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Добірка наукової літератури з теми "Arthurian novels"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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Статті в журналах з теми "Arthurian novels"

Sell, Carl B. "“My Honor is My Life”: Sturm Brightblade of the Dragonlance Saga and Middle English Arthurian Knighthood." Romanica Silesiana 20, no. 2 (2021): 1–26. http://dx.doi.org/10.31261/rs.2021.20.04.

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Arthuriana has a long history of adaptation and appropriation in medieval and contemporary works, and the tradition of such textual borrowing and reworking continues in contemporary “genre” novels, particularly those that invoke associations with knights, honor, and codes of chivalry. One such example are the novels and short stories of the Dragonlance setting. Sturm Brightblade is positioned as a knight who adheres to a code of honor and is given Arthurian character traits, narrative arcs, and a backstory by the various authors that have fleshed out his history. The texts in the Dragonlance s

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Ropa, Anastasija. "Intertextuality and Arthurian Women in David Lodge’s Small World (1984)." Baltic Journal of English Language, Literature and Culture 11 (2021): 98–120. http://dx.doi.org/10.22364/bjellc.11.2021.07.

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The present article analyses intertextual references in David Lodge’s Small World. An Academic Romance (1984), focusing on allusions to the corpus of medieval and twentieth-century Arthuriana in the representation of women characters. An analysis of Arthurian allusions in the portrayal of women characters shows that Lodge introduces Arthurian women to his academic ‘Camelot’ in response to medieval and post-medieval literature about King Arthur and the Grail quest. In this respect, his representation of academic women in Small World is different from the way they are described in Lodge’s other

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Piercy, Hannah. "Desire, Consent and Misogyny in Post-medieval Adaptations of the Pelleas and Ettarde Story." Journal of the International Arthurian Society 10, no. 1 (2022): 5–28. http://dx.doi.org/10.1515/jias-2022-0003.

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Abstract Pelleas and Ettarde may not be particularly well-known figures today, but in the nineteenth and twentieth centuries, following the publication of Alfred Lord Tennyson’s ‘Pelleas and Ettarre’ idyll, they were included or even centred in a number of Arthurian poems, plays and novels. This article explores the changing representations of Pelleas and Ettarde in post-medieval adaptations. Why do writers choose to retell and adapt this story? What kinds of intertextual connections are uncovered by focusing on these particular Arthurian afterlives? And how do modern writers reshape this stor

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Latimier, Adeline. "Le cri de la bête et la chute du géant : sons et mise à mort de l’adversaire dans l’aventure merveilleuse arthurienne." Topiques, études satoriennes 6 (February 15, 2023): 1–15. http://dx.doi.org/10.7202/1096697ar.

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This article focuses on the presence and the treatment of sound in the killing of the adversary in the Arthurian novel. We begin by establishing a definition of the topos, based on a large list of occurrences, which leads us to see in the sound of the death of the enemy a variation of a larger and more widespread motif. We then study the evolution of this topos from the epic texts to the latest novels. Finally, we notice the significance of these sounds in a family of romances in which authors seem to seek to perpetuate the first forms of the Arthurian story.

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Labrom, Alexie. "‘An Ancient Procession’: Memory, Myth and Movement in Kazuo Ishiguro’s The Buried Giant ." Journal of the International Arthurian Society 10, no. 1 (2022): 52–72. http://dx.doi.org/10.1515/jias-2022-0005.

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Abstract The novels of Kazuo Ishiguro span a variety of literary genres but are unified by a profound interest in the workings of memory. Guided by recent scholarship in the field of cultural memory studies, this essay analyses Ishiguro’s seventh novel, The Buried Giant, in the context of the Middle English romance traditions which it echoes both formally and thematically. In doing so, it argues that the novel’s use of Arthurian myth is a technique by which to illuminate and explore the role of literature in the formation of collective memory and cultural identity.

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Davis, Aimee. "Adapting Elaine: Tennyson’s “The Lady of Shalott” and Feminist Young Adult Novels." ALAN Review 44, no. 3 (2017): 36–46. http://dx.doi.org/10.21061/alan.v44i3.a.4.

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One of the hallmarks of young adult literature is its focus on adolescent protagonists who struggle to reconcile what they want with what they are supposed to want. Indeed, some of the most enduring works of young adult literature, from L. M. Montgomery’s Anne of Green Gables (2006) to Judy Blume’s Forever (1975), place their young characters at a crossroads between cultural convention and individual desire. Foundational scholarship in the field of young adult fiction has suggested a recurring conflict in novels for young readers in which a protagonist finds himself or herself directly at odds

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Rutledge, Amelia A. "Romans, Celts, and ‘Others’: Residual Colonial Models and Race in Contemporary Arthurian Novels." Arthuriana 31, no. 2 (2021): 40–60. http://dx.doi.org/10.1353/art.2021.0012.

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Nowicki, Wojciech. "Academia at a critical point: David Lodge’s Small World." Facta Simonidis 3, no. 1 (2010): 191–204. http://dx.doi.org/10.56583/fs.287.

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The article discusses Small World, one of the most popular campus novels by the contemporary author David Lodge. What distinguishes Small World is the theme of academia: nearly all major characters are lecturers in literature. Lodge involves the reader in an intertextual game whose meanings are available only to experts, i.e. lecturers themselves, since most readers may overlook the fact that the novel is a satirical remake of Arthurian romance. The “critical point” mentioned in the title of the article alludes to critical debates in the novel, to a critique of the academic institution as such

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Bohdana, Hrynda. "Image and Narrative: Gender Theme in the Iconography of Medieval Courtly Literature." ВІСНИК Львівської національної академії мистецтв, no. 32 (November 30, 2017): 86–100. https://doi.org/10.5281/zenodo.1068626.

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Gothic illumination, which embraced a wide range of topics and plots, was, on the one hand, focused on visualizing a Utopian world as reflected in the texts, and, on the other hand, in illustrations to the novels regarding King Arthur’s court parallel narration appears. The images of women take on greater significance in this world. Heroines of novels are active, not passive characters, and they perform the role of encouragers, which in turn influences the development of story lines, hence the plots of these novels, with their bright visual imagery, came to be tools for the reconstr

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Dybeł, Katarzyna. "„Długośmy czekali na ciebie, panie”. Motyw wyczekiwanego rycerza w starofrancuskich powieściach Okrągłego Stołu." Terminus 25, no. 3 (68) (2024): 273–83. http://dx.doi.org/10.4467/20843844te.23.015.18203.

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This paper aims to analyse and interpret the motif of the long-awaited knight (le chevalier desirré) in two Old French romances of the Round Table: Lancelot by Chretien de Troyes (ca. 1177–1181) and The Quest of the Holy Grail, written in prose by an anonymous author in the first half of the 13th century. Essentially different in their purport and in the portrayal of the Arthurian society, these works display an interesting array of the variants of the motif under scrutiny. In Chretien’s romance the motif of the long-awaited knight gives rise primarily to the effect of surprise and astonishmen

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Дисертації з теми "Arthurian novels"

Robin, Mabriez Françoise. "Les versions du XVe siècle d’Artus de Bretagne : édition et étude littéraire." Thesis, Rennes 2, 2011. http://www.theses.fr/2011REN20028.

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Artus de Bretagne est un roman du XIVe siècle conservé dans de nombreux manuscrits, ce qui établit son succès. Le fils d'un duc de Bretagne y gagne le royaume de Sorrolois, devenant ainsi le roi Artus. Il existe des continuations du roman au XVe siècle, conservées dans quatre manuscrits. Ils contiennent des textes proches qui constituent une version longue du roman. La thèse édite les 229 premiers folios du manuscrit BnF fr 19 163. Le texte est établi grâce aux trois autres manuscrits et au manuscrit BnF fr 761 qui contient la version courte. Le texte pose peu de problèmes de lecture et utilis

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Arioli, Emanuele. "Un roman arthurien retrouvé : Ségurant ou le Chevalier au Dragon (XIIIe-XVe siècles)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040122.

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Ségurant ou le Chevalier au Dragon est le titre que nous avons attribué à un ensemble romanesque médiéval ignoré de l’histoire littéraire et dispersé dans une tradition manuscrite abondante. Ce roman arthurien en prose, en langue française, qui a sans doute vu le jour entre 1240 et 1279 en Italie du Nord, ne subsiste qu’à l’état lacunaire dans des compilations et des sommes romanesques postérieures. C’est à partir de tous les manuscrits qui en ont conservé des fragments que nous proposons une reconstitution de ses diverses versions, qui s’échelonnent du XIIIe au XVe siècle. Cette thèse compren

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Tramet, Marina. "Un roman chansonnier dans les marges du monde arthurien : Roman de la Violette de Gerbert de Montreuil." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030046.

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Le Roman de la Violette de Gerbert de Montreuil est un récit du début du XIIIe siècle appartenant au cycle de la gageure et de la femme injustement accusée, voué à la glorification des vertus féminines et dédié à Marie, comtesse de Ponthieu. L'auteur, qui pratique la technique de l'enchâssement d'insertions lyriques dans la narration, inscrit ce conte d'origine populaire, qui relate les mésaventures d'un couple de héros, dans le cadre d'une errance typiquement arthurienne, une charpente solide permettant de développer des thématiques particulières. D'une part, le déploiement de différentes ave

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Tramet, Marina. "Un roman chansonnier dans les marges du monde arthurien: le 'Roman de la Violette' de Gerbert de Montreuil." Doctoral thesis, Università degli studi di Padova, 2011. http://hdl.handle.net/11577/3423331.

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Gerbert de Montreuil's Roman de la Violette is a XIIIth century text dedicated to Marie, countess of Ponthieu, and belongs to the wager cycle, in which women are falsely accused. The author aims so to glorify women's virtues and is. Using the enchâssement technique of lyric insertions into a narrative, and relating the misadventures of a young couple of heroes, the author inscribes this novel of popular origin in a typical arthurian errance scheme, a solid structure that can support any thematic development. On one hand, the different adventures based on the quête scheme, allow the author to

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Walker, Malcolm. "The stone crown : a novel." 2007. http://hdl.handle.net/2440/56818.

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Title page and prologue v.2; Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library.<br>"The stone crown is, in part, a contemporary reworking of the Arthurian legend." -- abstract, [v. 2], p. v.<br>http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1284280<br>Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2007

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Книги з теми "Arthurian novels"

Wagner, Matt. Mage: The hero discovered. Donning Co., 1987.

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Wagner, Matt. Mage: The hero discovered. Image Comics, 1999.

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Wagner, Matt. Mage: The hero discovered. Image Comics, 1999.

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Wagner, Matt. Mage: The hero discovered. Image Comics, 1999.

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Miles, Rosalind. Isolde, queen of the Western Isle: The first of the Tristan and Isolde novels. Crown Publishers, 2002.

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Barr, Mike W. Camelot 3000: Continuing legends chronicled by Sir Thomas Mallory. Warner Books, 1988.

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Barr, Mike W. Camelot 3000. DC Comics, 1988.

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Miles, Rosalind. Isolde, queen of the Western Isle: The first of the Tristan and Isolde novels. Crown Publishers, 2002.

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McCormack, Patrick. The last companion: A novel of Arthurian Britain. Carroll & Graf Publishers, 2005.

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Guler, Kathleen Cunningham. In the shadow of dragons: [an historical novel of Arthurian Britain]. Bardsong Press, 2001.

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Частини книг з теми "Arthurian novels"

Filmer-Davies, Kath. "Arthurian Novels and the Spirit of Welsh Place." In Fantasy Fiction and Welsh Myth. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24991-6_6.

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Aronstein, Susan, and Tison Pugh. "Chapter 37. Geoffrey of Monmouth and the evolution of Excalibur." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.37aro.

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King Arthur’s legendary sword – Caliburnus in Latin, Caledfwlch in Welsh, Escalibor in Old French, and Excalibur in Middle and Modern English – evolves in its cultural meaning from its earliest depictions in quasi-historical Latin texts through twentieth-century films and novels. As evidenced in a range of sources, including Culhwch ac Olwen, Geoffrey of Monmouth’s Historia regum Britanniae, Sir Thomas Malory’s Morte D’Arthur, Lord Alfred Tennyson’s Idylls of the King, T.H. White’s The Once and Future King, Marion Zimmer Bradley’s The Mists of Avalon, and John Boorman’s Excalibur, Excalibur sy

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Aronstein, Susan, and Tison Pugh. "Geoffrey of Monmouth and the evolution of Excalibur." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.37aro.

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Abstract King Arthur’s legendary sword – Caliburnus in Latin, Caledfwlch in Welsh, Escalibor in Old French, and Excalibur in Middle and Modern English – evolves in its cultural meaning from its earliest depictions in quasi-historical Latin texts through twentieth-century films and novels. As evidenced in a range of sources, including Culhwch ac Olwen, Geoffrey of Monmouth’s Historia regum Britanniae, Sir Thomas Malory’s Morte D’Arthur, Lord Alfred Tennyson’s Idylls of the King, T.H. White’s The Once and Future King, Marion Zimmer Bradley’s The Mists of Avalon, and John Boorman’s Excalibur, Exc

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Roberts, Adam. "Silk and Potatoes: Arthurian Novels as Historical Fiction." In Silk and Potatoes. BRILL, 1998. http://dx.doi.org/10.1163/9789004489493_004.

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Fiddes, Paul S. "From Equilibrium to Exchange." In Charles Williams and C. S. Lewis. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845467.003.0011.

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In his sequence of novels Williams explores the path from the idea of ‘exchange’ to ‘substitution’, and finally to ‘co-inherence’. This chapter shows how the first four novels each take a central symbol around which the plot revolves: successively these are the Arthurian Holy Grail, the Stone of Solomon, the Eagle—archetype of Truth—and the Dance of the cosmos. The predominant idea is the desirability of holding an equilibrium within the movements of time, space, and events. The idea also appears in notes by Williams for a lecture on Gerard Manley Hopkins at about the same time. However, it fa

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Fajen, Robert. "Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo." In Allegory and the Poetic Self. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9780813069517.003.0005.

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This essay focuses on Le Livre du Chevalier Errant, written by the Piedmontese Marquess Thomas III of Saluzzo between 1394 and 1396 during his imprisonment in Turin. I examine the novel’s complex narrative method in more detail. As early as the introduction of the novel, Thomas of Saluzzo combines allegorical discourse with the narrative methods of the Arthurian novel. The allegory thus becomes less abstract; in the light of the previous novels, it becomes more specific and appears more vivid and detailed. This is followed by an analysis of the role of the three personifications for, Espérance

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Ziff, Larzer. "Novelist." In Mark Twain. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195170191.003.0003.

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Abstract Although Mark Twain’S Literary Activities Extended For Some sixty years, from his newspaper apprenticeship in 1851 to his death in 1910, all seven of his full-length novels appeared in a twenty-one year period within that long span. His first novel, The Gilded Age (1873), written in collaboration with Charles Dudley Warner, was set in the time in which it was written, an era that has ever since borne the label given it in the book’s title. Almost twenty years later he returned to the same setting and to some of the same characters in The American Claimant (1892), another political sat

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Sanagustín-Fons, María Victoria, Rocío Blanco Gregory, and Violante Martínez-Quintana. "Holy Grail Route." In Advances in Hospitality, Tourism, and the Services Industry. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5730-2.ch003.

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This chapter describes and explains the Holy Grail Route, its process of design as a tourism product, and the tools and methodologies that proved very useful in coming up with new tourism services for the route. This was based on a European research COSME project within the H2020 program, which ran from 2014 to 2016, with the objective being to plan and promote a European thematic, tourist, and transnational route. The basic idea arising from the project is the international collective imagery surrounding the Holy Grail and its traditions, legends, and culture (novels, films, tales), and creat

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Bennett, J. A. W. "The Poems of the Gawain Manuscript." In Middle English Literature 1100–1400, edited by Douglas Gray. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122289.003.0006.

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Abstract With the alliterative poem that we call Sir Gawain and the Green Knight, English medieval romance reaches its peak—though that phrase is misleading if it suggests a gradual development to perfection: the gulf between the poem and its congeners is as great as that between the novels that Jane Austen read and her own. Its author has mastered all the poetic techniques and narrative devices of his predecessors, but he has also taken elements from various genres of romance, including chronicle, and welded them to form a vehicle for new values and more subtle suggestions. Love and combat ha

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Woller, Megan. "Musical Storytelling and Revision in Rodgers and Hart’s A Connecticut Yankee." In From Camelot to Spamalot. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197511022.003.0001.

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This short chapter examines Mark Twain’s novel A Connecticut Yankee in King Arthur’s Court and its relationship to “classical” Arthurian legend. Twain blends time periods in a more sustained way than either T. H. White’s or even Monty Python’s Arthurian world, both of which already are rife with anachronisms and modern intrusions. In “transporting” a contemporary character into ancient Camelot, Twain uses the tale to comment on society and technology in very obvious ways. As an opening prelude to the first section of this book, an examination of Twain’s approach and characterization form a fou

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