Готові списки джерел за темами / 1882-1941 Criticism and interpretation

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Добірка наукової літератури з теми "1882-1941 Criticism and interpretation"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 29 січня 2023

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Статті в журналах з теми "1882-1941 Criticism and interpretation"

Avram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 1 (May 10, 2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.

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As one of the disciples of Titu Maiorescu (1840–1917) together with Constantin Radulescu–Motru (1868–1957) and Petre Paul Negulescu (1872–1951), they are regarded as the most prolific thinkers in Romanian modern thought and founders of the Romanian modern culture. History changes which they could not foresee have left the marks upon the perception, reception and interpretation of their work and Ion Petrovici is no exception to that. In order to understand and interpret his work reflected in his writings on philosophy, logic, philosophical monographs, travel diaries, speeches and notes, biograp

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Ashizu, Kaori. "‘Hamlet through your legs’." Critical Survey 33, no. 1 (March 1, 2021): 85–102. http://dx.doi.org/10.3167/cs.2021.330107.

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This article discusses four Hamlet adaptations produced in twentieth-century Japan: Naoya Shiga’s ‘Claudius’s Diary’ (1912), Hideo Kobayashi’s ‘Ophelia’s Testament’ (1931), Osamu Dazai’s New Hamlet (1941) and Shohei Ooka’s Hamlet’s Diary (1955). Though differently motivated, and written in different styles, they collectively make something of a tradition, each revealing a unique, unexpected interpretation of the famous tragedy. Read as a group, they thoroughly disprove the stereotypical view that Japan has generally taken a highly respectful, imitative attitude to Western culture and Shakespea

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Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.

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Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgr

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Fathoni, Rifa'i Shodiq. "Medikalisasi dan Sosial Kontrol: Kebijakan terhadap Difabel di Hindia-Belanda Abad XVII-XIX." INKLUSI 8, no. 1 (September 29, 2021): 63. http://dx.doi.org/10.14421/ijds.080105.

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This study aims to explore the policies of the Dutch colonial government towards people with disabilities. Nowadays, the practice of medicalization of disability remains being carried out, and it causes many losses. This paper explores the historical roots of the problem: why did disability medicalization occur and how? Historiographical studies on disability during the colonial period were still minimal. For this reason, the researcher uses historical research methods (heuristics, source criticism, and interpretation) in this article. This study found that the medicalization of the disability

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Rodiah, Ita. "New Historicism: Kajian Sejarah dalam Karya Imajinatif Ukhruj Minha Ya Mal’un Saddam Hussein." Jurnal Kajian Islam Interdisipliner 4, no. 2 (November 28, 2020): 125. http://dx.doi.org/10.14421/jkii.v4i2.1102.

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Penelitian ini membuktikan bahwa kajian kesusastraan dengan menggunakan new historicism mampu mengungkap pelbagai kekuatan budaya, sosial, ekonomi, dan politik yang menyetubuh dan menyelinap dalam setiap sela teks sastra yang merupakan ranah estetik (aesthetic richness). Penelitian ini mengungkapkan bahwa karya sastra tidak dapat dipisahkan dengan pelbagai konteks zaman dan praksis budaya, sosial, ekonomi, serta politik yang melingkupinya. Penelitian ini tidak sependapat dengan konsep new criticism John Crowe Ransom (The New Criticism, 1941 dan Criticism as Pure Speculation, 1971) dan William

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Avram, Virtop Sorin. "An educational perspective on the philosophy of Petre Paul Negulescu (1872–1951) at the Romania Centennial’s (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 1 (May 8, 2018): 57–67. http://dx.doi.org/10.18844/prosoc.v5i1.3383.

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   A disciple of Titu Maiorescu (1840–1917), Petre Paul Negulescu, along with Constantin Radulescu-Motru (1868–1957) and Ion Petrovici (1882–1972), is regarded as being among the most prolific thinkers in Romanian modern thought and one of the founders of the modern Romanian culture. Historical changes he could never envisage have left their mark upon the perception, reception and interpretation of his work. The paper reviews the key characteristics of Petre Paul Negulescu’s work as reflected in his studies on the origin of culture, the philosophy of Renaissance and two magni

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Vasic, Aleksandar. "Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role." Muzikologija, no. 8 (2008): 185–202. http://dx.doi.org/10.2298/muz0808185v.

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Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine (1901- 1914, 1920-1941), the forum of the Serbian modernist writers in the early 1900s, had a crucial role in shaping the Serbian music criticism and essayistics of the modern era. The Serbian elite musicians wrote for the SLM and therefore it reflects the most important issues of the early twentieth century Serbian music. The SLM undertook the mission of educating its reade

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Hidayat, Angga Pusaka, and Widyo Nugrahanto. "DINA MANGSA TAHAPAN KATILU: BIOGRAFI POLITIK EMMA POERADIREDJA, 1935-1941." Patanjala : Jurnal Penelitian Sejarah dan Budaya 10, no. 3 (November 8, 2018): 385. http://dx.doi.org/10.30959/patanjala.v10i3.422.

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Tulisan ini bermaksud menunjukkan pemikiran dan peranan Émma Poeradiredja dalam pergerakan politik perempuan Indonesia. Émma Poeradiredja merupakan perempuan Sunda yang terlibat dalam pergerakan perempuan Indonesia sejak tahun 1920-an. Dia dikenal sebagai salah satu pendiri dan ketua Pasundan Istri, serta merupakan perempuan Sunda pertama yang terpilih sebagai anggota gemeenteraad. Penelitian ini menggunakan metode sejarah. Metode sejarah mencakup tahapan menemukan dan mengumpulkan sumber serta data (heuristic), kritik sumber, interpretasi dan historiografi. Pendekatan sejarah politik digunaka

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Yanpol’skaya, Yana G. "EMERGING FROM QUARANTINE. THE NIGHT OF THE INTELLECTUALS." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 2 (2022): 23–39. http://dx.doi.org/10.28995/2073-6401-2022-3-23-39.

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The article deals with the pandemic as an episode of intellectual history and a situation of reflection against the background of the “death of an intellectual”. The author proposes to question the very conditions of the possibility for philosophy’s response to the challenge of this or that current crisis in principle and the coronavirus pandemic in particular. The question is closely related to the phenomenon of the Intellectual, the crisis of which was announced by French researchers about forty years ago. Today one can talk about the simulation of its role and place in modern “reactions”, a

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Perović, Željko. "Was Saint Bishop Nicholai a Fascist? A Review of His Addresses from March 1935 to April 1941." Nicholai Studies: International Journal for Research of Theological and Ecclesiastical Contribution of Nicholai Velimirovich I, no. 2 (July 26, 2021): 395–434. http://dx.doi.org/10.46825/nicholaistudies/ns.2021.1.2.395-434.

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Abstract: The author addresses the issue of Nicholai Velimirovich’s attitude towards fascism, responding to the criticism of Bishop Nicholai as a sympathizer of Adolph Hitler’s policy and the interpretation of Velimirovich’s thoughts that enabled such constructions. In the present article, special attention is paid to the public addresses of Nicholai Velimirovich during the period of the rise of the Nazi state, i.e. from 1935 to 1941. The main topic of this article is to deconstruct the great myth of Bishop Nicholai’s critics, which reads: Saint Bishop Nicholai is a fascist because he received

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Дисертації з теми "1882-1941 Criticism and interpretation"

Brûlé, Michel 1964. "Partie critique: Réflexion sur "L'art du roman" de Virginia Woolf ;Partie création: ... Dent pour dent." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59534.

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In the first segment of the critical part of my thesis, my thought lays on "L'art du roman" of Virginia Woolf. In the second part, while recognizing certain qualities in the critical work of the English writer, I take side in favor of the literary theories of Celine and Sartre. In the last part of this text, I am exposing my views according to which the Quebec's literature would have greater advantage of being more "engage". The creating part of my thesis takes shape as a "roman engage". The story is about a disillusioned nationalist Quebecer, graduate and unemployed, who decides to change his

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Sandison, Jennifer Madden. "Reflections of self : the mirror image in the work of Virginia Woolf." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64108.

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Polychronakos, Helen. "Reflecting Woolf : Virginia Woolf's feminist politics and modernist aesthetics." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30201.

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No study of Virginia Woolf can do justice to the complexity of her life and work without taking into account the numerous contradictions present in her thought. Though Woolf is recognized as a revolutionary contributor to the development of modernism, it is also important to remember that she was born in 1882 and that the nineteenth century also left its mark on her. The first chapter will examine this double sensibility. The second chapter will trace the development of Woolf's modernist aesthetic. She was obviously rebelling against the realism valued by her Victorian and Edwardian predecesso

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Vézina, Anne-Marie. "La femme dans l'oeuvre de Colette et de Virginia Woolf /." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65916.

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Sautter, Sabine. "Irrationality and the development of subjectivity in major novels by William Faulkner, Hermann Broch, and Virginia Woolf." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/NQ55379.pdf.

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Dale-Jones, Barbara. "An examination of dreams and visions in the novels of Virginia Woolf." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002266.

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This thesis explores the importance of the visionary experience in five novels by Virginia Woolf. In her fiction, Woolf portrays the phenomenal world as constantly changing and she uses the cycles of nature and the passing of time as a terrifying backdrop against which the mutability and transience of human life are set. Faced with the inevitability of change and the fact of mortality, the individual seeks moments of permanence. These stand in opposition to flux and lead to the experience of a visionary intensity. Woolf's presentation of time as a qualitative phenomenon and her stress on the i

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Stewart, Janice 1966. "Violent femmes : identification and the autobiographical works of Virginia Woolf, Radclyffe Hall, and Emily Carr." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36712.

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The questions posed and examined in Violent Femmes take their genesis from psychoanalytic arguments which contend that identity is not a stable monadic thing but rather a continuing process of engagement and negotiation between the self and others. Sigmund Freud, Melanie Klein, D. W. Winnicott, and Christopher Bollas, amongst others, have noted the temporary, coalitional, and provisional nature of the ways in which identity is apprehended and experienced. This thesis expands upon such a theoretical framework of identity formation to specifically question the ways in which the formation and mat

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De, Santa Jessica E. "Accounting for taste : the poetics of food and flavour in Virginia Woolf’s novels." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11825.

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This thesis argues that tasting appears as an act of creative empathy and of knowledge acquisition in Virginia Woolf's writing. First contextualising my discussion within Woolf's own reading of the aesthetic and literary history of ‘taste', I then use Cixous' essay ‘Extreme Fidelity' (renamed ‘The Author in Truth') as a theoretical entryway to passages from The Voyage Out, Jacob's Room, A Room of One's Own, Mrs Dalloway, To the Lighthouse, The Waves, and Orlando which centralise the role of gustatory pleasure in creativity and epistemology. Cixous elaborates an oral, ‘poetic' and feminine onto

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Van, der Merwe Stephen Gareth. "Generic engineering : a study of parody in selected works of Oscar Wilde, James Joyce and Tom Stoppard." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/49971.

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Thesis (MA)-- Stellenbosch University, 2004.<br>Full text to be digitised and attached to bibliographic record.<br>ENGLISH ABSTRACT: The following thesis develops a theory of parody as a multifunctional practice in relation to selected works of Oscar Wilde, James Joyce and Tom Stoppard. The study discusses parody as a mode of generic engineering (rather than a genre itself) with ideological ramifications. Based on an understanding of literary and non-literary genres as social institutions, this thesis describes the practice of parody as one of engineering generic or discursive incongruit

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Griffin, Lisa Myfanwy. "'Imperfect adumbrations' : boys, men, and masculinities in the work of Virginia Woolf." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11907.

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This thesis will suggest how Woolf scholarship's rich exploration of Virginia Woolf's representations of girls, women and femininities may be complemented by more systematic feminist study of constructs of masculinities, as they appear in her work. Elaborating the concept of the ‘private brother', the figure of a form of maleness that the daughters of educated men ‘have reason to respect', but that Three Guineas' narrator stipulates is ‘sunk' by men's exposure to society and replaced by the ‘monstrous male', my thesis will focus particularly on the representations of boys, men and masculinitie

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Книги з теми "1882-1941 Criticism and interpretation"

Mepham, John. Virginia Woolf. NewYork: St. Martin's Press, 1992.

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Mepham, John. Virginia Woolf: A literary life. Basingstoke: Macmillan Press, 1991.

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Gifts, markets and economies of desire in Virginia Woolf. New York: Palgrave Macmillan, 2008.

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Patrick, Gillespie Michael, and Fargnoli A. Nicholas, eds. Ulysses in critical perspective. Gainesville: University Press of Florida, 2006.

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Christine, O'Neill, ed. Inductive scrutinies: Focus on Joyce. Baltimore: Johns Hopkins University Press, 1995.

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Jane, McNees Eleanor, ed. Virginia Woolf: Critical assessments. Mountfield [England]: Helm Information, 1994.

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1952-, Homans Margaret, ed. Virginia Woolf: A collection of critical essays. Englewood Cliffs, N.J: Prentice Hall, 1993.

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Virginia Woolf: The major novels. Cambridge [England]: Cambridge University Press, 1991.

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Woolf, Virginia. Virginia Woolf. London: Aurum Press, 1994.

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Bolt, Sydney. A preface to James Joyce. 2nd ed. London: Longman, 1992.

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Частини книг з теми "1882-1941 Criticism and interpretation"

Goldman, Jane. "Virginia Woolf (1882-1941): Aesthetics." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 680–91. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-088.

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Laffan, Michael. "Distant Musings on a Crucial Colony, 1882–1888." In The Makings of Indonesian Islam. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691145303.003.0007.

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This chapter looks at Snouck Hurgronje's interventions in the field in Holland, his criticisms of the juridical and missiological attacks on the orthopraxy of Islam in the Indies, and his alliance with those whom he deemed to have a more scholarly interpretation of Islam, and whose views he therefore promoted as beneficial to public well-being within a still Netherlandic Indies. In particular, the chapter will consider the distaste of Snouck and his allies for the varieties of populist mysticism that rival—and rather less juridically concerned—Muslim teachers could turn to their own purposes. Trained in the field of religious studies, Snouck had a decided aversion to legalistic scholarship that prioritized text over context. He urged instead that the observations of his academic and churchmen forebears should be twinned to a more professionally developed Orientalism, such as would more effectively service an empire contending with Islam as its primary threat.

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