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Книги з теми "Anatomy and representation"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 1 лютого 2022

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1

Manow, Philip. In the king's shadow: The political anatomy of democratic representation. Cambridge, UK: Polity, 2010.

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2

In the king's shadow: The political anatomy of democratic representation. Cambridge, UK: Polity, 2010.

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3

Naur, Peter. An anatomy of human mental life: Psychology in unideological reconstruction : incorporating the synapse-state theory of mental life. Gentofte: naur.com publishing, 2005.

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4

Naur, Peter. An anatomy of human mental life: Psychology in unideological reconstruction : incorporating the synapse-state theory of mental life. Gentofte: naur.com pub., 2004.

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5

The public is invited to dance: Representation, the body, and dialogue in Gertrude Stein. Stanford, Calif: Stanford University Press, 1989.

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6

The body, subject & subjected: The representation of the body itself, illness, injury, treatment & death in Spain and indigenous and Hispanic American art & literature. Chicago, IL: Sussex Academic Press, 2016.

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7

Aminoff, Michael J. Anatomy of the Expression of Emotions. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190614966.003.0004.

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A discussion of medical artists, wax modeling, and medical museums in the eighteenth and nineteenth centuries is followed by an account of Charles Bell’s enormously successful book, Essays on the Anatomy of Expression in Painting. The foundation of the Royal Academy of Art is described; Bell’s applied unsuccessfully to be professor of anatomy there. His book reflected his creationist viewpoint and his belief in intelligent design, but nevertheless it founded the scientific study of expression. It stimulated Charles Darwin to write on the same topic many years later from an evolutionist viewpoi

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8

Grenander, Ulf, and Michael I. Miller. Pattern Theory. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780198505709.001.0001.

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Pattern Theory provides a comprehensive and accessible overview of the modern challenges in signal, data, and pattern analysis in speech recognition, computational linguistics, image analysis and computer vision. Aimed at graduate students in biomedical engineering, mathematics, computer science, and electrical engineering with a good background in mathematics and probability, the text includes numerous exercises and an extensive bibliography. Additional resources including extended proofs, selected solutions and examples are available on a companion website. The book commences with a short ov

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9

Helms. Bio in the Lab 3E/the Anatomy of Representative Vertebrates. W H Freeman & Co (Sd), 1997.

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10

Schlapbach, Karin. The Anatomy of Dance Discourse. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.001.0001.

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This book makes an original contribution to the newly thriving field of ancient Greek and Roman performance and dance studies. It offers a better grasp of ancient perceptions and conceptualizations of dance through the lens of literary texts. It gives attention not only to the highly encoded genre of pantomime, which dominates the stages in the Roman Empire, but also to acrobatic, non-representational dances. It is distinctive in its juxtaposition of ancient theorizations of dance with literary depictions of dance scenes. Part I explores the contact zones of ancient dance discourse with other

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11

Mason, Peggy. Forebrain. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190237493.003.0007.

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The anatomy and function of forebrain circuits is described. The role of the hypothalamus as the executive center for regulating and protecting the body’s physiology is detailed. The thalamus is a necessary interpreter for subcortical inputs to cerebral cortex, which uses thalamic input to map the sensory world. The amygdala, critical to expressing and interpreting fear, has been implicated in post-traumatic stress disorder. During resting conditions, the basal ganglia suppress movement. Damage to the basal ganglia produces a hypo- or hyperkinetic disorder. The representation of visual fields

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12

Dacome, Lucia. Malleable Anatomies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198736189.001.0001.

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Malleable Anatomies examines the early stages of the practice of anatomical modelling. It investigates the ‘mania’ for anatomical displays that swept the Italian peninsula in the mid-eighteenth century, and traces the fashioning of anatomical models as important social, cultural, and political as well as medical tools. Anatomical models offered special insights into the inner body. Being coloured, soft, and malleable, they fostered anatomical knowledge in delightful ways. But how did anatomical models inscribe and mediate bodily knowledge? How did they change the way in which anatomical knowle

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13

Coyer, Megan. ‘Delta’: The Construction of a Nineteenth-Century Literary Surgeon. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474405607.003.0004.

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This chapter examines the construction of David Macbeth Moir (1798–1851), a prolific Blackwoodian author and surgeon, as a medical poet, by himself and others, both within Blackwood’s and beyond, as a key component of a redemptive counter-discourse of medical humanism. The idealistic image of the ‘humanistic’ literary medical man is read as developing, in part, as a counter to the negative cultural representations of medicine exacerbated by the anatomy murders as well as the growing divisions between medico-scientific and literary cultures and the perceived negative consequences of the ‘march

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14

Roychoudhury, Suparna. Phantasmatic Shakespeare. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501726552.001.0001.

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The book argues that Shakespeare’s representations of imagination—the many hallucinations, illusions, and dreams in his works—draw their complexity from the interdiscursive confrontations between early modern faculty psychology and the history of science. During the Renaissance, imagination (also called the fantasy or fancy) was understood as a faculty of the soul, that which creates the phantasms or images needed by the mind to perceive, reason, and recall. The book explores how this psychology of imagination, developed by ancient and medieval philosophers, was disrupted in the sixteenth cent

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15

The Expected Knowledge: What can we know about anything and everything? Tiruchirappalli: Sivashanmugam Palaniappan, 2012.

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