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Teses / dissertações sobre o tema "Fiction subjects"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Ken, Stephanie Wong. "Human Subjects." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4023.

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Human Subjects is a collection of eight short stories that explore the role of identity, otherness, and personhood in contemporary life. Two sex workers try to buy new faces after a botched plastic surgery, a young girl struggles to find her place in a religious sweat cult, mixed race orphans commune with ghosts in a Korean orphanage, best friends embark on a road trip across America in search of a mother. Human Subjects works to tell stories about deeply felt wants and desires from perspectives at the margins, caught in a state of in between. This collection grapples with what it means to be

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Schwab, Gabriele. "Subjects without selves : transitional texts in modern fiction /." Cambridge (Mass.) ; London : Harvard university press, 1994. http://catalogue.bnf.fr/ark:/12148/cb374408707.

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3

Kuykendall, Sue A. Morgan William Woodrow Strickland Ron L. "The subject of feminist literary practices radical pedagogical alternatives (teaching subjects/reading novels) /." Normal, Ill. Illinois State University, 1993. http://wwwlib.umi.com/cr/ilstu/fullcit?p9411040.

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Thesis (D.A.)--Illinois State University, 1993.<br>Title from title page screen, viewed February 23, 2006. Dissertation Committee: William Morgan, Ronald Strickland (co-chairs), Victoria Harris, Thomas Foster, Anne Rosenthal. Includes bibliographical references (leaves 228-242) and abstract. Also available in print.

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4

Lundgren, Jodi. "Narrative aesthetics, multicultural politics, and (trans)national subjects : contemporary fictions of Canada /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9523.

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Rebry, Natasha L. "Disintegrated subjects : Gothic fiction, mental science and the fin-de-siècle discourse of dissociation." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44052.

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The end of the nineteenth century witnessed a rise in popularity of Gothic fiction, which included the publication of works such as Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde (1886), George Du Maurier’s Trilby (1894), Arthur Machen’s The Great God Pan (1894) and The Three Impostors (1895), and Richard Marsh’s The Beetle (1897), featuring menacing foreign mesmerists, hypnotising villains, somnambulistic criminals and spectacular dissociations of personality. Such figures and tropes were not merely the stuff of Gothic fiction, however; from 1875 to the close of the centur

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Forshaw, Mark. "Affectless subjects, atrocious bodies : thematics and history in fictions by Burroughs, Ballard and Gibson." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391222.

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Hedberg, Sebastian. "Concep Art : En praktisk studie om arbetsprocessen bakom skapandet av konstformen med dystopi/postapokalyptisk science fiction som tema." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3437.

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8

Howell, Victoria. "Disordered subjects : narratives of 'becoming' in contemporary Anglo-American and French feminist theory and women's fiction." Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387574.

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9

Nordby, Wernø Johanne. "Engaged encounters : fiction as art writing - a practical investigation of the borders of art criticism." Thesis, Konstfack, Institutionen för Interdisciplinära Studier (IS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2859.

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The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its main components are one of practice and one of theory: a fiction text – Transatlantic Journeys – which I am publishing as a small book in an edition of 200 and exhibiting at Konstfack´s Spring Show, and the present reflective essay. In the essay, I identify the central elements of the current «crisis of art criticism» and ask what impact experimental writing modes can have on the practice and its alleged crisis. I give an account of fields of contemporary writing where the text is acting with or t

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10

Chia, Leigh Stephen. "The novel as panopticon : exploring surveillance." Thesis, University of Northampton, 2012. http://nectar.northampton.ac.uk/8852/.

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11

Liljeqvist, Hanna. "Royal Subjects : Feminist Perspectives on Diary Writing and the Diary Form in Meg Cabot's The Princess Diaries Series." Thesis, Stockholms universitet, Engelska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131228.

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Meg Cabot’s young adult (YA) novel series The Princess Diaries (2000-2009) is one of many modern-day examples of attempts to redefine what Western society considers the classic princess narrative: the story of a beautiful princess passively waiting for Prince Charming. As critics such as Kay Stone and Sarah Rothschild emphasize, the fictional princess is traditionally linked to notions of ideal femininity which, in turn, makes princess stories interesting texts from a feminist perspective. Rothschild notes a surge in YA princess novels in recent years, with YA writers such as Cabot aiming to c

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12

Persson, Erika. "Skönlitteraturens potential : Exempel på hur skönlitterära texter kan användas vid behandling av svårhanterliga ämnen." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53677.

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The study examines potential opportunities from reading fictional stories. It is focusing on different ways to use fiction as a tool when dealing with difficulties in life, such as death, bullying, injustice, racism, etc. Furthermore, the study investigates in what way the teachers consider how to process what has been read. The examination is based on qualitative interviews of six teachers, including three librarians, all with different workplaces. From the result it can be concluded that fiction is a versatile tool in many areas. Reading can be used as an aesthetic and relaxing activity, but

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13

Mighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.

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14

Clark, Fiona R. "Suburban/absurd : subjects of anxiety in the fiction of John Cheever and Richard Ford : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature /." ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1076.

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15

Blomgren, Elin. "S(mothering) the subject formation in Jamaica Kincaid ́s Annie John : Female subject formation in postcolonial Caribbean fiction." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37501.

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This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´s search for a coherent self-and/or a de-colonized identity through a subject transformation. Using postcolonial feminism, including theorists such as Homi K. Bhabha and Stuart Hall, I suggest that the protagonist Annie John does not perform a subject transformation as she is unable to embrace the state of hybridity needed to perform such a transformation. Annie John is a colonial subject drawn to the two worlds in which she resided, the East and West- and cannot create herself in the presence o

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Trono, Mario T. "Salvaging the subject, mediant fiction contra the mass media." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ60034.pdf.

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17

Donner, Mathieu. "Contagion and the subject in contemporary American speculative fiction." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/40336/.

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This thesis explores the relationship between the representation of contagion and those it affects offered by contemporary American speculative fiction and the ways in which this representative model has and continues to inform our understanding of real and actual pandemics. Over the past decade, the success of texts centred on such figures as the vampire, the werewolf and the zombie has triggered a return of contagion to the forefront of the American popular fictional imagination. Though this renewed fascination coincides with the emergence of new global biological threats, it also draws part

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18

Reinaudo, Alice. "Hierarchical text classification of fiction books : With Thema subject categories." Thesis, Linköpings universitet, Interaktiva och kognitiva system, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-154469.

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Categorizing books and literature of any genre and subject area is a vital task for publishers which seek to distribute their books to the appropriate audiences. It is common that different countries use different subject categorization schemes, which makes international book trading more difficult due to the need to categorize books from scratch once they reach another country. A solution to this problem has been proposed in the form of an international standard called Thema, which encompasses thousands of hierarchical subject categories. However, because this scheme is quite recent, many boo

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19

Meagher, Stephen. "Subjects, Inscriptions, Histories: Sites of Liminality in Three Canadian Autobiographical Fictions." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92142.

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This thesis explores how Beatrice Culleton's In Search of April Raintree, JoyKogawa's Obasan, and Michael Ondaatje's Running in the Family trouble, by emulating and transgressing the protocols of the literary autobiography, formulations of the historical "subject" aligned to those conventions. Consequently, the primary site of interpretation of this thesis is the delineation of the se texts' narrators as "subjects" who both write and are written by history. This thesis will demonstrate how these "autobiographical fictions" in scribe histories which question "official" accounts and probe gender

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Robinson, Sally. "Engendering the subject : gender and self-representation in contemporary women's fiction /." Thesis, Connect to this title online; UW restricted, 1989. http://hdl.handle.net/1773/9433.

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McDonald, Elizabeth Frances 1957. "Circulation differences between fiction books with subject headings and those without." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/278569.

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Subject headings for works of fiction are one way to increase access to these books. Increased access should result in greater use for these books. Using a multi-branch, metropolitan public library, fiction books with subject headings were compared against fiction books without subject headings for overall use and circulations (use adjusted for time available to circulate). These same two categories were then compared to determine the affect of subject headings with respect to: fiction collection size, genre, and publication date for overall use and circulations.

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22

Abdelmohcine, Ahmed. "Dying in other words : the writing subject in Virginia Woolf's fiction." Thesis, University of East Anglia, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297477.

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This thesis examines Virginia Woolf's fiction in light of structuralist and psychoanalytic theories of the subject, with particular reference to the works of Barthes, Bakhtin, Lacan, Kristeva, and Cixous. The orientation of my reading 'bridges' the gap between biographical and text-centred approaches to her fiction. Woolfs novels as the trace of a practice in which the subject is set in a continuous process of enunciation, is constantly questioned, 'put on trial', 'put to death', in pursuit of the 'new': new articulation of the subject with the writing of each novel, experimentation with new m

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23

Jenvey, Brandon John. "Subject of Conrad : a Lacanian reading of subjectivity in Joseph Conrad's fiction." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23438.

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This thesis examines how the fiction of Joseph Conrad anticipates and enacts the elaborate model of subjectivity that is later formalised in the psychoanalytic theory of Jacques Lacan. While modernist criticism has often utilised the work of post‐structuralism in reading key texts of modernism, the complexity and profundity of the conceptual relationship between Conrad and Lacan has not yet been explored in depth. Conrad’s work captures the impact and influence of emerging transnational capital upon forms of the subject in the later nineteenth and early twentieth centuries. Further, his fictio

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24

Kuchciński, Bartłomiej. "The Evolutionary Subject : Science Fiction from the Perspective of Darwinian Literary Studies." Doctoral thesis, Katowice : Uniwersytet Śląski, 2019. http://hdl.handle.net/20.500.12128/11435.

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Celem rozprawy jest analiza fantastyki naukowej z perspektywy literaturoznawstwa darwinistycznego w celu ustalenia jakie mechanizmy stoją za fabularnymi i narracyjnymi schematami poetyki fantastycznonaukowej; zbadania, czy możliwe jest aby fantastyka naukowa pełniła funkcję adaptacyjną, oraz, pośrednio, zbadanie użyteczności literaturoznawstwa darwinistycznego jako narzędzia analizy teoretycznej. Rozdział pierwszy stanowi przegląd dotychczasowych badań skupiających się na wpływie uwarunkowań genetycznych i adaptacyjnych na formy i sposoby ludzkich zachowań kulturowych oraz przybliża pojęcie k

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25

Rollason, Christopher Richard. "The construction of the subject in the short fiction of Edgar Allan Poe." Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/113/.

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This study is primarily concerned with the diverse processes of constitution and deconstitution of subjectivity at work in the writing of Edgar Allan Poe. The analysis is largely confined to the short fiction, although some reference is made to Poe's other work; twentyone tales are examined, in greater or lesser detail, with the aid of various theoretical perspectives - sociological, structuralist and, above all, psychoanalytic. The aim is to present a new reading of Poe's texts which rejects traditional "unity"-based interpretations. The thesis privileges the psychological dimension, but in t

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26

Worthington, Kim. "Self as text : representations of the subject in some contemporary fictions." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334239.

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27

Hollingsworth, Lauren Colleen. "Reading the (in)visible race African-American subject representation and formation in American literature /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019837021&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274464483&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2010.<br>Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.

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28

Payne, Christopher Neil. "Terminus intractable and the literary subject : deconstructing the endgame in Chinese avant-garde fiction." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29518.

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The following paper will deal with the actantial place of memory and history in the works of Ge Fei, a so-called avant-garde writer in China. Analyzing his three major novels published in the nineteen-nineties, as well as an earlier short story, the paper will discuss how Ge Fei renegotiates the status and place of the literary subject as configured through the act of writing, and its close relationship with the medium of memory and history. Contrary to the prevailing opinion, the avant-garde experiment in Ge Fei's works does not intimate the dissipation of the subject, but rather assists in r

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Travis, Molly Abel. "Subject on Trial: The Displacement of the Reader in Modern and Post-modern Fiction." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392805130.

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Visser, Robin Lynne. "The urban subject in the literary imagination of twentieth century China." online access from Digital dissertation consortium access full-text, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9985970.

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31

Gold, Django. "Hodge-Podge: A Collection of Literary Claptrap and Fictive Nonsensery." Thesis, Boston College, 2007. http://hdl.handle.net/2345/588.

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Thesis advisor: Ricco Siasoco<br>Hodge-Podge: A Collection of Literary Claptrap and Fictive Nonsensery is a collection of eight short stories. The stories are unrelated in terms of subject matter or style, but all fall within the broad confines of the author's world, conveniently. Titles: "The Kill"; "Hot Breath"; "Sorcery"; "A Failure of Understanding"; "Currency"; "Deserter's Execution"; "The Box"; "Commencement"<br>Thesis (BA) — Boston College, 2007<br>Submitted to: Boston College. College of Arts and Sciences<br>Discipline: English<br>Discipline: College Honors Program

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Bolton, Philip Joseph. "Staat, Stadt, Subjekt : the body and the city in contemporary Austrian fiction." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5904/.

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Since the publication in 1960 of Hans Lebert’s, Die Wolfshaut, Austrian fiction has been dominated by the so-called Anti-Heimatroman or ‘critical regional novel’, which deploys the provincial setting as a key vehicle for the socially-critical representation of the Austrian nation. Such is the dominance of the Anti-Heimatroman that critics have identified a concern with regional Austria as one of the few constants of post-war Austrian writing. In the vast majority of the literature produced since the 1960s, therefore, Vienna has no role to play; the capital has occupied only a marginal position

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Lyle, Messina. "Reviving the Subject: A Feminist Argument for Mimesis in Literature." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2204.

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For centuries we have taken for granted Aristotle's assertion that fiction must encourage emotional identification by representing life realistically. With the development of a more pluralistic society, Postmodernist writiers have come to question that assumption. Having repudiated our ancestor's notions of identity, these writers create stories whose sole purpose is to comment on other stories. However, as some feminist critics have shown us, we must each have an identity in order to have the collaborative society that is the Postmodernist's goal. Therefore, the notion that a story must make

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Berg, Annika. "Att bli subjekt i sin egen historia : En studie i Alice Lyttkens Flykten från vardagen och - kommer inte till middagen." Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1543.

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<p>Alice Lyttkens (1897-1991) was a very popular author in Sweden during several decades in the middle of the twentieth century. She was most famous for her historical novels. During her first period as a novelist in the 1930s, however, she wrote contemporary fiction, reflecting the situation of contemporary Women. The traditional view of the two sexes as “complementary” permeated the interwar period. Complementary at this time was presupposed as an asymmetrical and hierarchical relation between the two sexes. The male was seen as superior to the female in being strong when she was weak etc. A

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O'Brien, Monica. "Bombed-out consciousness the negative teleology of the modern subject in Adorno, Beckett and DeLillo /." Diss., Online access via UMI:, 2005. http://wwwlib.umi.com/dissertations/fullcit/3164708.

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Ward, Frazer. "Science/fictions: the writing of William S. Burroughs and the body of the subject." Thesis, The University of Sydney, 1988. https://hdl.handle.net/2123/26190.

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The outback is littered with advertising icons, cans and packets, logos fading but still readable in that harsh cinematic light. And it is littered in places with the wreckage of outlandish (or, perhaps, outbackish) vehicles, The Cars That Ate Paris and those bricoleurs' machines, the designers' as well as the characters' of Mad Max movies. There are bits and pieces of satellites, burnt almost and sometimes no doubt entirely beyond recognition on re—entry. In some places the red earth itself is radioactive. Picture the still and, perhaps, from now on perpetually smouldering ruins of the napalm

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Fredriksson, Sophia. "The Schizoid Subject : Filth and Desire in Samuel R. Delany's Hogg." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-39605.

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This thesis investigates in which ways Samuel R. Delany’s novel Hogg challenge the discourse of normality as stipulated, supported and maintained by the capitalist Oedipal repression of desire. Drawing from Deleuze and Guattari’s theory of the Anti-Oedipus, this thesis explores how Deleuze and Guattari’s notion of desire as a free and productive force can be seen as a disruptive element in a society that relies on repression of the subject for its stability. Furthermore, this thesis explores how the novel questions the understanding of civilisation being dependent on the individual’s submissio

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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le

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Anandan, Prathim. "Child/subject : children as sites of postcolonial subjectivity and subjection in post-Independence South Asian fiction in English." Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711768.

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Fanning, Ursula J. "Gender meets genre : woman as subject in the fictional universe of Matilde Serao /." Dublin : Irish Academic Press, 2002. http://catalogue.bnf.fr/ark:/12148/cb39260253b.

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Ward, Simon. "#Anders, wahr und realistisch' : negotiations between the modernist subject and recent German history in the fiction of Wolfgang Koeppen." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363679.

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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le

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Taylor, Karen Ann. "“Her knowledge of flora and fauna came mostly from fiction" : the adolescent as green subject in three Canadian young adult novels." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42893.

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Using the lens of ecocriticism, this thesis focuses on the literary portrayal of nature in three contemporary realistic Canadian young adult novels: Mistik Lake by Martha Brooks, The Lightkeeper’s Daughter by Iain Lawrence, and The Uninvited by Tim Wynne-Jones. Ecocriticism—the critical and political inquiry into the discourses influencing our ideas of nature—questions our understanding of and relationship to the environment and to ecological concerns as portrayed in literary texts. As such, this research takes a green cultural-studies approach and draws upon sources from environmentalist crit

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Kim, Angela. "Relate, Relative, Relationship." Thesis, Boston College, 2007. http://hdl.handle.net/2345/514.

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Thesis advisor: Susan Michalczyk<br>Isaac Newton's third Law of Motion states that "for every action, there is an equal and opposite reaction." When things collide, there is an immutable effect on both the initiator and the reactor. In the same way, people are in constant motion, "colliding" with one another and irrevocably changing in the process. It was only when I had to live on my own at Boston College that I realized how much the people in my life had such a powerful influence in my life. They are the ones who guided me to evolve into the person I am today. Swayed by my scientific backgro

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Joyner, Carol L. "Cultural mythology and anxieties of belonging : reconstructing the "bi-cultural" subject in the fiction of Toni Morrison, Amy Tan and Annie Proulx." Thesis, Queen Mary, University of London, 2002. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1531.

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The thesis considers the construction of cultural identity in the writings of Tom Morrison, Annie Proulx, and Amy Tan. It consists of three chapters, one dedicated to each of the writers. In the examination of these writers the focus is upon the construction of the "bicultural" subject in the contemporary United States. The paradigm of analysis is constructed through discourses of space, landscape and physical geography. The first chapter is devoted to Toni Morrison and is divided into two sections dealing with the novels Beloved and Jazz. The first section examines how spatial discourses disr

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Ngo, Quang. "We Have Always Been Posthuman: The Articulation(s) of the Techno/Human Subject in the Anthology Television Series Black Mirror." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1588760350394684.

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Albin, Jennifer L. "A subject so shocking the female sex offender in Richardson's Clarissa /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4514.

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Thesis (M.A.) University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 21, 2007) Includes bibliographical references.

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Phiri, Aretha Myrah Muterakuvanthu. "Violent subject(ivitie)s : a comparative study of violence and subjectivity in the fiction of Toni Morrison, Cormac McCarthy, J.M. Coetzee, and Yvonne Vera." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/10655.

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This thesis examines the links between and intersections of violence and subjectivity in a comparative, transatlantic and transnational study of the fiction of four recognized international authors, namely, Toni Morrison, Cormac McCarthy, J. M. Coetzee, and Yvonne Vera. Despite their differing geographical, temporal, cultural and socio-political situations and situatedness, these writers’ common, thematic concerns with taboo topics of violence such as rape, incest, infanticide and necrophilia, situate violence as a constitutive, intimate and intricate part of subjectivity. In providing varied,

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Bennini, Aïda. "Le Voile de l'intérêt social." Cergy-Pontoise, 2010. http://www.theses.fr/2010CERG0470.

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Après quelques décennies de discussions, le débat relatif à l’intérêt social a donné l’illusion d’avoir épuisé toutes ses ressources. Voilà que cette notion est propulsée au coeur des nouvelles thématiques du droit des sociétés, dont celle de la gouvernance des sociétés. Depuis l’avènement du gouvernement d’entreprise en France, le rôle de l’intérêt social a pris une nouvelle dimension. Mais d’autres événements bousculent cette notion, particulièrement la dématérialisation de l’entreprise et du capital social. Assurément, un conflit naissant entre l’horizontalité des droits et la verticalité d

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Fitzgerald, Caitlin Anne. "The Thorn Tree." Thesis, Boston College, 2007. http://hdl.handle.net/2345/376.

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Thesis advisor: Thomas Kaplan-Maxfield<br>We remember childhood injustices for the rest of our lives. They are thorn-like memories, piercing and immediate, affecting us long after we have matured and moved on with our lives. The wounds of childhood have been written about by some of literature's greatest writers, including most notably James Joyce, in his masterpiece A Portrait of the Artist as a Young Man. In this creative work I try to investigate, through the voices of children, the role of wounds in the growing character of a child. Wounds both literal and metaphorical dominate the narrati

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