk years: A singers and songwriters collection. Time-Life Music, 2002.

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1947-, Simon Peter, ed. More room in a broken heart: The true adventures of Carly Simon. Gotham Books, 2012.

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Chin, Paula, ed. Dolly Parton: Closer Special Collector's Edition. American Media Specials, 2019.

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Walsh, Robert. Bob's book of music theory: For musicians and songwriters with special sections for guitar players, bass players, drummers, keyboard players and singers, and featuring real-life stories from the front lines. Time and a Place Publishing, 2012.

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Swann, Mike. American singer/songwriters: a history and guide: How many roads?. The Book Guild, 1989.

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Sarlin, Bob. Turn it up!: (I can't hear the words) : singer/songwriters then & now. Citadel Underground, 1992.

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Sarlin, Bob. Turn it up!: (I can't hear the words) : singer/songwriters then & now. Citadel Press, 1992.

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No Secrets No Lies: Singers and Songwriters Series. Archer Press, 2020.

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Części książek na temat "Singers/songwriters"

Cox Jensen, Oskar. "8. ‘The Arethusa’: Slip Songs and the Mainstream Canon." In Cheap Print and Street Literature of the Long Eighteenth Century. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.08.

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In the realm of cheap print, eighteenth-century musical culture was dominated by the slip song. In this chapter, the song ‘The Arethusa’ acts as a case study of this broader culture and is used to examine issues of authorship, performance, distribution, and consumption. It is argued that, although materially inextricable from the ‘cheap’ world of the street and the ballad printer, the slip as a format allowed songs to move easily between disparate social and geographical spheres. More broadly, the slip is conceived as being at the heart of a burgeoning musical mainstream, fuelled by the creati

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"6. Singers and Songwriters." In John Prine. University of Texas Press, 2022. http://dx.doi.org/10.7560/325933-007.

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Ulloa, Juanita. "History: Mariachi Singers and Their Songs." In The Mariachi Voice. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190846244.003.0002.

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Abstract The mariachi voice has its own history as distinct from the broader field of mariachi music. In Chapter 2 we discuss vocal training, background, styles, and technique of solo singers and their connection to songs and their composers. This chapter has twelve important sections covering over a hundred years in ranchera singing. In it we identify three historical periods of ranchera song: rural, urban, and a new dimension for ranchera singers led by singer/songwriter José Alfredo Jiménez. The vocal training of master voice teacher José Pierson is featured with his integration of crossove

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Thompson, Gordon Ross. "Male Delivery." In Sixties British Pop, Outside In. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190672386.003.0011.

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Abstract In the last years of the sixties, the Bulge Generation began reaching the age of majority. However, the availability of birth control, a governmental financial crisis, the devaluation of the pound, and strikes undermined national confidence and led to some couples delaying marriage and starting families. Women were entering the workforce and demonstrating independence from the control of men. British songwriters, for example Les Reed and Gordon Mills, both wrote and appropriated songs from other languages about women rejecting men. Veteran solo male singers such as Tom Jones and Engel

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"6 Singing from Difference: Jewish Singers-Songwriters in the 1960s and 1970s." In Mazal Tov, Amigos! Jews and Popular Music in the Americas. BRILL, 2016. http://dx.doi.org/10.1163/9789004204775_008.

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Batiste, Larry D., and James McKinney. "Building a Fanbase." In The Art and Business of Songwriting. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780199893102.003.0010.

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Abstract Fans are the foundation and catalyst to the singer/songwriter’s success. Enthusiasm from the fanbase’s network is your music’s net worth. The promotion of your authentic image and your song attracts, connects, retains, and grows your audience. As singers and songwriters, great efforts are spent to create a musical masterpiece for the world to hear and love. The same fervor must apply to distribution efforts so that your music may reach your targeted audience and beyond. Topics in this chapter include cross-marketing, streaming platforms, social media platforms, marketing tools, and su

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Wilder, Alec. "Outstanding Individual Songs." In American Popular Song. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190939946.003.0012.

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Hundreds of individuals have contributed to the American Songbook, many of whom did not even consider themselves songwriters. They might have been bandleaders. arrangers, instrumentalists, singers, or rank amateurs. Some wrote only a handful of notable songs, some just one or two. Songs that would likely elicit a puzzled look if their authors were revealed include “April Showers,” “Just Friends,” “I’m Getting Sentimental over You,” “How High the Moon,” “Moonlight in Vermont,” and “You Make Me Feel So Young.” True, the artist who made the song famous is likely to come to mind immediately, but t

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Palomares-Salas, Claudio. "1968." In Mexican Canto Nuevo. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197772737.003.0004.

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Abstract Chapter 4 marks Canto Nuevo’s birth during the 1968 student movement. It explores the emergence of a repertoire of national militant songs focused on the Mexican context but in tune with the Latin American Militant Song movement. Following Jorge Velasco’s previous studies, the chapter explores three ways in which singers, singer-songwriters, and groups used songs during the student movement: first, by collecting popular militant songs; second, by resignifying these songs using the contrafacta; and third, by creating an original militant song repertoire. At this moment, the first Canto

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Thompson, Gordon Ross. "Uncommon Folk." In Sixties British Pop, Outside In. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190672348.003.0021.

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Abstract The heterogeneity of urban audiences included some who rejected the glitz of pop culture for the perceived authenticity of folk music. Singers with Irish associations such as the Bachelors and the Clancy Brothers had transatlantic fans. Davey Graham and Bert Jansch, guitarists with Scottish associations, brought a sophistication to the music that critics described as folk baroque. Others, such as the Springfields, offered polished versions of American and other folk styles. Meanwhile, with Bob Dylan dominating the American folk market, the Rolling Stones, the Beatles, and others exper

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Greene, Christina. "Child, Why Are They Bringing You to Trial?" In Free Joan Little. University of North Carolina PressChapel Hill, NC, 2022. https://doi.org/10.5149/northcarolina/9781469671314.003.0008.

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Abstract This chapter examines Joan Little’s prison activist supporters within the context of the broader prison movement of the 1960s and 1970s - including women’s prisons, which have received far less scholarly attention than men’s prisons. It surveys African American women’s history of organizing against the sexual abuse of imprisoned Black women (including activists), from the efforts of Ida B. Wells and the National Association of Colored Women, to the National Council of Negro Women and the left-leaning Sojourners for Truth and Justice; and the history of Black singers and songwriters wh

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Streszczenia konferencji na temat "Singers/songwriters"

Liang, Qihao, Xichu Ma, Finale Doshi-Velez, Brian Lim, and Ye Wang. "XAI-Lyricist: Improving the Singability of AI-Generated Lyrics with Prosody Explanations." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/872.

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Explaining the singability of lyrics is an important but missing ability of language models (LMs) in song lyrics generation. This ability allows songwriters to quickly assess if LM-generated lyrics can be sung harmoniously with melodies and helps singers align lyrics with melodies during practice. This paper presents XAI-Lyricist, leveraging musical prosody to guide LMs in generating singable lyrics and providing human-understandable singability explanations. We employ a Transformer model to generate lyrics under musical prosody constraints and provide demonstrations of the lyrics' prosody pat

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