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Добірка наукової літератури з теми "Art wares"

Автор: Grafiati

Опубліковано: 30 травня 2022

Оновлено: 31 липня 2025

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Статті в журналах з теми "Art wares"

1

Huang, Ellen. "An Art of Transformation." Archives of Asian Art 68, no. 2 (2018): 133–56. http://dx.doi.org/10.1215/00666637-7162228.

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Abstract This article examines the phenomenon of yaobian 窯變, or kiln transformations, in late imperial and early modern China as material epistemology and material practice. By providing a genealogical analysis of documentations of yaobian in late imperial texts spanning the twelfth through the nineteenth centuries, the article relates their supernatural connotations to the production of Qing-period Jingdezhen Jun-style wares, variously known as flambé wares or kiln transmutation glazes. The article advances that the significance of such eighteenth-century yaobian porcelain wares lies in their

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2

AJADI, Michael Olaniyi. "Eclecticism Style in Ceramic Art Practices of Ife Art School." Journal of Education and Practice 5, no. 2 (2021): 45–58. http://dx.doi.org/10.47941/jep.630.

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Purpose: The study discusses Ife ceramic wares in tandem with the historical approach of the decorative patterns. It equally determines the origin of each style and how it moved and spread across the phases. The sequences of creative impulse and stylistic trends of ceramic practices in the art school from inception have not received scholarly attention in terms of the examination of the approaches towards the conceptions. The specific objective is to investigate the inception of eclecticism in the art school and circumstances behind the conceptions in order to reveal the contextual definitions

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3

Yussif, Abdul-Rauf. "Twisting: An Innovative Combination of Coil and Slab Building Techniques in Ceramic Art." American Journal of Art and Design 9, no. 1 (2024): 10–23. http://dx.doi.org/10.11648/j.ajad.20240901.12.

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Анотація:

This work seeks to create decorative ceramics wares which would be self-decorating to reduce the time of attention given to the surface of ceramics wares by incorporating twisting and weaving techniques into the production of the wares by drawing my inspiration from the climbing plant. Two hand forming techniques namely slab making and coiling were successfully combined to create twisted and woven wares. It also seeks to demonstrate how clay can be twisted and woven into intricate shapes for outdoor decorations. These twisted and woven wares reduced the tendency of cutting and incising as an a

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4

Mason, Robert B. "Early mediaeval Iraqi Lustre-painted and associated wares: typology in a multidisciplinary study." Iraq 59 (1997): 15–61. http://dx.doi.org/10.1017/s0021088900003338.

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The study of ceramics in the mediaeval Middle East has traditionally been divided into two separate fields, those of archaeology and art history. Archaeologists have generally focused on the finds from their own sites, seeking only precise comparanda for publication. High-quality glazed ceramics such as lustre-wares were made in a restricted number of centres and distributed over a very large area, and thus may be a small percentage of the total ceramic assemblage. No archaeologist constrained to analysis of material from their own site has ever had the opportunity to examine the fine wares as

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5

NYAMAWERO, NAVEI. "Cultural Tourism Potentials of Daŋi Traditional Pottery Art." INTERNATIONAL JOURNAL OF INNOVATIVE RESEARCH & DEVELOPMENT 10, no. 9 (2021): 153–65. https://doi.org/10.24940/ijird/2021/v10/i9/JUL21044.

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<strong>Abstract: </strong> Daŋi is one of the leading traditional pottery production hubs in Sissala East Municipality in the Upper West Region of northern Ghana. Traditional pottery wares of various types, decorative designs, cultural semiotics and relevance are produced in Daŋi. However, the cultural tourism potentials of these handiworks seemingly remain unexamined. The study therefore took a qualitative descriptive path in examining selected traditional pottery wares produced in Daŋi to reveal their cultural tourism potentials. Twenty (20) purposively sampled respondents were contacted wi

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6

Korzenik, Diana. "Portrait of the Artist as an American?" New England Quarterly 85, no. 1 (2012): 161–67. http://dx.doi.org/10.1162/tneq_a_00161.

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The Bennington Museum's 2011 exhibition “Grandma Moses and the Primitive Tradition” invited viewers to reassess the twentieth-century work and reception of painter Anna Mary Robertson Moses. The meteoric rise of her art, marketed as “primitive,” coincided with certain refugee German art dealers’ quest to offer an American alternative to the war-contaminated wares of Europe.

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7

Umoh, John. "Bridging the Lacuna Between Concept and Modeling in Ceramic Practice." International Journal of Strategic Research in Education, Technology and Humanities 10, no. 2 (2022): 123–35. http://dx.doi.org/10.48028/iiprds/ijsreth.v10.i2.11.

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Ceramics, burnt stuff is the use of clay with or without other substances and rendered permanently rocklike, dense, and vitreous by heat treatment. From its birth, the traditional potters like their counterparts in other art and craft areas produced their wares from concept to the modeling without drawing or sketching. In the hand building technique of ceramics which involves pinching, coiling and slab methods, practiced by every ceramist, even those that have gone through the formal education system still produce wares without drawing which remains, the initial documentation of ideas, thought

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8

Yang, Yuan, and Wenxuan Tao. "Social Thought and Bronze Art in the Western Zhou Dynasty." Art Frontier 1, no. 2 (2023): 95–101. https://doi.org/10.64212/ccny5202.

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During the Western Zhou Dynasty, based on the Yin rituals, the Zhou people made moderate adjustments to social ideology by introducing the idea of honoring virtues, reorganizing the ritual orders, and adjusting the sacrificial rites, thereby formulating the social thought of “revering the ancestors and respecting virtue” and “respecting heaven and protecting the people”. This social ideology influenced the modelling and decoration of bronze wares. The shape of the bronze focuses more on practical function and formal beauty, the combination of utensils pays more attention to the combination of

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9

Ağalarov, Mircavid. "Silhouette stone paste wares of Azerbaijan: typology and issues of origin." Археология Казахстана, no. 1 (27) (March 31, 2025): 314–25. https://doi.org/10.52967/akz2025.1.27.314.325.

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Azerbaijan came under the rule of the Seljuk Empire in the mid-11th century. During this period, urbanization in Azerbaijan reached its peak. Major medieval cities included Barda, Beylagan, Shamkir, Ganja, Shamakhi, Shabran, and Nakhchivan. As a result of archaeological research conducted in these sites over many years, thousands of artifacts representing Seljuk art have been discovered. Among them, stonepaste holds a special place. Silhouette-painted wares, a type of stonepaste ceramics, are notable for their artistic and technological features. These wares were decorated with chromite patter

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10

Snitkuvienė, Aldona. "The Path of the First European Porcelain Wares to Lithuanian Museums." Perspektywy Kultury 25, no. 2 (2019): 159–78. http://dx.doi.org/10.35765/pk.2019.2502.12.

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The state’s development, twists and turns of culture and history of the country, circumstances and passing time, often erase facts, that is why the reconstruction of the history of exhibits’ acquisition in museums is one of the most complicated aspects in museology. The article is dedicated to the presentation of Johann Friedrich Böttger’s (1682-1719) collection of red stone mass exhibits in Lithuanian museums and aims at revealing their history. Thanks to the archival register, it was possible to discover the inventory lists with descriptions of valuable works of art that had been prevented

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Дисертації з теми "Art wares"

1

Dimopoulos, Johanna. "A study of Byzantine Sgraffito Wares (11th to 13th century) : classification, production, circulation and art historical analysis." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425731.

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Рижова, Ольга Петрівна. "Наукові основи технології кольорових екологічно безпечних склоемалей". Thesis, Національний технічний університет "Харківський політехнічний інститут", 2020. http://repository.kpi.kharkov.ua/handle/KhPI-Press/43712.

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Анотація:

Дисертація на здобуття наукового ступеня доктора технічних наук за спеціальністю 05.17.11 – технологія тугоплавких неметалічних матеріалів, Державний вищий навчальний заклад "Український державний хіміко-технологічний університет", Національний технічний університет "Харківський політехнічний інститут", Харків, 2020. Дисертацію присвячено розвитку наукових основ технології екологічно безпечних захисно-декоративних склоемалевих покриттів широкої колірної гами по сталі і кольоровим металам, а також принципів регулювання та прогнозування їх колірних характеристик. Внаслідок проведення дослідження

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3

Рижова, Ольга Петрівна. "Наукові основи технології кольорових екологічно безпечних склоемалей". Thesis, Національний технічний університет "Харківський політехнічний інститут", 2020. http://repository.kpi.kharkov.ua/handle/KhPI-Press/43707.

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Анотація:

Дисертація на здобуття наукового ступеня доктора технічних наук за спеціальністю 05.17.11 – технологія тугоплавких неметалічних матеріалів, Державний вищий навчальний заклад "Український державний хіміко-технологічний університет", Національний технічний університет "Харківський політехнічний інститут". Дисертацію присвячено науковим основам технології екологічно безпечних склоемалевих покриттів широкої колірної гами для сталі і кольорових металів, розробці принципів регулювання та прогнозування їх кольору. Розроблена спеціальна комп’ютерна програма COLOUR GLASS, яка за визначеними координатам

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4

Hilary, Kathryn Arnell. "Modern romanticism : four English art writers between the wars." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559368.

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This thesis assesses the work of four art writers who were active in Britain between the wars, Laurence Binyon, Paul Nash, Herbert Read and Geoffrey Grigson. In a period that has generally been viewed as dominated by a formalist criticism, their art writing exhibited a persistent romanticism that was fundamental to their engagement with modernism and was also integral to their interpretation of the role of the artist in the modem world. The main contention of this thesis is that this sensibility, far from being regressive, was a vital "- factor in their understanding and active promotion of mo

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5

Camera-Smith, Maria C. "(Ware)withal." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619193569373188.

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6

Lee, Eunji (Jubee). "After the big wind stops I see gentle waves." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5367.

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Анотація:

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have bee

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7

Jones, Huw D. "Exhibiting Welshness : art, politics and national identity in Wales, 1940-1994." Thesis, Swansea University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.741596.

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The study aims to analyse the culture of the visual arts in Wales between 1940 and 1994 – a period when the British state took formal responsibility for arts patronage through the Arts Council of Great Britain. Special attention focuses on how exhibitions organised by Welsh representatives of the Arts Council helped define and assert a Welsh sense of national identity, whose interests this served, and what were its wider implications. Following Peter Lord’s idea of an “Aesthetics of Relevance,” the study therefore examines Welsh art in relation to the broader social, political and economic dev

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8

Prinz, Joachim. "Why are wages upward sloping with tenure? /." München [u.a.] : Hampp, 2004. http://www.gbv.de/dms/zbw/389990906.pdf.

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9

Hughes, Theodore Brooks. "An Analysis of Wars of the Romani, a Flemish Tapestry From the Late Sixteenth Century." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-05312007-134933/.

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Among the treasures of the Montana Museum of Art and Culture is a lovely and elaborate work of art entitled Wars of the Romani, a Flemish tapestry woven in the last third of the 16th century. It is a large weaving, 10 x 15, portraying two armies intertwined in merciless combat. The specific subject matter of Wars of the Romani is unknown, but a standard displaying the Roman eagle held aloft in the background indicates the presence of the Roman legions. The tapestry displays rushing horsemen mounted on vigorous horses, marching spearmen, and supine warriors, imagery common to Flemish battle tap

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10

Ivanov, Gunnela. "Vackrare vardagsvara – design för alla? : Gregor Paulsson och Svenska Slöjdföreningen 1915–1925." Doctoral thesis, Umeå University, Historical Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-275.

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<p>This thesis is structured in six chapters. Chapter I contains an introduction and includes purpose, theory, method, and concepts. The main purpose, as depicted by the title, is to examine the roots of Swedish ideology concerning what today is generally named design, as embodied in the concept of more beautiful or better things for everyday life (in Swedish: ”vackrare vardagsvara”).</p><p>Chapter II contains a background and includes philosophical ideas and aesthetic movements in Europe which have influenced the Swedish Society of Arts and Crafts (in Swedish ”Svenska Slöjdföreningen”, abbrev

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Книги з теми "Art wares"

1

Patt, Judith. World tea party, Victoria: An exhibit of tea wares and tea-related art. Art Gallery of Greater Victoria, 2004.

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2

J.J. Lally & Co. Early Chinese white wares: The Ronald W. Longsdorf collection : September 11 to October 3, 2015. J.J. Lally & Co., 2015.

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3

Duan, Yong. Shang Zhou qing tong qi huan xiang dong wu wen yan jiu: Study of decorations on ancient Chinese bronze wares. Shanghai gu ji chu ban she, 2012.

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4

Fuxi, Sun, Xi'an Shi wen wu bao hu kao gu suo, and Xi'an Shi wen wu bao hu kao gu suo, eds. Xi'an wen wu jing hua: San cai : Sancai wares. Shi jie tu shu chu ban gong si, 2011.

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5

Lin, Yuanmao. Gen gu qi xiang: The everlasting fragrance of lacquer enjoy the handed down art of ancient lacquer wares relish the traditional culture. Zhonghua shu ju (Xianggang), 2018.

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6

Arts & Humanities Research Council (Great Britain) and University of Wales Lampeter, eds. Biblical art from Wales. Sheffield Phoenix Press, 2010.

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7

Gallery, Mostyn Art, ed. Women's art in Wales. the gallery, 1985.

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8

Wonil, Rhee, Weibel Peter, Jansen Gregor 1965-, and Museum für Neue Kunst (Karlsruhe, Germany), eds. Thermocline of art: New Asian waves. ZKM, Center for Art and Media, 2007.

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9

Wonil, Rhee, Weibel Peter, Jansen Gregor 1965-, and Museum für Neue Kunst (Karlsruhe, Germany), eds. Thermocline of art: New Asian waves. ZKM, Center for Art and Media, 2007.

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10

Peter, Lord. The visual culture of Wales. University of Wales Press, 1998.

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Частини книг з теми "Art wares"

1

Soucek, Brian. "Personifying Art." In New Waves in Aesthetics. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227453_12.

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2

Harford, Jarrad. "Merger Waves." In The Art of Capital Restructuring. John Wiley & Sons, Inc., 2011. http://dx.doi.org/10.1002/9781118258996.ch2.

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3

Boeyens, Jan C. A. "State of the Art." In The Chemistry of Matter Waves. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7578-7_5.

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4

Zhu, Jinzy. "The Art of Cloud Wars." In China Cloud Rising. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-53745-5_17.

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Manfredi, Camille. "“Our Oil”: Our Waves?" In British Art and the Environment. Routledge, 2021. http://dx.doi.org/10.4324/9781003099215-9.

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Kitagawa, K., Y. Miyagawa, K. Inaba, M. Yasuhara, and N. Yoshikawa. "Temperature measurements in the arc heated region of a Huels type arc heater." In Shock Waves. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-85181-3_47.

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Loske, Achim M. "What Are Shock Waves?" In Urinary Tract Stone Disease. Springer London, 2010. http://dx.doi.org/10.1007/978-1-84800-362-0_22.

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Steinhauser, Martin Oliver. "What are shock waves?" In Multiscale Modeling and Simulation of Shock Wave-Induced Failure in Materials Science. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-21134-9_2.

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Lauterbach, Thomas. "What Are Electromagnetic Waves?" In Radio Astronomy. Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-36035-1_2.

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Toffoli, Alessandro. "Why Are There Waves?" In The Science and Culture of Surfing. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-80979-8_3.

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Тези доповідей конференцій з теми "Art wares"

1

Tavanti, Emanuele, Andrea Motroni, Paolo Nepa, Alice Buffi, Roberto Gabbrielli, and Marco Pirozzi. "Combining UHF Waves and Optical Waves in Tracking Systems for Safety Applications: State-of-the-Art Literature Survey." In 2024 IEEE International Symposium on Antennas and Propagation and INC/USNC‐URSI Radio Science Meeting (AP-S/INC-USNC-URSI). IEEE, 2024. http://dx.doi.org/10.1109/ap-s/inc-usnc-ursi52054.2024.10687186.

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2

Holstein, Jakob, Rohit Kapoor, Juan Antonio Delgado Notario, Vito Clericò, Florian Ludwig, and Hartmut G. Roskos. "Towards efficient and sensitive room-temperature THz detection using state-of-the-art broadband graphene/hBN-based TeraFETs." In 2024 49th International Conference on Infrared, Millimeter, and Terahertz Waves (IRMMW-THz). IEEE, 2024. http://dx.doi.org/10.1109/irmmw-thz60956.2024.10697713.

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He, Yueming. "Research on the Modeling Design of Modern Tea Wares." In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.036.

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Daoud, El Hakkioui. "Andalusia...the existing cultural paradise." In I. International Sharjah Conference of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/sharjahconf1-8.

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“Andalusia” is a word that carries connotations and a horizon that speaks to our being and contradicts our feelings. However, it is also a bittersweet memory full of great unrest and great failures. The country of Andalusia was blessed with goodness and wealth, good products, the luxury of beverages, rich fruits, gushing waters, the expansion of structure, the elegance of clothing, the civilization of machines, the abundance of means, the health of the atmosphere, the radiance of the visions of human beings, the superiority of minds, the exquisiteness of products, the height of determination,

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"[Spine art]." In 2015 Symposium on Piezoelectricity, Acoustic Waves, and Device Applications (SPAWDA). IEEE, 2015. http://dx.doi.org/10.1109/spawda.2015.7364549.

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"[Spine art]." In 2016 Symposium on Piezoelectricity, Acoustic Waves, and Device Applications (SPAWDA). IEEE, 2016. http://dx.doi.org/10.1109/spawda.2016.7830046.

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7

Mansion, Mikhail, Kuan-Ju Wu, and Yasuaki Kakehi. "Heat Waves: Thermoacoustics in Ecological Sound Art." In TEI '25: Nineteenth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2025. https://doi.org/10.1145/3689050.3707684.

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8

Boardman, A. D., P. Egan, R. C. Mitchell-Thomas, M. McCall, and Y. G. Rapoport. "Nonlinear waves in metamaterials: state of the art." In SPIE NanoScience + Engineering, edited by Allan D. Boardman, Nader Engheta, Mikhail A. Noginov, and Nikolay I. Zheludev. SPIE, 2011. http://dx.doi.org/10.1117/12.892463.

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9

Metraux, Yves. "Star Wars Episode 1." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313085.

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10

Rouet, Christian. "Star Wars Episode 1." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313087.

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Звіти організацій з теми "Art wares"

1

Dickens, William, Lawrence Katz, and Kevin Lang. Are Efficiency Wages Efficient? National Bureau of Economic Research, 1986. http://dx.doi.org/10.3386/w1935.

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2

Dressel, Joanna, Deirdre Harkins, and Liam Sweeney. Living Wages: Art Museum Leaders Confront Persistent Staff Compensation Challenges. Ithaka S+R, 2023. http://dx.doi.org/10.18665/sr.319152.

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3

Hernandez Martinez, Victor, Kaixin Liu, and Richard Grice. Estimating duration dependence on re-employment wages when reservation wages are binding. Federal Reserve Bank of Cleveland, 2023. http://dx.doi.org/10.26509/frbc-wp-202321.

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Анотація:

This paper documents a novel finding indicating that re-employment wages are elastic to the level of unemployment insurance (i.e., a binding reservation wage) and adapts the IV estimator for duration dependence in Schmieder et al. (2016) to account for this fact. Using administrative data from Spain, we find that unemployed workers lower their re-employment wages by 3 percent immediately after the exhaustion of unemployment insurance (UI) benefits. Workers’ characteristics and permanent unobserved heterogeneity cannot explain this. To estimate duration dependence, we extend the IV framework pr

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4

Bowler, Ellis W. Colombia Challenge: Elements of Operational Art and the Three Wars. Defense Technical Information Center, 2001. http://dx.doi.org/10.21236/ada389806.

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5

Muller, Peter. ARI: Internal Gravity Waves at Abrupt Topography. Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/ada266383.

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6

Borusyak, Kirill, and Xavier Jaravel. Are trade wars class wars? The importance of trade-induced horizontal inequality. The IFS, 2022. http://dx.doi.org/10.1920/wp.ifs.2022.3422.

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7

Wootton, Alice, Helen Heard, Alexandra Moore, et al. F&Y2 Wave 7-8 NI: Executive Summary. Food Standards Agency, 2024. http://dx.doi.org/10.46756/sci.fsa.lxq514.

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Food and You 2 is a biannual ‘Official Statistic’ survey commissioned by the Food Standards Agency (FSA). The survey measures self-reported consumers’ knowledge, attitudes and behaviours related to food safety and other food issues amongst adults in England, Wales, and Northern Ireland. The modules presented in this report include ‘Food you can trust’, ‘Concerns about food’, ’Food security’, ‘Eating out and takeaways’, ‘Food allergies, intolerances and other hypersensitivities’, ‘Eating at home’, ‘Food shopping and labelling’ and ‘Healthy eating’. This report presents findings from respondents

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8

Blank, Rebecca. Why are Wages Cyclical in the 1970's? National Bureau of Economic Research, 1987. http://dx.doi.org/10.3386/w2396.

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9

Guidolin, Massimo, and Eliana La Ferrara. Diamonds Are Forever, Wars Are Not. Is Conflict Bad for Private Firms? Federal Reserve Bank of St. Louis, 2005. http://dx.doi.org/10.20955/wp.2005.004.

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10

Parnell, Charlotte, Beth Armstrong, Lucy King, Mark Jitlal, Daniel Menash, and Katie Mears. Food and You 2: Northern Ireland Wave 5-6 Key Findings. Food Standards Agency, 2023. http://dx.doi.org/10.46756/sci.fsa.cdl647.

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Анотація:

Food and You 2 is a biannual ‘Official Statistic’ survey commissioned by the Food Standards Agency (FSA). The survey measures self-reported consumers’ knowledge, attitudes and behaviours related to food safety and other food issues amongst adults in England, Wales, and Northern Ireland. This report presents the findings from Waves 5 and 6 of the Food and You 2 survey, collected from respondents in Northern Ireland. Wave 5 (Opens in a new window) fieldwork was conducted between 26th April and 24th July 2022 and Wave 6 (Opens in a new window) fieldwork was conducted between 12th October 2022 and

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