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Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Animated discourse.

Книги з теми "Animated discourse"

Автор: Grafiati

Опубліковано: 28 травня 2022

Оновлено: 31 липня 2025

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1

Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat

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2

Gerolemou, Maria, Isabel Ruffell, and Tatiana Bur, eds. Technological Animation in Classical Antiquity. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192857552.001.0001.

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Abstract The desire to animate inanimate objects has been a recurring theme in European culture dating back to Greco-Roman times. This volume aims to establish, for the first time, the significance of this aspiration and its practical realization within Greek and Roman societies. While certain aspects have been explored previously, such as the role of automata in myth or their use in philosophical thought experiments, this study places technological animation as a phenomenon front and centre by examining technological devices across various media and their roles in diverse contexts. The study

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3

Hadfield, Andrew. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789468.003.0001.

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There were few subjects that animated people in early modern Europe more than lying. The subject is endlessly represented and discussed in literature; treatises on rhetoric and courtiership; theology, philosophy, and jurisprudence; travel writing; pamphlets and news books; science and empirical observation; popular culture, especially books about strange, unexplained phenomena; and, of course, legal discourse. For many, lying could be controlled and limited even if not eradicated; for others, lying was a necessary element of a casuistical tradition, liars balancing complicated issues and short

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4

Rohman, Carrie. Strange Prosthetics: Rachel Rosenthal’s Rats and Rings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.003.0005.

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Rosenthal’s book, Tatti Wattles: A Love Story, reveals her aesthetic practice itself to be animated by the discourse of species. The drawings in this text, especially, suggest that Rosenthal’s self-identification as an artist is mediated by animality. The images also efface the human yet “en-face” the rat, de-emphasizing human power and privilege. These images are also marked by Rosenthal’s “auto-graphy” as a mover or dancer, by an alimentary tropology highlighting the body, by the concept of mediation, and by the taming of human exceptionalism. The argument follows that all of these elements

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5

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different exam

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6

Strychacz, Thomas. Popular Culture and Political Economic Thought. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978721678.

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We live in an era of economic fabling where often fantastic representations of economic life in popular culture sit uncomfortably alongside a neoliberal capitalist fairy tale that the Earth's resources can continue to be exploited into an indefinite future. Popular Culture and Political Economic Thought: Fables of Commonwealth examines a variety of animated movies, TV shows, written fictions, adventure travelogues, and Paleo archeologies (and diets) to suggest that popular culture poses a multiform challenge to the failing theories and practices of neoclassical economics. This book contends th

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7

Rogers, Holly, and Jeremy Barham, eds. The Music and Sound of Experimental Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.001.0001.

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This book explores music- and sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisua

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8

Secunda, Shai. The Talmud's Red Fence. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856825.001.0001.

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Rituals governing menstruation were an important aspect of Babylonian Jewish life, and they took shape within the context of Sasanian Mesopotamia, where neighboring religious communities were similarly animated by menstruation and its assumed impurity. The Talmud’s Red Fence: Menstruation and Difference in Babylonian Judaism and its Sasanian Context examines how the Talmudic rules of menstruation functioned within the dynamic space of Sasanian Mesopotamia. It argues that difference and differentiation between pure and impure, women and men, gentile and Jew, and the Babylonian and Palestinian T

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9

Sarit, Kattan Gribetz. Time and Difference in Rabbinic Judaism. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691192857.001.0001.

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The rabbinic corpus begins with a question — “when?” — and is brimming with discussions about time and the relationship between people, God, and the hour. This book explores the rhythms of time that animated the rabbinic world of late antiquity, revealing how rabbis conceptualized time as a way of constructing difference between themselves and imperial Rome, Jews and Christians, men and women, and human and divine. Each chapter explores a unique aspect of rabbinic discourse on time. The book shows how the ancient rabbinic texts artfully subvert Roman imperialism by offering “rabbinic time” as

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10

Lodru and Venerable Larma Lodo. Quintessence of the Animate and Inanimate: A Discourse on the Holy Dharma. Kdk Pubns, 1985.

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11

The quintessence of the animate and inanimate: A discourse on the Holy Dharma. KDK Publications, 1985.

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12

Stavrakakis, Yannis. Populism and Hegemony. Edited by Cristóbal Rovira Kaltwasser, Paul Taggart, Paulina Ochoa Espejo, and Pierre Ostiguy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198803560.013.26.

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How can theories of hegemony advance our understanding of populism? Against the background of Gramsci’s work, this chapter draws on Laclau, Mouffe, and other theoretical resources in order to illuminate what shapes and animates populist discourse, what overdetermines its hegemonic potential. We focus on populist articulatory practices as political interventions operating within a broader socio-symbolic as well as psycho-social terrain that both facilitates their formation and—at the same time—limits their scope. The chapter highlights thus the need to take into account the broader terrain of p

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13

Ramalho, Felipe de Castro. A representação do diverso no cinema de animação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-217-9.

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This book is the result of a doctoral research that sought to analyze the characters of the industrial animation cinema that present characterizations, mannerism, behavior and sexual stereotypes, which create an unknown idea about their sexualities. Animated films, often considered an exclusive product for children, do not directly address sexualities that differ from heteronormativity. For this reason, we call “diverse” those possible characters that are different from the norms of standard heterosexuality, in order to map, analyze, quantify and qualify the purpose of these representations. I

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14

Miller, Giulia. Studying Waltz with Bashir. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325154.001.0001.

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On its release in 2008, Ari Folman's animated documentary Waltz with Bashir was heralded as a brilliant and original exploration of trauma, and trauma's impact on memory and the recording of history. But it is surprising that although the film is seen through the eyes of one particular soldier, a viewpoint portrayed using highly experimental forms of animation, this has not prevented Waltz with Bashir from being regarded as both an “autobiographical” and “honest” account of the director's own experiences in the 1982 Lebanon War. In fact, the film won several documentary awards, and even those

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15

Bingham, Adam. Autumn Afternoons. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190254971.003.0011.

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This chapter explores the intertextual place and presence of Ozu Yasujiro in the 2004 comedy drama Dogs and Cats by the first-time female director Iguchi Nami. It considers how Ozu as well as the genre, the shomingeki (middle-class home drama) has frequently figured as a marker or signpost of a particular era of cinema, a sociopolitical juncture and/or an attitude to gender in Japan. Taking this intertextuality as a point of departure, the chapter explores how such a presence animates meaning in Iguchi’s film; it analyzes style and structure as a means of elucidating how this young filmmaker d

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16

Herring, Ronald J. How is Food Political? Market, State, and Knowledge. Edited by Ronald J. Herring. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195397772.013.35.

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A political economy of food is, somewhat ironically, especially dependent on politics of ideas. Food as commodity certainly exhibits familiar forces of contention in political economy—the relative weights of interests contesting boundaries between state and market—but generates a distinctive politics for interrelated reasons. First, the urgency of food provisioning reflects biological necessity, not mere preference. Consequently, production and distribution animate a politics of security, rights, and social justice, and thereby special potential for collective action and contentious politics.

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17

Mendelman, Lisa. Modern Sentimentalism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849872.001.0001.

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Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompat

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18

Shumate, Rich. Barry Goldwater, Distrust in Media, and Conservative Identity. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666985573.

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The perception that the news media in the United States have a liberal bias is a phenomenon that animates conservatives and affects the ways in which they consider both media content and political discourse. Despite professional standards that have been put in place to prevent deliberate bias, conservatives would argue that the news media tilt deliberately to the left. Barry Goldwater, Distrust in Media, and Conservative Identity: The Perception of Liberal Bias in the News explores the origins of this perception of a liberal bias—while managing to avoid the highly subjective quagmire of attemp

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19

Frederiksen, Martin Demant, and Ida Harboe Knudsen, eds. Modern Folk Devils: Contemporary Constructions of Evil. Helsinki University Press, 2021. http://dx.doi.org/10.33134/hup-13.

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The devilish has long been integral to myths, legends, and folklore, firmly located in the relationships between good and evil, and selves and others. But how are ideas of evil constructed in current times and framed by contemporary social discourses? Modern Folk Devils builds on and works with Stanley Cohen’s theory on folk devils and moral panics to discuss the constructions of evil. The authors present an array of case-studies that illustrate how the notion of folk devils nowadays comes into play and animates ideas of otherness and evil throughout the world.Examining current fears and perce

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20

Hall, Dewey W., and Jillmarie Murphy, eds. Gendered Ecologies. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979046.001.0001.

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Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconne

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21

Lal, Vinay, ed. India and Civilizational Futures. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199499069.001.0001.

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India and Civilizational Futures is the second volume to emerge from the deliberations of the Backwaters Collective on Metaphysics and Politics, a group comprised largely of Indian scholars, writers, and intellectuals that was formed in late 2010 with the intent of considering how the intellectual and cultural resources of Indic civilization, and more broadly the Global South, might be deployed to introduce incommensurability and greater plurality into the world of modern knowledge systems. The members and friends of the Collective are animated by various passions: though some are interested i

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22

Corran, Emily. Lying and Perjury in Medieval Practical Thought. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828884.001.0001.

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Thought about lying and perjury became increasingly practical from the end of the twelfth century in Western Europe. At this time, a distinctive way of thinking about deception and false oaths appeared, which dealt with moral dilemmas and the application of moral rules in exceptional cases. It first emerged in the schools of Paris and Bologna, most notably in the Summa de Sacramentis et Animae Consiliis of Peter the Chanter. The tradition continued in pastoral writings of the thirteenth century, the practical moral questions addressed by theologians in universities in the second half of the th

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