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Статті в журналах з теми "Animated comedy"

Автор: Grafiati

Опубліковано: 28 травня 2022

Оновлено: 31 липня 2025

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1

Tai, Peng-yi. "The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s." Animation 13, no. 3 (2018): 238–51. http://dx.doi.org/10.1177/1746847718805163.

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Around 2010, the inventor character started to populate animated blockbusters. Computer 3D animated films and their sequels such as Robots (Chris Wedge and Carlos Saldanha, 2005), Cloudy with a Chance of Meatballs (Phil Lord and Christopher Miller, 2009), Despicable Me (Pierre Coffin and Chris Renaud, 2010) and Big Hero 6 (Don Hall and Chris Williams, 2014) all feature inventors and their extravagant machines. In this article, the author explores the inventive artisan character as a self-reflexive trope of the animator. She expands Crafton’s thesis of the animator’s self-figuration and Tom Gun

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2

Holmaas, Luke. "Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies." Animation 18, no. 2 (2023): 102–16. http://dx.doi.org/10.1177/17468477231187029.

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While often unacknowledged, gags and gag comedy remain a vital part of Hollywood cinema. Following the runaway success of Who Framed Roger Rabbit (1988), an increase in the production of films combining live-action and animation has helped them become a central venue for gag comedy. However, while live-action/animation hybrids can be enormously successful, they are also extremely difficult and risky ventures, both in terms of their technical challenges and production costs. Given this, what is the rationale behind combining live-action and animation for comedy at all? As the author argues, bot

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3

Falvey, Eddie. "Situating Netflix’s Original Adult Animation: Observing Taste Cultures and the Legacies of ‘Quality’ Television through BoJack Horseman and Big Mouth." Animation 15, no. 2 (2020): 116–29. http://dx.doi.org/10.1177/1746847720933791.

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This article aims to expand upon a key aspect of Mareike Jenner’s work on Netflix original comedy by considering how the streaming network’s original adult animated series reflect developments occurring within the sitcom format post-TV III. Using Netflix original animations BoJack Horseman (2014–) and Big Mouth (2017–) as case studies, this article will consider how thematically complex, ostensibly ‘smart’ animated shows illustrate changing industrial dynamics and taste cultures. While exhibiting qualities found in preceding key adult animated shows such as South Park (Comedy Central 1997–) an

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4

Wiszniewska, Adriana. "“Half a wit is better than none”: Race, Humor, and the Grotesque in Fran Ross’s Oreo." Studies in American Humor 8, no. 2 (2022): 317–36. http://dx.doi.org/10.5325/studamerhumor.8.2.0317.

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ABSTRACT This article focuses on race and humor in Fran Ross’s satirical novel Oreo, about a half-Black, half-Jewish young woman named Oreo, who goes on a quixotic quest to find her absentee father. I argue that Oreo blends high and low forms of comedy, the intellectual and the grotesque, into a complex and irreverent sense of humor that highlights the absurdity of racial and gender hierarchies. I demonstrate how the novel uses representations of animated, mechanized bodies as a site for much of its comedy and as commentary on the racial and gender politics of its moment. The novel’s comedic s

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5

Bankes, Edward. "The dangers of ‘Miss Information’: science and comedy in South Park." Journal of Science Communication 15, no. 02 (2016): C02. http://dx.doi.org/10.22323/2.15020302.

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Interest in the possible role for comedy as a medium for communicating and engaging the public in science is growing. However, current research has so far been restricted to exploring whether the content of scientific knowledge is accurate and precise within comedy, and whether the public might be said to understand science better for having watched it. In this commentary, I suggest that this approach neglects the diversity with which scientific ideas and images are used in comedy, particularly when comedy is written without the explicit goal of communicating science. I present my current rese

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6

Farkhi, Muhamad Reza, and Farid Munfaati. "THE THE CORRELATION BETWEEN STUDENTS’ HABIT OF WATCHING ENGLISH ANIMATED COMEDY MOVIES AND STUDENTS’ VOCABULARY MASTERY OF EIGHTH GRADERS IN SMPN 1 NGANTANG." English Edu: Journal of English Teaching and Learning 3, no. 1 (2024): 249–56. http://dx.doi.org/10.18860/jetl.v3i1.3255.

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This study explores the correlation between students' habits of watching English animated comedy movies and their English vocabulary proficiency among Eighth Graders at SMPN 1 Ngantang. The research involved 45 randomly selected students, and data collection employed questionnaires and vocabulary tests. The collected data underwent analysis using the Pearson Product Moment correlation. The findings indicate a significant but low negative correlation (r = -0.294) between students' movie-watching habits and their English vocabulary mastery. This correlation coefficient was smaller than the criti

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7

Zainal, Rizuan, and Mohd Asyiek Mat Desa. "The Benefit of Using Emotion in 3D Animation Film: Pre-Production Stage." PaperASIA 41, no. 1b (2025): 255–70. https://doi.org/10.59953/paperasia.v41i1b.162.

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Pre-production is the first phase of a 3D animated film; hence it is a critical initial process in the production of a 3D animated film. Elements such as ideas, storytelling, scripts, dialogue, storyboard, animatic, character development, and background design development need to be implemented perfectly. Thus, the process in the pre-production phase will determine the final outcome of the entire film that will be shown to the audience. Malaysia's 3D animated film ticket collection in 2009 and 2016, reached RM6.2 million and RM18 million. The data shows the developments taking place in the loc

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8

Abramska, Magdalena. "Z zagadnień przekładu audiowizualnego: tłumaczenie piosenek w pełnometrażowych filmach animowanych na przykładzie polskiego i rosyjskiego dubbingu do Sing." Acta Polono-Ruthenica 1, no. XXIII (2018): 95–102. http://dx.doi.org/10.31648/apr.1513.

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The article focuses on the problem of translating songs in animated movies. Using Russian and Polish dubbing as examples, the following issues will be discussed: the place and role of the song, the translation strategy adopted, and the consequences and possible impact on reception of the translation strategy. An excellent example that will allow the problem to be fully discussed is Sing the latest animation from the Illumination Entertainment studio – a 2016 American 3D computer-animated comedy.

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9

Fels, Deborah I., John Patrick Udo, Jonas E. Diamond, and Jeremy I. Diamond. "A Comparison of Alternative Narrative Approaches to Video Description for Animated Comedy." Journal of Visual Impairment & Blindness 100, no. 5 (2006): 295–305. http://dx.doi.org/10.1177/0145482x0610000507.

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10

Ломтева, Татьяна Николаевна, and Екатерина Владимировна Патрушева. "Linguistic and cultural peculiarities of interethnic dialogue in the text of an animated television series." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 3(282) (March 2, 2022): 55–67. http://dx.doi.org/10.53598/2410-3489-2021-3-282-55-67.

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Рассматриваются языковые и культурологические черты межэтнического взаимодействия на примере американского анимационного сериала «Animaniacs». Языковая игра как актуализируемый лингвостилистический прием исследуется в контексте неотъемлемого компонента культуры различных народов, в том числе американской; определяется ее роль в межнациональной коммуникации; выявляются функции языковой игры, способствующие достижению авторской интенции и адекватному пониманию информационного посыла. The paper focuses on considering linguistic and cultural aspects of interethnic dialogue functioning in the text

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11

Eli suryani, Bedjo Riyanto, and Sarwono. "Analysis of Design Elements on Secret Magic Control Agency Movie Poster." TAMA: Journal of Visual Arts 1, no. 1 (2023): 29–37. http://dx.doi.org/10.61405/tama.v1i1.684.

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In a film industry, advertising media is needed to promote or introduce films to be shown. One of the advertisements that is often used in cinema is posters. Posters are closely related to visual communication design, with visuals depicted can convey the important point of a film. Movie posters contain information and have design elements, namely visual elements and verbal elements contained in the design of Secret Magic Control Agency animated film posters. In the animated film, Secret Magic Control Agency is a family comedy film made in England and Russia based on popular fairy tales by brot

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12

Kovalenko, Liudmyla. "Rendering means of multimodal representation of celebrities in American comedy animated sitcoms in translation." 93, no. 93 (September 12, 2021): 37–42. http://dx.doi.org/10.26565/2227-8877-2021-93-05.

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This article presents the results of comparative analysis of the strategies of rendering mono- and multimodal parodic representations of celebrities from the American comedy animated sitcom “BoJack Horseman” in English-Ukrainian and English-Russian translations. The study had revealed monomodal parodic representations of celebrity characters realized verbally by using the name in a dialogue and multimodal parodic representations, both literal and based on pun, that are realized by the interaction of the name, image and sound. The study has found that monomodal parodic representations constitut

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13

Thaker, Parth, Anna-Sophie Jürgens, Karina Judd, Anastasiya Fiadotava, Anne Hemkendreis, and Christopher Holliday. "Humour for change? Melting ice and environmental fragility in the animated film comedies Ice Age: The Meltdown and Happy Feet Two." Journal of Science & Popular Culture 4, no. 2 (2021): 95–114. http://dx.doi.org/10.1386/jspc_00028_1.

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This article explores how environmental knowledge about global warming and the melting of ice is communicated through humour in the computer-animated films Ice Age: The Meltdown (2006) and Happy Feet Two (2011) and the educational role that ecocritical narratives can play. Bringing together approaches drawn from science communication, humour and animation studies, popular entertainment studies and the environmental humanities, we argue that both films communicate environmental fragility and awareness through comedy without ridiculing the seriousness of climate change, with humour serving to hi

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14

Purba, Berehme Adyatma, and Raditya Alifamughni. "Examining musical elements in Toy Story soundtrack “You’ve Got a Friend in Me”." Interlude: Indonesian Journal of Music Research, Development, and Technology 3, no. 1 (2023): 64–75. http://dx.doi.org/10.17509/interlude.v3i1.71191.

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Animated comedy and adventure films are highly enjoyable to watch. In addition to being an enjoyable film, it is also suitable for viewers of all ages, ranging from children to adults. Furthermore, films of this genre are often sought after by families seeking weekend entertainment. In addition to being captivating to watch, films in this genre typically aim to impart a moral message. The "Toy Story" is a well-known animated comedy about friendship and adventure. It effectively conveys a message of friendship, a familiar theme to viewers. The film's soundtrack, "You've Got a Friend in Me", is

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15

Ahmed, Sana Nazir, Yasmeen Khatoon, and Fatima Anwar. "Exploring Humor Through Semiotics in Animated Cartoon: A Symbolic Analysis of Commander Safeguard." Journal of Regional Studies Review 3, no. 1 (2024): 145–55. https://doi.org/10.62843/jrsr/2024.3a030.

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This research explores the semiotics of humor in the animated series Commander Safeguard, focusing on categorizing and analyzing the various forms of verbal humor embedded in their content. By examining witty one-liners, slapstick comedy, situational humor, wordplay, and satire, the study investigates how these elements contribute to the narrative's appeal. Humor is positioned as a crucial narrative tool that drives character development, advances plotlines, and engages audiences. Beyond its entertainment value, this research delves into the formal and informal messages conveyed through humor,

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16

Abraham Selvakumar, W. "Climate Advocacy in “Ice Age”: A Cinematic Journey towards Environmental Consciousness." Shanlax International Journal of English 12, S1-Feb (2024): 81–82. http://dx.doi.org/10.34293/english.v12is1-feb.7450.

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The comedy plot and lovable characters of the animated film series “Ice Age” have captured the attention of viewers all over the world. Beneath its pleasant exterior, though, is a potent story that quietly promotes environmental care and climate action. This essay investigates the thematic components of climate advocacy found in the “Ice Age” films, looking at how they encourage action and increase public awareness of urgent environmental challenges. This study examines the film’s impact on promoting a better awareness of climate change and the significance of collective action in protecting t

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17

Kiss, Ádám László. "The Stalinist Soviet Union in the Disney Animated Cartoon Tale Spin." Hungarian Journal of English and American Studies 29, no. 2 (2023): 430–54. http://dx.doi.org/10.30608/hjeas/2023/29/2/12.

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Abstract The Disney animated cartoon television series TaleSpin was released in 1990, at the end of a decade that started with an escalation of the Cold War between the United States and the Soviet Union, and ended in the abolition of nuclear weapons, which foreshadowed the eventual downfall of the USSR in 1991. This “adventure-plus comedy” American series successfully combines sources not only from within the studio (the 1967 Disney animated version of The Jungle Book), but also from adventure films outside the studio (Casablanca, Indiana Jones movies), and most interestingly, it weaves in a

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18

Maciejewska, Marta. "O wielogatunkowości filmów pełnometrażowych Jana Švankmajera." Literatura i Kultura Popularna 24 (April 18, 2019): 11–24. http://dx.doi.org/10.19195/0867-7441.24.2.

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On genre-crossing in Jan Švankmajer’s feature filmsJan Švankmajer, a Czech film director and artist is known mostly for his short animated films. In 1994, however, a change in his filmmaking career took place — he devoted himself to working only on feature films. This change of medium is connected both to the length of these films, and using language, narration and genre features typical of feature films. What is important, Švankmajer does not adjust his artistic visions to all the directives of a certain genre. Rather, the director chooses some elements of these genres, and creates new, hybri

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Sahulata, Arelle Nathania, and Dimas Satrio Wijaksono. "Representasi Peran Tokoh Abuela Sebagai Nenek Dalam Film Animasi Encanto." WACANA: Jurnal Ilmiah Ilmu Komunikasi 23, no. 1 (2024): 1–15. http://dx.doi.org/10.32509/wacana.v23i1.2666.

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Encanto is a computer-animated family film with musical, comedy, and fantasy genres. The Encanto film won an Academy Award (Oscar) for Best Animated Film in 2022. As a mass communication medium, the Encanto film represents a unique reality where women play an important societal role. In the film Encanto, Abuela, the grandmother of the Madrigal family, plays an essential role in the existence of the Madrigal family and the community of Encanto. This reality generally differs from the reality of life, where men dominate essential societal roles. This study aims to describe the role of Abuela rep

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Amrutha, Raj, and Gopika Raja Dr. "Animal Narratives in Human Perspective: An Anthropocentric Reading of Ratatouille." Criterion: An International Journal in English 16, no. 2 (2025): 640–51. https://doi.org/10.5281/zenodo.15318444.

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Homo sapiens are the ones who have advanced cognitive skills to understand and comprehend the universe in rational terms. Human beings have the intelligence and the ability to understand and adapt to complex social structures. In films and literature, human beings depict animals from a human perspective, making fauna an integral part of their existence. The film <em>Ratatouille</em>, an American animated comedy directed by Brad Bird and produced by Brad Lewis, primarily revolves around the inspirational maxim: ‘Anyone can cook.’ The rat named Remy is directly or indirectly inspired

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Islam, Md Mohiul, Hamedi Mohd Adnan, Mohd Amir Mat Omar, and Nilufa Akter. "Meaning of the Colors in the Portrayal of the Animated Characters: A Structuralist-Semiotic Content Analysis of Tom and Jerry." Jurnal Pengajian Media Malaysia 19, no. 1 (2017): 43–56. http://dx.doi.org/10.22452/jpmm.vol19no1.3.

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Tom and Jerry has been dominating the watch-lists of the cartoon lovers of all ages around the globe since its birth in 1940. It gradually has become one of the most popular cartoons of all time by winning the hearts not only of the children but also of the adult by displaying the slapstick comedy through an unending rivalry between Tom, the cat and Jerry, the mouse. The other characters like Butch (villain), Spike (dog), Toodles Galore (heroine), Nibbles (Jerry’s nephew), Topsy (alley cat), Meat Head (alley cat) have added extra flavors to the plot of different episodes. However, it is not on

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Dewi, Rizqia Lutfi Kurnia, Ahmad Muhid, and Didit Kurniadi. "PORTRAYAL OF GISELLE’S CHARACTER IN “ENCHANTED” MOVIE: A GENDER STEREOTYPE STUDY." Jurnal CULTURE (Culture, Language, and Literature Review) 9, no. 1 (2022): 82–93. http://dx.doi.org/10.53873/culture.v9i1.327.

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Enchanted (2007) is a musical romantic comedy movie produced by Walt Disney Pictures that combine animated and live action scenes. The movie has interesting characters and plot to analyze. This study examines Giselle’s character in Disney’s Enchanted movie, the connection with gender-role stereotypes, and the moral values from the story. Data were collected by using library research method and analyzed through structural approach and coded content analysis approach based on coding characteristics. Results showed that Giselle has more feminine than masculine characteristics that confirm the fem

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Setiadi, Raymond Victor, Sri Seti Indriani, and Lilis Puspitasari. "Narrative analysis of character Po’s identity crisis in Kung Fu Panda 3." ProTVF 9, no. 1 (2025): 112–30. https://doi.org/10.24198/ptvf.v9i1.54837.

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Background: Kung Fu Panda 3 is an animated film from the United States that collaborated with a Chinese company. The film tells the story of Po's journey in handling his identity crisis as the main antagonist threatens the village's peace. Addressing social issues such as identity crisis, this animated film, a combination of action and comedy genres, is considered interesting to research as the presence of identity crisis issues is relatively unnoticed among people of different ages. Purpose: This research aims to provide the process of Po's character in handling their identity crisis througho

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Botero Camacho, Manuel, and Guillermo Alonso Menchero. "A Shift in Storytelling: Over the Garden Wall as a Literary Reconstruction of Dante’s Divine Comedy." Comunicación Revista Internacional de Comunicación Audiovisual Publicidad y Literatura, no. 19º (2021): 41–54. http://dx.doi.org/10.12795/comunicacion.2021.i19.03.

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Literature remains a field that serves TV creators and critics as a model both for influence and comparison. The continuity claimed by Thomas Doherty between the most recent TV narrative form with the serialised novels of Dickens or Wharton is not limited to the form itself but to its content as well. Such is the case of the TV animated miniseries Over the Garden Wall, created by Patrick McHale in 2014, whose combination of Victorian fairy-tale imagery and aesthetics, as well as its reliance on literary allusion incarnates this paradigm. Within its narrative there can be found an array of lite

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Daneshfard, Farhang, Elham Khosravian, Zahra Alimorad, Maryam Honarparvaran, and Fatemeh Tabe Bordbar. "Watching English movies and proficiency development: Advanced learners’ perceptions and strategies." Global Journal of Foreign Language Teaching 11, no. 2 (2021): 109–23. http://dx.doi.org/10.18844/gjflt.v11i2.5660.

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Watching movies can help language learners improve their proficiency. However, important in this regard are what kinds of movies learners perceive as beneficial and how they benefit from watching movies. This study intended to discover advanced English learners’ perceptions and strategies regarding watching movies. To this aim, the researchers selected 34 advanced English learners in Iran. The participants completed a questionnaire and then the researchers interviewed them to find out their perceptions and strategies with regard to watching English movies. The findings suggested that the most

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Lamont, Bethany Rose. "Amusing Abusers and Humourless Survivors: Analysing the Role of Comedy in Media Representations of Sexual Violence." Galactica Media: Journal of Media Studies 3, no. 3 (2021): 344–73. http://dx.doi.org/10.46539/gmd.v3i3.134.

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This article reflects on the importance of comedy when considering media engagements with sexual abuse themes. This approach is informed by how closely the study of humour is rooted in the analysis of power relations, with comic theorists, both historical and contemporary, grounding the work.The comic figures of both the child sex (CS) abuser and the sexual violence survivor are first identified, before exploring what exactly about these tropes evoke laughter, and what this means for wider conceptions of interpersonal abuse and victimology. In analysing examples of CS abuser themed Briti

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Majorana, Bernadette. "Una cittŕ all'opera dei pupi. Catania nel pieno Ottocento." MEMORIA E RICERCA, no. 29 (March 2009): 63–81. http://dx.doi.org/10.3280/mer2008-029005.

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- In the overall investigation of the history of Catania, one must aknowledge the relevance of the opera dei pupi, the most typical theatrical genre in XIXth century Sicily. Thus far considered a marginal and isolated tradition, the opera dei pupi appears instead as a focal point that reorganizes multiple cultural experiences around its specificity. The shows animated by armed puppets were the favourite spectacle for the lower classes, but they attracted the intellectuals, the professional bourgeoisie and the ruling aristocracy as well. Notably in the years around Italy's unification, next to

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Li, Xinzuo. "Multimodal Adaptation, Reconstruction, and Deviation of Immortal Ones." Linguaculture 15, no. 2 (2024): 93–117. https://doi.org/10.47743/lincu-2024-2-0361.

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Since time immemorial, immortal ones, or Shenxians in Chinese, have been an integral part of the Chinese civilization, reflecting the ancient and everlasting pursuit of immortality, both physically and spiritually. In particular, the epic novel Journey to the West offers a panoramic view of their hierarchy, personality, and ways of life. For this reason, the novel has been adapted into different multimedia versions. The animated comedy Monkey King (2023), produced by Netflix, is one of the recent but less satisfactory examples, in which the images of immortals are reconstructed in a multimodal

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Ramadhani, Yessi, and Ristika Lani. "Nonverbal Communication Analysis in Animated Series Grizzy and Les Lemmings – Battle Musicale – Episode 223." Semantik: Journal of Social, Media, Communication, and Journalism 1, no. 1 (2023): 1. http://dx.doi.org/10.31958/semantik.v1i1.8635.

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Grizzy and Les Lemmings animated film is a French computer- animated television series produced by Studio Days with France Televisions and Boomerang. The animation is a silent comedy animation that focuses on a grizzly bear, named Grizzy who is a brown bear living in a tree house. Grizzy always has to deal with a herd of lemmings that always annoy him. Lemmings are a type of mouse that digs holes. They mainly live in the eastern hemisphere. In winter, it is white as snow, and in warm season, it becomes gray and brown. Grizzy and Les Lemmings Battle Musicale episode 223 animation in this episod

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Chavez, William S. "Guns, Thorns, and Zeal: Popular Depictions of a Kombative Christ." Religions 15, no. 11 (2024): 1368. http://dx.doi.org/10.3390/rel15111368.

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What are the political, gender, and theological implications at stake when associating Jesus with modern combat and righteous violence? Jesus is rendered in combative form across media—i.e., live-action films and shorts, animated television, sketch comedy, graphic novels, and video games. This rendition occurs at a confluence of meaning, most immediately for the sake of generating comedy through juxtaposition (in this case, rendering the meek with a sword) and/or reaffirming Jesus’ prominent cultural value through an association with other popularly mediatized entities. Beyond these initial la

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Suntai, Dauda Ishaya, and Simon Targema Tordue. "Madagascar Escape to Africa and Parents’ Career Expectations for Children." Journal of African Theatre, Film and Media Discourse 1, no. 1 (2020): 73–85. http://dx.doi.org/10.33886/kujat.v1i1.127.

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This essay is a thematic review of a computer animated comedy filmMadagascar Escape 2 Africa. It highlights the rich thematic embodiment of the film. Entertainment-Education has been adopted as a theoretical framework for analysis, owing to the fact that it emphasizes infusion of educational oriented content into the production of entertainment programmes/media content to achieve attitudinal change in society. Five themes have been identified from the film and discussed, namely: the usefulness/relevance of every talent/skill, the power of unity/friendship, innovation, adventure and love. The c

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Gibson, Andy, and Allan Bell. "Performing Pasifika English in New Zealand." English World-Wide 31, no. 3 (2010): 231–51. http://dx.doi.org/10.1075/eww.31.3.01gib.

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bro’Town is a popular animated comedy whose language is that of stylized performance. It deals with the adventures of a group of five teenage Pasifika boys growing up in Auckland, New Zealand, and showcases performances of the Englishes spoken by Polynesian immigrants and their descendants. A range of varieties are performed on the show by a handful of actors. We analyzed several linguistic variables in the speech of three of the main characters — the 14-year-old twins Vale and Valea, and their father Pepelo. Pepelo produces high levels of the vernacular features of DH-stopping and TH-fronting

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John, Gladys Mbithe, Larry Ndivo, and Charles Kebaya. "The Interplay Between Art, Aesthetics and Politics in The Xyz Show." East African Journal of Arts and Social Sciences 7, no. 1 (2024): 420–31. http://dx.doi.org/10.37284/eajass.7.1.2069.

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Artivism, a neologism of art and activism, has attracted the interest of scholars who have studied artivism in various popular art productions. The XYZ Show, the first animated Kenyan puppet comedy, has received fair attention; however, the nature of artivism in the show has not been consistently addressed. This study therefore interrogated The XYZ Show to determine how as a popular art production it engages art to ridicule various omissions and commissions of political leaders in Kenya. The interpretation is guided by Grace Musila’s model of reading popular art: Politics/Power/Agency, to corr

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34

Orlova, Vasilissa Vladislavovna. "The transformation of female images in the dramaturgy of the 20th century by the example of A. Simukov's plays." Philology. Issues of Theory and Practice 17, no. 7 (2024): 2202–9. http://dx.doi.org/10.30853/phil20240310.

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The purpose of the study is to show how the female image has changed in the drama of the 20th century on the example of the work of the Soviet playwright, screenwriter of animated films and motion pictures, teacher of the Gorky Literary Institute and literary teacher A. Vampilov A. Simukov, whose years of creativity span more than half a century. In the article, through a system of end-to-end and archetypal images, a historical and literary excursion is conducted, revealing the prerequisites for creating the image of a new woman in the post-revolutionary period and its subsequent development.

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Bankes, Edward Thomas. "Why Being Right Doesn’t Make You Good: The Representation of Science and Religion in South Park." Journal of Religion and Popular Culture 36, no. 2 (2024): 67–85. http://dx.doi.org/10.3138/jrpc-2021-0034.

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Recent scholarship, particularly within the sphere of science communication, has sought to provide an empirical map of the relationship between science and religion, often seeking to explain the persistence of religious belief and practice within a technoscientific world. The framing of science and religion in this context often presumes that the social relevance of both science and religion lies primarily in the epistemic claims both make about the natural world and can be captured through explicit discussion of the relationship between the two. This article argues that other meanings of scie

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Hendrianto, Gayus. "Penciptaan Animasi “Upload” Dengan Teknik Animasi Digital 2D." Journal of Animation & Games Studies 3, no. 2 (2018): 185. http://dx.doi.org/10.24821/jags.v3i2.1858.

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Animasi memiliki kesan kepada penonton bahwa animasi itu menghibur, unik, lucu, dan cenderung diperuntukkan untuk anak-anak. Pada perkembangannnya animasi kini tidak hanya dibuat untuk anak-anak saja, namun animasi juga dibuat untuk konsumsi kalangan remaja, dewasa dan semua umur.Karya Animasi “Upload” ini merupakan sebuah karya reflektif tentang kehidupan generasi muda masa kini yang mengalami ketergantungan dengan Internet. Dengan sentuhan komedi, paparan visual yang menarik kiranya dapat menghibur dan berkesan pada penonton.Udin adalah karakter utama dalam karya animasi ini. Udin adalah seo

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Lynchak, Inna. "AUTHENTIC VIDEO IN TEACHING UKRAINIAN AS A FOREIGN LANGUAGE." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 18 (May 30, 2024): 34–43. http://dx.doi.org/10.30970/ufl.2024.18.4391.

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In the article, the author analyses the scientific achievements of Ukrainian linguodidactics in the field of theoretical and practical comprehension of working with authentic audiovisual materials as an additional teaching source in the study of foreign language. Numerous publications by Ukrainian scholars on this topic (from the early 2000s to the present day) are divided into 3 groups. The first group of articles focuses on the general issues of using the audiovisual method in the process of developing foreign language communicative competence. The second group of studies includes articles r

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Galván Torres, Adriana Rosalina. "Comedia psitacitrágica en México." Sincronía 28, no. 86 (2024): 356–71. http://dx.doi.org/10.32870/sincronia.axxviii.n86.19.24b.

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La compra y venta legal e ilegal de animales silvestres es una de las formas más salvajes de comercio a nivel nacional e internacional. Mientras las actividades ilícitas han reducido el número de ejemplares a cifras mínimas o han llevado a especies enteras a la extinción, el comercio legal ha sido exhibido en múltiples ocasiones por su falta de respeto a los seres vivos con los que lucra. A pesar de esto, la compraventa de todo tipo de animales silvestres ha resultado en la opción más redituable para una porción de la población. Este trabajo se enfoca en la situación de los psitácidos, palabra

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Arciello, Daniele. "La sabiduría de la raposa y su actitud frente a los poderosos: la fábula del 'León y la leona' en varias obras teatrales del Siglo de Oro." Lectura y Signo, no. 10 (December 29, 2015): 185. http://dx.doi.org/10.18002/lys.v0i10.2658.

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<div class="WordSection1"><p><strong>RESUMEN</strong></p><p>Este estudio se va a centrar principalmente en cómo algunas comedias del Siglo de Oro han asimilado una fábula bastante conocida en aquella época. Me refiero a «El león y la leona», también conocida como «El zorro rechaza hacer de árbitro» según la recopilación llevada a cabo por Maxime Chevalier. Puesto que el género teatral se caracteriza por su complejidad, no es fácil detectar todos los elementos relacionados con dicha fábula en las producciones teatrales en cuestión. Sin embargo, la labor reali

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Basli, Muhammad Yassaar, and Zainal Abidin Achmad. "Studi Etnografi Virtual Kritik Sosial dalam Konten Kanal Youtube Tekotok terkait Kenaikan Harga Bahan Bakar Minyak di Indonesia." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 1 (2023): 466–78. http://dx.doi.org/10.47467/dawatuna.v4i1.5216.

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This research is entitled "Virtual Ethnographic Study of Social Criticism in the Content of the Tekotok Youtube Channel Regarding the Rise in Indonesian Fuel Prices", which was conducted using qualitative research methods, and the data collected is primary data. The research method used is the virtual ethnographic method used to explore and analyze the virtual culture of social media users with a critical perspective. The results of the study found that the delivery of social criticism through YouTube animated content about rising fuel prices was carried out by using animation as a character t

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Hernández González, Erasmo. "La naturaleza en "El palacio confuso" de Mira de Amescua." Rilce. Revista de Filología Hispánica 7, no. 2 (2018): 249–58. http://dx.doi.org/10.15581/008.7.27122.

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Se destacan los elementos de la naturaleza, muy abundantes a lo largo de toda la comedia. A las páginas iniciales, que tratan especialmente de los animales y su simbolismo, siguen otras donde se pone de relieve la presencia de una naturaleza inanimada, donde están presentes los cuatro elementos; así, en esta obra de Mira de Amescua —y no de Lope, como alguna vez se ha defendido—, se producen continuas referencias al mar, al viento, a los montes, a los astros.

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Platt, Kevin M. F. "Over Hill and Dale in Pursuit of the Russian Fox." Russian History 47, no. 4 (2021): 265–72. http://dx.doi.org/10.30965/18763316-12340010.

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Abstract Jeffrey Brooks’ book The Firebird and the Fox presents a synthetic account of Russian cultural history from the middle of the nineteenth century to the middle of the twentieth. Brooks describes culture as an “ecosystem,” persistent across seeming moments of historical rupture such as the revolutions of 1917, animated by certain overarching thematic concerns, and uniting readers and writers across a broad spectrum of levels of social life, from the newly literate popular masses to the educated elites, and forms of media, from prestigious belles lettres to popular illustrated weeklies,

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Prayogo, Koko Is, and Ranang Agung Sugihartono. "DIRECTING ANIMATION DALAM FILM SERI SERIBU SATU CANDI." Capture : Jurnal Seni Media Rekam 8, no. 1 (2017): 34–47. http://dx.doi.org/10.33153/capture.v8i1.1899.

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The making of the work of this final project animation departs from the assumption thatÂ the development of Indonesian films is much about the search for identity or an identity,Â and the struggle of nationalism. However, there are still less of them involving folkloreÂ that developed in Indonesian society.By using creative formula of Kentaro Kimura style,Â the making of this film tries to lift the folklore in Indonesia and try to pack it interestingly.Â At the stage of idea creation,we do a research of the narrative element of a folklore andÂ reconstructed to explore possibilities in making i

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Momcilovic, Drago. "Monsters on MTV: Adaptation and the Gothic Music Video." Humanities 12, no. 4 (2023): 71. http://dx.doi.org/10.3390/h12040071.

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Music videos of the MTV era often use gothic visual signifiers as decorative elements or creative expressions of the musician’s star persona or latest record. But several video clips from the early 1980s adapt the figure of gothic monstrosity, and in particular, the images and stories of the undead or beastly Other, in ways that dramatize the music video’s evolving aesthetic, commercial, and technological character and its unpredictable relation to Gothic. In this article, I look closely at the narrative elements of two important configurations of gothic-themed video clips: “Don’t Go” (1982) b

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Shabrina Cahya Amalina and Indra Tri Astuti. "Pengaruh Video Animasi Terhadap Pengetahuan Tentang ISPA pada Anak Sekolah Dasar Negeri Bangetayu Wetan 02." Vitamin : Jurnal ilmu Kesehatan Umum 3, no. 2 (2025): 36–45. https://doi.org/10.61132/vitamin.v3i2.1198.

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Whe.n it come.s to kids, ARI can stop the.m from le.arning ne.w things, and to le.arn ne.w things, you ne.e.d e.ffe.ctive. ways to le.arn. The. goal of this study is to find out how animate.d vide.o me.dia affe.ct what e.le.me.ntary school kids in Se.marang know about the. IRA. The. re.se.arch me.thod use.d was quantitative., with a quasi-e.xpe.rime.ntal de.sign and a control group that wasn't the. same.. All of the. stude.nts at SDN Bange.tayu We.tan 02 are. part of the. study's population. Te.e.nage.rs de. 10 años a 12 años forman parte. de. la inve.stigación. E.l núme.ro de. e.studiante.s e

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Castañeda Chirre, Elvira Teófila, Ronald Eimer Alcántara Paredes, Verónica Felicita Bernal Valladares, et al. "Propuesta y manejo de los residuos del comedor universitario para el aprovechamiento sostenible en Perú." Horizontes. Revista de Investigación en Ciencias de la Educación 7, no. 27 (2023): 444–53. http://dx.doi.org/10.33996/revistahorizontes.v7i27.528.

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El objetivo de este estudio fue proponer alternativas para darle valor agregado a residuos generados del comedor universitario. Bajo el método descriptivo con enfoque correlacional, pues se tomaron muestra 100 comensales y empleó cuestionarios con dimensiones sobre propuesta de residuos del comedor y aprovechamiento en la Universidad Nacional José Faustino Sánchez Carrión. Los resultados determinaron que el comedor genera residuos con 670.89 kg/día (77.26 %), en cuantificación de residuos destaca diciembre con 16054.34 kg/mes (80.23 %), propone uso de residuos orgánicos con 52 % para animales,

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Susanto, S. D., L. P. Laksminy, and N. L. P. Krisnawati. "The Slang Words from the Turning Red Movie Script." Langua: Journal of Linguistics, Literature, and Language Education 6, no. 2 (2023): 89–93. https://doi.org/10.5281/zenodo.8135704.

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This study examines the types and functions of slang words in the movie script of "Turning Red," a comedic and fantastical animated film released in 2022. Slang, as an informal and dynamic form of language, plays a significant role in contemporary socialization and communication among young people. The research draws on sociolinguistic perspectives to explore the different categories and functions of slang words in the movie script. The analysis was conducted based on the theories proposed by Allan & Burridge (2006). The findings of the analysis reveal various types of slang word

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Summerley, Rory. "Fictional games as parody." Eludamos: Journal for Computer Game Culture 16, no. 1 (2025): 81–97. https://doi.org/10.7557/23.7907.

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This paper conducts a textual analysis of the animated comedic web miniseries Box Peek, analysing it as a general parody of transmedial gaming franchises, particularly the Pokémon TV series. The show features the fictional game of Box Peek, which is used as a device to not only provide drama and motivation for the show’s characters, but also to parody the games and associated conceits that are central to these franchises, often for the sake of humour. This discussion makes use of theories of fiction and parody, cultural analyses of Pokémon and children’s media, as well as Box Peek’s creator’s

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Xouplidis, Panagiotis. "La máscara felina en "La Gatomaquia"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 33 (January 18, 2020): 99–110. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2020333711.

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El artículo ofrece una aproximación comparativa entre el poema épico burlesco La Gatomaquiade Lope de Vega y la adaptación de esta obra maestra al género dramático porPedro Víllora y José Padilla para la homónima representación teatral de la compañía La Ensemble, dirigida por Goyo Pastor,en el Círculo de Bellas Artes de Madrid en 2009.La poesía épica burlesca emerge con la Batracomiomaquia, poema griego clásico pseudohomérico quenace a su vez del núcleo de la fábula esópica. El concepto de la zoomaquia, batalla entre animales antropomorfos, introduce una alegoría en verso que imita a la épica

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Kodera, Sergius. "Bestiality and Gluttony in Theory and Practice in the Comedies of Giovan Battista Della Porta." Renaissance and Reformation 38, no. 4 (2016): 89–120. http://dx.doi.org/10.33137/rr.v38i4.26375.

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Giovan Battista Della Porta (1535–1615), Neapolitan nobleman, scholar/scientist, and writer famed for books on natural magic and physiognomy, expressed quite explicit views on bestiality—that is, on human beings having sex with animals. Della Porta populated his plays with characters who allude to their desire both to have sex with animals and to assume animal shapes in order to satisfy their yearnings; the gulone (the glutton), an archetypal character that was a cultural relic from Roman comedy, is a case in point. According to Della Porta, eating habits are indicative of other habits that ca

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