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Статті в журналах з теми "Animated discourse"

Автор: Grafiati

Опубліковано: 28 травня 2022

Оновлено: 31 липня 2025

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1

Tsapro, G. Yu, and A. I. Sliepushova. "FAMILY DISCOURSE IN ANIMATED SERIES." Тrаnscarpathian Philological Studies 2, no. 25 (2022): 71–75. http://dx.doi.org/10.32782/tps2663-4880/2022.25.2.13.

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2

SEVİNDİ, Koray. "IDEOLOGICAL DISCOURSE ANALYSIS IN SOVIET ANIMATION CINEMA." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 594–605. http://dx.doi.org/10.7456/11102100/017.

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In this study, the Soviet animation cinema's ideological discourses, which showed the consequences and reflections of the political ideology of the era, were examined. In line with the findings, it was considered that these animated films constitute a kind of cultural memory that exhibits the political history and social culture of the Soviets. The article's ideological discourse analysis method was applied by considering Teun A. van Dijk's study titled Ideological Discourse Analysis. As part of this research, because ideological discourses were analyzed, only short films with propaganda conte

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3

Ivchenko, Natalia. "Comic Function in the Animated Ecodiscourse (Case Study of “Zootopia”)." Theory and Practice in Language Studies 11, no. 9 (2021): 1080–86. http://dx.doi.org/10.17507/tpls.1109.14.

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This study focuses on the role of comic functions in exposing and challenging hidden ideologies, intentions, potential significance and other phenomena behind the animated ecological discourse of the film "Zootopia". The paper consistently considers two views on the ecology of animated discourse and comic functions that are used to uncover violation and establish an eco-friendly relation by means of language forms. The material of the English-language animated discourse of the film "Zootopia" examines cooperation of verbal and nonverbal modes, exposes problems and encourages solving them as we

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4

Banou, Sophia. "Animated Gazes." Drawing On: Journal of Architectural Research by Design 1 (September 24, 2015): 33–48. https://doi.org/10.2218/jrt3g902.

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This project critically addresses modes of graphic representations of the city prevalent in architectural discourse, while seeking new ways to make visible the complex weave of movements that form the contemporary urban condition. The architectural conventions employed in transitioning from situated experience to drawing favour the static, while omitting certain fundamental aspects of that situated experience. Through these gaps the inability of normative modes of representation to communicate the kinetic is made clear. Using Edinburgh, birthplace of the kaleidoscope (Brewster) and the panoram

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5

Gorcevic, Admir R., Samina N. Dazdarevic, and Amela Lukač Zoranić. "DYSPHEMISMS IN ANIMATED FILMS." Folia linguistica et litteraria XII, no. 35 (2021): 175–94. http://dx.doi.org/10.31902/fll.35.2021.9.

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Current research focuses on an observational investigation of dysphemistic words and phrases in contemporary animated films. The language of animated films varies from other genres and styles, and this divergence from conventional language presents an important sociolinguistic problem. The main reason for the study is an assumption that authors and script writers of animated films use dysphemisms in this specific language style, despite the fact that they should be avoided. The study's methodological foundation is a corpus analysis which deals with three different corpora: the primary corpus –

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6

Kirpicheva, Olga V. "PRECEDENT NAMES OF THE WALT DISNEY ANIMATED DISCOURSE CHARACTERS." Bulletin of the Moscow State Regional University (Linguistics), no. 6 (2020): 17–26. http://dx.doi.org/10.18384/2310-712x-2020-6-17-26.

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7

Tritthart, Martina. "Animated Urban Surfaces: Spatial Augmented Reality in public discourse." International Journal of Film and Media Arts 6, no. 2 (2021): 75–94. http://dx.doi.org/10.24140/ijfma.v6.n2.05.

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Today´s projection art on public surfaces developed from the mutual approximation of painting, architecture, and lighting during centuries. The terms “Spatial Augmented Reality” (SAR) and “projection mapping” describe mostly temporary large screen projections on urban surfaces. The façade architecture becomes the screen for the content, mostly projected 2D and 3D animations. In essence, many of these artworks generate illusionistic clips deriving from the existing façade structure, allowing reality and fiction to merge audio visually. Artists, architects, curators, and institutions are increas

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8

Mizan-Rahman, Mohammad. "“Unless someone like you cares a whole awful lot, nothing is going to get better”: an environmental discourse analysis of animated films The Lorax (2012) and Tomorrow (2019)." Geoscience Communication 7, no. 1 (2024): 63–79. http://dx.doi.org/10.5194/gc-7-63-2024.

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Abstract. Fostering understanding and support for environmental and climate issues requires a foundational understanding of how environmental discourse interacts with the public. Animated films exist as a medium in which environmental messaging is distributed to the public with the goal of inducing behavioral change in an audience. The goal of this paper is to link the messaging of such films with audience feedback. This will be accomplished by analyzing the impact of two environmentally focused animated films, The Lorax and Tomorrow, produced in Hollywood (United States) and Dhallywood (Bangl

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9

Zhao, Han, and Jasni Dolah. "Implicit Factors Affecting the Marketing of Chinese Animated Films: Perspectives from Industry Specialists." PaperASIA 41, no. 2b (2025): 1–13. https://doi.org/10.59953/paperasia.v41i2b.412.

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This study aims to examine and identify the implicit factors influencing the marketing of Chinese animated films and to investigate their impact. This study employed semi-structured interviews to select 18 experienced professionals from the Chinese animated film industry for the research objective. Eight themes emerged from the data analysis, which integrated inductive thematic analysis and grounded theory: Audience Antagonism, Online Nationalism, Nationalistic self-aggrandizement, National Economic Decline, Narrative Strategy, Cultural Identity, Cultural Censorship, and Official Discourse Gui

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10

Sliepushova, Anhelina. "Father-child discourse in Family Guy: a corpus-based analysis." Synopsis: Text Context Media 26, no. 2 (2020): 61–65. http://dx.doi.org/10.28925/2311-259x.2020.2.6.

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The article aims at analysis of gender and family stereotypes in father-child communication in an animated series Family Guy, featuring a typical American family. The study focuses on Peter Griffin's discourse, the father of the family, containing his communication with two of his teenage children, a son and a daughter, unveiling gender peculiarities in father-son and father-daughter discourses. The attempt is made to disclose how gender and family roles are verbalized in communication between family members. The conversation, discourse and corpus-based analyses have been used to analyze the m

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11

Fore, Steve. "Reenacting Ryan: The Fantasmatic and the Animated Documentary." Animation 6, no. 3 (2011): 277–92. http://dx.doi.org/10.1177/1746847711416561.

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In this article, the author discusses the animated documentary in relation to the use of staged reenactments in works that are generally understood as documentaries. His conceptual foundation draws especially on recent work by Bill Nichols on documentary reenactments, which he argues have specific ‘fantasmatic’ and reflexive qualities. These qualities clearly dovetail with key attributes of animation, with the animated documentary standing as a significant and interestingly hybrid creative form. Key ideas are applied to a case study of Chris Landreth’s Ryan (2004), in which Landreth deploys fa

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12

Gong, Zu. "Oriental Punk Aesthetics and Youth Discourse Construction in Chinese Animated Films: Taking the New Gods Series of Animated Films as an Example." Lecture Notes in Education Psychology and Public Media 37, no. 1 (2024): 116–20. http://dx.doi.org/10.54254/2753-7048/37/20240520.

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Although punk culture was introduced into China from the West, with the rapid development of Chinese science and technology and the enhancement of the consciousness of national discourse construction, Chinese punk culture has shown a breakthrough trend. Meanwhile, as a significant representation of youth subculture, punk culture always pays attention to youth culture's reality to convey young people's spiritual needs. With the development of the Internet, the attitude of youth has gradually changed from complete rebellion to looking out from the edge to the center, showing the tension of resis

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13

Giriyani, Perni, and Efransyah Efransyah. "FLOUTING MAXIMS ON THE DIALOGUE OF CHARACTERS IN UP! ANIMATED MOVIE." PROJECT (Professional Journal of English Education) 3, no. 4 (2020): 512. http://dx.doi.org/10.22460/project.v3i4.p512-517.

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This research is about flouting maxims on the dialogue of characters in UP! Animated movie. Hence, it is aimed to know flouting maxim on UP! animated movie. This research is used qualitative research. The data of this study was taken on flouting maxims on the discourse of figure in UP! animated movie from he main characters namely old name Carl Fredrickson and Russel. There are several steps in collecting the data namely, finding a script UP! of the animated movie, next is analyzing the script with the UP! movie and the last is to list the utterances of the main personality of UP! animated mov

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14

Sliepushova, A. I. "DEFEATED FATHERHOOD EXPECTATIONS: THE SHIFT IN AMERICAN ANIMATED SERIES DISCOURSE." Тrаnscarpathian Philological Studies 2, no. 23 (2022): 131–33. http://dx.doi.org/10.32782/tps2663-4880/2022.23.2.25.

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15

SHOVAK, Oksana, Natalia PETIY, and Tetiana YUDYTSKA. "TRANSLATING CULTURE-SPECIFIC ITEMS IN ENGLISH SONGS OF ANIMATED DISCOURSE." Humanities science current issues 3, no. 83 (2025): 224–31. https://doi.org/10.24919/2308-4863/83-3-33.

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16

Krakowiak, Anna. "Inspirations, techniques and institutionality. Animation in Józef Robakowski’s experimental oeuvre." Studia Filmoznawcze 45 (July 16, 2024): 145–58. http://dx.doi.org/10.19195/0860-116x.45.7.

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Józef Robakowski’s cinematic oeuvre functions mainly as an experimental form of audiovisual art exhibited in gallery spaces. In his avant-garde activities this intermedia artist, associated with the Film Form Workshop, often used techniques of animated film, as is evidenced by the author’s textual analysis of the films: Market (1970), Test 1 (1971), Test II (1971), Dynamic Rectangle (1971), 22x (1971), Impulsator (2000), Impulsator VI (2001), Attention Light! (2004). The analysis focuses on the techniques used by Robakowski as well as his potential or explicit inspirations. Creating experimen

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17

Fayzullayeva, Nigina. "Using animation discourse on the cartoon Kung Fu Panda." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 9 (2024): 18–25. https://doi.org/10.5281/zenodo.13819423.

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Animation discourse, with its unique conventions and techniques, is a clear example of how a medium can develop its own distinctive form of communication. One of the most prominent examples of this evolution is <em>Kung Fu Panda</em>, a 2008 animated film produced by DreamWorks Animation.

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18

Yudhanto, Sigied Himawan. "Multimodal Discourse Analysis of Studio Ghibli Movie Posters." Journal of Visual Art and Design 16, no. 2 (2025): 229–47. https://doi.org/10.5614/j.vad.2024.16.2.6.

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Ghibli Studio's animated film posters are visually beautiful, with a unique, alluring art style that reflects the story's essence. The images of the posters are eye-catching and portray nuances and emotions that have become very iconic in the world of animation. This research method used Fairclough's critical discourse analysis model and Kress and van Leeuwen's visual grammar in the context of visual semiotics to find the meaning behind the posters of Studio Ghibli animated films. The research method used was multimodal discourse analysis combined with a descriptive qualitative approach and qu

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19

MUSHTAQ, HAMMAD, and TASKEEN ZEHRA. "Teaching English Grammar through Animated Movies." NUST Journal of Social Sciences and Humanities 2, no. 1 (2021): 77–87. http://dx.doi.org/10.51732/njssh.v2i1.11.

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This study seeks to examine how various components of English grammar can be taught through animated movies. The study demonstrates the use of gerunds in a sentence or a discourse through an animated feature film Tangled. The data for this research was taken from the students of grade eight. The students were shown various video clips, comprising dialogues and songs, from the movie and asked to identify the use of gerunds. Later, the students were given various worksheets containing tasks, based on the use of gerunds in a sentence. The students remained very responsive during the whole lesson

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20

Rahayu, Mundi, Irwan Abdullah, and Wening Udasmoro. "PERGESERAN NILAI-NILAI ISLAM DALAM CERITA ALADDIN: PERBANDINGAN “ARABIAN NIGHTS” DAN FILM ANIMASI DISNEY." El-HARAKAH (TERAKREDITASI) 17, no. 1 (2015): 52. http://dx.doi.org/10.18860/el.v17i1.3085.

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<p class="Abstrak"><em>This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin” (1992). </em><em>The story of Disney’s animated film “</em><em>Aladdin</em><em>” is based on the </em><em>“The Story of Aladdin and the Wonderful Lamp.” </em><em> The comparison of the two is focused on the aspect of Islamic values, its shifts and changes in the animated film </em><em>Aladdin. The

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21

Fayzullayeva, Nigina Sur'at qizi. "The consept of animation discourse in Kung fu Panda cartoon." МЕДИЦИНА, ПЕДАГОГИКА И ТЕХНОЛОГИЯ: ТЕОРИЯ И ПРАКТИКА 2, no. 4 (2024): 675–84. https://doi.org/10.5281/zenodo.11004047.

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Animation discourse encompasses the multifaceted dialogue surrounding animated works, including but not limited to discussions on technique, aesthetics, narrative, representation, and socio-cultural impact. It involves the exchange of ideas, critiques, and interpretations among creators, critics, scholars, and audiences, both within and outside the animation industry.

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22

Petiy, Nataliya. "GENDER CATEGORIZATION OF FEMALE CHARACTERS IN THE ANIMATED DISCOURSE IN ENGLISH." Inozenma Philologia, no. 129 (October 15, 2016): 121–26. http://dx.doi.org/10.30970/fpl.2016.129.604.

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23

Dai, Hongyang, and Jonghan Lee. "Research on Discourse Reconstruction Effect of Animated Film Cross-Cultural Communication Based on Machine Learning." Wireless Communications and Mobile Computing 2022 (June 23, 2022): 1–10. http://dx.doi.org/10.1155/2022/2343328.

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Animated films are an important carrier of cultural dissemination, a way of conveying national culture and displaying regional culture in film and television, and an important medium for constructing national image and cultural form in the process of cross-cultural dissemination. The special film language expression of emotion in animated films also highlights its unique charm, status, and cultural communication role in the field of communication and at the same time reflects the unique value of the flash point in the ever-changing modern society. This paper starts with the related concepts of

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24

Ristiasari, Riska, and Hendra Kaprisma. "SOCIAL CRITICISM IN THE MISTER FRIMEN ANIMATED SERIES." Capture : Jurnal Seni Media Rekam 12, no. 2 (2021): 176–88. http://dx.doi.org/10.33153/capture.v12i2.3255.

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Social criticism is generally comprised of individuals' ideas and opinions of societal problems that bring changes. Individuals can express their opinions through various media, including animated films. The animated series Mister Frimen created by Pavel Muntyan, Vladimir Ponomarev, Anatoly Dobrozan, and Vadim Demchog are notoriously sarcastic. The sarcastic remarks given by the main character are always about current problems in Russian society. This study focuses on the way the animated series Mister Frimen expresses social problems. This article uses intertextual theory and discourse analys

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25

Kroløkke, Charlotte. "Life in the cryo-kennel: The ‘exceptional’ life of frozen pet DNA." Social Studies of Science 49, no. 2 (2019): 162–79. http://dx.doi.org/10.1177/0306312719837610.

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This article employs a feminist science and technology studies perspective to investigate how the cryo-vitality of frozen pet DNA is potentialized and animated. This is accomplished by empirically foregrounding the marketing material and online presence of two genetic pet preservation companies: PerPETuate and ViaGen Pets. While the allure of cryopreservation for pet owners is situated in light of the ability to re-animate and re-entangle biological matter into future (old) pets, the preservation of pet DNA is potentialized through the logics of love, sameness, purity, and kinship. The article

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26

Polozok, D. S. "Structural and semantic features of Turkish language cultures (based on the material of the cartoon “Nasreddin Hodja: The Time Traveler”)." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 1 (2024): 162–73. http://dx.doi.org/10.32589/2311-0821.1.2024.309635.

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The article presents a comprehensive study of the structural and semantic aspects of the Turkish language animation discourse to reveal the relationship between speech media, cultural contexts and the perception of information by respondents. The analysis focuses on the linguistic and cultural elements of the cartoon “Nasreddin Hodja: The Time Traveler”. The author examines the semantic and structural features of the linguistic culture, and the linguistic and cultural factors that influence the perception and interpretation of the work. The article highlights the specific language tools, symbo

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27

Zaitcev, Aleksei Yakovlevich. "On the issue of classification of parameters of artistic space in an animated film." Человек и культура, no. 6 (June 2024): 13–31. http://dx.doi.org/10.25136/2409-8744.2024.6.72272.

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Artistic space in animation art is a multifaceted concept, including various aspects that influence the perception of an animated film. This topic is actively discussed in theoretical discourse and covers various approaches to its terminological definition and classification. The purpose of this scientific study is to justify the choice of universal parameters, from the point of view of the author of the work, characterizing the artistic space of an animated film. The object of the study was animation cinema as a phenomenon of art and culture. The subject of the study is the artistic space of

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28

Dewi, Ani, and Dayinta Pratiwi. "Pragmatic Analysis of Maxim Violations in Animated Conversations on the Dhot Design Channel." E-LINK JOURNAL 12, no. 01 (2025): 1–12. https://doi.org/10.30736/ej.v12i01.1194.

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Maxim violation is a pragmatic phenomenon that occurs in various communication contexts, including in entertainment media such as animation. This research aims to analyze the maxims' violation in the conversation of the Dhot Design School animation series titled “Tour Bareng Keluarga Tiffany”. This research focuses on the four maxims of cooperation proposed by Grice, namely the maxims of quantity, quality, relevance, and manner. This research uses a descriptive qualitative approach with pragmatic discourse analysis techniques. The data were obtained through transcription of conversations in th

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29

Umar, Khadija, and Zia-ur-Rahman. "Deconstructing Otherness and Gendered Power: A Feminist Discourse Analysis of Judy Hopps in Disney’s Zootopia (2016)." ACADEMIA International Journal for Social Sciences 4, no. 3 (2025): 281–89. https://doi.org/10.63056/acad.004.03.0358.

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This study examines the portrayal of identity and gendered power through the female character Judy Hopps from Disney’s Zootopia (2016). The study employs theories of Simone de Beauvior’s “Otherness” and Rosemarie Tong’s Liberal Feminism as theoretical orientation. Feminist critical discourse analysis is used as a method where CDA analyzes the ways Judy Hops is portrayed in relation to societal expectations of women in animated or children’s movie through language, narrative and dialogues. Judy dreams of becomg a police officer in Zootopia Police Department (ZPD), a career in law enforcement wh

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30

Md Idris, Izra Inna, Mohamad Saleeh Rahamad, and Md Azalanshah Md Syed. "Perbincangan Orientalisme Melalui Analisis Semiotika dalam Animasi." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (2021): 295–313. http://dx.doi.org/10.17576/jkmjc-2021-3701-17.

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Discussion of Orientalism through Semiotic Analysis in Animation ABSTRACT This study reveals, interprets and understands the oriental influence in Saladin: The Animated Series through the semiotic analysis of Roland Barthes. This study looks at the semiotic elements found in the animated series through a system of signs and this conceptual framework of Barthes is divided into two components, signifier and signified. This sign system is used to look at the symbols through frames in this animation. The analysis of this study examines the changes in the title, poster, use of language, which led t

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31

de León Yong, Tania, and María Lorenzo Hernández. "Expanding narratives." Animation Practice, Process & Production 13, no. 1 (2024): 3–8. http://dx.doi.org/10.1386/ap3_00050_2.

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This issue addresses the historical invisibility of women and genderqueer animators. It is part of several continued efforts to document their contributions, raise awareness about their animated work, and centre the voices of female and genderqueer animators in the academic discourse of animation. The editorial provides brief overviews of each article, making emphasis on their shared themes and connections. In this issue we can find a wide range of critical perspectives, that examine how these animators face conventional representations. The authors analyse independent filmmaking and animated

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32

Gulzar, Sumera, Errum Ahmad, and Durraj Nadeem Khan Khosa. "Animating Identity: The Role of Pakistani Animated Series in Shaping National Narratives." Global Social Sciences Review 10, no. I (2025): 49–60. https://doi.org/10.31703/gssr.2025(x-i).05.

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The research investigates animation as a platform for influencing public perception during military events. A qualitative discourse analysis investigates an animated video showing how a nation addresses a regional conflict through its animated depiction of the situation.The research examines three main themes of military power and national recognition together with technological advancement while evaluating how visual storytelling combines symbolic elements and narrative methods to transmit strategic communications. Though marred by technical drawbacks the video successfully portrays ideas abo

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Brydon, Suzan G. "“I’ve Got to Succeed, So She Can Succeed, So We Can Succeed”: Empowered Mothering, Role Fluidity, and Competition in Incredible Parenting." Social Sciences 7, no. 11 (2018): 215. http://dx.doi.org/10.3390/socsci7110215.

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The social influence of Disney discourse is difficult to ignore, as is their repetitive matricide and positioning of the patriarchal and heteronormative family model in their bloc.kbuster animated films. Yet, through its Pixar Animation Studios subsidiary, Disney has pushed progressively at the boundaries, not only in terms of animation artistry but also through the social topics explored. This study builds on previous research of male mothering in Finding Nemo by visiting the subsequent 11 Pixar animated films, with in-depth exploration of their most recent release, Incredibles 2. Ultimately,

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34

Gornostaeva, Yuliya A. "Multimodal Representation of the Day of the Dead in Mexican Animation Discourse." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 2 (May 1, 2024): 69–80. http://dx.doi.org/10.37482/2687-1505-v335.

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The article aims to identify the multimodal means of representing the Day of the Dead in Mexican children’s animated films in Spanish. The research focuses on the verbal and non-verbal means of representing this major Mexican holiday in the animated films Coco and El libro de la vida, which are identified using multimodal analysis. The multimodal representation of the celebration of the Day of the Dead is a discursive whole, conveying culturally significant information through verbal, visual and auditory modes. The holiday is depicted in bright colours, whose symbolism is rooted in the culture

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Abdullah Rashed, Atoof, and Laila M. Al-Sharqi. "Roses in Amber: Gendered Discourse in Disney’s 2017 Adaptation of Villeneuve’s Fairytale Beauty and the Beast." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 126–43. http://dx.doi.org/10.24093/awejtls/vol5no1.9.

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This study considers the dialogic relationship between the 2017 Disney live-action film Beauty and the Beast with Gabrielle-Suzanne de Villeneuve’s fairy tale and Disney’s 1991 animated version. Drawing on cultural and feminist discourse, the study seeks to examine Disney’s live-action film for incidents of cultural appropriation of gender representation compared to Villeneuve’s fairy tale and Disney’s 1991 animated version. The Study argues that the 2017 film adaptation reverses the traditional patriarchal notions and embraces a transgressive feminist discourse/approach as part of Disney’s st

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Md Idris, Izra Inna, Mohamad Saleeh Rahamad, and Md Azalanshah Md Syed. "Saladin: The Animated Series sebagai wacana Orientalisme." Jurnal Pengajian Media Malaysia 19, no. 1 (2017): 1–22. http://dx.doi.org/10.22452/jpmm.vol19no1.1.

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This article analyzes the discourse of Orientalism in Saladin: The Animated Series for the first episode entitled Rising Star. Edward Said (1978) in his book Orientalism: Western Conceptions of the Orient (1978) opposed Western perspectives on the East and analyzed postcolonial literary works in historical and social contexts, and describes orientalist discrimination in speculating and specifying data sources for particular interests. This study draws on a series of animations directed by Steve Bristow that showcased the leading Islamic figure of the crusade, Sultan Salahuddin al-Ayubi (1137-1

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Alfarras, Riziq Prio, and Purwarno Purwarno. "INDIVIDUALISM IN THE 1997 ANIMATED FILM ANASTASIA: A LIBERAL FEMINISM PERSPECTIVE." SIGEH ELT : Journal of Literature and Linguistics 4, no. 2 (2024): 273–95. http://dx.doi.org/10.36269/sigeh.v4i2.2605.

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This research aims to analyze how Anastasia portrays themes of liberal feminism and individualism. It investigates how the protagonist’s journey embodies feminist ideals of self-discovery, resilience, and the defiance of gender expectations. Grounded in liberal feminist theory, which emphasizes personal autonomy and equality before the law (McMillan, 2009); this study employs qualitative descriptive methods to explore how Anastasia’s narrative reflects these principles. Themes such as identity formation, gender norms, and personal agency are analyzed through the protagonist’s experiences. The

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Salam, Rahmatullah. "TEXTUAL INTERPRETATION OF THE PROHIBITION OF MAKEUP: RECEPTION AND DISCOURSE ANALYSIS OF NUSSA GIRLS TALK." Al-A'raf : Jurnal Pemikiran Islam dan Filsafat 17, no. 2 (2020): 307–28. http://dx.doi.org/10.22515/ajpif.v17i2.2444.

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This study aims to explain analytically the receptions of the Qur'an in the animated movie, episode Nussa: Girls Talk. A part of the Qur'anic verse from Surat Al-Ahzab: 33 presented in this episode shows that there are makeup rules for women that tend to be understood textually. Based on the categorization of interaction between religious followers and the holy book by Sam D. Gill and Teun A Van Dijk's critical discourse analysis as an analytical tool, the study found that the reception in the episode of Nussa: Girls Talk is both exegetical and informative. The interpretation (tafsir) presente

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Lukyanova, V. S., та O. A. Koloskova. "Structural and semantic features of legal vocabulary in an English animated ﬁlm for children". Key Issues of Contemporary Linguistics, № 5 (11 травня 2023): 45–58. https://doi.org/10.18384/2949-5075-2023-5-45-58.

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Aim. To study legal terminological vocabulary in the text of an English-language children’s animated film. The purpose of this work is to describe and analyze the semantic, stylistic and structural characteristics of legal terms used in the English-language children’s film discourse.Methodology. The material for the study was more than 3,000 legal terminological units selected by a continuous sampling method from about 50 highly rated animated films and series according to the IMDb website. On the basis of lexical and semantic, contextual, structural, component and frequency analysis, the most

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Juvvigunta, Janardhan, Sunil Kumar K., and Bhargavi Hemmige. "Discourse of Editing Narratives in Animated Series: A Study on Baahubali -The Lost Legends." Mediterranean Journal of Social Sciences 15, no. 4 (2024): 176. http://dx.doi.org/10.36941/mjss-2024-0040.

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The most prevalent storytelling methods in film and visual narratives involve editing techniques. From Edwin S. Porter, who experimented with temporal and spatial continuity in editing, to contemporary filmmakers who employ effective screenplay techniques, these methods have been crucial in conveying stories effectively. Animation stories are developed using a series of images and visual actions that are aligned effectively with editing narrative techniques. Therefore, the metaphors in animated movies represent a type of narrative editing techniques produced by multiple elements, as well as a

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Galsim, Miguel. "Legitimacy, Syncretism, and Bangsamoro Jihad: Discourses of Struggle and Community within the Moro Islamic Liberation Front." International Journal of Islam in Asia 2, no. 1 (2022): 15–43. http://dx.doi.org/10.1163/25899996-20221022.

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Abstract Islam’s influence in nationalism and political legitimacy is frequently studied, but diversity across the umma warrants continued investigation into how Islamic tradition shapes its style, content, and potency. Investigating the discourse of 1980s Mindanao’s Moro Islamic Liberation Front, this article adopts a syncretic approach for understanding encounters between Islamic traditions, particularly jihad, and nationalist symbols. Through discourse analysis, this article creates a textured understanding of the power of Islamic-nationalism, focusing on both intellectual genealogy and tex

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Fathurrahman Subekti, Muhamad Rizky, and Endang Fauziati. "The Pragmatic Analysis of Deixis in Hotel Transylvania Movie Script 2012." JELITA 6, no. 1 (2025): 167–80. https://doi.org/10.56185/jelita.v6i1.892.

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This study examines the pragmatic analysis of deixis in the script of the 2012 animated film Hotel Transylvania. The study utilises a qualitative descriptive research approach to define the type of deixis, elucidate their function of deixis, and analyze their pragmatic role, encompassing personal, spatial, temporal, discourse, and societal deixis, as manifested in the film's conversation. Employing Yule’s (1996) and Levinson’s (1983) frameworks, the results indicate that personal deixis predominates the script, delineating relationships and emotional profundity, especially between Dracula and

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Graan, Andrew. "On the Politics ofImidž: European Integration and the Trials of Recognition in Postconflict Macedonia." Slavic Review 69, no. 4 (2010): 835–58. http://dx.doi.org/10.1017/s0037677900009876.

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This article examines how a discourse on international image animated Macedonian politics following the country's 2001 conflict and how it reflected a broader cultural politics of European Union expansion. Contrasting with the continual deferral of recognition that characterized European integration in Macedonia, the Macedonian discourse on image(imidž)anchored a social imaginary where a national project of marketing could facilitate Macedonia's accession into the European Union and concretize its belonging to "Europe." The analysis developed here centers on the ambivalences in this discourse

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Muhammad Anshori and Ali Ridho. "DISCOURSE ANALYSIS OF THE SARA MILLS MODEL OF THE RELIGIOUS ANIMATED FILM BY CISFORM UIN SUNAN KALIJAGA WITH THE TITLE "MOSQUE FOR ALL"." Wasilatuna: Jurnal Komunikasi dan Penyiaran Islam 6, no. 01 (2023): 1–13. https://doi.org/10.38073/wasilatuna.v6i01.784.

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The development of films today is unstoppable, because as a means of entertainment and information as in the animated film "Masjid Untuk Semua" by CISform UIN Sunan Kalijaga which succeeded in coloring Indonesian animated films with content not only entertainment but knowledge information with Islamic nuances (Religion). In the animated film "Masjid Untuk Semua" tells the story of a non-Muslim entering the mosque so that there is a debate that infidels are prohibited from entering the mosque. But with the interest of research, it is allowed as the Prophet Muhammad SAW also did not prohibit Abu

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Graesser, Arthur C., Moongee Jeon, Yan Yan, and Zhiqiang Cai. "Discourse cohesion in text and tutorial dialogue." Discourse, Cognition and Communication 15, no. 3 (2007): 199–213. http://dx.doi.org/10.1075/idj.15.3.02gra.

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Discourse cohesion is presumably an important facilitator of comprehension when individuals read texts and hold conversations. This study investigated components of cohesion and language in different types of discourse about Newtonian physics: A textbook, textoids written by experimental psychologists, naturalistic tutorial dialoguebetween expert human tutors and college students, andAutoTutor tutorial dialogue between a computer tutor and students (AutoTutor is an animated pedagogical agent that helps students learn about physics by holding conversations in natural language). We analyzed the

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Mustakim, Bagus, Noorhaidi Hasan, and Zulkipli Lessy. "Popular Islamist Authoritative Parenting: A Contest of Identity in Islamic Education for Early Childhood." Jurnal Pendidikan Agama Islam 19, no. 2 (2022): 179–92. http://dx.doi.org/10.14421/jpai.2022.192-01.

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Purpose - This article aims to explain the values of Islamism that are reproduced in animated videos of children, the religious style that is developed, and the identity of parenting that is constructed and contested. Methods - The study was conducted qualitatively with a phenomenological approach, namely by constructing understanding, motivation, and parenting practices reproduced in animated videos. Data were collected through video documentation and analyzed by discourse analysis. Findings - It is concluded that: 1)the Islamism reproduced in the animation of Nussa leads to the

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Samreen Fazal. "Stereotyping through Humour in Animated Movies: A Multimodal Analysis." International Journal of Social Science & Entrepreneurship 4, no. 1 (2024): 184–210. http://dx.doi.org/10.58661/ijsse.v4i1.258.

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Stereotyping pervades across cultures and is carried out through several ways including media, social practices, and behaviours. Animated movies are one of the popular modes wherein humour acts as an effective discourse vehicle to represent and negotiate certain stereotypical tags associated with race, gender, and social class. There are contending claims about whether animated movies have been purged off the prevalent stereotypical biases, but the contention remains unsubstantiated. Therefore, this study aimed at examining the humour genre of animated movies with a view to figuring out whethe

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Danilović Jeremić, Jelena. "BLEND-O-RAMA: BLENDING IN THE TITLES OF EPISODES OF ANIMATED TELEVISION SERIES FOR CHILDREN." Nasledje Kragujevac 18, no. 48 (2021): 53–69. http://dx.doi.org/10.46793/naskg2148.053dj.

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Often defined as a marginal word-formation process whose governing principles remain a matter of controversy, lexical blending has been examined from various perspectives over the past fifty years or so. Lexical blends have thus been described as (mostly) ephemeral linguistic creations, playful and witty, that are likely to occur in popular press, advertising, and product naming (Bryant 1974; Lieber 2010). Although we can nowadays understand the key characteristics of blends, in terms of their semantic, phonological and orthographic features, corpus-based studies of blends associated with part

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Megaswari, Riajeng Woro, and Sumarlam Sumarlam. "Antonyms in the Animation of “KKN di Desa Penari” From Rizky Riplay’s Youtube Account." Jurnal Lingua Idea 11, no. 2 (2020): 187. http://dx.doi.org/10.20884/1.jli.2020.11.2.2621.

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This study aims to describe the cohesiveness of the discourse in terms of the lexical cohesion aspects of the use of antonymy in an animated story about "KKN di Desa Penari" from the Rizky Riplay Youtube channel. The object of this research is the antonymy found in the animated story about "KKN di Desa Penari" on Rizky Riplay's Youtube channel. The method used in the provision of data is the observing method by watching the animated story with an advanced technique using the "Simak Libat Bebas Cakap" technique (Uninvolved Conversation Observation Technique), and a second advanced technique usi

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MARINA, Olena, Daria SHATILO, and Polina SHYLO. "MANIFESTATIONS OF MULTIMODALITY IN CONTEMPORARY ANGLOPHONE ARTISTIC DISCOURSE." Folia Philologica, no. 2 (2021): 23–32. http://dx.doi.org/10.17721/folia.philologica/2021/2/3.

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This article suggests the analysis of artistic forms as multimodal construals being formed in integration of verbal, visual, and auditory semiotic modes in contemporary Anglophone artistic discourse, namely the Eurovision 2021 Song Contest (Maneskin performance) and the animated movie The Croods: A New Age. Multimodality paradigm serves as a predominant theoretical and methodological framework of the research that itself testifies to the topicality of the study. The paper views multimodality as integration and combination of various modes in contemporary Anglophone artistic discourse. The aim

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