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Artigos de revistas sobre o tema "Thackeray"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 25 de julho de 2025

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1

Mykhed, T. "WILLIAM MAKEPEACE THACKERAY: IRONIC CONTEXT OF HIS “KYIV TEXT”." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 33 (2018): 72–81. http://dx.doi.org/10.17721/2663-6530.2018.33.05.

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The article is devoted to the analysis of the parody ballad by W. M. Thackeray "The Legend of St. Sophia of Kioff" (1839). An attempt was made to indicate the source of information about Kyiv, which could be found in Jane Porter’s historical novel "Thaddeus of Warsaw", written according to the testimonies of Polish emigrants. The ballad is interpreted as a traditional for English oral and written literature genre, which has acquired formal signs of printed text. All these signs are present in Thackeray's ballad, including the division into chapters, a functionally significant paratext, topical

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2

Garcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS." Victorian Literature and Culture 46, no. 2 (2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.

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One of the peculiar challengesfacing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. TheMLA Bibliographycontains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of

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3

Farina, Jonathan. "Recent Thackeray Studies: 2009–2022." Dickens Studies Annual 53, no. 2 (2022): 322–45. http://dx.doi.org/10.5325/dickstudannu.53.2.0322.

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ABSTRACT Thackeray’s presence in recent scholarship, on present-day syllabi, and on present-day nightstands still pales in comparison to his popularity in the Victorian period and to the relative investments we have in Dickens, Eliot, and other Victorians. But the last twelve or so years nevertheless feel like something of a Thackeray resurgence, at least in scholarship. This article reviews here more than twenty-five pieces of scholarship, a fifth of what we might typically see on Dickens in the same period, but that scholarship includes some exciting, insightful, and transformative thinking,

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4

COLE, SARAH ROSE. "The Aristocrat in the Mirror: Male Vanity and Bourgeois Desire in William Makepeace Thackeray's Vanity Fair." Nineteenth-Century Literature 61, no. 2 (2006): 137–70. http://dx.doi.org/10.1525/ncl.2006.61.2.137.

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39 Alexis de Tocqueville, The Old R´´gime and the French Revolution, trans. Stuart Gilbert (Garden City, N.Y.: Doubleday and Doubleday, 1955), pp. 88-89.Taking their cue from Thomas Carlyle's Sartor Resartus (1833-34), scholars of Regency and early-Victorian dandyism have focused on a supposed opposition between the dandyism of a declining aristocracy and the moral earnestness of a rising bourgeoisie. This historical model obscures the full complexity of relations between the nineteenthcentury British bourgeoisie and aristocracy, a complexity that can be illuminated by a closer examination of

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5

Schramm, Jan-Melissa. "“THE ANATOMY OF A BARRISTER'S TONGUE”: RHETORIC, SATIRE, AND THE VICTORIAN BAR IN ENGLAND." Victorian Literature and Culture 32, no. 2 (2004): 285–303. http://dx.doi.org/10.1017/s1060150304000506.

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IN THE HISTORY OF PENDENNIS(1848–50), William Thackeray calls upon the binary model of Victorian intellectualism in order to define the status and responsibilities of an author of fiction. For Thackeray, himself an initiate of the Middle Temple, the antagonist which permitted such a clarification of artistic privilege was the law, as conceived in utilitarian and mechanistic terms. Perhaps inspired by the ensign of the Inner Temple, the Winged Horse – suggestive of Thackeray's favorite trope for his own creativity, Pegasus-in-Harness – Thackeray effects a deft appropriation of the humanist hist

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6

Thomas, Deborah A. "THACKERAY, CAPITAL PUNISHMENT, AND THE DEMISE OF JOS SEDLEY." Victorian Literature and Culture 33, no. 1 (2005): 1–20. http://dx.doi.org/10.1017/s1060150305000707.

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VANITY FAIRIS A NOVEL OF ENIGMAS. In particular, after finishing the book, readers have often wondered why Thackeray refuses to tell us clearly whether or not Becky actually kills Joseph Sedley in chapter 67–a question recently given prominence by John Sutherland as one of the “Great Puzzles in Nineteenth-Century Literature” (66–72). The explanation most commonly given for Thackeray's evasiveness on this point is that such unanswered questions inVanity Fairare part of the artistry of this unconventional work of fiction, a book that A. E. Dyson has described as “surely one of the world's most d

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7

Fielding, K. J. "THACKERAY AND “THE GREAT MASTER OF CRAIGENPUTTOCH”: A NEW REVIEW OF THE LIFE OF JOHN STERLING — AND A NEW UNDERSTANDING." Victorian Literature and Culture 27, no. 1 (1999): 307–14. http://dx.doi.org/10.1017/s1060150399271161.

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TWO OF THE BEST accounts of the relations between Thackeray and Carlyle are those by Gordon N. Ray in his great life and letters of the novelist, and the well-informed essay by C. R. Sanders “The Carlyles and Thackeray” in his Carlyle’s Friendships and Other Studies. Yet both of them are crucially and entirely wrong in attributing a review of a work by Carlyle in the Times to Thackeray when we now find it was obviously by a regular reviewer Samuel Phillips.1 So they are mistaken in several conclusions that go well beyond biographical detail and bear on the way both writers represent mid-Victor

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8

Chesterton, G. K. "Thackeray." Chesterton Review 32, no. 1 (2006): 17–19. http://dx.doi.org/10.5840/chesterton2006321/256.

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9

Dieguez, Sebastian. "Thackeray." Cerveau & Psycho N° 113, no. 8 (2019): 94–97. http://dx.doi.org/10.3917/cerpsy.113.0094.

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10

Murphy, Ryan Francis. "The Puppet Narrator of Vanity Fair." Victoriographies 5, no. 1 (2015): 36–53. http://dx.doi.org/10.3366/vic.2015.0182.

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My essay sheds new light on the perceived shortcomings of Thackeray's narrator in Vanity Fair. There exists, I maintain, a level of narratological sophistication for which Thackeray is not adequately praised, and his dramatised narrator – a character long misunderstood and often maligned – is the key to our renewed understanding. In addition to thoroughly canvassing the ‘puppet’ narrator's dramatic evolution, I examine the ways in which previous scholars have both rejected and misrepresented ‘Before the Curtain’, Thackeray's introduction to the complete novel – what I call the novel's ‘surpris

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11

Redling, Ellen. "32. Allegorical Thackeray: Secularised Allegory in Thackeray’s Major Novels." English and American Studies in German 2015, no. 1 (2015): 48–49. http://dx.doi.org/10.1515/east-2016-0033.

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12

Tyson, Nancy Jane, and Michael Lund. "Reading Thackeray." South Atlantic Review 54, no. 4 (1989): 131. http://dx.doi.org/10.2307/3199813.

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13

Plavutska, Iryna, and Zhanna Babiak. "The satirical mode of William Thackeray and Ivan Franko: typological correspondences." Pomiędzy Polonistyczno-Ukrainoznawcze Studia Naukowe 10, no. 33 (2023): 49–54. https://doi.org/10.15804/ppusi.2023.03.05.

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In the article, a comprehensive comparative analysis of the satirical prose of W. Thackeray and I. Franko, focusing on socio-political themes, is carried out for the first time in Ukrainian literary studies, significantly expanding our understanding of the interaction between the works of these artists. The authors systematize theoretical concepts about satire as a literary genre and concentrate on the phenomenon of sociopolitical satire. The research identifies and explores objects of satirical representation in the works of the Ukrainian and British writers. In his works, William Makepeace T

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14

Bayley, Susan. "Thackeray's German Governesses, Real and Imagined." Victorians: A Journal of Culture and Literature 143, no. 1 (2023): 64–80. http://dx.doi.org/10.1353/vct.2023.a903693.

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ABSTRACT: As a father of two daughters educated at home, William Makepeace Thackeray knew something about German governesses: he interviewed many, employed several, and counted one among his acquaintances. In his fiction, he satirized the type in two burlesques: Miss Wirt ( The Book of Snobs , 1848) and Mlle Wallfisch ( The Adventures of Philip , 1862)—ludicrous characters intended to amuse English middle-class readers, whose bigotry he also targets. But these imaginary renderings contradicted Thackeray's real opinion of German people and culture, which was complimentary and admiring, albeit t

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15

Pati, Sameer K., and Tejas Thackeray. "Five new species of freshwater crabs of the genera Ghatiana Pati & Sharma, 2014 and Sahyadriana Pati & Thackeray, 2018 from India (Decapoda: Brachyura: Gecarcinucidae)." Zoosystema 43, no. 26 (2021): 627–47. https://doi.org/10.5252/zoosystema2021v43a26.

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Pati, Sameer K., Thackeray, Tejas (2021): Five new species of freshwater crabs of the genera Ghatiana Pati & Sharma, 2014 and Sahyadriana Pati & Thackeray, 2018 from India (Decapoda: Brachyura: Gecarcinucidae). Zoosystema 43 (26): 627-647, DOI: 10.5252/zoosystema2021v43a26

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16

Beaumont, J. "Thackeray in 'Pattledom'." Notes and Queries 52, no. 4 (2005): 474–76. http://dx.doi.org/10.1093/notesj/gji423.

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17

PATI, S. K., and T. THACKERAY. "The freshwater crab genera Ghatiana Pati & Sharma, Gubernatoriana Bott, and Inglethelphusa Bott (Crustacea: Decapoda: Brachyura: Gecarcinucidae) revisited, with descriptions of a new genus and eleven new species." Zootaxa 4440, no. 1 (2018): 1. http://dx.doi.org/10.11646/zootaxa.4440.1.1.

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The taxonomy of three morphologically related and endemic genera of the northern Western Ghats (Ghatiana Pati & Sharma, 2014, Gubernatoriana Bott, 1970, and Inglethelphusa Bott, 1970) is re-assessed to accommodate several new taxa. We describe a new genus, Sahyadriana gen. nov. and its five new species [S. billyarjani sp. nov., S. pachyphallus sp. nov., S. sahyadriensis sp. nov. (type species), S. tenuiphallus sp. nov., and S. woodmasoni sp. nov.]. Additionally, three new species each of Ghatiana (Gh. botti sp. nov., Gh. pulchra sp. nov., and Gh. rathbunae sp. nov.) and Gubernatoriana (Gu.

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18

PASCOE, DAVID. "Sterne and ‘That Dreary Double Entendre’." Shandean 32, no. 1 (2021): 62–91. http://dx.doi.org/10.3828/shandean.2021.32.06.

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This article considers Sterne’s habits of double entendre as they are conceived and denounced in WM Thackeray’s lecture on the writer, first published in English Humourists of the Eighteenth Century (1853). Thereafter, the argument follows a (coastal) path through Freud’s experiences in Northern English seaside resorts, memories of which emerge in some of his most famous writings on dreamwork, and anticipate his theories about double meaning in literature, which he sees exemplified by Tristram Shandy. The article proceeds to take in the comic art of Donald McGill, whose double entendres, both

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19

Gómez Ruiz, María del Rocío. "Thackeray in 19th Century Mexico: The First Spanish Translation of Vanity Fair, and beyond." Bibliographica 3, no. 2 (2020): 75. http://dx.doi.org/10.22201/iib.2594178xe.2020.2.77.

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Este artículo presenta un estudio de la recepción del novelista victoriano William Thackeray en el México decimonónico. Se considera la traducción mexicana de La feria de las vanidades (1848) publicada por la Imprenta de Andrade y Escalante en 1860, y posteriormente la recepción crítica de la obra de Thackeray durante el Porfiriato. Los detalles de publicación de la edición mexicana de La feria de las vanidades (la primera traducción de la novela al español) ponen en evidencia la mediación cultural francesa en el país durante la primera mitad del siglo. Por otro lado, la conversación crítica y

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20

PATEL, HARSHIL, TEJAS THACKERAY, ZEESHAN A. MIRZA, and RAJU VYAS. "HARSHIL PATEL, TEJAS THACKERAY, ZEESHAN A. MIRZA & RAJU VYAS (2023) A new species of naked-toed gecko Cyrtopodion sensu lato (Squamata: Sauria: Gekkonidae) from Gujarat, India. Zootaxa, 5254 (3), 398-412." Zootaxa 5389, no. 5 (2023): 597. https://doi.org/10.11646/zootaxa.5389.5.5.

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PATEL, HARSHIL, THACKERAY, TEJAS, MIRZA, ZEESHAN A., VYAS, RAJU (2023): HARSHIL PATEL, TEJAS THACKERAY, ZEESHAN A. MIRZA & RAJU VYAS (2023) A new species of naked-toed gecko Cyrtopodion sensu lato (Squamata: Sauria: Gekkonidae) from Gujarat, India. Zootaxa, 5254 (3), 398-412. Zootaxa 5389 (5): 597-597, DOI: 10.11646/zootaxa.5389.5.5, URL: https://www.mapress.com/zt/article/download/zootaxa.5389.5.5/52540

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21

Chen, Yunxin. "The New Woman in Critical Realism: Study on the Female Image of Becky in Vanity Fair." Journal of Education and Educational Research 11, no. 2 (2024): 297–301. http://dx.doi.org/10.54097/e7e0e341.

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Vanity Fair is the outstanding masterpiece of British critical realist writer William Makepeace Thackeray. In Vanity Fair, Thackeray interprets the status and image of women in a patriarchal and money-centered world, attacking a decadent and hypocritical society, and at the same time creating a new woman, Becky Sharp, who is different from the traditional Victorian image of women. Although Becky comes from a humble background, she does not resign herself to her humble origins and tries to join the upper class, challenging the secular tradition and patriarchal system, and finally leading an ide

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22

Hawes, D. "Fanny Burney and Thackeray." Notes and Queries 49, no. 1 (2002): 63–65. http://dx.doi.org/10.1093/nq/49.1.63.

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23

Wells, J. "A Thackeray Jeu D'esprit." Notes and Queries 49, no. 4 (2002): 476–78. http://dx.doi.org/10.1093/nq/49.4.476.

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Hawes, Donald. "Fanny Burney and Thackeray." Notes and Queries 49, no. 1 (2002): 63–65. http://dx.doi.org/10.1093/nq/490063.

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Wells, John. "A Thackeray Jeu D'esprit." Notes and Queries 49, no. 4 (2002): 476–78. http://dx.doi.org/10.1093/nq/490476.

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26

Brennan, Timothy. "Thackeray at the Movies." Race & Class 45, no. 1 (2003): 111–17. http://dx.doi.org/10.1177/0306396803045001007.

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27

Horn, Anne Layman. "Farcical Process, Fictional Product: Thackeray's Theatrics in Lovel the Widower." Victorian Literature and Culture 26, no. 1 (1998): 135–54. http://dx.doi.org/10.1017/s106015030000231x.

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Although long slighted by critics, Lovel the Widower should be recognized as the most overtly theatrical work we have from one of the nineteenth century's most theatrical writers. Adapted for the Cornhill Magazine from Thackeray's failed drama, The Wolves and the Lamb, Lovel is narrated by a character who calls himself the “Chorus of the Play” and tells the story of a governess who must hide the fact that she was once an actress. Thackeray published the story to keep the Cornhill's readers entertained while he began work on his last completed novel, The Adventures of Philip. As a piece of occa

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28

Segar, Ali Mohammed. "William Thackeray's Vanity Fair The Complete Absence of the Traditional Hero." مجلة الآداب للدراسات اللغوية والأدبية 1, no. 8 (2021): 7–29. http://dx.doi.org/10.53286/arts.v1i8.304.

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This paper aims to study William Thackeray’s Vanity Fair by using an analytical method of the central theme of the novel, its main characters as well as some of the minor, important characters. It begins with a general introduction about the novelist and his age and literary career followed by the first section which is a brief review of the characters and events of the novel. The second section analyses the very details of the novel depending on its plot and the conversations between characters. The third section asserts the hypothesis of the study and the conclusion shows that William Thacke

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29

Ying, Yang, and Zhong Jingdong. "Becky Sharp's Commodified Interpersonal Relationships in Vanity Fair." International Journal of Social Science and Human Research 05, no. 06 (2022): 2260–64. https://doi.org/10.5281/zenodo.6669607.

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Vanity Fair is a masterpiece by William Makepeace Thackeray (1811-1863), which is centered on the lives of two young women, Becky Sharp and Amelia Sedley, presenting the life of extravagance and rivalry of the aristocratic bourgeoisie in nineteenth-century England. In the novel, Thackeray ruthlessly exposes the shameless and degenerate nature of the feudal aristocracy and the hypocrisy of the bourgeoisie in their pursuit of fame and fortune. During the Victorian period, consumerism prevailed. The circulation of commodities was well developed, and people at that time indulged in the revelry of

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30

Bullock, April. "Thackeray’s Young Men: Bohemia and Manliness in the Novels of William Makepeace Thackeray." Victorians Institute Journal 37 (December 1, 2009): 165–94. http://dx.doi.org/10.5325/victinstj.37.1.0165.

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31

HAWES, DONALD. "THACKERAY, TENNYSON, AND BULWER LYTT0N." Notes and Queries 36, no. 2 (1989): 182b—183. http://dx.doi.org/10.1093/nq/36-2-182b.

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32

Bown, Alfie. "Caricature in Dickens and Thackeray." Comedy Studies 3, no. 1 (2012): 75–82. http://dx.doi.org/10.1386/cost.3.1.75_1.

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33

Mullen, Richard. "Charlotte Brontë and William Thackeray." Brontë Studies 36, no. 1 (2011): 85–94. http://dx.doi.org/10.1179/147489310x12868722453627.

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34

Decap, Roger. "Barry Lyndon : Thackeray et « l'ailleurs »." Caliban 28, no. 1 (1991): 37–48. http://dx.doi.org/10.3406/calib.1991.1252.

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35

Houghton, Eleanor. "Unravelling the Mystery: Charlotte Brontë’s 1850 ‘Thackeray Dress’." Costume 50, no. 2 (2016): 194–219. http://dx.doi.org/10.1080/05908876.2016.1165956.

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In the summer of 1850, there was a frisson of excitement in London society. Charlotte Brontë, the recently revealed writer of the best-selling novel Jane Eyre, was in the capital, staying with her publisher, George Smith. The highlight of Charlotte’s trip was a large, formal dinner hosted by her literary hero, William Makepeace Thackeray. To this august event it has long been assumed that she wore a floral print, white and blue delaine skirt and bodice. This article begins by examining the colloquially named ‘Thackeray Dress’ in detail, before considering the evidence given in support of it ha

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36

Freeman, Meghan. "CORDONS OF PROTECTION: THE STAGE OF SPECTATORSHIP IN CHARLOTTE BRONTË'SVILLETTE." Victorian Literature and Culture 41, no. 4 (2013): 643–75. http://dx.doi.org/10.1017/s1060150313000156.

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In the years following the publicationofJane Eyre, Charlotte Brontë's social circle expanded rapidly, extending far beyond the narrow circumference of Haworth Parsonage. The later letters attest to personal acquaintance with many prominent literary contemporaries, including Elizabeth Gaskell, Harriet Martineau, George Henry Lewes, and William Thackeray. Yet, second perhaps only to Thackeray, the writer that Brontë credits as most influential to her thinking about art and narrative is one that she never did meet: John Ruskin. Brontë's initial exposure to Ruskin's work came through the channel o

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Sen, Sambudha. "Bleak House, Vanity Fair, and the Making of an Urban Aesthetic." Nineteenth-Century Literature 54, no. 4 (2000): 480–502. http://dx.doi.org/10.2307/2903014.

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This essay focuses on the relationship between certain popular visual forms, such as the city sketch and the panorama, and the making of an urban novelistic aesthetic, of which Charles Dickens's Bleak House (1852-53) is the most developed embodiment. In order to delineate the specific features of this urban aesthetic I turn to the very different ways in which William Makepeace Thackeray in Pendennis (1848-50) and, especially, Vanity Fair (1847-48) articulates the city and those who inhabit it-despite Thackeray's familiarity with the representational modes that developed in the relatively "lowe

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Nakao, Masayuki. "Thackeray-type narrator revisited: portrayal of characters’ minds as narratorial performance in Vanity Fair." Journal of Literary Semantics 53, no. 1 (2024): 19–38. http://dx.doi.org/10.1515/jls-2024-2002.

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Abstract The traditional authoritative, obtrusive narrator, also known as the Thackeray-type narrator, has been excluded from the narratological study of consciousness representations, partly because scholars have a stereotypical view that such a narrator avoids descriptions of a character’s inside view, and partly because they dislike narratorial presence in the representations of figural consciousness. Taking Thackeray’s Vanity Fair as a typical example, this paper revisits these views and reconsiders the presentation of consciousness in terms of narratorial performance of narrative authorit

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Colby, Robert A. "Thackeray and Slavery. Deborah A. Thomas." Nineteenth-Century Literature 49, no. 2 (1994): 259–62. http://dx.doi.org/10.2307/2933987.

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Weedon, Alexis. "Thomas, D. A., Thackeray and Slavery." Notes and Queries 42, no. 2 (1995): 244–45. http://dx.doi.org/10.1093/nq/42.2.244-b.

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LAW, JOE K. "THACKERAY AND THE USES OF OPERA." Review of English Studies XXXIX, no. 156 (1988): 502–12. http://dx.doi.org/10.1093/res/xxxix.156.502.

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Colby, Robert A. "Thackeray: Interviews and Recollections. Philip Collins." Modern Philology 82, no. 4 (1985): 434–36. http://dx.doi.org/10.1086/391417.

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Colby, Robert A. ": Thackeray and Slavery. . Deborah A. Thomas." Nineteenth-Century Literature 49, no. 2 (1994): 259–62. http://dx.doi.org/10.1525/ncl.1994.49.2.99p0083p.

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Khandekar, Akshay, Tejas Thackeray, Swapnil Pawar, Satpal Gangalmale, and Vivek Waghe. "A new species of Chiromachetes Pocock, 1899 (Scorpiones: Hormuridae) from southern Western Ghats, India." Euscorpius 354 (December 31, 2022): 1–13. https://doi.org/10.5281/zenodo.7163275.

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Khandekar, Akshay, Thackeray, Tejas, Pawar, Swapnil, Gangalmale, Satpal, Waghe, Vivek (2022): A new species of Chiromachetes Pocock, 1899 (Scorpiones: Hormuridae) from southern Western Ghats, India. Euscorpius 354: 1-13, DOI: 10.5281/zenodo.7163275

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Khandekar, Akshay, Tejas Thackeray, and Ishan Agarwal. "Two more new species of Cnemaspis Strauch, 1887 (Squamata: Gekkonidae) from the northern Western Ghats, Maharashtra, India." Zootaxa 4656, no. 1 (2019): 43–70. https://doi.org/10.11646/zootaxa.4656.1.2.

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Khandekar, Akshay, Thackeray, Tejas, Agarwal, Ishan (2019): Two more new species of Cnemaspis Strauch, 1887 (Squamata: Gekkonidae) from the northern Western Ghats, Maharashtra, India. Zootaxa 4656 (1): 43-70, DOI: 10.11646/zootaxa.4656.1.2

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Khandekar, Akshay, Tejas Thackeray, Swapnil Pawar, and Ishan Agarwal. "A new medium-bodied rupicolous Hemidactylus Goldfuss, 1820 (Squamata Gekkonidae) from the Sirumalai massif, Tamil Nadu, India." Zootaxa 4852, no. 1 (2020): 83–100. https://doi.org/10.11646/zootaxa.4852.1.4.

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Khandekar, Akshay, Thackeray, Tejas, Pawar, Swapnil, Agarwal, Ishan (2020): A new medium-bodied rupicolous Hemidactylus Goldfuss, 1820 (Squamata Gekkonidae) from the Sirumalai massif, Tamil Nadu, India. Zootaxa 4852 (1): 83-100, DOI: 10.11646/zootaxa.4852.1.4

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Agarwal, Ishan, Tejas Thackeray, and Akshay Khandekar. "Geckos in the granite: two new geckos (Squamata: Gekkonidae) from rocky, scrub habitats in Rishi Valley, Andhra Pradesh, India." Zootaxa 4838, no. 4 (2020): 451–74. https://doi.org/10.11646/zootaxa.4838.4.1.

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Agarwal, Ishan, Thackeray, Tejas, Khandekar, Akshay (2020): Geckos in the granite: two new geckos (Squamata: Gekkonidae) from rocky, scrub habitats in Rishi Valley, Andhra Pradesh, India. Zootaxa 4838 (4): 451-474, DOI: 10.11646/zootaxa.4838.4.1

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Kalashnikov, Alexander Vladimirorovich. "W.M. THACKERAY Y F.M. DOSTOYEVSKY: AUTORES QUE UTILIZAN NOMBRES SENSITIVOS. HOMENAJE A GRANDES NOVELISTAS." Mutatis Mutandis. Revista Latinoamericana de Traducción 4, no. 2 (2011): 205–14. http://dx.doi.org/10.17533/udea.mut.10342.

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Este artículo se enfoca en nombres característicos que denominaremos caractónimos, en las obras de W.M. Thackeray (1811 - 1863) y de F.M. Dostoyevsky (1821 - 1881). El propósito de este trabajo es contribuir a los estudios sobre el legado de dos grandes autores, uno inglés, el otro ruso. Al estudiar los antropónimos en los trabajos de estos escritores, hemos definido y considerado dos tipos de caractónimos desde la perspectiva de la traducción: caractónimos velados y caractónimos personalia, que incluyen un subgrupo de caractónimos que incorporan una raíz característica. Para estudiar este tip

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Stone, Donald D. "The Newcomes: Memoirs of a Most Respectable Family William Makepeace Thackeray Peter L. Shillingsburg The Newcomes William Makepeace Thackeray Andrew Sanders The Newcomes William Makepeace Thackeray David Pascoe." Nineteenth-Century Literature 53, no. 2 (1998): 259–64. http://dx.doi.org/10.2307/2902990.

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Stone, Donald D. ": The Newcomes: Memoirs of a Most Respectable Family . William Makepeace Thackeray, Peter L. Shillingsburg. ; The Newcomes . William Makepeace Thackeray, Andrew Sanders. ; The Newcomes . William Makepeace Thackeray, David Pascoe." Nineteenth-Century Literature 53, no. 2 (1998): 259–64. http://dx.doi.org/10.1525/ncl.1998.53.2.01p00257.

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