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Готові списки джерел за темами / Australian literature 20th century History and criticism / Статті в журналах

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Australian literature 20th century History and criticism.

Статті в журналах з теми "Australian literature 20th century History and criticism"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 28 січня 2023

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1

Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mech

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2

Dodson, Giles. "REVIEW: 'Digger' media out-manoeuvred by military." Pacific Journalism Review 18, no. 1 (May 31, 2012): 238. http://dx.doi.org/10.24135/pjr.v18i1.303.

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Review of: Witnesses to War: The History of Australian Conflict Reporting, by Fay Anderson and Richard Trembath. Melbourne: Melbourne University Press, 2011, 501 pp, ISBN 978-0522856446 (pbk)Witnesses to War: The History of Australian Conflict Reporting provides a thorough-going account of the developments and, importantly, of continuities which have characterised Australian reporting of foreign wars since the 19th century. It is a welcome addition to the growing body of conflict reporting literature, in particular to that which concerns the local experience. It is clear the forces which struc

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3

Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.

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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusia

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4

Spahić, Elmir. "The Ethics of the Anti-War Letter and Poetics of Testimony in Tvrtko Kulenović’s History of Illness (1994)." Context: Journal of Interdisciplinary Studies 9, no. 1 (June 30, 2022): 115–30. http://dx.doi.org/10.55425/23036966.2022.9.1.115.

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Tvrtko Kulenović’s History of Illness (1994) belongs to the anti-war letter and poetics of testimony genres from late 20th-century Bosniak and Bosnian-Herzegovian literature. Although a novel, History of Illness depicts the evils of the 1992–1995 war, in which Sarajevo was besieged by the Yugoslav People’s Army and the Army of Republika Srpska. Kulenović writes from the position of victim, and advocates the idea of ethical engagement during the writing process, in which the narrative and existential selves merge. This paper uses the methodological bases of ethical literary criticism to prove t

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5

Liu, Miaowen, and Natalia Z. Koltsova. "Perception of works of V. Shklovsky in China." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (December 15, 2019): 462–76. http://dx.doi.org/10.22363/2312-9220-2019-24-3-462-476.

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The article is devoted to studying the long-term dissemination and perception of Viktor Shklovsky's works and ideas in China from the 1930s to 2010s, while providing a brief overview of the scientific articles of Chinese Russianists, who played a key role in studying the heritage of Shklovsky conceptual apparatus in Chinese literary criticism. Particular attention is paid to the category of estrangement, firmly included in Chinese literary studies and widely used in the analysis of works of Chinese literature and cinema, have been considered such concepts of Russian formalism as literary chara

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6

Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (February 4, 2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un

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7

Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (May 13, 2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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8

Legeżyńska, Anna. "Translatologia z perspektywy końca (wieku)." Przestrzenie Teorii, no. 1 (February 15, 2007): 119–36. http://dx.doi.org/10.14746/pt.2002.1.8.

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When summing up the history of translatology in the second half of the 20th century, the author points to undoubtful achievements of this discipline as well as disputable questions and tasks for the future. She proves that the postmodern conceptions of the exhaustion of literature (Lyotard) are not reflected in studies of translation. Just the opposite, this field has been developing dynamically, although its autonomy is still questioned. The chance of translatology is its interdisciplinary character, relation with methodology of linguistic studies, using the theory of interpretation and the t

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9

Костригин, А. А. "HISTORICAL-PSYCHOLOGICAL IDEAS OF A.P. NECHAEV. PART 1: HISTORY OF LITERATURE, LITERARY CRITICISM, HISTORICAL PSYCHOLOGY." Институт психологии Российской академии наук. Социальная и экономическая психология, no. 1(21) (April 12, 2021): 252–70. http://dx.doi.org/10.38098/ipran.sep.2021.21.1.010.

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Статья посвящена Александру Петровичу Нечаеву (1870-1948), выдающемуся отечественному психологу и педагогу первой половины XX в. В данной работе А.П. Нечаев показан как историк психологии. Рассматриваются историко-психологические работы и взгляды ученого по трем направлениям: анализ историко-литературных работ, в которых освещаются идеи, связанные с исторической психологией; анализ работ, освещавших состояние психологии на рубеже XIX-XX вв. и об отдельных персоналиях современной Нечаеву психологии; анализ специальных историко-психологических и историко-философских работ. В первой части предста

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10

Homberg, Mauricio, and Jens Ivo Engels. "Corruption Debates in the First Portuguese Republic 1910-1926." Revista Portuguesa de História 53 (September 27, 2022): 79–96. http://dx.doi.org/10.14195/0870-4147_53_4.

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This paper deals with corruption debates as a political factor in the First Portuguese Republic. Criticism of corruption is a hitherto hardly considered aspect for understanding the instability of the Republic. Criticism of corruption as a critique of parliamentarism existed in almost all European countries in the first third of the 20th century. This essay offers a systematic examination of corruption debates in Portugal and aims to emphasise the international commonalities. Similar to the rest of Europe, these criticisms contributed to the bad image and destabilisation of the parliamentary s

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11

Siqueira Castanheira, José Cláudio. "Introduction to the Sociology of Music Technologies: An Ontological Review." methaodos revista de ciencias sociales 10, no. 2 (October 31, 2022): 419–29. http://dx.doi.org/10.17502/mrcs.v10i2.574.

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Adorno’s work, in particular the texts dealing with the relationship between music and social behaviors or structures, has been the target of criticism, especially in the second half of the 20th century, being considered by many to be generalist, dogmatic or even elitist. This work proposes the analysis of musical technologies not only as a set of compositional techniques, as Adorno does, but, in fact, as material conditions for the realization of a certain type of sound/music. The colonialist character of these technologies is also analyzed. Based on a review of some key concepts in Adornian

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12

Darian-Smith, Kate, Catriona Elder, and Fiona Paisley. "“Are We Internationally Minded?” Everyday Cultures of Australian Internationalism in the mid-20th Century." Journal of Australian Studies 43, no. 4 (October 2, 2019): 405–11. http://dx.doi.org/10.1080/14443058.2019.1704171.

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13

Kachorovskaya, A. E. "On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries." Nauchnyi dialog, no. 3 (March 30, 2020): 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.

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This article focuses its attention on the motive of resistance characteristic of Austrian literature of the 19th - 20th centuries, which is considered from the point of view of the historical and literary relationship with the myth of Prometheus. The history of the issue is reviewed. A selective analysis of the versions of the Promethean myth in the Austrian historical and literary context of the 19th-20th centuries, which is part of the pan-European literary and philosophical heritage, is given. The stylistic and genre originality of Austrian interpretations of the myth of Prometheus is prove

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14

Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.

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The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the cu

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15

Kantoříková, Jana. "Melancholy, Hanuš Jelínek and Miloš Marten." Acta Musei Nationalis Pragae – Historia litterarum 61, no. 1-2 (2016): 77–82. http://dx.doi.org/10.1515/amnpsc-2017-0022.

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The aim of this article is to present the roles of Miloš Marten (1883–1917) in the Czech–French cultural events of the first decade of the 20th century in the background of his contacts with Hanuš Jelínek (1878–1944). The first part of the article deals with Marten’s artistic and life experience during his stays in Paris (1907–1908). The consequences of those two stays to the artist’s life and work will be accentuated. The second part takes a close look at Miloš Marten’s critique of Hanuš Jelínek’s doctoral thesis Melancholics. Studies from the History of Sensibility in French Literature. To i

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16

Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.

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The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author br

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17

Radmilo Derado, Sanja. "MERGING SOCIAL CRITICISM WITH IRISH CULTURAL HERITAGE IN THE SHORT STORY COLLECTION THE UNTILLED FIELD BY GEORGE MOORE." Folia linguistica et litteraria X, no. 32 (2020): 43–63. http://dx.doi.org/10.31902/fll.32.2020.3.

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The paper analyses the short story collection The Untilled Field by the Irish writer George Moore (1852-1933) with the aim of establishing the subversive potential of these stories in the context of the criticism of the overpowering dogmas within the Irish society at the beginning of the 20th century. With this long neglected short story collection, George Moore reveals a darker, silenced side of Ireland, hidden from the public discourse of the socio-political mainstream of the period. His social criticism is primarily focused on some neuralgic aspects of the Irish society of the time, namely

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18

Kuizinienė, Dalia. "Alfonsas Nyka-Niliūnas’s Literary Review: Polemical Dialogues." Colloquia 43 (December 20, 2019): 77–96. http://dx.doi.org/10.51554/col.2019.28640.

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Alfonsas Nyka-Niliūnas (1919–2015), the celebrated Lithuanian poet of the 20th century, was also one of the most prominent literary critics. For more than two decades, he had been an active literary critic, publishing his texts in Lithuanian émigré literary and culture magazines. In addition to his studies on the history and criticism of Lithuanian literature, articles on Western and Lithuanian classics, Nyka-Niliūnas wrote literary reviews. In the field of Lithuanian émigré literature and criticism, he validated a certain type of critical review which emphasized novelty, originality and evalu

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19

Pechenkin, Alexander. "The Ensemble Interpretation of Quantum Mechanics and Scientific Realism." Acta Baltica Historiae et Philosophiae Scientiarum 9, no. 1 (May 27, 2021): 5–17. http://dx.doi.org/10.11590/abhps.2021.1.01.

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The article takes under consideration three versions of the ensemble (statistical) interpretation of quantum mechanics and discusses the interconnection of these interpretations with the philosophy of science. To emphasize the specifics of the problem of interpretation of quantum mechanics in the USSR, the Marxist ideology is taken into account. The present paper continues the author’s previous analysis of ensemble interpretations which emerged in the USA and USSR in the first half of the 20th century. The author emphasizes that the ensemble approach turned out to be a dead end for the develop

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20

Demidova, Olga. "Эпистолярия как литературные беседы: Письма Г. В. Адамовича А. В. Бахраху [_Epistolaria_ as Literary Conversations: Letters of Georgy Adamovich to Alexander Bacherac]". Slavica Revalensia 8 (2021): 238–83. http://dx.doi.org/10.22601/sr.2021.08.08.

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This article is an attempt at close reading an extensive ego text (Georgy Adamovich’s letters to Alexander Bacherac of the 1940s – 1972) as a thirty-year-long literary conversation of two Russian émigré writers. Regarding the letters as a single cultural text, and relying on the hermeneutic and semiotic approaches, the article singles out three major layers of the text in question, and analyzes the textual body “inwardly,” i.e. starting from the purely existential-informational upper layer, proceeding to the layer of literary criticism, and finally reaching the layer of literary quotations and

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21

Morozova, K. I. "JOLLY FELLOWS: A.K. GOLDEBAEV AND A.S. NEVEROV." Bulletin of Udmurt University. Series History and Philology 32, no. 3 (July 8, 2022): 594–600. http://dx.doi.org/10.35634/2412-9534-2022-32-3-594-600.

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The article examines the poetics of A.S. Neverov's “Jolly Fellows” story (1922), which shows the life of Neverov (Begunka) himself, a friend-writer A.K. Goldebaev (real name is Semenov) and his daughter Alenushka in the hungry years of the beginning of the 20th century. The choice of this particular work is due to several reasons. Firstly, the central character is Goldebaev, about whom practically nothing is known in the history of Russian literature, and the story is dedicated to one of the last years of his life. Secondly, this work is repeatedly mentioned in the correspondence of writers. T

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22

Perry, Robert L., and Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance." Ethnic Studies Review 19, no. 2-3 (June 1, 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.

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This paper deals with some of the sociological implications of a major cultural high-water point in the African American experience, the New Negro/Harlem Renaissance. The paper concentrates on the cultural transformations brought about through the intellectual activity of political activists, a multi-genre group of artists, cultural brokers, and businesspersons. The driving-wheel thrust of this era was the reclamation and the invigoration of the traditions of the culture with an emphasis on both the, African and the American aspects, which significantly impacted American and international cult

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23

Torstendahl, R. "TELLING HISTORIES OR ACCOUNTING FOR ASPECTS OF THE PAST: A HISTORIOGRAPHICAL CHOICE IN A EUROPEAN HISTORICAL PERSPECTIVE." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 3 (2021): 9–20. http://dx.doi.org/10.26907/2541-7738.2021.3.9-20.

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The article departs from the difference between two types of historical writings, one narrating stories about actors and the other trying to bring about evidence that justify claims to know certain things about specific aspects of the past. From the Iliad and the Odyssey, telling stories have been a common way of presenting past events. Inscriptions and annals, as well as graves and monuments, urged to present posterity with evidence for acts and occurrences. Storytelling was always more popular than searching for evidence. In the 19th century, historians began to systematise their doubts abou

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24

Nosonovsky, Michael, Dan Shapira, and Daria Vasyutinsky-Shapira. "Not by Firkowicz’s Fault: Daniel Chwolson’s Comic Blunders in Research of Hebrew Epigraphy of the Crimea and Caucasus, and their Impact on Jewish Studies in Russia." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 4 (December 17, 2020): 633–68. http://dx.doi.org/10.1556/062.2020.00033.

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AbstractDaniel Chwolson (1819–1911) made a huge impact upon the research of Hebrew epigraphy from the Crimea and Caucasus. Despite that, his role in the more-than-a-century-long controversy regarding Crimean Hebrew tomb inscriptions has not been well studied. Chwolson, at ﬁrst, adopted Abraham Firkowicz’s forgeries, and then quickly realized his mistake; however, he could not back up. Th e criticism by both Abraham Harkavy and German Hebraists questioned Chwolson’s scholarly qualiﬁcations and integrity. Consequently, the interference of political pressure into the academic argument resulted in

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25

Kozlyk, Ihor. "Being a Literary Critic: The Methodology of Specialist’s Life in the Profession (based on B. F. Egorov’s epistolary oeuvre)." Pitannâ lìteraturoznavstva, no. 104 (December 27, 2021): 197–238. http://dx.doi.org/10.31861/pytlit2021.104.197.

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The article, which is historical and scientific by character, presents the current humanitarian issues of professional epistolary communication of an outstanding Russian literary critic, Doctor of Philology, Professor B. F. Egorov (1926–2020) with fellow literary critics. The main directions of scientist’s active and versatile practices are considered on the grounds of his published letters and some letters to him in 1998–2020. The article focuses on professional communication and interaction between Ukrainian and Russian literary critics in the complex modern socio-historical and political co

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26

Jurgutienė, Aušra. "Some Comments on the Changes, Contradictions and Connections of Literary Theories in Lithuania." Interlitteraria 25, no. 1 (June 30, 2020): 41–51. http://dx.doi.org/10.12697/il.2020.25.1.5.

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The paper presents a brief history of literary theories that have been used in Lithuania for the last century (1918–2018). Certain general patterns of development are visible in Lithuanian literary studies: movements from positivist (M. Biržiška) to anti-positivist (V. Mykolaitis-Putinas) history and from Marxist history (K. Korsakas) to postmodern New Historicism. The mid-20th century marked the first applications of modern literary theories (first in exile, later among those who stayed in occupied Lithuania). A. J. Greimas became an eminent theoretician in exile, having established a world-f

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27

Makarova, E. A. "The Book Publishing in the Pre-revolutionary Irkutsk: On the “Cultural Nest” Problem." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 50–62. http://dx.doi.org/10.25205/2410-7883-2019-1-50-62.

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The paper focuses on the literary and publishing situation in Irkutsk in the second half of the 19th – early 20th centuries viewed as the combination of factors that gave grounds for N. K. Piksanov to introduce the concept of “cultural nest” into the academic parlance. The concept conjugates three stable elements: “a certain group of actors, constant activity and disciples.” The Irkutsk literary and art collections are analyzed from an interdisciplinary perspective that allows direct transfer of research methods from one academic field to another. In this case, historical and literary criticis

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Shalygina, O. V. "Time and space in the motor aesthetics of A. Volynsky." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 100–113. http://dx.doi.org/10.17588/2076-9210.2019.4.100-113.

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The article describes the original aesthetic and philosophical concept – the motor aesthetics of Akim Volynsky. Volynsky uses the concept of «motor aesthetics» in the Kniga likovanii, describing the value of circular lines for the «all aesthetics, visual, sound and motor», and particularly pirouette for motor aesthetics. The term «motor aesthetics of Akim Volynsky» is used in this article for the first time and is studied by the author from an interdisciplinary perspective. Motor aesthetics is developed by Volynsky for plastic art as a language of description of classical ballet, he introduces

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l

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Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most eff

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Montoya, Pablo. "Tomás Carrasquilla y los críticos colombianos del siglo XX." Estudios de Literatura Colombiana, no. 23 (August 16, 2013): 111–24. http://dx.doi.org/10.17533/udea.elc.16263.

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Resumen: El artículo hace un recorrido por las maneras en que los críticos colombianos más representativos del siglo XX han interpretado la obra de Carrasquilla. El cotejo de las diferentes lecturas permite, a su vez, aproximarse a los núcleos temáticos más polémicos que ha suscitado Carrasquilla a lo largo del tiempo en el seno de la crítica literaria nacional. Desde el asunto del lenguaje, pasando por la parodia y el humor, hasta las cuestiones del regionalismo y el cosmopolitismo son tratadas en este artículo. Se sopesan desde la actualidad las visiones que sobre Carrasquilla hicieron Baldo

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Petrošienė, Lina. "Singing Tradition of the Inhabitants of Lithuania Minor from the Second Half of the 20th Century to the Beginning of the 21st Century." Tautosakos darbai 61 (June 1, 2021): 97–121. http://dx.doi.org/10.51554/td.21.61.04.

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The article analyses how the folk singing tradition of the Lithuania Minor developed in the late 20th and in the early 21st centuries. It examines the activities of the folklore groups in the Klaipėda Region during the period of 1971–2020, focusing on those that assert fostering of the lietuvininkai singing tradition as their mission or one of their goals. The study employs the previously unused materials, which allow revising the former research results regarding the revival of the Lithuanian ethnic music and show the folklore ensembles working in the Klaipėda Region as a significant part of

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Rošker, Jana. "A Chinese View on the Cultural Conditionality of Logic and Epistemology: Zhang Dongsun’s Intercultural Methodology." Asian Studies, no. 3 (December 1, 2010): 43–60. http://dx.doi.org/10.4312/as.2010.14.3.43-60.

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Recognizing the fact that comprehension, analysis and transmission of reality are based on diversely structured socio-political contexts as well as on different categorical and essential postulates, offers a prospect of enrichment. Thus, this article presents an analysis and interpretation of one of the first Chinese theoreticians, working in the field of intercultural methodology. Although Zhang Dongsun (1886–1973) can be considered as one of the leading Chinese philosophers of the 20th Century, his criticism of Sinicized Marxist ideologies marked him as a political dissident and he was conse

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Zabiyako, Anna A., and Wang Yuqi. "The Image of the Perception of the Japanese and Japan in the Pre-Revolutionary Experience of Artistic Reflection: The Genre Aspect." Humanitarian Vector 17, no. 1 (February 2022): 19–28. http://dx.doi.org/10.21209/1996-7853-2022-17-1-19-28.

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The relevance of the research is determined by the interest of modern literary criticism in the imagological aspects and the problem of developing a research strategy in relation to this kind of texts. The novelty of the work is defined by the genre approach to the study of the image of perception of Japan and the Japanese in Russian pre-revolutionary literature dedicated to the events of the Russian-Japanese war, the introduction of previously unknown texts into scientific circulation, a comparative analysis of narrative strategies that determine the genre specificity of each text. The purpos

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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.

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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Mu

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Orekhov, Vladimir V. "Background of Russian Imagology: Tradition as an Indication of Target." Imagologiya i komparativistika, no. 14 (2020): 143–67. http://dx.doi.org/10.17223/24099554/14/7.

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Focusing on the history of Russian imagology, the article aims at identifying the origins of the imagological interests in research and public thought in Russia in the first and second thirds of the 20th century as well as research approaches of that time that may be required by modern imagology. This analytical insight arises from the endeavor of contemporary scholars to update and develop the imagology paradigm. The Patriotic War of 1812 and the entry of Russian troops into Paris in 1814 gave a powerful impulse to the imagological interests in Russian society. These events highlighted the ir

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Affeldt, Stefanie. "The Burden of ‘White’ Sugar: Producing and Consuming Whiteness in Australia." Studia Anglica Posnaniensia 52, no. 4 (December 20, 2017): 439–66. http://dx.doi.org/10.1515/stap-2017-0020.

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Abstract This article investigates the history of the Queensland cane sugar industry and its cultural and political relations. It explores the way the sugar industry was transformed from an enterprise drawing on the traditional plantation crop cultivated by an unfree labour force and employing workers into an industry that was an important, symbolical element of ‘White Australia’ that was firmly grounded in the cultural, political, nationalist, and racist reasoning of the day. The demographic and social changes drew their incitement and legitimation from the ‘White Australia’ culture that was

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Smykovskaya, Tatyana E. "The literary journal of Arseny Alving “Zhatva” or About one forgotten edition of the Silver Age." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2022): 73–80. http://dx.doi.org/10.20339/phs.1-22.073.

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The paper is devoted to the literary magazine “Zhatva” which was published in Moscow from 1911 to 1916. Its creator and editor was a talented poet, critic and translator Arseny Alving. The tragic fate of Alving, who was repressed in 1933, did not make “Zhatva” possible to take a firm place among the outstanding periodicals of the first quarter of the 20th century. The magazine, as well as the poet, was forgotten and did not come in view of literary critics. This research paper makes the first attempt to restore the history of “Zhatva”, to characterize its aesthetic program, to outline the circ

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Roasto, Margo. "Marksismi retseptsioon ja dogmaatilise marksismi kriitika Eesti alal aastatel 1905–16." Ajalooline Ajakiri. The Estonian Historical Journal 177, no. 3/4 (June 20, 2022): 169–94. http://dx.doi.org/10.12697/aa.2021.3-4.02.

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In Estonian historiography, the revolutionary year of 1905 has been described as a starting point for subsequent political changes in 1917 and 1918. Hence many authors have highlighted the importance of political development that led to the foundation of the first Estonian political parties in 1905. However, the ideological differentiation of Estonian political thought between the revolutionary years of 1905 and 1917 has been studied less. The aim of this article is to analyse the political debates on Marxist theory that took place in the Estonian area of the Baltic provinces from 1905 to 1916

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Martyanova, Svetlana A. "PUSHKIN-DOSTOEVSKY MYTH ABOUT “DEVILRY” IN THE WORKS OF T. YU. KIBIROV." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 4 (2021): 180–91. http://dx.doi.org/10.21684/2411-197x-2021-7-4-180-191.

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The article is devoted to the analysis and interpretation of the myth of “devilry” in the works of the modern Russian poet T. Yu. Kibirov. The myth of “devilry”, which goes back to the poem “Demons” by Alexander Pushkin (1830), has a special place in the history of Russian literature of the 19th and 21st centuries. V. A. Grekhnev identified its main components, and D. M. Magomedova traced the path of myth in post-Pushkin literature, from M. Yu. Lermontov to M. A. Bulgakov. At the same time, the life of the Pushkin-Dostoyevsky myth of “demonic” in post-symbolist literature, in independent Russ

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (December 12, 2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro

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Bikmaeva, Karina I. "Этапы языковой политики в Монгольской Народной Республике". Монголоведение (Монгол судлал) 14, № 2 (10 серпня 2022): 232–46. http://dx.doi.org/10.22162/2500-1523-2022-2-232-246.

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Introduction. The 20th century reform of Mongolian writing shaped the basis for wide transformations in the country’s culture, science, and education. It is noteworthy that the language policy in the Mongolian People’s Republic was not only reduced to the Cyrillic reform of 1941. Goals. The article attempts a variety of insights into multiple directions of language policy in the Mongolian Peo\ple’s Republic. The work distinguishes four main stages of the latter’s implementation, and also compares those to similar processes in the USSR. Materials and methods. The paper analyzes Russian and Mong

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Kudrina, Elena V. "Collection of Children's Letters in the A.M. Gorky Archive of the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences." Herald of an archivist, no. 4 (2022): 1198–211. http://dx.doi.org/10.28995/2073-0101-2022-4-1198-1211.

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The article is devoted to the review of one of the sections of the A. M. Gorky Archive of the A. M. Gorky Institute of World Literature of the Russian Academy of Sciences (AG IMLI RAN). The section contains a large collection of children's letters addressed to the “great proletarian writer.” The archive stores letters from children dating from 1899 to 1936. There are about 3000 children’s letters in the collection. Systematic and information methods have been used to study the collection; based on the principle of comprehensive study of documents, they have permitted to consider documents as e

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Šeina, Viktorija. "Literary canon studies: methodological guidelines." Literatūra 61, no. 1 (December 20, 2019): 11–24. http://dx.doi.org/10.15388/litera.2019.1.1.

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The article presents for the Lithuanian audience an interdisciplinary approach of literary canon studies that integrates diverse methods of various disciplines (sociology of literature and culture, literary and cultural history, teaching of literature, text reception and aesthetic response history, memory and media research and bibliography studies). The most intense development of literary canon studies can be observed in Western Europe and the United States in the last decade of the 20th century. This was due to the fact that the scholars engaged in the field of postcolonialism, gender studi

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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Voji

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Sulyak, S. G. "I.P. Filevich and Carpathian Rus Part 1. Biography." Rusin, no. 62 (2020): 32–49. http://dx.doi.org/10.17223/18572685/62/3.

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Ivan Porfirevich Filevich (August 20 (September 1), 1856 – January 7 (20), 1913) – a Russian historian, publicist, and public figure, born in Chełm Land to the family of a Uniate priest, a native of Galicia, Orthodox. He graduated from St. Petersburg University, later taught Russian language, literature, and history at the First Realschule and at the Gymnasium of the Imperial Philanthropic Society in St. Petersburg. Since 1890, he worked at the Department of Russian History at the Imperial Warsaw University, first as an extra-ordinary professor, and since 1897 as an ordinary professor. His ori

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Svitlenko, Serhiy. "Ukrainian intellectual Trokhym Zinkivskyi and preservation of historical memory of Taras Shevchenko." Chornomors’ka Mynuvshyna, no. 17 (December 31, 2022): 71–78. http://dx.doi.org/10.18524/2519-2523.2022.17.268828.

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The personality of Trochym Zinkivskyi (1861–1891) remains little known and insufficiently developed in modern Ukrainian historiography. The purpose of the article is to study the figure of Trokhym Zinkivskyi in the context of the problem of preserving the historical memory of Taras Shevchenko. Research methods are personalistic, historical-genetic and historical-systemic. Sources: published epistolaries of T. Zinkivskyi and his addressees, memories of contemporaries, biographical articles in the Ukrainian press of the beginning of the 20th century etc. The main results consist in elucidating t

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Kozlov, A. E. "Satirical Weekly “Iskra”: Post-Folklore, Post-Irony and Post-Modern." Vestnik NSU. Series: History and Philology 20, no. 6 (August 11, 2021): 19–34. http://dx.doi.org/10.25205/1818-7919-2021-20-6-19-34.

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Purpose. The reputation of the satirical weekly Iskra is traditionally determined by the political context of the Russian Empire in 1860s. Despite the fact that in the first years of its existence, the publication attracted writers of various fractions, views, and convictions, Iskra was perceived as a radical magazine, “…another department of Sovremennik”. Moreover, Iskra’s defamations and attacks against provincial and capital officials, and writers have become an inte gral part of the everyday life of the 1860s. Individual articles and whole issues have been banned and censored, though this

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Эфендиева, Назрин Расим кызы, and Ирина Анатольевна Поплавская. "S. YA. MARSHAK AS A TRANSLATOR OF POETRY AND PROSE BY G. RODARI." Tomsk state pedagogical university bulletin, no. 4(222) (July 15, 2022): 137–46. http://dx.doi.org/10.23951/1609-624x-2022-4-137-146.

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Введение. Диалог русской и западноевропейской литературы, переводы иноязычных текстов и их ассимиляция в принимающей культуре, создание национальных мирообразов – все эти вопросы являются актуальными в современном литературоведении, переводоведении, страноведении. Эстетические принципы С. Я. Маршака при переводе поэзии и прозы итальянского писателя Дж. Родари соответствуют его концепции перевода-портрета и органично вписываются в историю русской и итальянской литературы для детей середины XX в. Цель видится в раскрытии взаимосвязи между принципами Маршака-переводчика и их преломлением в перево

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Nagornaya, Yana V. "А. М. REMIZOV AND FOLKLORE: ON THE ISSUE OF RESEARCH METHODOLOGY". Philological Class 26, № 2 (2021): 155–66. http://dx.doi.org/10.51762/1fk-2021-26-02-13.

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The article presents a critical review of research works on the topic “Folklore-literary interaction in the creative activity of A.M. Remizov” published in Russian. The study of the topic has been conducted mainly within the framework of literary criticism. Meanwhile, for a writer known for his commitment to preservation and innovative approach to traditional literary genres, folklore is one of the dominant sources of creativity. Currently, Remizov studies cannot boast of generalizing works on folklorism in the writer’s creative activity and on the influence of oral folk art genres on his arti

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