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Готові списки джерел за темами / Aristocratic House / Статті в журналах

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Статті в журналах з теми "Aristocratic House"

Автор: Grafiati

Опубліковано: 25 травня 2024

Оновлено: 31 липня 2025

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1

Belcher, Victor. "The Aristocratic Town House in London." London Journal 19, no. 1 (1994): 89–93. http://dx.doi.org/10.1179/ldn.1994.19.1.89.

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2

Parkhomchuk, Mykhaiolo. "HISTORICAL DEVELOPMENT AND BASIC PRINCIPLES OF TEA ARCHITECTURE IN JAPAN." Current problems of architecture and urban planning, no. 62 (January 31, 2022): 90–103. http://dx.doi.org/10.32347/2077-3455.2022.62.90-103.

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This paper reviews several examples of Japanese tea architecture in order to identify its specific features in the context of its historical development. Based on this, the main principles of the formation of tea architecture in Japan are defined. The analysis is conducted in relation to three main factors that influenced the formation of tea architecture: vernacular architecture, noble architecture and the philosophical ideas of Zen Buddhism. As an example, three tea houses of the master Sen no Rikyu (1522-1591) were used, namely: Kasa-tei, Shigure-tei (Todaiji Monastery, Kyoto) and Tai-an (M

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3

Milburn, Olivia. "Power and Position in Women’s Biographies: Explaining Success in the Official Histories of the Han." NAN NÜ 27, no. 1 (2025): 1–26. https://doi.org/10.1163/15685268-02701065.

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Abstract The first collections of women’s biographies were produced during the Han dynasty, and a significant proportion of these focus on the empresses and senior consorts who achieved enormous power and political importance through their marriage into the imperial house. In a hereditary system in which emperors and kings inherited their positions at the top of the ruling elite from their fathers, the circumstances in which these women came to occupy positions of authority needed to be explained. For a large number of the most senior women in the imperial house, their position was also effect

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4

Port, M. H. "West End Palaces: The Aristocratic Town House in London, 1730–1830." London Journal 20, no. 1 (1995): 17–46. http://dx.doi.org/10.1179/030580395796112876.

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5

KOZYREVA, E. A. "ARISTOCRATIC SOCIETY ESTATES AS PHENOMENON OF HISTORICAL AND CITY PLANNING LIFE OF ST.-PETERSBURG (THE STROGANOV’S ESTATE CASE STUDIES)." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 3 (June 27, 2019): 67–76. http://dx.doi.org/10.31675/1607-1859-2019-21-3-67-76.

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The paper studies the phenomenon of the aristocratic society estates as a part of history and city-forming aspect in the development of St.-Petersburg and its surroundings. The relevance of this paper is that at present time a lot of attention is paid to adaptation of the cultural heritage monuments, including estates. The aim of the paper is to identify the estates of the aristocratic society and propose measures for their preservation. The unique characteristics include: accommodation in previously undeveloped territories, large park area, a manor house and park buildings that are not utilit

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6

Lambert, S. D. "The Attic Genos." Classical Quarterly 49, no. 2 (1999): 484–89. http://dx.doi.org/10.1093/cq/49.2.484.

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Over twenty years since the influential revisionist studies of Roussel and Bourriot, agreement on a satisfactory theory of the Attic genos seems as elusive as ever. Although they differed on details, these two scholars were agreed in their rejection of the old monolithic account of the genos as aristocratic family whose institutionalized control over state cults and phratry admissions in the historical period was a relic of a wider political dominance. Roussel and Bourriot instead proposed a tripartite model according to which the formal genos-kome—a more or less localized community similar to

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7

Barron, Caroline M. "Centres of Conspicuous Consumption: The Aristocratic Town House in London 1200–1550." London Journal 20, no. 1 (1995): 1–16. http://dx.doi.org/10.1179/030580395796112830.

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8

Thompson, F. M. L. "Moving Frontiers and the Fortunes of the Aristocratic Town House 1830–1930." London Journal 20, no. 1 (1995): 67–78. http://dx.doi.org/10.1179/030580395796112867.

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9

Barron, Caroline M. "Centres of Conspicuous Consumption: The Aristocratic Town House in London, 1200-1550." London Journal 20, no. 1 (1995): 1–16. http://dx.doi.org/10.1179/ldn.1995.20.1.1.

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10

Thompson, F. M. L. "Moving Frontiers and the Fortunes of the Aristocratic Town House, 1830-1930." London Journal 20, no. 1 (1995): 67–78. http://dx.doi.org/10.1179/ldn.1995.20.1.67.

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11

Wilson, Rachel. "Aspects of Irish aristocratic life: essays on the FitzGeralds and Carton House." Irish Studies Review 26, no. 2 (2018): 267–68. http://dx.doi.org/10.1080/09670882.2018.1451733.

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12

Zsámba, Renáta. "Houses as Lieux de Mémoire in Margery Allingham’s Crime Fiction." Crime Fiction Studies 2, no. 2 (2021): 218–33. http://dx.doi.org/10.3366/cfs.2021.0048.

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This article discusses the house as a site of memory in the novels of Margery Allingham, where it embodies a tension between the past and the present that turns the domestic milieu into a place of horror. Stemming from Susan Rowland’s claim that Golden Age authors did not write ‘unproblematically conservative country house mysteries’ (43), this paper uses Svetlana Boym’s theory of restorative and reflective nostalgia and Pierre Nora’s concept of lieux de mémoire (sites of memory) to read Allingham’s novels, which critically observe the sustainment of a vision of the past after the Great War. I

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13

Dawson, Jane E. A. "‘Richt honorabill’ ladies: Noble Power and Aristocratic Women in Sixteenth-Century Scotland." Scottish Historical Review 103, no. 3 (2024): 361–91. http://dx.doi.org/10.3366/shr.2024.0680.

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This essay began as a talk given in October 2023 to inaugurate an annual public lecture in honour of Jenny Wormald. It takes its inspiration from her work on noble power, re-examining how noblewomen in sixteenth-century Scotland employed that power. Visual and cultural evidence has been prioritised in the essay which is organised around two settings: the royal court and noble country seats. As the Stirling Heads show, noblewomen formed part of the public face of the Scottish court. They also exploited their right of access to the monarch to further their own and family interests. The arrival o

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14

Salvador-González, José María. "The House/Palace in Annunciations of the 15th Century." Eikon / Imago 10 (February 8, 2021): 391–406. http://dx.doi.org/10.5209/eiko.74161.

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This article seeks to highlight the doctrinal meanings enclosed in the representation of the house of Mary in the form of a palace or an aristocratic residence in seven images of the Annunciation of the 15th century. To justify our iconographic interpretations in this sense, we based on the analysis of many exegetical comments with which many Latin Fathers and theologians interpreted several metaphorical expressions with dogmatic projection, such as domus Sapientiae, domus Dei, aula regia, palatium Regis, domicilium Trinitatis, and other analogous terms. As a methodological strategy, we use he

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15

Soofastaei, Elaheh, and Sayyed Ali Mirenayat. "Broken Marriage in Aristocratic Societies in Edith Wharton’s Selected Novels." International Letters of Social and Humanistic Sciences 49 (March 2015): 192–96. http://dx.doi.org/10.18052/www.scipress.com/ilshs.49.192.

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Family is a bridge between individual and society. In my paper, I will survey broken marriage and individual dissatisfaction in two novels by Edith Wharton. The novels in question are The House of Mirth (1905) and The Age of Innocence (1920). Edith Wharton portrays her concern by the conflict between the individuals and the social groups which they live in there. Her treatment of the family is always in association with the bourgeois society, with the ambitious stock brokers from the west. This conflict can be seen in their attitudes to love, marriage, divorce, and remarriage. In the novels, M

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16

Zhang, Hong. "The Fall of the House of Usher: The Collapse of Roderick’s Nostalgia Mechanism." English Language and Literature Studies 11, no. 4 (2021): 43. http://dx.doi.org/10.5539/ells.v11n4p43.

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As an attractive Gothic tale of Edgar Allan Poe, The Fall of the House of Usher creates a mysterious and violent fall, leaving multiple interpretations on why the house of Usher collapsed suddenly. From the perspective of Roderick, the last inheritor of aristocratic Usher, the fall of Usher is more like his shaky nostalgia mechanism in front of discontinued situation. In his seemingly stable nostalgia mechanism, Mansion Usher, the narrator and Lady Madeline play core roles in meeting the needs of avoidance, attachment and idealization to construct a seemingly stable nostalgia mechanism. With t

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17

Ghadamkheir, Mani, and Mahboubeh Mahmoudzadeh. "A Study of Institutions in Dickens’s Bleak House as a Representation of Foucault’s Disciplinary Society." International Letters of Social and Humanistic Sciences 70 (June 2016): 53–61. http://dx.doi.org/10.18052/www.scipress.com/ilshs.70.53.

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This study employs Foucault's views on the strategies of power to analyze that the institutional world of Bleak House makes a disciplinary structure. The intrusion of these institutions in all strata of society in the novel, from the aristocratic Dedlocks to the poor area of Tom-All-Alone shapes a panoptic structure in which everyone is visible through a permanent and omniscient gaze. Under the matrix of various institutions almost all the characters in the novel, directly or indirectly, are trapped and engaged. This study shows the modernity of Dickens views on power relations in society and

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18

Whitmarsh, Tim. "Domestic Poetics: Hippias' House in Achilles Tatius." Classical Antiquity 29, no. 2 (2010): 327–48. http://dx.doi.org/10.1525/ca.2010.29.2.327.

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Other Greek novels open in poleis, before swiftly shunting their protagonists out of them and into the adventure world. Why does Achilles Tatius' Leucippe and Clitophon open in a house (with no sign of any political apparatus), and stay there for almost one quarter of the novel? This article explores the cultural, psychological, and metaliterary role of the house in Achilles, reading it as a site of conflict between the dominant, patriarchal ideology of the father and the subversive intent of the young lovers. If the house principally embodies the authoritarian will of the father to order and

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19

Groff, Martin J. "“To Continue Their Illustrious Breed”: Aristocracy, Democracy, and the Search for Dignity in The House of the Seven Gables." Nathaniel Hawthorne Review 47, no. 2 (2021): 187–209. http://dx.doi.org/10.5325/nathhawtrevi.47.2.0187.

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ABSTRACT Political philosophers have noted that while modern democracies define dignity as universal human worth, nineteenth-century Americans conceptualized it in terms of social status and rank hierarchy. However, there was considerable tension in this period between the traditional aristocratic ideal and a more modern liberal philosophy of where this rank-based dignity came from and how someone could possess it. This article demonstrates that Nathaniel Hawthorne’s The House of the Seven Gables narrates an encounter between these two philosophies and asks whether either of them, or some comb

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20

Nikolaros, Stratos. "Die Taronitai. Eine prosopographisch-sigillographische Studie." Millennium 14, no. 1 (2017): 227–92. http://dx.doi.org/10.1515/mill-2017-0007.

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Abstract This paper is a systematic prosopographical study of all members of the Taronites family in Byzantium from the tenth until thirteenth century. It takes into account contemporary narrative sources and both published and unpublished lead seals. Two annexes of lead seals and the stemmata of the family are provided at the end. The aim of this study is to reexamine and offer a fresh insight on the biographical data as well as the history of this aristocratic house.

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21

Akbar, A. M., Ananto Yudono, Ria Wikantari, and Mohammad Mochsen Sir. "Concept of Form and Space in Buginese Aristocratic Traditional House in Bone South Sulawesi." Journal of Engineering and Applied Sciences 15, no. 3 (2019): 865–68. http://dx.doi.org/10.36478/jeasci.2020.865.868.

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22

Viola, Valeria. "Devotion, Paintings, and the House: The Collections of Ercole and Giuseppe Branciforti, Princes of Scordia (Palermo, 1687–1720)." Religions 11, no. 1 (2020): 39. http://dx.doi.org/10.3390/rel11010039.

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This paper interrogates familial devotion and its relationship with parts of the house other than the chapel. In detail, it aims to problematize the issue of the devotional/non-devotional use of paintings inside the house by moving the focus from this dual opposition to the active role of canvases, broadly defined. Informed by Jacques Derrida’s and Pierre Bourdieu’s writings, this paper argues for the structural nature of the paintings inside the house and their meaningful correlation with both the arrangement of the domestic interior and the practices of people experiencing those spaces. To d

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23

Condello, Annette. "‘Sybaris is the land where it wishes to take us’: luxurious insertions in Picturesque gardens." Architectural Research Quarterly 15, no. 3 (2011): 261–69. http://dx.doi.org/10.1017/s1359135511000807.

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Towards the end of the eighteenth century, the discovery of Pompeii attracted European aristocrats to include the Kingdom of the Two Sicilies (Southern Italy) on their Grand Tour itinerary. Similarly, Sybaris, an ancient Greek colonial polis also directed aristocratic attention to the region. French painter and engraver Jean-Claude Richard de Saint-Non and his entourage of architects most famously documented the ruinous Sybaris and exported its imagery back to France. In parallel with these developments, interest in recreating sybaritic images within luxurious Picturesque gardens arose. Drawin

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24

Kaplan, S. C. "Jeanne de Bourbon, Reader of the Grandes Chroniques de France." Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 9, no. 2 (2024): 336–40. https://doi.org/10.1353/mns.2024.a945379.

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Abstract: This annotation presents the discovery of a woman's name inscribed in the margins of BnF fr. 2611, a Grandes chroniques de France . It compares the signatures of two women with ties to the French aristocratic house of Bourbon, Jeanne de France and Jeanne de Bourbon, in order to argue that the signature in BnF fr. 2611 can be linked to the latter rather than the former. It then briefly explores how this new information resituates Jeanne de Bourbon as a reader and how it calls scholars to reevaluate material signs of use that might previously have been dismissed as insignificant.

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25

Sánchez Fernández, Carlos. "Evelyn Waugh's Brideshead Revisited: Sites of Memory and Tradition." Miscelánea: A Journal of English and American Studies 65 (June 13, 2022): 87–103. http://dx.doi.org/10.26754/ojs_misc/mj.20226848.

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In this article, it is my intention to analyse two theoretical notions related to space, namely Pierre Nora’s idea of the site of memory and Gaston Bachelard’s thoughts on space and the house, as applied to Evelyn Waugh’s Brideshead Revisited (1945). I base my analysis on the symbolic value of the English country house with regard to the interwar English aristocracy and upper classes as depicted in this novel; that is, as a site of memory. I consider the point of view of three characters: Charles Ryder, the novel’s first-person narrator, Lord Sebastian Flyte, Ryder’s intimate friend, and Lord

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26

Pham, Manh Duc, and Thang Chien Nguyen. "The compound tombs at Cho Lach (Ben Tre)." Science and Technology Development Journal 17, no. 2 (2014): 52–74. http://dx.doi.org/10.32508/stdj.v17i2.1325.

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Between April & May 2014, the Department of Archaeology (Faculty of History, University of Social Sciences and Humanities - Vietnam National University, Ho Chi Minh City) and the Department of Culture - Sports and Tourism of Ben Tre Province conducted an excavation of the compound tomb at Chợ Lách town (Chợ Lách district, Bến Tre Province). The main results are as follows: Archaeologists detected two raising architectures on brick ground like the architectural model of mausoleum, in which the big Mausoleum lies approximately directed southward, offset 3° east, including a stele house and a

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27

Kalas, Veronica. "CAPPADOCIAS ROCK-CUT COURTYARD COMPLEXES: A CASE STUDY FOR DOMESTIC ARCHITECTURE IN BYZANTIUM." Late Antique Archaeology 3, no. 2 (2006): 393–414. http://dx.doi.org/10.1163/22134522-90000071.

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Until recently, our knowledge of the Byzantine house has been severely limited by the paucity of available evidence. In the last few years, however, surveys have been conducted in Cappadocia, central Turkey, where archaeologists and art historians working at separate sites recently realised that places formerly understood to be monasteries were actually domestic complexes of the rural elite.1 High above the Peristrema Valley in western Cappadocia, a medieval estate known as Selime Kalesi extends over 100 m in length along a cliff of volcanic rock. Once thought to be a monastery, this too is no

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28

Tatton Brown, Tim. "The Deanery, Windsor Castle." Antiquaries Journal 78 (March 1998): 345–90. http://dx.doi.org/10.1017/s0003581500500110.

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For almost six and a half centuries, the wardens (and later the Deans) of St George's Chapel have been lodged in the extreme north-east corner of the Lower Ward at Windsor Castle. From fairly modest beginnings, the house developed into a much grander building, after the construction of a huge new chapel in the late fifteenth century. After the Elizabethan settlement it developed further and was a childhood home of Sir Christopher Wren, before being vandalized in the Commonwealth period. Following the Reformation, it was reconstructed and then given a grand new front in 1710 for the first of a

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29

Tatton Brown, Tim. "The Deanery, Windsor Castle." Antiquaries Journal 78 (September 1998): 345–90. http://dx.doi.org/10.1017/s0003581500045029.

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Анотація:

For almost six and a half centuries, the wardens (and later the Deans) of St George's Chapel have been lodged in the extreme north-east corner of the Lower Ward at Windsor Castle. From fairly modest beginnings, the house developed into a much grander building, after the construction of a huge new chapel in the late fifteenth century. After the Elizabethan settlement it developed further and was a childhood home of Sir Christopher Wren, before being vandalized in the Commonwealth period. Following the Reformation, it was reconstructed and then given a grand new front in 1710 for the first of a

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30

Sailor, Dylan, та Sarah Culpepper Stroup. "ΦΘΟΝΟΣ Δ̓ ΑΠΕΣΤΩ: The Translation of Transgression in Aiskhylos' "Agamemnon"". Classical Antiquity 18, № 1 (1999): 153–82. http://dx.doi.org/10.2307/25011096.

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The first half of Aiskhylos' "Agamemnon" presents three crimes of the House of Atreus: the sacrifice of Iphigeneia (184-247), the wasting of young Argive lives at Ilion (355-487) and the treading of the materials as the victorious king reenters his palace (810-974). We argue that the sequential presentation of the crimes of the House, which are connected thematically, stylistically, and causally, radically redefines the nature of transgression within contemporary models of the polis community. Crime as defined in relationship to oikos alone is displaced by crime as defined in relationship to b

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31

Hua, Xia, and Gideon Shelach-Lavi. "Bronze Art, Cultural Norms, and Group Identity: A Group of Late Western Zhou and Early Spring and Autumn He Vessels Analyzed in Their Temporal and Spatial Contexts." Asian Perspectives 63, no. 1 (2024): 70–97. http://dx.doi.org/10.1353/asi.2024.a923664.

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abstract: A new generation of scholars has called into question the homogeneous nature of Western Zhou culture and the sweeping imposition of this culture over a large region that covers much of present-day China. Our study contributes to this debate by focusing on a coherent group of bronze vessels dated to the end of the Western Zhou and beginning of the Spring and Autumn periods. He (盉) vessels with drum-shaped bodies, bird-like lids, and human-like legs are among the most unique and artistically innovative artifacts of this period. While these unique artifacts have been found in and near t

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32

Greschat, Katharina. "“When the Saints Go Marching in”. Gregory of Tours and his domestic Oratory." Archiv für Religionsgeschichte 18-19, no. 1 (2017): 157–70. http://dx.doi.org/10.1515/arege-2016-0009.

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Abstract In the Glory to the Confessors 20 Gregory of Tours describes how he establishes an oratory for the veneration of the relics of Martin of Tours, Julian of Brioude, Saturninus of Toulouse, and Illidius of Clermont in his own house. This paper will show that Gregory does not only establish his personal relic cult in honor of members of his family or their patron saints to promote his family and himself, but that he uses elements of the Roman domestic cult together with the ceremonies of dedication and adventus of the saints in order to demonstrate that he is the rightful bishop of Tours

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33

Abdulhussein Mahdi, Maali. "Class-Distinction in Nathaniel Hawthorne’s The House of the Seven Gables." مجلة العميد مجلة فصلية محكمة تعنى بالابحاث والدراسات الإنسانية 11, no. 44 (2022): 273–86. http://dx.doi.org/10.55568/amd.v11i44.273-286.

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Анотація:

It is well known to many critics that Nathaniel Hawthorne’s writings are often inspired by his life and the events and concepts he went through, and The House of the Seven Gables is of course not exempt from this rule. The idea of the novel is built on events and news that the writer heard about his upper class ancestors and their racist view towards the lower classes. The character of the dictator and the oppressor in the novel is well embodied in the personality of Colonel Pyncheon.. infact the Colonel reflects the thoughts and beliefs of Hawthorne’s ancestors, who were known for their

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34

Ferrer-Vidal Díaz del Riguero, Maria Soledad. "Nobility, kinship and memory in Santa Eufemia de Cozuelos, the first female convent of the Military Order of Santiago." Ordines Militares Colloquia Torunensia Historica 27 (December 30, 2022): 45–95. http://dx.doi.org/10.12775/om.2022.002.

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This paper refers to the noble patronage around Santa Eufemia de Cozuelos, the first female house of the Military Order of Santiago since 1186, based in the north of the Kingdom of Castile, during the second half of the thirteenth century. This patronage provided the convent with funerary spaces to perpetuate the memory of some noble Castilian and Leonese families whose members effected important land donations to the monastery, thus assuring prayers for the salvation of their souls. Unlike the vast majority of the many female monastic houses founded in the kingdoms of Castile and León in the

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35

Denizarslani, Yonca. "A Prologue to apology and futurism: Projections of nineteenth-century American Historicism in Nathaniel Hawthorne’s “The Custom-House”." JOURNAL OF AWARENESS 8, no. 4 (2023): 525–44. http://dx.doi.org/10.26809/joa.2144.

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Distracted by the contesting political debates between aristocratic republicanism of the Revolutionary era and democratic republicanism of the Antebellum; Nathaniel Hawthorne’s narrative tone in his prologue, “The CustomHouse” carries out the ideological assets of nineteenth-century American historicism in accord with which he laid ahistorical fictional elements failing to portray the entirety of early colonial New England in his 1850 novel, The Scarlet Letter. In this respect, “The Custom-House” portrays Nathaniel Hawthorne’s Romantic projections aimed at consoling the contemporaneous polariz

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36

Ellenberger, Nancy W. "Constructing George Wyndham: Narratives of Aristocratic Masculinity in Fin-de-Siècle England." Journal of British Studies 39, no. 4 (2000): 487–517. http://dx.doi.org/10.1086/386229.

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In June 1913, on a holiday trip to Paris, George Wyndham died suddenly of a heart attack—he was not quite fifty years old. Shocked by this unexpected loss, colleagues in the Conservative Party and the House of Commons, whose inner circles he had occupied for a quarter of a century, organized the usual tributes. Obituaries laid out Wyndham's pedigree as scion of one of England's more romantic landed families, charted his meteoric rise in the 1890s under Arthur Balfour's patronage, referred briefly and discreetly to his troubled tenure as Irish secretary from 1900–1905, and applauded his versati

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Boron, Oleksandr. "RESTAURANTS AND TAVERNS IN SHEVCHENKO’S STORY “THE ARTIST” (FROM THE NEW COMMENTARIES)." Слово і Час, no. 2 (March 25, 2021): 35–52. http://dx.doi.org/10.33608/0236-1477.2021.02.35-52.

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Besides specifying or clarifying the current address of the restaurants and taverns mentioned in the story, it appeared necessary to give a minimum description of this or that eating-house as most of the relevant names and cases of comparing and contrasting some of them say little to a common reader and sometimes to a specialist as well. The study of these restaurants and taverns adds many new details to Shevchenko’s biography. Based on the information of the author’s contemporaries (mostly from the 1830s—1840s), descriptions in the fiction ot the time, as well as city guides and directories,

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HERNÁNDEZ FRANCO, Juan. "Matrimonio, consanguinidad y la aristocracia nueva castellana: consolidación de la Casa de Alba (1440-1531)." Medievalismo, no. 28 (October 8, 2018): 43–74. http://dx.doi.org/10.6018/medievalismo.28.344261.

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Historia Social, Historia de la Familia e Historia Política convergen en el presente artículo para intentar analizar cómo se forma la casa de Alba, y avanzar en su trayectoria de ascenso social desde el siglo XIII, cuando son miembros de la oligarquía toledana, hasta 1531, inicios del periodo del ducado de Fernando Álvarez de Toledo, el Grande. En ese proceso desempeña un destacado papel las alianzas matrimoniales con casas aristocráticas de más lustre (Enríquez y Benavente) y con posterioridad, especialmente en el siglo XVI, la recurrencia a matrimonios entre parientes muy cercanos en grado d

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San Narciso, David. "The cathedral of modern civilisation. The Teatro Real of Madrid and the definition of the respectable new elite, 1850-1895." Culture & History Digital Journal 13, no. 2 (2024): 526. https://doi.org/10.3989/chdj.2024.526.

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Opera was a spectacle reserved for the aristocratic elite during the Ancien Régime. However, the liberal revolution and the redefinition of the mechanisms of social class identity that brought with it significantly modified this space. As Théophile Gautier said, opera houses became in the nineteen century “a radiating centre, a sort of worldly cathedral of civilisation” from which to spread progress. At the same time, they constituted a privileged social space for interaction between the old nobility and the new liberal elites. This article studies the Teatro Real of Madrid as one of the most

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ZAIMI, Blerina, and Entela KUSHTA. "LOSS IN KAZUO ISHIGURO’S NOVEL THE REMAINS OF THE DAY." Ezikov Svyat (Orbis Linguarum) 23.1, ezs.swu.v.23.1 (2025): 160–68. https://doi.org/10.37708/ezs.swu.bg.v23i1.15.

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The aim of this article is to explore the various aspects of loss in The Remains of the Day, the third novel by Japanese-English writer Kazuo Ishiguro. The theme of loss permeates the narrative, shaping the recollections of Stevens, the protagonist, who dedicated almost his entire life to serving his master, Lord Darlington. The present of the novel is set in 1956 England during a six-day motoring trip to the West Country, but the main story unfolds through the introspective narration of Stevens, the head butler of a manor house called Darlington Hall. Once in its heyday, Darlington Hall now s

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Baek, Kil-nam. "Baekje's Governance and Royal Succession Conflicts in the Late 4th to Early 5th Centuries." Institute for Jungwon Culture 34 (June 30, 2025): 61–85. https://doi.org/10.71244/jojm.2025.28.1.61.

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The distribution of key administrative and military positions, such as Sang-jwapyeong, Naesin-jwapyeong, and Byeonggwan-jwapyeong, among the royal family and powerful in-laws inherently constrained the king's authority over appointments and military control. This arrangement undeniably indicates that the monarch could not truly transcend the vested interests of their kin group. Nevertheless, this power-sharing governance structure persisted. This was primarily because, in a situation where challenges to the throne from collateral branches of the royal family could not be easily controlled, it

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Figeac, Michel. "Mobility in the European Aristocracy during the Age of Enlightenment." Historical Studies on Central Europe 4, no. 2 (2024): 7–21. https://doi.org/10.47074/hsce.2024-2.02.

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Helena Potocka offers a wonderful case study because she was a perfect representative of the high European aristocracy under French influence. Educated in a Parisian religious house, she had the culture of the young girls of the nobility of Versailles. Her matrimonial alliance with the son of the Prince de Ligne poses the problem of matrimonial strategies. Helena was both a free and rebellious spirit who believed in her ability to build her happiness with the side she chose. This is why she left Charles de Ligne; she thought she had discovered her soul mate with Vincent Potocki, but in reality

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Archer, Robin. "From an aristocratic anachronism to a democratic dilemma: an elected House of Lords and the lessons from Australia." Commonwealth & Comparative Politics 51, no. 3 (2013): 267–82. http://dx.doi.org/10.1080/14662043.2013.805537.

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Byckling, Liisa. "Hic et Ubique: The Russian Life and Finnish Times of Cultural Ambassador Yakov Grot in the 1840s and 1850s." Journal of Finnish Studies 25, no. 2 (2022): 198–225. http://dx.doi.org/10.5406/28315081.25.2.03.

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Abstract Yakov Grot (1812–1893) was professor of Russian literature and history at Alexander University in Helsinki, 1841–1853. He became vice-rector of the Saint Petersburg Academy of Sciences in 1889. He published several important academic works on Russian etymology, lexicography, and grammar. He supervised work on the Russian Academic Dictionary. In Helsinki, Grot was a mediator between the two countries. He translated Swedish literature published in Finland and wrote essays about Finnish and Swedish literature, folk poetry, and history. An invaluable source is Grot's correspondence, in th

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Wallace, Peter G. "Between Bourbon and Habsburg: Elite Political Identities at Freiburg im Breisgau, 1651–1715." Austrian History Yearbook 33 (January 2002): 15–41. http://dx.doi.org/10.1017/s0067237800013801.

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In his classic analysis of state building by the Austrian Habsburgs in early modern Central Europe, R. J. W. Evans argues that the dynasty's eventual success in asserting its will over a conglomerate of separate, coherent territories with time-honored claims to political liberties followed the sometimes troubled trajectory of crown-aristocratic relations. The cultural impetus for political centralization was the mix of reform within the Catholic Church and counterreform measures taken against powerful Protestant subjects among the nobles and civic elites. By the 1650s the ability of Habsburg o

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Julie Hastrup-Markussen. "Howards Ends’ åndelige arving: Arv og umistelig ejendom i E. M. Forsters Howards End (1910)." Slagmark - Tidsskrift for idéhistorie, no. 82 (November 18, 2020): 111–27. http://dx.doi.org/10.7146/slagmark.vi82.141050.

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When E. M. Forster published the novel Howards End in 1910, it was at the height of ‘the inheritance society’, and the gulf between rich and poor was great and problematic; a fact that Forster was very well aware of. Yet in spite of this, the main character in Howards End, Margaret Schlegel, is a financially independent rentier living off of the wealth of her ancestors, and her wealth increases when she is named the ‘spiritual heir’ of Ruth Wilcox and thus inherits the house of Howards End. In this study, I argue that Forster shifts the focus from inherited money to inherited values in order t

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Farney, Gary D. "THE CORNELII AND JUPITER: A CASE STUDY IN THE MANIPULATION OF TRADITIONAL RELIGION BY AN ARISTOCRATIC ROMAN KINSHIP GROUP." Greece and Rome 70, no. 1 (2023): 50–70. http://dx.doi.org/10.1017/s0017383522000237.

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The Cornelii were one of the oldest and most prestigious Roman gentes, extended family kinship groups, in Republican Rome. Various members and branches advertise some kind of connection to Jupiter, Jupiter Optimus Maximus in particular, notably Scipio Africanus, but he was certainly not the only Cornelius to do so. Numismatic evidence has long suggested some kind of claimed relationship between the Cornelii and Jupiter. The Cornelian connection to the religious office of flamen Dialis (high priest of Jupiter) is more proof that their claims to be associated with Jupiter were accepted by Roman

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Neméthová, Lucie. "Antonín Goller, Stephan Tragl, Johann Koch: Méně známí architekti ve službách severočeské a východočeské šlechty ve druhé polovině 19. století." AUC PHILOSOPHICA ET HISTORICA 2021, no. 1 (2023): 55–72. http://dx.doi.org/10.14712/24647055.2023.5.

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In the second half of the 19th century, many architects worked for noble members of the house of Morzin and subsequently the house of Czernin-Morzin in Vrchlabí and other mansions in North Bohemia. Among these architects, famous names such as Achille Wolf or Josef Schulz can be found; this text, however, concerns itself with these lesserknown, namely Antonín Goller (1833–1880), Stephan Tragl (1845–1891), and Johann Koch (1850–1915). The main objective of this text is to give the most comprehensive view possible of the work and personalities of these three very diverse architects. The oldest of

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Bowers, Roger. "Aristocratic and Popular Piety in the Patronage of Music in the Fifteenth-century Netherlands." Studies in Church History 28 (1992): 195–224. http://dx.doi.org/10.1017/s0424208400012456.

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It has always been recognized that during the fifteenth century the vigorous and affluent commercial towns of the Low Countries served as centres of artistic excellence, especially in respect of painting and of manuscript production and illumination. That the region was no less fertile a generator of practitioners and composers of music—especially of music for the Church—has also long been appreciated. If for present purposes the Low Countries be defined—rather generously, perhaps—as the region coterminous with the compact area covered by the six dioceses of Thérouanne, Arras, Cambrai, Tournai

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Kalmykova, Elena. "The House of Montfort’s War for the Breton Succession and Their Alliance with England." ISTORIYA 15, no. 8 (142) (2024): 0. https://doi.org/10.18254/s207987840031710-0.

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Many aristocratic Bretons acquired land possessions in England after the Norman Conquest. In the middle of the 12th century, Conan of Penthièvre, the earl of Richmond in England, inherited the Duchy of Brittany from his grandfather, and so created the dual vassal ties with the English and French crowns for his descendants. This article focuses on the war for the Breton crown (1341—1365), in which the rivals Charles of Blois and John of Montfort relied on the support of the French and English kings respectively. In 1341 John IV of Montfort recognised Edward III as his lord not only for his Engl

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