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Artigos de revistas sobre o tema "Fiction subjects"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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1

Isto, Raino. "How Dumb Are Big Dumb Objects? OOO, Science Fiction, and Scale." Open Philosophy 2, no. 1 (2019): 552–65. http://dx.doi.org/10.1515/opphil-2019-0039.

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AbstractThis article considers the potential intersections of object-oriented ontology and science fiction studies by focusing on a particular type of science-fictional artifact, the category of ‘Big Dumb Objects.’ Big Dumb Objects is a terminology used—often quite playfully—to describe things or structures that are simultaneously massive in size and enigmatic in purpose: they stretch the imagination through both the technical aspects of their construction and the obscurity of their purpose. First used to designate the subjects of several science fiction novels written in the 1970s, Big Dumb O

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Hanson, Clare, Gerardine Meaney, Judith Still, and Michael Worton. "(Un)like Subjects: Women, Theory, Fiction." Modern Language Review 91, no. 3 (1996): 686. http://dx.doi.org/10.2307/3734101.

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Shazia Andleeb та Dr.Sadaf Naqvi. "اردو ادب میں مذہبی رجحانات: بیسویں صدی کی منتخب خواتین افسانہ نگاروں کا مطالعہReligious Trends in Urdu Literature: A Study of Selected Women Fiction Writers of the Twentieth Century". Al-Qamar 4, № 2 (2021): 71–80. https://doi.org/10.53762/jmy47146.

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This article discusses the religious trends of selected twentieth century women Urdu fiction writers. Focusing on Akhtar Jamāl, Jilānī Bāno, Qurratulain Hayder, Hājra Masroor, Khadīja Mastoor, Bāno Qudsia, Khālida Hussain, Jamīla Hāshmī, Sāira Hāshmī, it explores that firm belief in Allah Almighty, respect for humanity, moral values and deference for women are prominent subjects in these women’s fictions. They have deep spiritual experiences of realities of life and Universe. Not only spiritual and esoteric observations, but conditions associated with them are skillfully described in their f

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Kavut, İsmail Emre, and Elifnaz Olgaç. "The Technology of Fictional Space Designs in Dune Movies Investigation of Change in Time with Its Effect." Journal of Interior Design and Academy 3, no. 1 (2023): 1–25. http://dx.doi.org/10.53463/inda.20230166.

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Cinema has been advancing continuously since its formation and intertwined with many disciplines. Technology also acts as a bridge between these disciplines, especially between science fiction cinema and architecture, the place of technology is undeniable. In this study, the change of fictional space designs over time with the effect of technology is discussed and how these developments affect cinema and fictional space designs are examined as "Dune 1984" and "Dune 2021" produced from the same novel from science fiction cinema. The interior spaces and structures in these films were determined

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Stelzriede, Danelle Dyckhoff. "Representing Spectral Subjects in Historical Crime Fiction." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 73, no. 3 (2017): 77–100. http://dx.doi.org/10.1353/arq.2017.0016.

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de Oliveira, Pedro J. S. Vieira. "Design at the Earview: Decolonizing Speculative Design through Sonic Fiction." Design Issues 32, no. 2 (2016): 43–52. http://dx.doi.org/10.1162/desi_a_00381.

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This article discusses how Sonic Fiction—a concept developed by cultural theorist Kodwo Eshun—can be regarded as a cogent mechanism with which to develop Speculative and Critical Design (SCD) projects, using subjects of sound, music, and listening as their driving force. Through a dissection of the base premises of sonic fictions, this article aims to expand the perspectives taken so far by SCD projects in order to encompass languages other than those informed by the usual theories, as well as to broaden the spectrum of possibilities for sound-based practices within the field. In doing so, it

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D. Leavitt, Jonathan, Arseny A. Ryazanov, and Nicholas J. S. Christenfeld. "Amazing but true." Scientific Study of Literature 4, no. 2 (2014): 196–210. http://dx.doi.org/10.1075/ssol.4.2.04lea.

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People find it important to know if a story is factual, but still the most popular stories, in such forms as books and movies, are fictional. Research suggests that a story being true may add value to the reader’s experience, but other findings suggest that fiction may increase enjoyment by providing fewer disruptions to narrative comprehension. In three studies we explored the appeal of stories when they are presented as fiction or as non-fiction. Subjects read (1) story synopses, (2) vignettes from two popular websites, or (3) narratives on relationships and war. Results indicate that reader

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Duyfhuizen, Bernard. "Subjects without Selves: Transitional Texts in Modern Fiction." MFS Modern Fiction Studies 41, no. 2 (1995): 418–20. http://dx.doi.org/10.1353/mfs.1995.0082.

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Martín, Oscar. "Love's Subjects: The Alhambra Ceilings, Sentimental Fiction and Allegory." Medieval Encounters 14, no. 2-3 (2008): 390–406. http://dx.doi.org/10.1163/157006708x366317.

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AbstractThis article analyzes the way in which allegorical and narrative motifs work in the fourteenth-century Alhambra ceilings and in fifteenth-century Castilian sentimental fiction. It argues that while the Alhambra ceilings, based on courtly allegory, convey a dignified statement concerning the potential of allegory to structure a political lesson while at the same time registering cultural assimilation and social crisis, allegory in sentimental fiction is problematized from the outset, showing that the genre's evolution renders allegory ineffective to account for love's subjectivity as it

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Dixon, Peter, Marisa Bortolussi, and Blaine Mullins. "Judging a book by its cover." Scientific Study of Literature 5, no. 1 (2015): 23–48. http://dx.doi.org/10.1075/ssol.5.1.02dix.

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In this experiment, we investigated whether book covers can signal sub-genre information to knowledgeable readers. Self-identified science-fiction fans and mystery fans sorted 80 randomly selected book covers from each of those genres into groups of their own devising. The sorts were used to identify similarity among books, and that similarity structure was used to measure similarity among subjects. Cluster analysis was then used to find groups of subjects who sorted similarly. Linear models were demonstrated that group membership was related to the knowledge subjects reported about the genres

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Parsons, Deborah, Tamar Katz, Clare Hanson, and Lucie Armitt. "Impressionist Subjects: Gender, Interiority, and Modern Fiction in England." Modern Language Review 97, no. 1 (2002): 179. http://dx.doi.org/10.2307/3735638.

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Janine Tobeck. "Discretionary Subjects: Decision and Participation in William Gibson’s Fiction." MFS Modern Fiction Studies 56, no. 2 (2010): 378–400. http://dx.doi.org/10.1353/mfs.0.1672.

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PORTRAYAL, OF WOMEN IN PERSIAN FICTION. "PORTRAYAL OF WOMEN IN PERSIAN FICTION." International Journal of Education &Applied Sciences Research 1, no. 3 (2014): 72–76. https://doi.org/10.5281/zenodo.10683415.

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<strong>ABSTRACT</strong> <em> </em> <em>                   </em>One of the major characteristics of modern Persian literature has been inclusion of subjects and themes that are related to common masses. Writers and poets started to give space to issues that had to do with the general condition of people in the society. Though it was not a typically Iranian phenomenon, the idea was borrowed from the writers of the Western World and was possible because of exchange of literature, translation and a vit

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Albalawi, Mohammed. "The Gulf War in Saudi Fiction." Soundings: An Interdisciplinary Journal 105, no. 4 (2022): 499–523. http://dx.doi.org/10.5325/soundings.105.4.0499.

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Abstract There exists only limited scholarship on Saudi novelists as producers of war literature. Research into Saudi fiction has focused on the questions of its historical development, universality, women’s writing, and the reluctance of earlier writers to negotiate socio-political and psychological dimensions compared with the candidness and boldness of contemporary writers portraying these taboo subjects and daring to investigate unexplored regions of human consciousness. This article, however, diverges, using select novels to critique fictional treatment of the Gulf War by Saudi writers. T

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Ciongaru, Emilian. "JUSTICE BETWEEN REALITY AND LEGAL FICTION." Journal of Law and Administrative Sciences 23 (June 29, 2025): 5–12. https://doi.org/10.51865/jolas.2025.23.01.

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Justice as a public activity seen between reality and legal fiction is a topic of deep reflection, but also a continuous challenge for legal professionals who have to analyse the close connection between the purpose of justice and the artificial legal constructions of legal science, that is, between real and fictional justice or, in other words, formalised justice. Law as a science, in all its endeavours to regulate various conducts and situations, has found the solution to resort to a legal construct called legal fiction, a construct which has become almost indispensable, but which can someti

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Khitaeva, Anastasia I. "Communicative Features of the Reading Process (Differential Psychological Analysis)." Bibliotekovedenie [Russian Journal of Library Science], no. 4 (August 3, 2009): 63–68. http://dx.doi.org/10.25281/0869-608x-2009-0-4-63-68.

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Communicative features – “author — work of fiction — reader” is analyzed. The psychological typology of subjects of literary process and literary text, on the basis of the differential psychological approach is considered, process of reading from the point of view of psychotherapeutic and pedagogical potential of fiction works is analyzed.

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Mellen, Joan. "Treasures III: Social Issues in American Film, 1900––1934." Film Quarterly 61, no. 2 (2007): 10–17. http://dx.doi.org/10.1525/fq.2007.61.2.10.

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ABSTRACT This review essay of a National Film Preservation Foundation archival DVD boxed set of fiction and non-fiction films from the Progressive era emphasizes the underlying optimism about the future that is discernible even in those films that treat harrowing subjects (such as social deprivation, violence, and industrial exploitation).

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Merce, Gabriela-Emilia. "Liliana Corobcaʹs Novels “Un an în Paradis” and “Kinderland” in Critical Reading from a Thematic Perspective". Philologia, № 2(320) (серпень 2023): 90–97. http://dx.doi.org/10.52505/1857-4300.2023.2(320).08.

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This article presents how the novels Un an în Paradis and Kinderland have been received by critics from a thematic perspective. Identity, memory, alienation, childhood are themes highlighted in the novels under review, which contribute to the representation of a real, believable world. Liliana Corobcaʹs prose is defined by narratively constructed worlds, worlds that expose taboo subjects, that illustrate limit-situations, that sustain a marginal identity. The author stands out in Romanian literature as a distinct voice, which surprises by the chosen themes, by the style of writing, by the cons

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YU, CHEN-WEI. "Power and its Mechanics in Children's Fiction: The Case of Roald Dahl." International Research in Children's Literature 1, no. 2 (2008): 155–67. http://dx.doi.org/10.3366/ircl.2008.0004.

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This article looks from a Foucauldian perspective at the exercise of power in children's fiction. Roald Dahl's novels are examined as the paradigmatic product of social discourses; and power operates through their circulation. It is argued that Dahl's narratives reflect the author's personal struggle against discourses, which construct both the author himself and his readers as subjects. The article then turns to some critical responses to the novels. It suggests that the author and critics further reprise the roles of fictional child and adult characters, in a constantly shifting dynamic of p

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Mohseni, Hossein, and Kian Soheil. "Identity Knowledge and Identity of Posthuman Subjects in Cyberpunk Fiction." Critique of foreign language and literature 16, no. 22 (2019): 77–98. http://dx.doi.org/10.29252/clls.16.22.77.

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Novak, Julia. "Lucia Boldrini, Autobiographies of Others: Historical Subjects and Literary Fiction." Comparative Critical Studies 14, no. 2-3 (2017): 383–87. http://dx.doi.org/10.3366/ccs.2017.0248.

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Levenson, Michael H. "Review of: Subjects Without Selves: Transitional Texts in Modern Fiction." Modernism/modernity 3, no. 1 (1996): 157–59. http://dx.doi.org/10.1353/mod.1996.0021.

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Martínez-Otón, Laura, Cristina Rodríguez-Luque, and Mario Alcudia-Borreguero. "El reportaje de historias de vida como punto de partida de la radio dramatizada y el ´podcast´ de no ficción en el ecosistema digital. Estudio de caso. ´Sin mi identidad´ (Cadena COPE), ´Lo conocí en un Corpus´ (Podium Podcast) y ´Las tres muertes de mi padre´ (Cuonda)." INDEX COMUNICACION 9, no. 2 (2019): 135–62. http://dx.doi.org/10.33732/ixc/09/02elrepo.

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In current digital ecosystem, sound is gaining prominence through new formats such as podcasting, born in the era of mobility. Formats that can share elements, characteristics, dynamics of work and consumption with other traditional radio formats, such as reports, docudramas or the radio soap opera. This article aims to analyze whether the strength of human reach storytelling is a common starting point in analogic reports and in fictional and non-fiction podcasts, both on audio platforms and on conventional radio. For this, three podcast are proposed as case study: ‘Sin mi identidad’ (2018, CO

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Jeeva C and Velumani P. "Portrayal of Traditional Indian Womanhood in R.K. Narayan’s The Dark Room." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (2015): 32–34. http://dx.doi.org/10.26524/ijsth50.

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The Indo-Anglican literature is different from the Anglo-Indian literature. The former is the genre written and created by the Indians through the English language; the latter is written by the Englishmen on themes and subjects related to India. The Indo-Anglican fiction owes its origin to the translations of various fictional works from the Indian languages into English, notably from Bengali into English. The Indo-Anglican writers of fiction write with an eye and hope on the western readers. This influenced their choice of the subject matter. In Indo-Anglican novels there are Sadhus, Fakirs,

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Idol-Maestas, Lorna. "Getting Ready to Read: Guided Probing for Poor Comprehenders." Learning Disability Quarterly 8, no. 4 (1985): 243–54. http://dx.doi.org/10.2307/1510587.

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An advance organizer, TELLS Fact or Fiction, was used to orient students to stories prior to reading them. The steps represented by the acronym were: (T) study story titles, (E) examine and skim pages for clues as to what stories were about, (L) look for important words, (L) look for hard words, (S) think about the story settings, and (Fact or Fiction) decide whether stories were factual or fictional. Teachers used the probing technique to guide 4 LD elementary students and 2 secondary students from general special education classes. Analysis of performance on comprehension questions showed th

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Goodstein, Joshua, and Deena Skolnick Weisberg. "What Belongs in a Fictional World?" Journal of Cognition and Culture 9, no. 1-2 (2009): 69–78. http://dx.doi.org/10.1163/156853709x414647.

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AbstractHow do readers create representations of fictional worlds from texts? We hypothesize that readers use the real world as a starting point and investigate how much and which types of real-world information is imported into a given fictional world. We presented subjects (N=52) with three stories and asked them to judge whether real world facts held true in the story world. Subjects' responses indicated that they imported many facts into fiction, though what exactly is imported depends on two main variables: (1) the distance that a narrative world lies from reality and (2) the types of fac

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Macheso, Wesley Paul. "Fiction as prosthesis: Reading the contemporary African queer short story." Tydskrif vir Letterkunde 58, no. 2 (2021): 8–17. http://dx.doi.org/10.17159/tl.v58i2.8633.

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In this article, I read contemporary African queer fiction as a tool employed by writers to represent and rehumanise queer identities in Sub-Saharan African societies. In these societies, heteropatriarchal authorities strive to disable queer agency by dehumanising queer subjects. I argue that African queer identities, desires, and experiences are controlled and restricted under the heterosexual gaze, which strives to ensure that human sexuality benefits patriarchy, promoting heterosexual desire as ‘natural’ and authentically African and pathologising homosexuality. African writers then employ

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Al-Alami, Suhair Eyad Jamal. "Using colloquial language in prose fiction texts: An exploratory study." Research Journal in Advanced Humanities 5, no. 1 (2024): 1–15. http://dx.doi.org/10.58256/vmjf6m37.

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Prose fiction texts have an aesthetic function, which seeks to create a sense of aesthetic appreciation through means of language style amongst other devices. Bearing this in mind, it is the author’s belief that using colloquial language in a prose fiction text may negatively impact language style of the text and acquisition of the foreign language. Motivated by this conviction, this study addresses two main questions. First, how does use of colloquial language impact language style of a prose fiction text? Second, how does use of colloquial language impact language acquisition in relation to

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Al-Alami, Suhair. "Fiction From a Critical Perspective." Theory and Practice in Language Studies 11, no. 9 (2021): 990–97. http://dx.doi.org/10.17507/tpls.1109.03.

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With English as a lingua franca in mind, it has become essential for undergraduate students to acquire the English language. Additionally, undergraduate students are expected to acquire a repertoire of critical thinking skills for lifelong learning. Inspired by the need to augment mastery of English as a foreign language (EFL) whilst at the same time enhancing critical thinking on the part of EFL learners, the research study this paper portrays was conducted for one academic semester involving a number of students at the institution where the author of this paper works. The research aimed to i

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Ali, Said, Muhammad Rizwan, Shahzad Mehmood, Kanwal Sajjad, Kinza Fatima, and Ayesha Iqbal. "Servile Subjects and Resistant Voices: Representations of Women in Postcolonial Feminist Fiction." Journal of Frontiers in Multidisciplinary Research 6, no. 1 (2025): 235–39. https://doi.org/10.54660/.ijfmr.2025.6.1.235-239.

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This study investigates the representation of women as servile subjects in postcolonial feminist fiction and examines the multifaceted ways in which female characters resist patriarchal and colonial oppression. Drawing upon a qualitative thematic and narrative analysis of five novels, The Joys of Motherhood, Nervous Conditions, Purple Hibiscus, The God of Small Things, and Cracking India the research explores how servility is constructed through domestic, economic, religious, and bodily subjugation. Framed by postcolonial feminist theory and informed by concepts of subalternity, intersectional

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Borbély, Carmen. "“Their Spidery Self”: On Webs of Subject-Object Empathy in Bernardine Evaristo’s Fiction." Caietele Echinox 41 (December 1, 2021): 281–95. http://dx.doi.org/10.24193/cechinox.2021.41.22.

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Drawing on the theoretical premises of Anthropocene feminism, new materialist feminism and empathy studies, this paper represents an attempt to explore the mutually constitutive relations conjured in Bernardine Evaristo’s fiction between subjects and the object worlds they inhabit. Focusing on Lara (1997) and Girl, Woman, Other (2019) as examples of “fusion fiction,” the paper explores the ways in which a composite sense of agency is articulated between the human and the nonhuman, shaping what feminist thinkers from Rosi Braidotti to Jane Bennett envision as our posthuman horizons.

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Stepanova, Maria M., and Dmitry I. Troitsky. "Analysis of the Correlation between Translation Graduation Projects and the Market Demand." Tambov University Review. Series: Humanities, no. 2 (2023): 334–46. http://dx.doi.org/10.20310/1810-0201-2023-28-2-334-346.

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Problem Statement. This study contains a statistical analysis of the translation market by translation type and domain and the distribution of translation student graduation project subjects. The purpose of this study is to improve the translation teaching quality through a better match between the graduation project subjects and the translation market demand. Materials and Methods. The authors reviewed the demand statistics for the Russian, EU, and US translation markets. We also collected a large database of translation graduation projects defended in Russian universities in 2018–2020. The s

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Fernández Malváez, José de Jesús. "La condición humana en la ciencia ficción. Un análisis antropológico." HArtes 5, no. 10 (2024): 136–51. http://dx.doi.org/10.61820/ha.v5i10.1337.

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The human condition is not relegated to its mere existence. We are plural and diverse beings. We are subjects that hold and subjects held. We are polysemic and multiform. We are the product of the conditions and producers of conditioning factors of human life. Starting from promoting an open dialogue between some anthropological and science fiction approaches to the idea of the other, this text seeks to reflect on the nature of the human condition. Using a critical-reflexive scheme on the nature of certain famous texts in both areas, such as: "The Argonauts of the Western Pacific", "The nois

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Ginszt, Katarzyna. "Incorporating Robots into Human Law - An Analysis of Robot Prototyping in Ridley Scott’s Blade Runner and Alex Proyas’ I, Robot." New Horizons in English Studies 4 (September 4, 2020): 172–85. http://dx.doi.org/10.17951/nh.2020.5.172-185.

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Science fiction narratives have not only influenced the way the majority of people imagine the future, but they have also shaped the general expectations for the technological development. This phenomenon has been called “science fiction prototyping” by Brian David Johnson. The prototype of a robot is created by science fiction works. Robots as artificially created entities are often presented as potential “members” of future society. Therefore, their legal status in imaginary reality is worth considering. The analysis of Blade Runner (1982) by Ridley Scott and I, Robot (2004) by Alex Proyas j

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Cody, Michael. "Gothic Subjects: The Transformation of Individualism in American Fiction, 1790–1861." Nathaniel Hawthorne Review 42, no. 2 (2016): 75–76. http://dx.doi.org/10.5325/nathhawtrevi.42.2.0075.

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Moraru, Christian. "Subjects without Selves: Transitional Texts in Modern Fiction (review)." Comparatist 19, no. 1 (1995): 149–51. http://dx.doi.org/10.1353/com.1995.0017.

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O'Donnell, Patricio. "Microglia Activation in Subjects at Risk for Psychosis: Fact or Fiction?" Neuropsychopharmacology 42, no. 13 (2017): 2472–73. http://dx.doi.org/10.1038/npp.2017.179.

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Pandit, Dr Kamble Sanjay. "Chetanbhagat's One Indian Girl: A Depiction of Careerist Woman." Journal of Women Empowerment and Studies, no. 11 (September 25, 2021): 27–31. http://dx.doi.org/10.55529/jwes.11.27.31.

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Chetan Bhagat a very popular name among the modern age and new generation because of different style and subjects. Being well qualified man from IIT and IIM he could get the best job in corporate sector specially known as IT industry. In spite of his good educational background he chooses creative writing as his career and passion. He gave new dimension to Indian Writing in English because of his innovative themes and subjects handled in his creative fiction. His fictions have been transformed into movies. He explores cross cultural issues of marriage and career. He earned name and fame in ver

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Rabkin, Eric S. "Science Fiction and the Future of Criticism." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 457–73. http://dx.doi.org/10.1632/003081204x20488.

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Science fiction, ranging from films to industrial design to world's fairs, is a cultural system no more confined to literature than love is to love letters. From its self-recognition in 1926, science fiction has involved commercial and social realities most obviously visible in fandom and the hundreds of annual science fiction conventions. This system includes many types of consumers and producers, even collaboratively self-correcting volunteer bibliographers. Collectively, science fiction fandom, the first organized fandom, has created vast informational resources that allow not only referenc

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Palmer, Christopher. "Galactic Empires and the Contemporary Extravaganza:Dan Simmons and Iain M. Banks." Science Fiction Studies 26, Part 1 (1999): 73–90. https://doi.org/10.1525/sfs.26.1.0073.

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This essay discusses sf by Dan Simmons and Iain M. Banks as a contemporary version of galactic-empire fiction. This fiction shares a set of characteristics: ambitious, multi¬farious inclusiveness; uninhibited hedonism; complicated relations with textuality and intertextuality; a complicated depiction of space as noncoherent, subject to no uniform rules; decentered subjects, but, on the other hand, a return of depth. It is suggested that this fiction expresses the operations of a postmodern imaginary on the materials of traditional galactic-empire sf; this imaginary operates mainly by excess, o

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Nyoman Ayu Candra Purnama Dewi, Maria Goreti Rini Kristiantari, and Dewi Anzelina. "Diorama Media Fiction Stories in Indonesian Language Subjects For Increase Skills Write Student." International Journal of Elementary Education 9, no. 1 (2025): 59–67. https://doi.org/10.23887/ijee.v1i1.93241.

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Elementary school students' writing skills still need significant strengthening, considering that many of them have difficulty in developing ideas and expressing them coherently in written form. The lack of ability to explore creativity in writing indicates the need for more innovative learning strategies and facilitate comprehensive exploration of ideas. This study aims to determine the effectiveness of the Fiction Story Diorama learning media in Indonesian Language Subjects to Improve Writing Skills of Grade IV Elementary School Students. The development model used is the ADDIE model. The su

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Yildirim, Ezgi Güven, Ayşe Nesibe Önder, and İsmail Önder. "Examining the Fringe Series in terms of science concepts and topics: A teaching material suggestion." Scholars Journal of Research in Social Science (SJRSS) 2, no. 2 (2022): 44–54. https://doi.org/10.5281/zenodo.6657821.

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<strong>ABSTRACT</strong> The Fringe series is a science fiction production with frequent references to scientific concepts and topics. This study aims to analyse the scientific concepts and topics in the Fringe series and examine them in terms of their appropriateness as a teaching material, particularly for science teacher candidates. This study is a qualitative study. In qualitative research studies, data is collected through observation, interviews, and documents. In this study, document analysis was carried out on the Fringe series as a data collection tool, and the results were discussed

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Simpson, Hyacinth M. "“Is all o’ we one?”: Creolization and ethnic identification in Samuel Selvon’s “Turning Christian”." Journal of Commonwealth Literature 53, no. 1 (2016): 169–85. http://dx.doi.org/10.1177/0021989416635224.

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Samuel Selvon’s fiction reveals the author’s abiding concern with questions of identity and community and his investment in reconciling the seemingly conflicting subjects of creolization and ethnic identification in Caribbean societies, particularly in his native Trinidad. The pervasive and often violent ethnic conflict between Trinidadians of Indian and African heritage is linked to constructions of the nation in which claims to, as well as exclusion from, Creole identities play an important role. In response, Selvon’s fictional interventions position Indian communities (whether peasant, work

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Nabutanyi, Edgar Fred. "Language, fiction, and heteropatriarchal critique in selected recent Ugandan short fiction." Sociolinguistic Studies 17, no. 1-3 (2023): 141–58. http://dx.doi.org/10.1558/sols.23998.

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There is an emerging Ugandan queer writing tradition that adopts an activist stance to imagine an alternative Ugandan queer subjecthood beyond popular and polarising perspectives of this subjectivity that were instantiated by the Anti-Homosexuality Act of 2014. This emerging archive of Ugandan writing, often deploying the short fiction genre, weaves intricate tales of queer Uganda that sidestep the censorship of an ostracised sexuality deemed sinful, dangerous, and unUgandan to claim the agency and humanity of Ugandan homosexuals. While this archive of Ugandan queer short fiction has attracted

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Miranti, Ulfa, and Yohanis Franz La Kahija. "THE EXPERIENCE OF BEING A COSPLAYER: AN INTERPRETATIVE PHENOMENOLOGICAL ANALYSIS APPROACH." Jurnal EMPATI 7, no. 1 (2020): 106–12. http://dx.doi.org/10.14710/empati.2018.20152.

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Cosplay is defined as the type of performing arts of an individual wearing a costume as a fictional character, usually from graphic novels, comics, anime media, cartoons, video games, or science fiction and fantasy. The method of data analysis that is used in this study is an Interpretative Phenomenological Analysis (IPA) approach. The procedure focuses on exploring the experiences, thoughts, and unique events the subject has through interviews. Subjects were selected based on following criteria: subject is a cosplayer that has been actively cosplaying for three years and has played more than

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Susan Neni Triani and Eti Sunarsih. "The Development of Teaching Materials Lecture of Fiction Based Tidayu Culture Integrated Mobile Learning." AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 3, no. 2 (2019): 296–306. http://dx.doi.org/10.21009/aksis.030207.

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This research based on students by difficulty in understanding analysis prose in lecture study prose fiction. Learning are now more led to the topic on local wisdom. West kalimantan constituting a province that has many tribes. Three large tribe living in west kalimantan, tionghua, dayak, and melayu. This study focused on tidayu folklore. So learning lecture study prose fiction developed into the development of material lecture prose fiction based tidayu culture integrated mobile learning. Problems in this research is how vaidty, practicality and effectivity whether the use of teaching lecture

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Kucich, John. "Imperial Subjects, Imperial Space: Rudyard Kipling's Fiction of the Native-Born (review)." Victorian Studies 46, no. 2 (2004): 362–64. http://dx.doi.org/10.1353/vic.2004.0092.

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Levine, Robert S. "Review: Gothic Subjects: The Transformation of Individualism in American Fiction, 1790-1861." Nineteenth-Century Literature 70, no. 1 (2015): 153–57. http://dx.doi.org/10.1525/ncl.2015.70.1.153.

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BABAEI, ABDOLRAZAGH, and AMIN TAADOLKHAH. "Portrayal of the American Culture through Metafiction." Journal of Education Culture and Society 4, no. 2 (2020): 9–15. http://dx.doi.org/10.15503/jecs20132.9.15.

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Kurt Vonnegut’s position that artists should be treasured as alarm systems and as biological agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of fiction to the harsh realities of the world via creative metafictional strategies, making literature an alarm coated with the comforting lies ofstorytelling. It is metafi ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature t

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Holovan, Taras. "The concept of fiction in Soroka’s «Crumbs»." Philological Review, no. 2 (December 10, 2022): 144–51. http://dx.doi.org/10.31499/2415-8828.2.2022.268668.

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In the article, we analyze the concept of fiction in the short story collection «Crumbs» (2019) by the Ukrainian writer Petro Soroka. In this book, the author directly speaks out about his vision of literature; in some tales, he makes digressions, comments on his writing practice and narration, and outlines his understanding of fiction. All these things create a balance between the author’s intentions and concrete texts. In a broad context, the book is a valuable source for researching short stories in modern Ukrainian literature, the nature of fiction in general, and the understanding of fict

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