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Teses / dissertações sobre o tema "Thackeray"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Harland-Lang, Antonia Louise. "Thackeray and Bohemia." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/279098.

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Whether as a counter-cultural phenomenon or a sociological myth, Bohemia has long eluded concrete definitions. In the last thirty years, however, there has been a noticeable contrast between the ambitious theoretical concerns of cultural historians of nineteenthcentury Continental Bohemianism and the more staunchly biographical approaches of critics concerned with Bohemian writers in mid-Victorian England. In the absence of the Latin Quarter, attempts to define the English Bohemianism of Thackeray's era have been somewhat reductive, revolving around London establishments such as the Garrick Cl

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2

Amoroso, Angelica Anna. "W.M. Thackeray and the tradition of English comedy." Thesis, University of Leicester, 2004. http://hdl.handle.net/2381/30279.

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This thesis is about Thackeray and the comic tradition in the plays and novels of the seventeenth and eighteenth centuries. It aims at showing that a study of Thackeray's fiction and its connection with the comedy of the past contributes to an understanding of the sophistication and subtlety of his comic vision. In his fiction Thackeray takes some of the comedic conventions of the tradition, though in some respects he also departs from them, expanding, developing and applying them to his time to make ironic comments on the inconsistencies and follies of English society from the eighteenth to t

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3

Richards, Mary. "Picture and vision in the novels of W.M. Thackeray." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367543.

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4

Chrétien, Maurice. "Individu et société dans l'oeuvre de W. M. Thackeray." Paris 3, 1987. http://www.theses.fr/1987PA030004.

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La premiere partie de cette these etudie le snobisme comme relation triangulaire et comme mode original de quete des valeurs. Sont ensuite recherchees les causes du snobisme, la these soutenue etant que le snob est l'individu typique d'un monde sans dieu, incapable d'assumer sa liberte. La seconde partie defend la these que les personnages principaux des grands romans de thackeray apres vanity fair sont des "individus problematiques", a la recherche de valeurs authentiques dans un monde dont la degradation prend la forme du snobisme et de la valeur d'echange. Les romans de thackeray visent don

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5

Milne, Kirsty. "Vanity Fair from Bunyan to Thackeray : transformations of a trope." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560553.

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Although Vanity Fair is just one episode in The Pilgrim's Progress, taking up barely a dozen pages in the first edition of 1678, it has had a potent and versatile afterlife. My thesis examines how the Vanity Fair trope is transformed between its appearance in The Pilgrim's Progress and the publication of Thackeray's novel Vanity Fair (1847-1848). Canvassing a range of printed material, from pamphlets and periodicals to canonical texts, my research contributes to literary scholarship in two ways. First, I show how the idea of Vanity Fair, which in Bunyan is a place of trial and terror, was tame

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6

Thornton, Sara M. "La vanité du texte : l'oeuvre de W.M. Thackeray 1837-1848." Paris 3, 1992. http://www.theses.fr/1992PA030118.

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Dans l'oeuvre de thackeray ecrire est depeint comme une activite malsaine. Le lecteur remarque que tous ceux qui ecrivent, lisent, trafiquent ou contribuent de quelle maniere que ce soit a la fabrication et a la distribution de textes sont en quelque sorte souilles par ce contact impur. Afin d'eclaircir l'attitude de thackeray envers le texte, ce travail considere le statut du texte dans le texte thackerayen ainsi que la position de l'auteur vis-avis de l'ecriture comme mode de representation. Le texte de thackeray est examine a travers et a l'aide des differentes definitions du mot "vanite":

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7

Kellett, Sue. "Trollope : second-rate Dickens, a lesser Thackeray or first-rate artist? /." Title page and topic only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09ark291.pdf.

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8

Crossley, Alice Charlotte. "Male adolescence in the novels of George Meredith and W.M. Thackeray." Thesis, University of Leeds, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534758.

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9

Moya, Ana. "La Mujer y el matrimonio en las principales novelas de William Makepeace Thackeray." Doctoral thesis, Universitat de Barcelona, 1989. http://hdl.handle.net/10803/1673.

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El objetivo principal de este tesis doctoral es el poner de relieve le evolución que se de en W. M. Thackeray en cuanto al tratamiento de la mujer y del matrimonio en sus noveles, evolución que nos lleva a pensar en un Thackeray progresista y reformista respecto de la sociedad de su tiempo. Los temas "mujer" y "matrimonio" han sido estudiados conjuntamente por considerar que en la obra de Thackeray el matrimonio aparece como la vertiente social de la mujer (el papel da ésta en la sociedad que Thackeray describe es el matrimonio), constituyendo ambos temes de este modo un todo inseparable en la

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10

Beidler, Paul Gorman. "From empiricism to Bohemia, the idea of the sketch from Sterne to Thackeray." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ27603.pdf.

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11

Grunert, Elisabeth M. "Enterprising Women in Novels of Manners: The Social Economies of Austen, Thackeray and Wharton." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73540.

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Novels of manners exhibit social economies that bear some metaphorical resemblance to literal economies. In England and America, before the women's movement and the introduction of large numbers of women into the workforce, this was the woman's economy: the economy of manners. This thesis examines three novels of manners and argues that there is a sustaining economic metaphor to characterize each author's attitude toward the manners economy they portray. In Jane Austen's Mansfield Park, social economies are controlled by an invisible hand that can be trusted to reward deserving economic agents

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12

Decaux, Sylvie. "Journalisme et journalistes à l'aube de l'ère victorienne : Thackeray, modèle ou miroir de son temps ?" Paris 3, 1994. http://www.theses.fr/1995PA030034.

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Dans une perspective plus large d'interrogation sur le journalisme litteraire tel qu'il se pratiquait au debut de l'epoque victorienne, cette etude s'attache au "cas" thackeray qui fut journaliste professionnel entre 1837 et 1847. Apres une evocation de la presse vers 1840, sont analyses les differents aspects de la carriere de thackeray, ainsi que le contenu de ses recits journalistiques (critique litteraire, critique d'art, critique gastronomique, recits de voyage, papiers d'observation social, parodies, etc. ) il apparait que thackeray, tout en restant tout a fait typique de son temps, a fo

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13

Berggren, Elin. "Characterization in Social Satire : A comparative analysis of the heroines Elizabeth Bennet in Jane Austenʼs Pride and Prejudice, and Becky Sharp in William Makepeace Thackerayʼs Vanity Fair". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-40753.

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This essay presents a comparative analysis of the characterizations of the female protagonists Elizabeth Bennet in Jane Austen̕ s Pride and Prejudice (1813), and Becky Sharp in William Makepeace Thackeray̕ s Vanity Fair (1847-1848). The analysis is conducted from a gender perspective, and with the use of feminist criticism. The two novels complement each other since they are both satirical images of society, concerning aspects such as class and gender. Also, both novels portray women climbing the class ladder, during the period of the Napoleonic wars. In the comparison, the main focus lies on

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14

Lasak, Jessica Lee. ""So much for the dixonary" the rejection of Johnsonian linguistic authority in "Vanity Fair" and "The Mill on the Floss" /." Click here for download, 2007. http://proquest.umi.com/pqdweb?did=1342744831&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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15

Massey, Ellen. "Boggley wollah and "sulphur-steams" colonialism in "Vanity fair" and "Jane Eyre" /." Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1698507681&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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16

Heitzman, Matthew William. "Revolutionary Narratives, Imperial Rivalries: Britain and the French Empire in the Nineteenth Century." Thesis, Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104076.

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Thesis advisor: Rosemarie Bodenheimer<br>This dissertation considers England's imperial rivalry with France and its influence on literary production in the long nineteenth century. It offers a new context for the study of British imperialism by examining the ways in which mid-Victorian novels responded to and were shaped by the threat of French imperialism. It studies three canonical Victorian novels: William Thackeray's Vanity Fair (1846-1848), Charlotte Brontë's Villette (1853) and Charles Dickens's A Tale of Two Cities (1859), and argues that even though these texts deal very lightly with t

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17

Vega-Ritter, Max. "Dickens et Thackeray, essai d'analyse psychocritique : des "Pickwick papers" à "David Copperfield" et de "Barry Lyndon" à "Henry Esmond"." Montpellier 3, 1986. http://www.theses.fr/1986MON30003.

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18

Ahola, Ulrika. "Thackeray's Vanity Fair and Commodities in Circulation." Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-72369.

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While William Thackeray’s Vanity Fair is a satire, a humoristic account of the vanities of the different characters in the fictitious society of Vanity Fair, it is also a social criticism of early nineteenth century British society. The essay examines Thackeray’s social critique, which is sometimes explicitly expressed and sometimes more implicit. His criticism is aimed both at the new commodity culture where everything is reducible to money—even people and human relations—and at the class system of the up-and-coming middle classes and the established gentry and aristocracy. When Thackeray sen

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19

Rontree, Mary Elizabeth. "Satire and parody in the fiction of Thomas Love Peacock and the early writings of William Makepeace Thackeray, 1815-1850." Thesis, University of Gloucestershire, 2004. http://eprints.glos.ac.uk/3130/.

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This thesis examines the works of Peacock and the early periodical contributions of Thackeray in the light of recent twentieth-century critical interpretations of satire. In particular, attention to Peacock's use of elements of the Menippean sub-genre in his satirical fiction offers a reassessment of his place in the literary tradition. While Thackeray's early writings demonstrate some characteristics of Menippean satire, a review of his work from the broader perspective of Bakhtin's exposition of carnival influences in serio-comic literature provides a new understanding of the origins and use

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20

Douglass, Clare Taylor Beverly. "A new "look" at the canon de-familiarizing the works of Thackeray, Dickens, Collins, and Gaskell through a recovery of their illustrations /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,823.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.

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21

Dell, Marion. "Born into a large connection : Virginia Woolf's legacies from three nineteenth-century forebears : Julia Margaret Cameron, Anny Thackeray Ritchie and Julia Prinsep Stephen." Thesis, Open University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578656.

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In this thesis I explore the nineteenth-century legacies which inform Woolfs work, with specific reference to those of three of her forebears: Julia Margaret Cameron, Anny Thackeray Ritchie and Julia Prinsep Stephen. I analyse lines of descent to show that the work of these women are textually, artistically, biographically and genealogically embedded in Woolfs own; thus shaping Woo If as a writing woman. Woolfs complex, paradoxical, relationship with Cameron, Ritchie and Stephen in particular, reveals her conflicted relationship with her past in general. Each relationship is characterised by i

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22

Mackenzie, Hazel. ""Allow me to introduce myself - first, negatively" : Charles Dickens, Anthony Trollope, William Makepeace Thackeray and first-person journalism in the 1860s family magazine." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/1490/.

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This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that

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23

Åhman, Billing Tina. "The Female Protagonists in Thackeray’s Vanity Fair : A Corpus Linguistic Study of Keywords, Collocations, and Characterisation." Thesis, Högskolan Dalarna, Engelska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24363.

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This essay uses corpus linguistic methods to study aspects of the novel Vanity Fair by W M Thackeray. The aim is to study the way Thackeray chose to describe his two female protagonists, Rebecca Sharp and Amelia Sedley. This is accomplished by a closer study of keywords in Vanity Fair, created by using a reference corpus consisting of thirteen novels by Victorian authors. These keywords are used to define semantic fields related to the novel. Keywords from the semantic field closest to the protagonists are studied in context. In addition, adjectives that collocate with the names of the protago

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24

Santos, Josy Kelly Cassimiro Rodrigues dos Santos. "O livro dos snobs: o romance inglês nos jornais e periódicos paraibanos do XIX." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/8527.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2016-08-15T11:13:11Z No. of bitstreams: 1 arquivo total.pdf: 4049920 bytes, checksum: 42dfc07793d8f6cabdf93f2557808ca6 (MD5)<br>Made available in DSpace on 2016-08-15T11:13:11Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 4049920 bytes, checksum: 42dfc07793d8f6cabdf93f2557808ca6 (MD5) Previous issue date: 2016-05-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The serialized English novel The Book of Snobs (1846) by W. M. Thackeray was published in 1891 in the newspaper O Estado da Paraíba. It was first publ

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25

Olasz, Ildiko Csilla. "Moving eyes, shifting minds the horizon of expectations in the verbal and visual reception of mid- and late-Victorian illustrated novels /." Diss., Connect to online resource - MSU authorized users, 2008.

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26

Malone, Katherine. "The Lady Critic: Women of Letters and Critical Authority in British Periodicals, 1854-1908." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/57913.

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English<br>Ph.D.<br>This study considers how and why the established histories of criticism fail to recognize the Victorian woman critic. Although many women wrote critical essays for Victorian periodicals, the practice of anonymous publication and the gendered coding of certain genres ensured that the image of the critic was masculine for Victorian readers. And despite the ongoing work of The Wellesley Index to Victorian Periodicals, the growing field of periodicals research, and forty years of feminist scholarship, the Victorian critic remains, by and large, a male figure for us as well. In

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27

Glasenapp, Aylina [Verfasser], Marion Akademischer Betreuer] Bankstahl, Frank M. [Akademischer Betreuer] [Bengel, Katja [Akademischer Betreuer] Derlin, and James Thomas [Akademischer Betreuer] Thackeray. "Multimodality Molecular Imaging of Inflammation and Fibrosis in Pressure Overload-Induced Heart Failure and After Mechanical Ventricular Unloading / Aylina Glasenapp ; Prof. Marion Bankstahl; Frank Michael Bengel; Katja Derlin, Thomas Thackeray." Hannover : Stiftung Tierärztliche Hochschule Hannover, 2020. http://d-nb.info/1217249745/34.

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Glasenapp, Aylina [Verfasser], Marion [Akademischer Betreuer] Bankstahl, Frank Michael [Akademischer Betreuer] Bengel, Katja [Akademischer Betreuer] Derlin, and James Thomas [Akademischer Betreuer] Thackeray. "Multimodality Molecular Imaging of Inflammation and Fibrosis in Pressure Overload-Induced Heart Failure and After Mechanical Ventricular Unloading / Aylina Glasenapp ; Prof. Marion Bankstahl; Frank Michael Bengel; Katja Derlin, Thomas Thackeray." Hannover : Stiftung Tierärztliche Hochschule Hannover, 2020. http://d-nb.info/1217249745/34.

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29

Simons, Gary. ""Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3347.

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Scholars have heretofore under-examined William Makepeace Thackeray's early critical essays despite their potential for illuminating Victorian manners and life. Further, these essays' treatments of aesthetics, class, society, history, and politics are all influenced by the pecuniary aspects of periodical journalism and frequently expose socio-economic attitudes and realities. This study explicates the circumstances, contents, and cultural implications of Thackeray's critical essays. Compensatory payments Thackeray received are reconciled with his bibliographic record, questions regarding Thack

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Stern, Kimberly Jo. "The Victorian sibyl women reviewers and the reinvention of critical tradition /." Full text available, 2005. http://images.lib.monash.edu.au/ts/theses/stern.pdf.

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31

Borchert, Tobias [Verfasser], Frank M. [Akademischer Betreuer] Bengel, James [Akademischer Betreuer] Thackeray, Karin [Akademischer Betreuer] Weißenborn, and Tibor [Akademischer Betreuer] Kempf. "Molecular imaging of inflammation in the heart-brain axis following myocardial infarction and its modulation by therapeutic interventions / Tobias Borchert ; Akademische Betreuer: Frank M. Bengel, James Thackeray, Karin Weißenborn, Tibor Kempf ; Klinik für Nuklearmedizin." Hannover : Bibliothek der Medizinischen Hochschule Hannover, 2021. http://d-nb.info/1229197508/34.

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32

Klein, Sherry. "Reading Thackeray's actresses." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59612.pdf.

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Bromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.

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This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction mar

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Thorsteinsson, Vidar. "Diachronic Binding: The Novel Form and the Gendered Temporalities of Debt and Credit." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460469341.

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35

Wilhelm, Franz. "Construction of the Higgs Mechanism and the Lee-Quigg-Thacker-bound." Thesis, Uppsala universitet, Högenergifysik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-388550.

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In this paper the higgs mechanism for the standard model is constructed in steps. First by considering spontaneous breaking of discrete and continuous global gauge invariance. Then spontaneous breaking of local gauge invariance. These results are then used to construct the electroweak part of the standard model through application of the higgs mechanism. Finally, the LQT-upper bound of 1 TeV for the higgs mass is calculated through unitarity constraints.<br>I denna artikel konstrueras higgsmekanismen i standardmodellen stegvis. Först genom att beakta spontant symmetribrott av diskreta samt kon

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Helfer, Wajngot Marion. "The birthright and the blessing : narrative as exegesis in three of Thackeray's later novels." Doctoral thesis, Stockholms universitet, Engelska institutionen, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7675.

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This dissertation argues that the many narrative repetitions and allusions in Thackeray's fiction can be read as comments on and interpretations of each other and of biblical texts. Especially Henry Esmond, The Virginians, and Philip make use of reiterative strategies that have a close affinity with both midrash, classical Jewish narrative exegesis, and Christian typology. These two hermeneutical systems are used as models for a reading that takes the religious education in Victorian England into consideration. The study of significant similarities and differences between the fictional narrati

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Roberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman." Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.

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This thesis is a study of rebellious child protagonists in Victorian bildungsroman. It discusses five novels ??? Jane Eyre, The Mill on the Floss, What Maisie Knew, Vanity Fair and Kim ??? that feature ???radical child??? protagonists who use indirect methods of narrative control to resist conservative models of character development. It argues that these novels form a subset of subversive English bildungsromane, which threaten the genre???s traditionally liberal values. Theories of narrative desire, reader seduction and discursive manipulation are used to reveal how the radical child in th

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Pisano, Vittoria <1990&gt. "Thackeray’s Barry Lyndon: Genesis, Structure, Sources, and the Concept of Anti-Hero in Barry Lyndon." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10182.

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Con questa tesi, ‘Thackeray’s Barry Lyndon: Genesis, Structure, Sources, and the Concept of Anti-Hero in Barry Lyndon’, si vuole analizzare l’opera di un grande autore del 1800, William Makepeace Thackeray. Il titolo originario dell’opera in questione era ‘The Luck of Barry Lyndon: A Romance of the Last Century’, che fu pubblicata nell’anno 1844, nella rivista inglese ‘Fraser’s Magazine’ a puntate, a partire dal mese di gennaio per terminare nel mese di dicembre, sotto lo pseudonimo Fitz-Boodle. Non avendo riscosso molto successo, per i successivi dodici anni, l’opera passò nel dimenticatoio,

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Mallow, Dawn. "Attitude toward women in Thackeray's "Catherine", Collins's "Man and Wife", and Dickens's "Dombey and Son" (William Makepeace Thackeray, William Wilkie Collins, Charles Dickens)." Thesis, 1993. http://hdl.handle.net/1911/13760.

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Catherine, Man and Wife, and Dombey and Son will be compared with respect to their treatment of women characters. Each novel is either sympathetic to feminism and the treatment of women as equals, or constraining in its attitudes toward women. This assessment will be based on the fate of the rebellious woman character, the degree of conventionality found in its women characters and whether the attitudes toward women expressed generally in the novel are enlightened, or conventional. Also discussed will be how novels by nineteenth-century British novelists such as Thackeray and Collins and ninet

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Goldfarb, Sheldon. "The road to Vanity Fair : cynicism, sentimentality, and despair in the early Thackeray." 1985. http://hdl.handle.net/1993/30015.

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Eure, Heather Latiolais. "Illegible women : feminine fakes, façades, and counterfeits in nineteenth-century literature and culture." 2013. http://hdl.handle.net/2152/21939.

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Examining periodicals and novels from 1847 to 1886, I analyze the feminine fake to argue that individuals were beginning during this period to grapple with the discomforting idea that identity, especially gender, might be a social construct. Previously, scholars have contended that this ideological shift did not occur until the 1890s. I apply the term "feminine fake" to the tools that women use to falsify their identities and to the women who counterfeit their identities. Equally, I consider the fake as a theatrical moment of falsifying one's identity. In my first chapter, I set up my theoreti

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Smallwood, Christine. "Depressive Realism: Readings in the Victorian Novel." Thesis, 2014. https://doi.org/10.7916/D88W3BXV.

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This dissertation makes two arguments: First, it elaborates a depressive genealogy of the Victorian novel that asserts a category of realism rooted in affect rather than period or place. Second, it argues for a critical strategy called "depressive reading" that has unique purchase on this literary history. Drawing on Melanie Klein's "depressive position," the project asserts an alternative to novel theories that are rooted in sympathy and desire. By being attentive to mood and critical disposition, depressive reading homes in on the barely-contained negativities of realism. Through readings of

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Glovinsky, Will. "Unfeeling Empire: The Realist Novel in Imperial Britain." Thesis, 2021. https://doi.org/10.7916/d8-4cyr-hb47.

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This dissertation considers the role of affective management in realist aesthetics and British imperial culture. Drawing on formalist analyses of English novels, nineteenth-century theories of emotion, and postcolonial accounts that identify the colonizer’s affective desensitization as the ground from which ongoing violence can be perpetrated, this study explores how domestic English novels developed new techniques for deflating the heightened feelings surrounding empire and distant intimacy. Through satires of sensibility, the replacement of epistolary style with impersonal omniscience, and n

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Hsu, Pi-fen, and 許碧芬. "The Position of Women in William Makepeace Thackeray's Vanity Fair." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/37466965342242877558.

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碩士<br>中國文化大學<br>英國語文學研究所<br>97<br>The aim of this thesis is to examine the two controversial heroines in William Makepeace Thackeray’s Vanity Fair, Becky Sharp and Amelia Sedley. Amelia is a naïve, faithful, self-effacing woman who always tries to meet patriarchal expectations for women. From a Victorian point of view, she is regarded as an ideal woman. In comparison, Becky is selfish, self-confident and cunning. In order to achieve her goals, she departs from the model of traditional femininity. A female rebel against tradition was the standard image for bad women in the Victorian perio

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Tang, Chih-Chun, and 湯智群. "Becky Sharp’s Sartrean Choices: Self-Creation in Thackeray’s Vanity Fair." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/41704346984886418287.

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碩士<br>中國文化大學<br>英國語文學研究所<br>97<br>Abstract William Thackeray’s Vanity Fair (1847) deals not only with 19th-century British lifestyles, culture, and the social class hierarchy, but also with human existence, freedom, choice and responsibility. While Darwin emphasizes the biology-based struggle for survival, and Marx looks at the economic basis of society and culture in his critique of the inequality that is built into capitalism, Sartre describes the nature of the human self as both pure consciousness and “thing” or “object.” In seeing ourselves as the social roles we play, and also under the g

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Wang, Ying-fen, and 王櫻芬. "Excess and Transgression:The Dark Moral(ity) in William Thackeray's Vanity Fair." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/32219806812323091826.

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碩士<br>國立成功大學<br>外國語文學系專班<br>97<br>This thesis attempts to reveal how William Thackeray in Vanity Fair presents to its readers an alternative morality, which is different from the Victorian mainstream moral codes. I suggest that what Thackeray wants to criticize in this “Novel without a Hero” is the over-strict Victorian morality standard, which was difficult for the people to follow; this difficulty ironically caused their hypocrisy and led to misfortune. For Thackeray, only through adequate allowance of “excess” and “transgression” can people obtain their happiness. Of course, the excess and

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Goldfarb, Sheldon F. "William Makepeace Thackeray’s Catherine : a story : a critical edition with commentaries." Thesis, 1992. http://hdl.handle.net/2429/3280.

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This dissertation consists of a critically edited text of William Makepeace Thackeray's first novel, Catherine, along with a complete set of annotations, an extensive textual apparatus, appendices reprinting the sources for the real-life murder story on which Thackeray based his novel, and commentaries discussing the politics of the novel, the textual history and textual difficulties of the novel, and the novel's literary and historical context. In the absence of the manuscript, the copy-text for this edition is the first edition from Eraser's Magazine in 1839-40, the only edition from

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LIN, JUI-FEN, and 林惠芬. "The dual functions of the narrator and the reader in Thackeray's vanity fair." Thesis, 1989. http://ndltd.ncl.edu.tw/handle/72763172873253795373.

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CHUNG, SHU-MEI, and 鍾淑玫. "The Discursive Practice of the Victorian Code of Conduct in Thackeray's Henry Esmond and The Virginians:A “Newer” Historicist Reading." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/18414292719912199007.

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博士<br>國立高雄師範大學<br>英語學系<br>104<br>THESIS ABSTRACT CANDIDATE:SHU-MEI CHUNG TITLE:THE DISCURSIVE PRACTICE OF THE VICTORIAN CODE OF CONDUCT IN THACKERAY’S HENRY ESMOND AND THE VIRGINIANS: A “NEWER” HISTORICIST READING DEGREE: Ph. D. SUBMITTED: JULY 2016 Focusing on close reading of William M. Thackeray’s novel, The History of Henry Esmond, and its sequel, The Virginians: The Tale of the Last Century, I explore Thackeray’s reflections on and criticism of the Victorian code of conduct under the framework of the discursive practice of the gentleman (and gentlewoman), based on Michel Foucault’s theor

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