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Статті в журналах з теми "A ritual view of communication":

1

Blue, Gwendolyn. "Science Communication Is Culture: Foregrounding Ritual in the Public Communication of Science." Science Communication 41, no. 2 (December 4, 2018): 243–53. http://dx.doi.org/10.1177/1075547018816456.

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This commentary demonstrates the relevance of James Carey’s ritual view of communication for the field of science communication. A ritual view of communication invites examination of the geographical, historical, and material dimensions of communication where dialogues, bodies, public spaces, and comestibles provide enabling conditions for democratic engagement. This is an opportune time for science communications scholars to engage with Carey’s ideas as the field moves from deficit accounts of communication to the dialogic and cultural models that have become more prevalent in recent decades. A ritual view highlights the importance of theoretical, humanist approaches as complements to empirical, instrumental accounts of science communication.
2

Sen, Biswarup. "Information as Ritual: James Carey in the Digital Age." Cultural Studies ↔ Critical Methodologies 17, no. 6 (January 29, 2016): 473–81. http://dx.doi.org/10.1177/1532708615625687.

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The relationship between the online and offline self is one of the most interesting questions faced by new media researchers. This article argues that James Carey’s ritual view of communication can be of immense value in analyzing this complex phenomenon. The article revisits Carey’s famous “ritual view”—that saw mass communication and mass media as the primary ground for modern society—to elucidate how the notion of ritual can function as a theoretical category that is very useful for social and cultural analysis in the contemporary epoch. By discussing the nature of contemporary information processing, the article demonstrates how digital protocols and practices function in a highly ritualistic manner, thereby functioning as tools for the construction of individual and social reality. By applying Carey’s seminal insights to the “world” constructed by computer-mediated communication and social media, the article demonstrates how everyday digital rituals enable the modern subject to emerge in a paradoxical form—extensively networked and connected, yet deeply self-directed and solitary.
3

Midtgarden, Torjus. "Communication as Transmission and as Ritual: Dewey’s Account of Communication and Carey’s Cultural Approach." Contemporary Pragmatism 18, no. 2 (August 9, 2021): 113–33. http://dx.doi.org/10.1163/18758185-bja10008.

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Abstract James W. Carey saw a tension between two views of communication in John Dewey’s work: a transmission view which takes communication as transmission of messages for the control of distance and people, and a ritual view which conceives communication as constructing and maintaining a cultural world. This article shows how Dewey may be seen to apply both views in analysing two complementary aspects of communication. It points out how Dewey’s naturalistic perspectives on culture and meaning provide a basis for his analysis and have affinities with Carey’s cultural approach to communication. The article further considers Dewey’s analysis through Carey’s critical reminder that models of communication serve both as representations and as guidance for action. Finally, Dewey’s and Carey’s approaches are contrasted by focusing on their epistemological and ontological underpinnings.
4

Haverkort, Marco, and Jan H. de Roder. "Poetry, language, and ritual performance." Journal of Historical Pragmatics 4, no. 2 (June 6, 2003): 269–86. http://dx.doi.org/10.1075/jhp.4.2.07hav.

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In line with the proposal of de Roder (1999), we will draw an analogy between the structure of ritual, poetic language and natural language, exploiting Frits Staal’s conception of ritual as a set of recursively applicable formal procedures, and the biological ramifications of the Chomskyan postulate of Universal Grammar. The central hypothesis is that, in terms of evolution, poetry takes a position between age-old rituals and natural languages, as a sort of missing link. We will argue that the building blocks and mechanisms of natural language developed out of ritual acts and the associated rhythmic sound sequences. The formal principles underlying rituals turned out to be useful for communication and thus natural language could evolve, an example of exaptation in the sense of Gould and Vrba (1982). Under this view, the rhythmic layer of poetry — like syntactic structure — is a semantically empty, autonomous pattern, going back to the structural principles underlying ritual. Rhythmic patterns in poetry are thus instances of pure acts in the ritual sense, and as a consequence poetry is a form of language use in which the ritual basis of language is experienced. This puts T.S. Eliot’s famous dictum “Genuine poetry can communicate before it is understood” in a new perspective. The paper thus focuses on the ritualistic substrate of language, not on the synchronic role of ritual in language. We will also discuss neurological evidence which independently supports this idea: Broca’s area — an area in the left hemisphere of the brain that has traditionally been associated with language comprehension and production — is activated when syntactically complex sentences are being processed, but it is also activated in tasks involving the perception of rhythmic patterns in music, thus supporting the idea that both (and by implication ritual too) have the same origins evolutionarily.
5

Bodak, Valentyna. "Religious ritualism and family values: the unity of the past and the present." Religious Freedom, no. 21 (December 21, 2018): 43–55. http://dx.doi.org/10.32420/rs.2018.21.1250.

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Summary: The article is devoted to the problem of religious ritualism as a constituent and factor of family life in its past and present. The purpose of the article are the substantiation of religious rituals as values in the life of the family, the definition of its role through the prism of freedom of conscience and beliefs, the reflection of socio-cultural transformations of the relationship of religious rituals and family values in the unity of tradition and modernity. The use of the historical method in the work allowed us to determine the cultural-historical, civilizational circumstances that determine the content and structure of religious rituals in conjunction with the development of the family and family values in the unity of traditions and novtions. The scientific novelty of the work lies in the definition and justification of the unconditional value of the emotional-aesthetic atmosphere of the family and existential communication, which is achieved between members of the family community in the process and under the influence of religious ritual. Religious and ritual communication both within and outside the family is a process of exchange of certain feelings and knowledge of its members. This is only possible if the family members (in the system: parents – children – grandchildren), who make such communication, establish not only mutual understanding but also the unity of thought about the religious and emotional content of a ritual act, when the convictions of communicators coincide on the results of this spiritual activity recognized as values (ideas, thoughts, ideals, feelings, mood, etc.). By displaying such values with the help of symbolic means that affect the emotional and sensory sphere of both adults and younger family members, rituals stimulate the emergence and development of feelings, experiences and moods that meet these values. In communicative communication during the various ritual actions (joint daily prayers, reading prayer texts, funeral ceremonies, baptism, wedding, sanctification of housing, etc.), family members enter into a specific kind of relationship between themselves. The processes of their communication and relations are realized through such socio-psychological mechanisms as suggestion, persuasion, imitation and stereotyping. The shared experiences significant for family members in communication greatly contribute to their spiritual unity and rapprochement, the establishment and strengthening of internal and external relations (within and outside the family). The family as a social and, at the same time, the ritual community lives according to the laws of group psychology, which is characterized by strengthening of the mood in the feelings of "We". It is under the influence of jointly performed ritual that the formation and objectification of religious consciousness in the activity of the family and its members takes place as a connection of freedom and responsibility, holistic and partial, general and separate. The family and family religious ceremonies remain one of the most important values in human life and community. Appeal to the family traditions of religious culture allows us to find spiritual foundations for the further development of society in the modern post-industrial era. The prospect for further research is the justification from the point of view of religion of traditional family values and their socio-cultural transformations in the present.
6

Kotnik, Vlado. "Opera as Social Showcase: Rituals of “Magic Mirrors” at the Margravial Opera House in Mid-Eighteenth-Century Bayreuth." Issues in Ethnology and Anthropology 11, no. 1 (April 18, 2016): 19. http://dx.doi.org/10.21301/eap.v11i1.1.

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This article proposes a ritualistic approach to opera in the historical case of the mid-eighteenth-century Margravial Opera House in Bavarian Bayreuth to argue that court opera can be understood as a variety of social showcase. In this view, court opera is a specific form of communication through which opera established the various types of relationship between itself and the social worlds in which, and for which, it was created. By referring to the operatic rituals under the leadership and sponsorship of Wilhelmina of Bayreuth and her husband Frederick, it will be established how the Bayreuth’s ruling couple used opera for several social and political purposes. As both genre and institution, the margravial opera production is interpreted by the analytical models of anthropologists of ritual and theatre, like Victor Turner, Clifford Geertz, Maurice Bloch, Stanley Tambiah, Catherine Bell, employing their ritual theory, especially Turner’s concept of a “hall of magic mirrors”.
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Mursidin, Mursidin. "STUDI KUALITATIF PEMAKNAAN APLIKATIF SHALAT SOSIAL." Psympathic : Jurnal Ilmiah Psikologi 3, no. 2 (February 27, 2018): 188–95. http://dx.doi.org/10.15575/psy.v3i2.2187.

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Salat is as a medium of connection the communication between human and God. In implementation, salat taught many kinds of moral. The purpose of this research is get the clarification about salat and social piety. This research is as a qualitative research because the data of research is not a statistic data. The researcher finds the different view of salat. First doctrine of salat has the certain meaning that related to morality. That is, if the doer of salat implements and experiences of the full salat the moral value has the functiom to form the good personality. Second the pure view based on fiqh limit of rules and ritual duty. According to this view, salat related to ritual duty. Salat doesn’t contain moral dimension because salat has the certain space in system of Islam doctrine that separated from system of salat doctrine.
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Davies, Sarah Rachael, Megan Halpern, Maja Horst, David Kirby, and Bruce Lewenstein. "Science stories as culture: experience, identity, narrative and emotion in public communication of science." Journal of Science Communication 18, no. 05 (October 14, 2019): A01. http://dx.doi.org/10.22323/2.18050201.

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The last three decades have seen extensive reflection concerning how science communication should be modelled and understood. In this essay we propose the value of a cultural approach to science communication — one that frames it primarily as a process of meaning-making. We outline the conceptual basis for this view of culture, drawing on cultural theory to suggest that it is valuable to see science communication as one aspect of (popular) culture, as storytelling or narrative, as ritual, and as collective meaning-making. We then explore four possible ways that a cultural approach might proceed: by mobilising ideas about experience; by framing science communication through identity work; by focusing on fiction; and by paying attention to emotion. We therefore present a view of science communication as always entangled within, and itself shaping, cultural stories and meanings. We close by suggesting that one benefit of this approach is to move beyond debates concerning ‘deficit or dialogue’ as the key frame for public communication of science.
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Manafe, Yermia Djefri. "Analisis Peristiwa Komunikasi Ritual Tofa Lele Pada Kegiatan Bertani Atoni Pah Meto." Jurnal Communio : Jurnal Jurusan Ilmu Komunikasi 9, no. 1 (July 15, 2020): 1460–74. http://dx.doi.org/10.35508/jikom.v9i1.2324.

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ABSTRAK Ritual tofa lele merupakan salah satu tahapan kegiatan pertanian yang wajib dilaksanakan petani Atoni Pah Meto. Tofa lele adalah kegiatan membersihkan atau mencabuti gulma yang tumbuh di sekitar tanaman utama petani. Tujuan Penelitian ini untuk menganalisis peristiwa komunikasi. Metode yang digunakan dalam penelitian ini adalah etnografi komunikasi. Pendekatan ini digunakan untuk memberikan pemahaman mengenai pandangan dan nilai-nilai suatu masyarakat sebagai cara untuk menjelaskan sikap dan perilaku anggota-anggotanya. Hasil penelitian menunjukan bahwa melalui komponen komunikasi sebuah peristiwa komunikasi dapat diidentifikasi. Komponen etnografi komunikasi sebagai berikut: Setting atau Latar, Partisipan (Participants), Tujuan (End), Isi pesan (Act Secuence), Bentuk Isi Pesan (Key), Kaidah Interaksi Jalur bahasa yang digunakan (Insturumentalities), Norma-Norma Interpretasi (Norms), Genre atau tipe peristiwa komunikatif, Topik, dan Urutan Tindakan. Berdasarkan analisis terhadap komponen etnografi komunikasi, maka kesimpulan penelitian ini adalah komunikasi pada ritual tofa lele dapat dipahami melalui isi doa adat yang mengandung makna pengharapan agar para petani dijauhi dari berbagai bentuk malapetaka selama melakukan kegiatan tofa lele serta permohonan agar gulma tidak menghambat pertumbuhan dan kesuburan tanaman yang ada dalam kebun para petani. Kata Kunci: Tofa Lele, Komunikasi Ritual, Peristiwa Komunikasi, Komponen Komunikasi ABSTRACT Tofa lele ritual is one of the stages of agricultural activities that must be carried out by Atoni Pah Meto farmers. Catfish tofa is the activity of cleaning or pulling weeds that grow around the main crop of farmers. The purpose of this study was to analyze communication events. The method used in this research is communication ethnography. This approach is used to provide an understanding of the views and values ​​of a society as a way to explain the attitudes and behavior of its members. The results show that through the communication component a communication event can be identified. The ethnographic components of communication are as follows: Setting or Setting, Participants, Objectives (End), Message Content (Act Secuence), Form of Message Content (Key), Interaction Rules of Language used (Insturumentalities), Interpretation Norms (Norms) ), Genre or type of communicative event, topic, and action sequence. Based on an analysis of the communication ethnographic component, the conclusion of this study is that communication on tofa lele rituals can be understood through the contents of traditional prayers which contain the hope that farmers are kept away from various forms of catastrophe during tofa lele activities and requests that weeds do not inhibit plant growth and fertility in the farmers' garden. Keywords: Tofa Lele, Ritual Communication, Communication Events, Communication Components
10

Mullan, Margaret. "Constructing an Identity Online: Logging-On as “Catholic”." Journal of Religion, Media and Digital Culture 4, no. 1 (May 14, 2015): 96–125. http://dx.doi.org/10.1163/21659214-90000102.

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This article explores the nature of Catholic identity, as constructed in a Catholic social media site, PhatMass. This study, a month-long virtual ethnography of PhatMass, took place during the significant global Catholic event in February to March of 2013—the former Pope Benedict XVI’s resignation and the new Pope Francis’s election. James Carey’s (1989) ritual view of communication sheds light on PhatMass participant engagement with social media, popular culture, and Catholic identity during these online discussions. The findings from this ethnography indicate that religion, media, and popular culture meet in the religious, media-using, culture participant who communicates, consumes, or creates meaning through daily ritual on technology. The blend of pop culture content and traditional Catholic beliefs on PhatMass reveals a broader Catholic identity emerging online. The PhatMass conversation provides details about how Catholic identity formation takes place in a world increasingly marked by online communication.

Дисертації з теми "A ritual view of communication":

1

Gibson, Adam J. "Copresence, Communication Medium, and Solidarity in Task Groups." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1542310946564675.

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Bell, Jennifer. "If not The BBC then Who? Doctor Who, Representation and National Identity in the 21st Century." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1596782073323887.

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Lawson, Shannon L. "Tales, Tropes, and Transformations: The Performance of Gusaba no Gukwa in Rwanda." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1386338407.

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Favorito, Rebecca. "Constructing Legitimacy: Patrimony, Patronage, and Political Communication in the Coronation of Henry IV." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1468594085.

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Jing, Yujuan. "Reconstructing Ancient Chinese Cultural Memory in the Context of Xianxia TV Drama." Thesis, Uppsala universitet, Institutionen för informatik och media, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446181.

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This study explores how Chinese ancient cultural memory is constructed, and specifically how it is reconstructed through Chinese Xianxia TV dramas during the past five years. Ancient Chinese culture has become a hit in Chinese popular culture today, in which Xianxia TV dramas draw the biggest audiences. This study focuses on the ways, namely the transformations between cultural memory as storage memory to cultural memory as living functional memory, in which the Xianxia genre reconstructs the past. Bringing together a ritual view of communication, cultural memory and participatory culture, it applies a cultural approach to communication, which refers to the production and the fandom reception of Xianxia TV drama. Meanwhile, the perspective of culture industry provides a critical dimension to look into this highly commercial genre. This study is based on the analysis of content and representations of the theme song lyrics, posters and the general narratives of six selected Xianxia TV dramas, as well as a virtual ethnography of fan-generated videos and their comments. The findings suggest that, the reconstruction of ancient Chinese cultural memory in Xianxia TV dramas is a complex interplay between the culture industry logics of Xianxia production and the passionate participatory fan culture. The limited representations of the past in the series are absorbed and practiced by the fan audiences. Through fan practices, the fans extend the media text with their passion and knowledge of ancient culture, attaching the cultural memory into their present real-life cultural identity and hence vigorously transforming cultural memory from storage memory into functional memory.  This study speaks to the lack of bottom-up perspectives in the studies of the ancient culture revival trend in China, and it contributes to a deeper scholarly understanding of the Xianxia genre.
6

Seek, Amy. "Ritual play exploring the interiors of ritual through play /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1053371989.

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SEEK, AMY. "RITUAL PLAY: EXPLORING THE INTERIORS OF RITUAL THROUGH PLAY." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053371989.

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Ellison, Samuel C. "Forming Ritual Reality." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282576025.

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A'Llerio, Karen E. "Craft, ritual, and world view, Ojibwa ontology through transformative philosophy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0028/MQ52034.pdf.

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Liu, Zhengjia. ""Trendingworthiness" and "prosumers" on Weibo: social media doxa and consumerism in a ritual field." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/4679.

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The study explores reasons for certain events trending on Sina Weibo - the most popular Chinese micro-blogging site - and cultural meanings of consumption in trending topics. Conceptually, it indicates that social media practice is more than a technical product, but it is also a cultural phenomenon that conveys cultural meanings. Multiple data were collected through a pilot study, a two-month online observation focusing on three trending topics and 34 in-depth face-to-face interviews. This e-ethnography study finds that Weibo is a Chinese cultural product in the global trend of high technology, mobile Internet and social networking. Also, it roots in the overall political and economic environment of Chinese media industry. Freedom of choices and equality in market are two doxa found in this field. The Weibo rituals present a negotiation of prosumers' political, economic and cultural identities. Neo-liberal elites become crucial agents lead in this field. The Weibo field demonstrates the social media relying on money line to push the Party line. In general, this dissertation argues a cultural paradigm of studying social media phenomena. It demonstrates how media phenomena are culturally constructed for society members to make meanings of their social lives. It goes beyond the limitation of a normative paradigm that makes judgments about whether media are contributing to--or harming--democracy. Instead, it provides a conceptual foundation to: begin to understand media phenomena by placing them within their original social context instead of a different context; to conclude the interpretation of the phenomena by integrating them with the bigger conceptual picture; and to eventually enable theoretical conclusions which will be transferable to other contexts.

Книги з теми "A ritual view of communication":

1

Senft, Gunter. Ritual communication. Oxford: Berg Publishers, 2010.

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2

John, Groth. Ritual legalism and morality: A Biblical view of ritual and morality. Newton, NC: J. Groth, 1993.

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3

Ling, Richard Seyler. Mediated ritual interaction. Cambridge, Mass: MIT Press, 2008.

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4

Rothenbuhler, Eric W. Ritual communication: From everyday conversation to mediated ceremony. Thousand Oaks: Sage Publications, 1998.

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Dahm, Ulrike. Opfer und Ritus: Kommunikationstheoretische Untersuchungen. Marburg: Diagonal-Verlag, 2003.

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6

Leaper, Norman G. Global business communication: Adopting a world view. San Francisco, CA: International Association of Business Communicators, 1997.

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LEEDS-HURWITZ. Wedding as Text: Communicating Cultural Identities through Ritual. Mahwah, NJ: Lawrence Erlbaum Associates, 2002.

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Grimes, Ronald L. Ritual, media, and conflict. New York: Oxford University Press, 2011.

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Hoffman, Irwin Z. Ritual and spontaneity in the psychoanalytic process: A dialectical-constructivist view. Hillsdale, NJ: Analytic Press, 1998.

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Basso, Ellen B. A musical view of the universe: Kalapalo myth and ritual performances. Philadelphia: University of Pennsylvania Press, 1985.

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Частини книг з теми "A ritual view of communication":

1

Foucault, Brooke, and Jay Melican. "The Digital and the Divine: Taking a Ritual View of Communication and ICT Interaction." In Usability and Internationalization. HCI and Culture, 74–82. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73287-7_10.

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Kádár, Dániel Z. "Relational Ritual Typology." In Relational Rituals and Communication, 78–103. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9780230393059_4.

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Lugmayr, Artur, Samuli Niiranen, and Seppo Kalli. "Metadata System View." In Signals and Communication Technology, 105–34. New York, NY: Springer New York, 2004. http://dx.doi.org/10.1007/978-1-4757-3953-4_5.

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Kádár, Dániel Z. "Defining Ritual from a Relational Perspective." In Relational Rituals and Communication, 23–50. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9780230393059_2.

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Crick, Michael. "The Broadcast Journalist’s View." In Political Communication in Britain, 199–207. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40934-4_16.

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Kádár, Dániel Z. "In-Group Ritual in Operation: Two Case Studies." In Relational Rituals and Communication, 51–77. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9780230393059_3.

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Pauly, John J. "Ritual Theory and the Media." In The Handbook of Media and Mass Communication Theory, 172–89. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118591178.ch10.

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Kak, Subhash. "Epistemic View of Quantum Communication." In STEAM-H: Science, Technology, Engineering, Agriculture, Mathematics & Health, 119–28. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74971-6_10.

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Auburger, Leopold. "48. Classical Language/Ritual Language." In Handbücher zur Sprach- und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science (HSK), edited by Ulrich Ammon, Norbert Dittmar, Klaus J. Mattheier, and Peter Trudgill, 359–65. Berlin, Boston: De Gruyter, 1987. http://dx.doi.org/10.1515/9783110858020-054.

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Mooneeram, Roshni. "The Practitioner’s View: The Value of Linguistics in International Business Consultancy." In Professional Communication, 113–26. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41668-3_6.

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Тези доповідей конференцій з теми "A ritual view of communication":

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"Research on Watching Behavior of China Media Group Mobile Users Watching ‘Line supervisors’ Live under the Ritual View of Communication." In 2021 International Conference on Management, Education and Information. Scholar Publishing Group, 2021. http://dx.doi.org/10.38007/proceedings.0002032.

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Chistyakov, Denis I., and Olga V. Chistyakova. "Ritual as a Means of Intercultural Communication." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.350.

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Samoylova, Irina. "Revolution’s Memorialization In The Ritual Practices Of The Novgorod Communists (1921-1925)." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.119.

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D. Thilakarathne, Niluka. "IMPACT OF NON-VERBAL COMMUNICATION ON MASKS IN DAHA ATA SANNIYA RITUAL." In International Conference on Arts and Humanities. The International Institute of Knowledge Management - TIIKM, 2019. http://dx.doi.org/10.17501/23572744.2018.5201.

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Puspa, Ratna Sari, and Suzy Azeharie. "Ritual Communication of Obiyem on Tamil Hindu Ethnic in Medan City Indonesia." In The 2nd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201209.061.

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Kurniawan, Alva, Sahid Widodo, and Kundharu Saddhono. "Happiness Value Inside Traditional Ceremony of Begalan: Research on Communication Activities Ritual Wedding." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282672.

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Rusnali, Nur Aisyah, and Syahrianti Syam. "The Tradition of Mappano’ Lolo as Ritual Communication of the Bugis Bone Community." In 2nd Annual Conference on Education and Social Science (ACCESS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.054.

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Singhal, Manik, Vijay Raghunathan, and Anand Raghunathan. "Communication-efficient View-Pooling for Distributed Multi-View Neural Networks." In 2020 Design, Automation & Test in Europe Conference & Exhibition (DATE). IEEE, 2020. http://dx.doi.org/10.23919/date48585.2020.9116528.

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Chistyakov, Denis. "The New Form of Televised Information in the Postmodern Age. The Role of Ritual Communication." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.154.

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Luo, Xi, and Bo-Sheng Hong. "Research of Interactive Ritual Chain for Reconstruction of Teacher-Student Communication Based on Online Courses." In 2021 2nd International Conference on Big Data and Informatization Education (ICBDIE). IEEE, 2021. http://dx.doi.org/10.1109/icbdie52740.2021.00152.

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Звіти організацій з теми "A ritual view of communication":

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Tai, A., M. Eismann, and B. Neagle. Holographic Lens for Wide Field-of-View Laser Communication Receiver. Fort Belvoir, VA: Defense Technical Information Center, March 1990. http://dx.doi.org/10.21236/ada231620.

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Spoors, F., C. D. B. Leakey, and M. A. James. Coast to ocean: a Fife-eye view: ocean literacy in Fife, Scotland. Scottish Oceans Institute, 2021. http://dx.doi.org/10.15664/10023.23981.

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[Extract from Executive Summary] Ocean Literacy (OL), or Ocean Citizenship, is the basis of a movement to sway positive, lasting change in communities that will benefit the sea, coast and climate. An ocean literate person is understanding of the ocean’s influence on their own lives, as well as the way that their behaviours influence the ocean and is knowledgeable concerning ocean threats. A degree of informed-ness (or ‘literacy’) is thought to inspire effective communication and allow for impactful decision-making regarding personal lifestyle and behaviours, which are subsequently beneficial to the marine and coastal environment. Not only that, a collective OL mindset may be translated into policy, informing marine spatial planning authorities of people’s expectations regarding their marine and coastal spaces.
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Beiker, Sven. Unsettled Issues Regarding Communication of Automated Vehicles with Other Road Users. SAE International, November 2020. http://dx.doi.org/10.4271/epr2020023.

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The focus of this SAE EDGE™ Research Report is to address a topic overlooked by many who choose to view automated driving systems and AVs from a “10,000-foot” perspective: how automated vehicles (AVs) will actually communicate with other road users. Conventional (human-driven) vehicles, bicyclists, and pedestrians already have a functioning system of understating each other while on the move. Adding automated vehicles to the mix requires assessing the spectrum of existing modes of communication – both implicit and explicit, biological and technological, and how they will interact with each other in the real world. The impending deployment of AVs represents a major shift in the traditional approach to ground transportation; its effects will inevitably be felt by parties directly involved with the vehicle manufacturing and use and those that play roles in the mobility ecosystem (e.g., aftermarket and maintenance industries, infrastructure and planning organizations, automotive insurance providers, marketers, telecommunication companies). Unsettled Issues Regarding Communication of Automated Vehicles with Other Road Users brings together the multiple scenarios we are likely to see in a future not too far away and how they are likely to play out in practical ways.
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Armendáriz, Enrique. El nuevo perfil del profesional de la Comunicación y las Relaciones Públicas. Una visión desde la perspectiva del mercado / The new professional profile of Communication and Public Relations. A view from the market's perspective. Revista Internacional de Relaciones Públicas, May 2015. http://dx.doi.org/10.5783/rirp-9-2015-09-153-178.

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Strauck Franco, Maria Antonia, and Claudia Alexandra Guillén Arruda. La gestión de la comunicación en los gobiernos locales, una mirada desde la perspectiva estratégica: análisis del caso peruano / The Communication Management in Local Government, a view from the Strategic Perspective: Analysis of the Peruvian case. Revista Internacional de Relaciones Públicas, May 2014. http://dx.doi.org/10.5783/rirp-7-2014-10-153-176.

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Hotsur, Oksana. SOCIAL NETWORKS AND BLOGS AS TOOLS PR-CAMPAIGN IMPLEMENTATIONS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11110.

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The article deals with the ways in which social networks and the blogosphere influence the formation and implementation of a PR campaign. Examples from the political sphere (election campaigns, initiatives), business (TV brands, traditional and online media) have revealed the opportunities that Facebook, Telegram, Twitter, YouTube and blogs promote in promoting advertising, ideas, campaigns, thoughts, or products. Author blogs created on special websites or online media may not be as much of a tool in PR as an additional tool on social media. It is noted that choosing a blog as the main tool of PR campaign has both positive and negative points. Social networks intervene in the sphere of human life, become a means of communication, promotion, branding. The effectiveness of social networks has been evidenced by such historically significant events as Brexit, the Arab Spring, and the Revolution of Dignity. Special attention was paid to the 2019 presidential election. Based on the analysis of individual PR campaigns, the reasons for successful and unsuccessful campaigns from the point of view of network communication, which provide unlimited multimedia and interactive tools for PR, are highlighted. In fact, these concepts significantly affect the effectiveness of the implementation of PR-campaign, its final effectiveness, which is determined by the achievement of goals. Attention is drawn to the culture of communication during the PR campaign, as well as the concepts of “trolls”, “trolling”, “bots”, “botoin industry”. The social communication component of these concepts is unconditional. Choosing a blog as the main tool of a marketing campaign has both positive and negative aspects. Only a person with great creative potential can run and create a blog. In addition, it takes a long time. In fact, these two points are losing compared to other internet marketing tools. Further research is interesting in two respects. First, a comparison of the dynamics of the effectiveness of PR-campaign tools in Ukraine in 2020 and in the past, in particular, at the dawn of state independence. Secondly, to investigate how/or the concept of PR-campaigns in social networks and blogs is constantly changing.
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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is voiced, the artist researcher has a responsibility that goes beyond the confines of our discipline to articulate the truth-content of his or her artistic practice. To do this, they must embrace daring and risk-taking, finding ways of communicating that flow against the current norms. In artistic research, the empathic communication of information and experience – and not merely the ‘verbally empathic’ – is a sign of research transferability, a marker for research content. But this, in some circles, is still a heretical point of view. Research, in its more traditional manifestations mistrusts empathy and individually-incarnated human experience; the researcher, although a sentient being in the world, is expected to behave dispassionately in their professional discourse, and with a distrust for insights that come primarily from instinct. For the construction of empathic systems in which to study and research, our structures still need to change. So, we need to work toward a new world (one that is still not our idea), a world that is symptomatic of what we might like artistic research to be. Risk is one of the elements that helps us to make the conceptual twist that turns subjective, reflexive experience into transpersonal, empathic communication and/or scientifically-viable modes of exchange. It gives us something to work with in engaging with debates because it means that something is at stake. To propose a space where such risks may be taken, I shall revisit Gillian Rose’s metaphor of ‘the fold’ that I analysed in the first Symposium presented by the Arne Nordheim Centre for Artistic Research (NordART) at the Norwegian Academy of Music in November 2015. I shall deepen the exploration of the process of ‘unfolding’, elaborating on my belief in its appropriateness for artistic research work; I shall further suggest that Rose’s metaphor provides a way to bridge some of the gaps of understanding that have already developed between those undertaking artistic research and those working in the more established music disciplines.

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