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Готові списки джерел за темами / 1900-century

Добірка наукової літератури з теми "1900-century"

Автор: Grafiati

Опубліковано: 19 червня 2021

Оновлено: 4 лютого 2022

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Статті в журналах з теми "1900-century":

1

WHITELEY, GILLIAN, and PETER MUIR. "Surveying the Century: Art Since 1900." Art Book 12, no. 4 (November 2005): 6–7. http://dx.doi.org/10.1111/j.1467-8357.2005.00590.x.

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2

Wilson, Kristina. "The American Century: Art and Culture, 1900-2000. Part I, 1900-1950: An Exhibition ReviewThe American Century: Art and Culture, 1900-2000. Part I, 1900-1950.The American Century: Art and Culture, 1900-1950 [exhibition catalogue]. Barbara Haskell." Winterthur Portfolio 35, no. 2/3 (July 2000): 175–87. http://dx.doi.org/10.1086/496823.

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3

TALLACK, DOUGLAS. "Seeing out the Century." Journal of American Studies 35, no. 1 (April 2001): 127–31. http://dx.doi.org/10.1017/s0021875801006491.

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Barbara Haskell, The American Century: Art and Culture 1900–1950 (New York: Whitney Museum of American Art, in association with W. W. Norton, 1999, $60 cloth). Pp. 408. ISBN 0 393 04723 7, 0 87427 122 3.Lisa Phillips, The American Century: Art and Culture 1900–1950 (New York: Whitney Museum of American Art, in association with W. W. Norton, 1999, $60 cloth). Pp. 398. ISBN 0 393 04815 2, 0 87427 123 1.

4

Tame, Peter D. "FRENCH STUDIES: THE TWENTIETH CENTURY, 1900–1945." Year’s Work in Modern Language Studies 57, no. 1 (January 2, 1995): 187–210. http://dx.doi.org/10.1163/2222-4297-90000739.

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5

Kimyongür, Angela M. "FRENCH STUDIES: THE TWENTIETH CENTURY, 1900–1945." Year’s Work in Modern Language Studies 58, no. 1 (December 22, 1996): 190–218. http://dx.doi.org/10.1163/22224297-90000099.

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6

Kimyongür, Angela M. "FRENCH STUDIES: THE TWENTIETH CENTURY, 1900–1945." Year’s Work in Modern Language Studies 59, no. 1 (December 20, 1997): 190–218. http://dx.doi.org/10.1163/22224297-90000166.

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7

Kimyongür, Angela M. "FRENCH STUDIES: THE TWENTIETH CENTURY, 1900–1945." Year’s Work in Modern Language Studies 60, no. 1 (December 20, 1998): 145–69. http://dx.doi.org/10.1163/22224297-90000229.

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8

Lucente, Frank E. "Otolaryngology 1900???1999: A Century of Progress?" Laryngoscope 110, no. 10 (October 2000): 1590–94. http://dx.doi.org/10.1097/00005537-200010000-00002.

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9

Zuckerman, M. E. "The Magazine Century: American Magazines since 1900." Journal of American History 98, no. 2 (September 1, 2011): 604–5. http://dx.doi.org/10.1093/jahist/jar189.

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10

SHORLEY, CHRISTOPHER. "FRENCH STUDIES: THE TWENTIETH CENTURY, 1900-45." Year’s Work in Modern Language Studies 46, no. 1 (March 13, 1985): 216–35. http://dx.doi.org/10.1163/22224297-90002636.

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Дисертації з теми "1900-century":

1

Wanambisi, Monica Nalyaka. "Eight major exemplars of the twentieth-century american novel, 1900-1959." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1987. http://digitalcommons.auctr.edu/dissertations/1069.

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This dissertation is a study of twentieth-century American novels which can be used in a course by Kenyan and other East African students and teachers. The selected novels can be studied as models for exemplification of the most significant developments and trends in longer American narrative fiction in the period covered by the study. Because of time limits and for purposes of presenting quality fictional works to be covered in one semester, eight novels were analyzed in this study. These are: Sister Carrie (1900) by Theodore Dreiser, The Great Gatsby (1925) by F. Scott Fitzgerald, The Sun Also Rises (1926) by Ernest Hemingway, intruder in the Dust (1948) by William Faulkner, The Catcher in the Rye (1951) by J. D. Salinger, Invisible Man (1952) by Ralph Ellison, Go Tell It On The Moutain (1953) by James Baldwin and Brown Girl. Brownstones (1959) by Paule Marshall. Each of the selected novels represents a component of significance in American literature during the era designated. Sister Carrie's strengths lie in its reflection of American life as affected by industrialization and consequent urbanization. The Great Gatsby and The Sun Also Rises vividly present significant themes of the First World 1 War's 111 effects on some Americans and others. Intruder in the Dust examines tensions created by racial discrimination in the Southern United States. The Catcher in the Rye treats the theme of adolescence eloquently. Go Tell It on the Mountain vividly presents Baldwin's view of the damange that racial prejudice inflicts on both blacks and whites. Invisible Man is a powerful presentation of the black experience in the United States. Brown Girl, Brownstones vividly treats a range of subjects such as the crisis of adolescence, religion, poverty and the importance of tradition for the black American, to name but a few. In addition to other reasons, all were chosen because they are artistically significant literary works, some, for example, having won for their authors Pultizer prizes or other major literary awards. Of course each novel was chosen for various other reasons which are elaborated in the study, but the above-named are most important. In addition to those fundamental themes, which provide the focuses in analyzing each of the novels, the dissertation assembles specific types of information that teachers would find essential to furnish their students by way of introduction to and as the basis for study of the novels. Some of this material is for teacher-development, providing instructors kind of information that would give shape to their teaching of the course. The study also provides an organizational framework within which the course would be designed.

2

Zhang, Qin 1968. "Civil justice in early twentieth-century Northeast China : Fengtian Province, 1900-1928." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102235.

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Анотація:

Drawing upon court files in the Liaoning Provincial Archives, this dissertation addresses the question of the transformation of the civil justice system in Fengtian Province in the early twentieth century. Fengtian Province was among the few provinces where judicial-legal reforms were first launched during the late Qing's New Policies period. In the early Republic, judicial-legal reforms were continuously pursued under the governance of the warlord Zhang Zuolin. The accommodation of judicial-legal modernity within warlord politics was a result of the simultaneous presence of local elite activism, nationalism and the dominance of republican ideology.
To demonstrate judicial-legal modernity in this frontier province, this dissertation covers four main areas: the bureaucratization of the court system and mediation mechanism; the formalization of civil procedures; the "discovery" and modernization of custom in judicial process; and the narrowing of the power disparity in gender in divorce law and practice.
The bureaucratization of the court system reveals not only the tendency of separating judicial power from executive power, but also the professionalization of judicial officials, including lower-level judicial personnel. The bureaucratization of mediation locates the point at wards under the ward-village system implemented in the 1920s by the Fengtian provincial authority. The ward head, as a salaried sub-village government official was able to exercise his power to mediate civil disputes. This point epitomizes the early effort made by the modern state to interfere in the arena of popular justice. The formalization of civil procedures reflects the transformation of court practice from a simple, customary way of finding facts and applying laws to a practice guided by a complex, codified procedural law based on a Germanic-Japanese model. In speaking of the "discovery" and modernization of custom, I address not only the phenomena of "discovering" local customs and recognizing them as a source of authority for adjudicating cases by judges who had modern legal training, but also of the elaborate, selective screening policy towards custom, ushered in by the Supreme Court due to their concern with public policy and social morals. Narrowing the power disparity in gender is examined in the light of changes to divorce law and practice. By following the precedents laid down by the Supreme Court, the lower courts attempted to readdress the unbalanced power relationship between men and women inherited from Qing law.

3

Spengler, Birgit. "Vision, gender, and power in nineteenth-century American women's writing, 1860-1900 /." Heidelberg : Universitätsverl. Winter, 2008. http://catalogue.bnf.fr/ark:/12148/cb412726089.

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4

Burt, Philippa. "The ideal of ensemble practice in twentieth-century British theatre, 1900-1968." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12256/.

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The central purpose of this thesis is to chart the ideal of ensemble theatre in Britain and its development in the country throughout the twentieth century, referring specifically to selected directors. The Stanislavskian model of the ensemble, as exemplified by the Moscow Art Theatre, served this ideal, pursued by Edward Gordon Craig, Harley Granville Barker, Theodore Komisarjevsky, Joan Littlewood and Peter Hall, who are the focus of the argument. Craig and Barker’s understanding of ensemble work was significantly influenced by their meetings with Stanislavsky in 1908 and 1914 respectively, while Littlewood and Hall were influenced by his writings on the theatre. Following Stanislavsky, the thesis offers a definition of ensemble as a permanent group based on shared values. The chosen directors are the most representative of attempts to establish ensemble companies in Britain in the twentieth century. They are also landmark cases in the sense that they initiated change in the perception of what a theatre company could be. The thesis argues, however, that the continued domination of the commercial theatre over the art theatre has been an impediment to each director’s attempts. Each chapter of the thesis is dedicated to a specific director, and, with the exception of Craig’s work at the Moscow Art Theatre, analysis is confined to the directors’ work in Britain. Methodologically rooted within the sociology of the theatre, the thesis maps the progression of ensemble practices in British society. It interweaves extensive archival research with an exploration of the sociological, economic and political factors that underpin both the attempts to establish a permanent company and the resistance to it. The thesis explores the pervasive influence of individualism and commercialism in all areas of British life, arguing that their principles generate a theatre climate that was not conducive to the establishment of a permanent ensemble company and was even antithetical to it. Pierre Bourdieu’s theory of culture, and Maria Shevtsova’s development of Bourdieu’s theory in relation to theatre, provides the theoretical frame of the thesis.

5

Manenzhe, Jacob. "The politicisation of Funerals in South Africa during the 20th century (1900 – 1994)." Diss., Pretoria : [s. n.], 2007. http://upetd.up.ac.za/thesis/available/etd-05282008-143310/.

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6

Russell, Ona Claire. "Discourses of crossing : reconceptualizing representation in the nineteenth-century United States, 1840-1900 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835396.

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7

Harrington, A. "Hemisphere differences and 'Duality of Mind' in nineteenth-century medical science, c. 1860-1900." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371664.

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8

Ng, Man-Yee Sandy. "Lin Fengmian (1900-1991) : figure painting and hybrid modernity in twentieth century Chinese art." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430075.

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9

Shinner, Peter J. "The exercise of power in nineteenth century Britain : the case of Grimsby 1840-1900." Thesis, University of Lincoln, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342430.

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10

Barthé, Darryl G. "Becoming American in Creole New Orleans : family, community, labor and schooling, 1896-1949." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61508/.

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The Louisiana Creole community in New Orleans went through profound changes in the first half of the 20th-century. This work examines Creole ethnic identity, focusing particularly on the transition from Creole to American. In "becoming American," Creoles adapted to a binary, racialized caste system prevalent in the Jim Crow American South, and transformed from a primarily Francophone/Creolophone community (where a tripartite although permissive caste system long existed) to a primarily Anglophone community (marked by stricter black-white binaries). These adaptations and transformations were facilitated through Creole participation in fraternal societies, the organized labor movement and public and parochial schools that provided English-only instruction. The "Americanization of Creole New Orleans" has been a common theme in Creole studies since the early 1990's, but no prior study has seriously examined the cultural and social transformation of Creole New Orleans by addressing the place and role of public and private institutions as instruments and facilitators of Americanization. By understanding the transformation of Creole New Orleans, this thesis demonstrates how an historically mixed-race community was ultimately divided by the segregationist culture of the early-twentieth century U.S. South. In addition to an extensive body of secondary research, this work draws upon archival research at the University of New Orleans' Special Collections, Tulane University Special Collections, the Amistad Research Center, The Archdiocese of New Orleans, and Xavier University Special Collections. This thesis makes considerable use of census data, draws upon press reports, and brings to bear a wide assortment of oral histories conducted by the author and others. Most scholars have viewed New Orleans Creoles simply as Francophone African Americans, but this view is limited. This doctoral thesis engages the Creole community in New Orleans on its own terms, and in its own idioms, to understand what "becoming American" meant for New Orleans Creoles between 1896-1949.

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Книги з теми "1900-century":

1

), Public Broadcasting Service (U S. People's century: 1900-1999. Alexandria, Va.]: PBS, 1998.

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2

Verde, Thomas A. Twentieth-century writers, 1900-1950. New York: Facts on File, 1993.

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3

Woodard, Thomas K. Twentieth century quilts, 1900-1950. New York: E.P. Dutton, 1988.

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4

Verde, Tom. Twentieth-century writers 1900-1950. New York: Facts on File, 1992.

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5

Verde, Tom. Twentieth-century writers 1900-1950. New York: Facts on File, U. S., 1993.

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6

Verde, Tom. Twentieth-century writers 1900-1950. New York: Facts on File, 1992.

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7

McEwan, Neil, ed. The Twentieth Century (1900–present). London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8.

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8

Martin, Brian, ed. The Nineteenth Century (1798–1900). London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4.

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9

Woodard, Thomas K. Twentieth century quilts, 1900-1950. New York: E.P. Dutton, 1988.

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10

Company, Law Bulletin Publishing. Century of law, 1900-2000. Chicago, Ill.]: Law Bulletin Pub. Co., 1999.

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Частини книг з теми "1900-century":

1

Maris, Cees, and Frans Jacobs. "Twentieth Century: 1900–1945." In Law, Order and Freedom, 261–309. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1457-1_8.

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2

Blamires, Harry. "The new century 1900–1914." In Twentieth-Century English Literature, 3–39. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18511-5_2.

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3

Bruzzaniti, Giuseppe. "20th century physics: 1900–1933." In Enrico Fermi, 45–104. New York, NY: Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4939-3533-8_2.

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4

Tortella, Gabriel. "The Twentieth Century (1900–1975)." In Catalonia in Spain, 139–88. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54951-4_6.

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5

McEwan, Neil. "Basil Bunting 1900–85." In The Twentieth Century (1900–present), 383–85. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_40.

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6

Neocleous, Gregory. "The Early Twentieth Century, 1900–1931." In Social Insurance and Older People in Cyprus, 49–87. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02946-3_3.

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7

McEwan, Neil. "Thomas Hardy 1840–1928." In The Twentieth Century (1900–present), 1–19. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_1.

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8

McEwan, Neil. "John Galsworthy 1867–1933." In The Twentieth Century (1900–present), 162–72. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_10.

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9

McEwan, Neil. "’Saki’: H. H. Munro 1870–1916." In The Twentieth Century (1900–present), 173–77. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_11.

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10

McEwan, Neil. "Hilaire Belloc 1870–1953." In The Twentieth Century (1900–present), 178–81. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_12.

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Тези доповідей конференцій з теми "1900-century":

1

Sprau, Kilian. "„Wozu die Mühe?“ Über Begleiterlizenzen und ihr Schwinden aus der Auführungspraxis des Kunstlieds. Mit Tonträgeranalysen zu Richard Strauss, „Zueignung“ op. 10 Nr. 1." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.86.

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A performance tradition stemming from the 19th century permitted lied accompanists to deviate considerably from the notated score when a flexible reaction to concrete performance situations was necessary. In this article some of these ‘accompanist’s licences’, as well as their decreasing acceptance in 20th century’s performance style, are described according to written sources. A comparative analysis of recordings of the lied “Zueignung” op. 10 No. 8 by Richard Strauss illustrates exemplarily the decline of ‘accompanist’s licences’ during the decades after 1900. Finally, the results are interpreted against the background of general developments in musical performance style.

2

Mifsut García, César Damián. "Historic urban fabric as basis for further urban renewal: later 20th century public urban interventions in Ciutat Vella, Valencia." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6341.

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Valencian old town –locally called Ciutat Vella- suffered a huge transformation along 20th century. In was almost the whole city in 1900, and became less than 5% of the urban area in 2000. There was not only a process of architectural replacement, but a complete series of plans trying to update the historic spaces. There were three specific stages for those town planning proposals, made by public administrations but not always as public execution. The first group was developed at the beginning of the century following hygienic principles, with public both planning and execution. A second group, in the middle of that time, collected a series of punctual urban corrections and a huge new urban axis -Avenida del Oeste-; all these specially built by private investors. The third, final group of interventions occurred after Bologna protections principles, and the specific treatment of degraded areas into city centre. In this last, the most recent interventions can be studied the hard influence of previous urban fabric in the process of creating new urban spaces. Both historic slots’ and blocks’ geometry provide the definition for further street sections; but, in the other hand, those new street edges must be geometrically balanced with the possibility of construction of the new buildings behind them: structural geometries and functional measures must be attended. So, in this paper a series of clarifying samples are shown about the processes of public urban renewal implementation built in Valencia along the last third of 20th century.

3

Gray, Jeremy P., Vladimir V. Vantsevich, and Jim L. Overholt. "Indices and Computational Strategy for Unmanned Ground Wheeled Vehicle Mobility Estimation and Enhancement." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12158.

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The United States Army began developing Unmanned Ground Vehicles (UGV) in the early 1900’s. Concurrently, researchers developed and enhanced passenger and commercial ground vehicles. Although significant progress has been made for improving vehicle mobility for all ground vehicles throughout the past century, mobility has lacked a concise mutually agreed definition and analytical standardized criteria. The implementations of improved technologies, such as vehicle traction control, stability control, and torque vectoring systems require researchers to take a step back and reevaluate mobility criteria. UGVs require additional enhancement to include on-line mobility estimation since the vehicle cannot predict nor anticipate terrain conditions on their own prior to the vehicle traversing those conditions. This paper analyzes methodologies researchers have employed for defining and improving vehicle mobility of wheeled vehicles. The analysis is done from a view point of concurrent mobility methodologies’ enhancement and applicability to wheeled UGVs. This analysis is then used to develop off-line and on-line analytical criterion for mobility estimation, and to derive a strategy which can be applied to wheeled vehicles, both manned and unmanned. The on-line mobility estimation enables the UGV to make control changes as the events occur rather than after the event, causing the vehicle to then optimize its reaction to regain control.

Звіти організацій з теми "1900-century":

1

Schweizer, Valerie. Marriage: More than a Century of Change, 1900-2018. National Center for Family and Marriage Research, 2020. http://dx.doi.org/10.25035/ncfmr/fp-20-21.

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2

Allred, Colette. Marriage: More than a Century of Change, 1900-2016. National Center for Family and Marriage Research, August 2018. http://dx.doi.org/10.25035/ncfmr/fp-18-17.

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3

Schweizer, Valerie. Divorce: More than a Century of Change, 1900-2018. National Center for Family and Marriage Research, September 2020. http://dx.doi.org/10.25035/ncfmr/fp-20-22.

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