Готові списки джерел за темами / Alcoholism – Poetry

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Добірка наукової літератури з теми "Alcoholism – Poetry"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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Статті в журналах з теми "Alcoholism – Poetry"

Hunter, Rose. "The Alcoholics Anonymous (AA) 'Share' as Literary Form: 'Talk Recovery and David Antin's talk poetry." Axon: Creative Explorations 14, no. 2 (2025): 1–14. https://doi.org/10.54375/001/0t8vv2cr2g.

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‘Talk Recovery’ is a memoir in progress that details my recovery from alcoholism in Alcoholics Anonymous (AA), using a literary form I have developed in order to mimic the AA ‘share’. AA shares occur when AA members speak in an improvised and uninterrupted way about their experiences with alcoholism recovery during an AA meeting. There are no literary works featuring AA recovery that use the AA share as their means of narration over the course of a book-length work. Given the central importance of the share in AA, this is a significant gap in the literature. Filling it is the key innovation of

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Sharma, Pradip. "Poetic Politics in the Confessional Poetry of Lowell and Plath." Literary Studies 35, no. 01 (2022): 89–97. http://dx.doi.org/10.3126/litstud.v35i01.43683.

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This paper critically examines the cultural shifts the confessional poets mainly Robert Lowell and Sylvia Plath brought in post war American poetry. Under the rubric of postwar isolation ongoing developmental practices induced by Fordist culture whatever psychic disturbances the contemporary generations encountered, are reflected in Lowell and Plath’s poetry. Unlike St. Augustine’s sacramental confession, confessional poetry primarily aims at autobiographical self-exploration in essence. Yet, the confessional poetry departs from the life writing with its sharp delving into the poet’s life. The

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Muhammad Ahmed Awan and Abdul Khalique. "An Analytical Study Of Aagha Hashar's Poetry." Dareecha-e-Tahqeeq 4, no. 3 (2023): 74–79. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i3.142.

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Aagha Hashar Kashmiri is a renowned poet and dramatist. He is considered one of the pioneers of Modern Urdu theater and his work is known for his poetic language in his dramas. He also wrote many poems i.e. "Shukariya Europe", Moj-e-Zam Zam, Eid Mubarak, Sultan tipu and so on. His poetry has Romanism, socialism, alcoholism, sarcasm, humour and vulgarity. Romanticism was inherent in his poetry and beauty was part of his nature. That is why his poetry is full of romanticism. The essence of speech is prominent in his poems and songs. Imagination, figure carving, subtle elegance, informality, crea

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Ahmed, Ala. "GENERATIONAL TRAUMA IN SHERMAN ALEXIE’S AND JEROME ROTHENBERG’S SELECTED POETRY." Humanities Journal of University of Zakho 12, no. 4 (2024): 895–900. https://doi.org/10.26436/hjuoz.2024.12.4.1443.

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Jewish and Native American history is widely recognized to have many similarities. The catastrophic events of the Holocaust and Native American colonization created trauma for centuries. This article attempts to investigate the portrayal of generational trauma in Sherman Alexie’s and Jerome Rothenberg’s poetry. Generational trauma refers to a trauma that has been inherited from one generation to another. It does not necessarily mean that an individual has to go through a direct traumatic event him/herself. Rather, it is transmitted through secondary memory which refers to recollecting memory a

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Mai, Anne-Marie. "Märta Tikkanen’s gender and alcohol saga." Nordic Studies on Alcohol and Drugs 34, no. 4 (2017): 289–98. http://dx.doi.org/10.1177/1455072517720100.

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Märta Tikkanen’s poetry collection Århundradets kärlekssaga ( The love story of the century, 1978) is a confessional book on life in a family where the husband and father is an alcohol abuser. It is also a love story about a married couple who love one another despite the terrible challenges posed to the relationship by alcoholism. The poetry collection became one of the most influential books in contemporary Nordic fiction, its themes on gender roles and alcohol abuse setting the trend in the Nordic discussion of women’s liberation. Märta Tikkanen’s courage to tell her own private story inspi

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Crammer, J. L. "Editor Creates Journal." British Journal of Psychiatry 173, no. 2 (1998): 114. http://dx.doi.org/10.1192/s0007125000150901.

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Every journal has its own character. This is a reflection of the editor's interests and concerns, his conception of what the journal is there to do. He selects out of all the papers offered by contributors those which by subject-matter fit the journal's points of view. A journal may be called Clinical Psychiatry and will then obviously not publish papers on the chemistry of helium or the early poetry of T. S. Eliot, but what about human brain physiology or animal psychology? Observations on homosexuality in dogs, perhaps, but not experimental alcoholism in rats? Behavioural problems in people

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Mulligan, Joseph. "Mediating Andean Modernity: The Literary Oracular in Muerte por el tacto by Jaime Saenz." Bolivian Studies Journal 26 (December 10, 2021): 83–106. http://dx.doi.org/10.5195/bsj.2021.252.

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Upon his return from Berlin in 1939, Jaime Saenz started working in La Paz for intelligence agencies and public relations offices of Bolivia and the United States, which led to correspondent positions with Reuters and McGraw-Hill World News. His trajectory into Cold War Bolivian state nobility seemed all but guaranteed. However, on the brink of this breakout moment, he renounced his job —and professionalism altogether— committing himself to a life of literature and alcoholism as his marriage unraveled. In response to repeated interventions, he justified his every loss with a further indictment

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Dr. Upendra Kumar. "Reinterpretation of Alfred Lord Tennyson’s Selected Poetry: A Thematic Analysis." Creative Launcher 5, no. 3 (2020): 124–29. http://dx.doi.org/10.53032/tcl.2020.5.3.17.

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Alfred Lord Tennyson was the most loved and acclaimed poet of the Victorian Era. He was born on 06 August 1809 in Somersby, Lincolnshire, England. He belonged to an influential family as his father was a clergyman having a large family. Alfred Lord Tennyson had 11 siblings and he showed his interest for writing in his early age. When he was merely thirteen years old, he wrote a 6000-line poem in epic style. His father was suffering from mental breakdowns and had an addiction for alcoholism. One of Tennyson’s brothers would quarrel with his father and another was sent to mental asylum. One more

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Skorczewski, Dawn. "Unbecoming Archives: Anne Sexton's "Perverse" Imagination." American Imago 80, no. 4 (2023): 693–706. http://dx.doi.org/10.1353/aim.2023.a918106.

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Abstract: It is impossible to read much about American poet Anne Sexton before encountering references to her "perverse" imagination. Critics routinely argue that she paints a perverse vision of childhood sexuality, female identity, and adult sexuality in her work, and they often object to her frank discussions of the body, its pleasures, and its dangerous powers. Her depictions of mental illness, initiated in To Bedlam and Part Way Back , also earned the derision of many critics who urged her "not to enquire further." Helen Vendler (1988) argued that "a poem was never better for having a uter

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Radyshevskyi, Rostyslav. "DANYLO BRATKOVSKYI AS A «SPEAKER OF PIETY»: POLISH LANGUAGE POETRY." Polish Studies of Kyiv, no. 38 (2022): 259–78. http://dx.doi.org/10.17721/psk.2022.38.259-278.

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The article analyzes the worldview system of Danylo Bratkowski, presented in his Polish-language poetry. Two vectors of her development in the multicultural space of the border area are indicated - as a citizen of the Commonwealth of Nations and a son of the Ukrainian people, who at that time formed the baroque culture of this state on an equal footing with other peoples, but at the same time defended her own national values. It has been proven that the poet embodied the principles of civilizational proteism, which, according to David Szymchak’s definition, had a moderate character. This was m

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Дисертації з теми "Alcoholism – Poetry"

Pratt, David Camak. ""Too many olives in my martini" W.C. Fields and Charles Bukowski as postmodern carnival kings /." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1212601300.

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Olofsson, Lilly. "Stuck in a loop : A project about feeling mentally stuck." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96663.

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Combining psychology literature, social media platforms and collaboration with online communities, this visual communication project explores the experiences and struggles of people that have grown up in dysfunctional households. The intent of this project is to share stories from people who struggle with feeling mentally stuck, in order to fight the stigma surrounding mental health related issues.

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Книги з теми "Alcoholism – Poetry"

Nhoṅʻʺ, Rhaṅʻ. Yacʻ rvhe raññʻ kruikʻ Kui Kui nhaṅʻʹ ʾA rakʻ kabyā myāʺ. Paṅʻ nī Cā ʾupʻ tuikʻ, 2006.

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1954-, Gorham Sarah, and Skinner Jeffrey, eds. Last call: Poems on alcoholism, addiction & deliverance. Sarabande Books, 1997.

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McKeown, Paul David. Ship slips: Journey of hope. Guardian Books, 2007.

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W, Cliff. Faces: A tribute to Marworth. Sobriety Press, 1986.

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MacSweeney, Barry. The book of demons. Bloodaxe Books, 1997.

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Inc, Health Communications, ed. Bread and roses: A poetry anthology for adult children. Health Communications, 1988.

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Juárez, Salvador. Los más bajos fondos. Ediciones Salvador Juárez, 2012.

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McConville, Brigid. Women under the influence: Alcohol and its impact. Schocken Books, 1985.

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Peixoto, André Antônio. A grande linhagem da cachaça. Licutixo Produções, 2007.

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Jeffs, Sandy. Blood relations. Spinifex Press, 2000.

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Частини книг з теми "Alcoholism – Poetry"

Gerlini, Edoardo. "Il tema del vino nella poesia di Sugawara no Michizane. Analisi testuale e storico-culturale." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.08.

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The paper centres on the poetic works of Sugawara no Michizane (845-903) and explores the theme of wine. By examining a selection of compositions that feature wine as a subject or involve characters like sake 酒 or yoi 酔, the author seeks to challenge the prevailing notion that Michizane was unable to consume alcohol or had limited appreciation for gatherings involving alcoholic beverages. The paper's aim is to offer fresh perspectives on the contrast between public and private poetry during the early Heian period in Japan. This includes revaluating the notion of a strict division between hare

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Fadiman, Anne. "The Oakling and the Oak: The Tragedy of the Coleridges." In Letter Writing Among Poets. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748681327.003.0006.

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The relationship between Samuel Taylor Coleridge and his elder son, Hartley, was close but fraught. Hartley, also a poet, was immortalized at a young age by the poetry of his father and William Wordsworth, burdened by impossible expectations, damaged by his father’s abandonment of his family, and drained by alcoholism. ‘The Oakling and the Oak’ derives its title from an 1833 review of the only book of poetry Hartley published in his lifetime; it praised the verse for embodying ‘no trivial inheritance of his father’s genius’ but also quoted the old saying that ‘the oakling withers beneath the s

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Burrows, Hannah. "The Mead of Poetry: Old Norse Poetry as a Mind-Altering Substance." In Distributed Cognition in Medieval and Renaissance Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438131.003.0006.

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This chapter examines the Old Norse myth of the mead of poetry in light of the distributed cognition hypothesis. It explains how Norse skaldic poetry scaffolds various cognitive processes, and then argues that the myth of the poetic mead, which sees poetry as an alcoholic substance, is exploited by Old Norse poets to understand and describe poetry’s effect on the mind. Examples are given that suggest poets saw poetry as ‘mind altering’ in ways that resonate with certain aspects of the distributed cognition hypothesis: in particular, that poetry is cognition-enabling through feedback-loop proce

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Ahmed, Omar. "Poetic Fatalism." In Studying Indian Cinema. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733681.003.0004.

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This chapter evaluates Guru Dutt's Kaagaz Ke Phool (Paper Flowers, 1959). A hymn to the golden age of the studio system, actor/director Guru Dutt's greatest achievement was dismissed on its initial release. One of the first Indian films to be shot in cinemascope, the melancholic story of an alcoholic film-maker (Guru Dutt) and the actress he discovers (Waheeda Rehman) makes for a poetic critique of the film-making process. The chapter focuses on the director's status as one of Indian cinema's pre-eminent auteurs, thematic dimensions, and ground-breaking technical aspects. It also looks at the

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Mariani, Paul. "The One Sane Milkman, I Fear." In The Fire That Breaks. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781942954361.003.0005.

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In his lifelong wrestle with what he called his “frenemy” God, John Berryman continually turned to the influence of Gerard Manley Hopkins’s sacramental vision. Amidst his struggles with depression, alcoholism, and self-doubt, Berryman looked to Hopkins as a model for how to express, and how to embrace, difficult belief. A close reading of Berryman’s “Dream Song 377,” a poem that takes Hopkins as a subject and evokes one of his sermons, shows not only that Berryman adopted versions of Hopkins’s stanzaic and stress patterns, but also that he, along with Henry, his poetic alter ego in the Dream S

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"Hartley Coleridge (1796-1849)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0071.

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Abstract Hartley Coleridge had a strained relationship with his father, Samuel Tay lor Coleridge, who named him after the associationist philosopher David Hartley (1705-57). As a child, he was precocious and imaginative, but William Wordsworth’s poem “To H. C., Six Years Old” expresses an anxiety for him that proved all-too prophetic. As an adult poet, his favorite form was the sonnet, and his sonnets were greatly admired during his lifetime. Serious literary success, nonetheless, eluded him, primarily because of alcoholism and an insecurity derived in part from being his father’s son.

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Kane, Daniel. "Lou Reed: “In the Beginning Was the Word”." In "Do You Have a Band?". Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231162975.003.0003.

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This chapter analyzes the ways in which Lou Reed’s vision of himself as a writer informed his music and lyrics for the Velvet Underground and his solo career. I track how Reed’s engagement with Andy Warhol and the New York School of poets complicated and troubled his otherwise relatively traditional views of the Poet as oracular figure. The chapter pays special attention to Reed’s stories and poems published in his collegiate-era mimeographed journal Lonely Woman Quarterly, analyzing how these works ultimately fed into Reed’s music and lyrics in the 1960s, 70s, and 80s. Mixing a world-weary, v

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Snyder, Michael. "Threshold of Assent." In James Purdy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197609729.003.0010.

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Abstract This chapter has Purdy reaching the threshold of assent, borrowing a chapter title from The Nephew (1960). He reached a crest of critical praise and received prestigious grants. The Nephew’s reception by poets, writers, and critics is traced, including responses from William Carlos Williams and James Merrill. Outrage and fallout followed the novel’s publication in Bowling Green, Ohio, since characters were based on locals. His father there and mother in Findlay dealt with Richard Purdy’s alcoholism after his acting career nosedived in 1957. In 1961, dramatizations of Purdy’s works inc

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