Готові списки джерел за темами / Choir teaching

Добірка наукової літератури з теми "Choir teaching"

Автор: Grafiati

Опубліковано: 15 вересня 2021

Оновлено: 7 лютого 2022

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Статті в журналах з теми "Choir teaching":

Emerson, Kathryn, Victoria Williamson, and Ray Wilkinson. "Once more, with feeling: Conductors’ use of assessments and directives to provide feedback in choir rehearsals." Musicae Scientiae 23, no. 3 (July 20, 2019): 362–82. http://dx.doi.org/10.1177/1029864919844810.

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In this article Conversation Analysis is used to explore the way that conductors give feedback in choir rehearsals through the use of assessments and directives. Assessments and directives have previously been investigated in some forms of music teaching and rehearsing, although not in choir rehearsals. There is also a paucity of research on the methods by which a conductor may give feedback following an episode of singing by the choir. This analysis is based on 19 hours of choir rehearsal data, involving eight choirs and nine conductors. We show that conductors’ feedback turns typically consist of two particular communicative behaviours: assessments and directives, either occurring singly or in various combinations. Assessments explicitly evaluate (positively or negatively) the just-produced singing of the choir, and directives explicitly tell the choir something about how members should sing in the future. However, the data reveal that assessments can also function implicitly to direct how the choir should sing, and directives can implicitly evaluate singing. Assessments and directives can be done in depicted forms (e.g., using sung vocalisations and gestures), as well as verbal descriptive forms. These findings highlight the distinctive ways that conductors produce feedback within rehearsals and some of the particular inferences that choir members must draw on to understand this feedback, as well as how change and improvement in the choir’s singing may be affected on a turn-by-turn basis.

Schneider, B. "Guest Editor's Introduction: Teaching to the Choir." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 8, no. 3 (October 1, 2008): 405–12. http://dx.doi.org/10.1215/15314200-2008-002.

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Batey, Angela. "Teaching Music through Performance in Choir: Volume 1." Music Educators Journal 92, no. 1 (September 2005): 27. http://dx.doi.org/10.2307/3400220.

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Lazcano, Antonio. "Teaching Evolution in Mexico: Preaching to the Choir." Science 310, no. 5749 (November 3, 2005): 787.1–789. http://dx.doi.org/10.1126/science.1115180.

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Ferrer, Rita, Joan Puiggalí, and Montse Tesouro. "Choral singing and the acquisition of educational values." International Journal of Music Education 36, no. 3 (December 21, 2017): 334–46. http://dx.doi.org/10.1177/0255761417741521.

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The main objective of this study was to observe the extent to which the practice of collective singing in children’s and youth choirs offers a way of teaching values. The main working tool used was a questionnaire that was completed by the choir conductors and singers of the different choirs surveyed. The purpose of the questionnaire was to assess if choral singing can be a space for working on and developing values, and if these values lead to improvements in the overall education of the person. On the one hand, choir conductors considered respect to be the most important value for a choral group and friendship the most valuable aspect for singers. This view was not shared by the singers, who considered friendship to be less important. On the other hand, they agreed on the influence of respect and communication and that spontaneity is undervalued.

Ilić, Miona. "The presence and importance of choirs made up of students from younger grades of primary school in Serbia." Norma 25, no. 1 (2020): 93–108. http://dx.doi.org/10.5937/norma2001093i.

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Considering the fact that the elementary school students do not have enough information on proper singing, vocal technique and using and taking care of their voice, this paper analyzes the importance of choir singing at this age, the presence of such choirs in Serbian elementary schools, and the reasons that make their formation difficult. Relying on the relevant literature, the paper analyzes the data obtained through a questionnaire on the presence of choirs made up of pupils from younger grades of primary school, as well as on the views of teachers on the reasons for the current situation. The research has shown that in the majority of schools in Serbia choir singing is not taught at all, due to the lack of motivation of teaching staff resulting from unfavorable financial circumstances. Such data are of vital importance, since only an insight into the actual situation can enable us to work on the improvements in the pedagogical practice.

Kastantin, Joseph, and Milorad Novicevic. "Teaching the Choir: Challenges of a Learner-Centred Simulation." Accounting Education 17, no. 2 (June 2008): 209–12. http://dx.doi.org/10.1080/09639280601167529.

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Rickels, David A., Wesley D. Brewer, Kimberly H. Councill, William E. Fredrickson, Michelle Hairston, David L. Perry, Ann M. Porter, and Margaret Schmidt. "Career Influences of Music Education Audition Candidates." Journal of Research in Music Education 61, no. 1 (March 5, 2013): 115–34. http://dx.doi.org/10.1177/0022429412474896.

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In this descriptive study, we examined the influences and experiences motivating students to enter college-level music schools as reported by a population of precollegiate students auditioning (but not yet accepted) to music education degree programs. As a follow-up to a published pilot study, this research was designed to quantify the various experiences respondents had as part of their precollege school and community programs that related to teaching and music. Results indicate a strong connection between respondents’ primary musical background and future teaching interest. The top three influential experiences were related to high school ensemble membership (band, choir, orchestra), and the most influential group of individuals in the decision to become a music educator were high school ensemble directors. Respondents from all four primary background groups (band, choir, orchestra, and general or other) rated private lesson teaching as their second strongest future teaching interest, just behind teaching at the high school level in their primary background. Respondents rated parents as moderately influential on their desire to become a music teacher.

Suleymanova, Dilorom, and Shoxida Ataboyeva. "Issues Of Professional Training Of Future Music Teachers In Working With The Choir." American Journal of Social Science and Education Innovations 02, no. 11 (November 30, 2020): 453–57. http://dx.doi.org/10.37547/tajssei/volume02issue11-76.

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This article describes the future pedagogical activities of future music teachers studying in the higher education system, the qualifications and skills necessary for them to work with choirs. Also, today there are a lot of shortcomings in the teaching process, introducing students to the art of vocal and choral. In addition to the concluding remarks of the article, the authors gave a number of effective methods and recommendations.

Reifinger, James L. "Teaching Pitch Notation–Reading Skills." General Music Today 33, no. 3 (December 7, 2019): 21–28. http://dx.doi.org/10.1177/1048371319891419.

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The teaching of music-reading skills has been cited as a neglected area of music education needing improvement. Music reading is the process of translating notation into sounds. Producing the notated sounds by singing, more specifically referred to as sight-singing, is especially demanding because it requires the individual to first mentally construct aural images of the sounds, an essential process that is challenging to teach and assess. This article describes a series of activities for teaching music-reading skills in general music or choir, focusing mainly on reading and singing pitch notation, though many of the ideas could also be used to teach rhythm reading. The activities are sequential, are easy to implement, and allow for the assessment of skill acquisition at various stages of development.

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Дисертації з теми "Choir teaching":

Higginbotham, Lee Ann M. "Teaching techniques : suggested techniques in teaching music through performance in choir /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131459702.pdf.

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Anderson, Louise L. "AN EXAMINATION OF THE RELATIONSHIP BETWEEN HIGH-SCHOOL CHOIR DIRECTORS' TEACHING-STYLE AND CHOIR STUDENTS' SENSE-OF-COMMUNITY." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/214791.

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Music Education
Ph.D.
Researchers agree that teachers are the single most influential school-related factor in a child's level of academic achievement. Teaching style may influence students' academic achievement as well as facilitate students' development of social skills and a sense-of-community within the classroom. The purpose of this study was to examine the relationship between high-school choir directors' (n = 42) teaching-style and their high-school choir students' (n =1,108) psychological sense-of-community. Student participants in grades 9-12 within a mid-Atlantic state were members of a 9th-Grade Chorus (n = 2), Men's Chorus (n = 1), Women's Chorus (n = 8), Select Ensemble (n = 7), or Concert Choir (n = 38). Results from students' scores on the Classroom Community Scale revealed that 9th-grade students reported lower levels of sense-of-community, connectedness, and learning than students in grades 10, 11, and 12. Students in Select Ensembles reported significantly higher levels of sense-of-community, connectedness, and learning than students in Concert Choirs, and students in choirs that performed five or more times per school year reported significantly higher levels of sense-of-community than students in choirs that performed four or less times per school year. Results revealed no main effect for gender, students' years-of-experience in high school choir, or choir-class length and frequency. Teachers' scores on the Music Teaching Style Inventory revealed that teachers preferred the Assertive Teaching (M = 3.80), Nonverbal Motivation (M = 3.75), Time Efficiency (M = 4.33), and Positive Learning Environment (M = 4.27) teaching-styles that focus on teacher-led activities. Music Concept Learning (M = 3.48), Artistic Music Performance (M = 3.46), Student Independence (M = 3.30), Group Dynamics (M = 2.84), teaching-styles with a focus on student-led activities were least preferred by the teachers in this study. Group Dynamics teaching style was a low or the lowest preferred teaching-style for 40 of the 42 participating teachers. Results revealed no main effect for teachers' gender or years-of-experience teaching. Teaching-style preference was not a significant predictor for students' levels of sense-of-community or connectedness. Time Efficiency and Student Independence teaching-styles positively correlated with students' perceived level of learning while the Artistic Music Performance teaching-style negatively correlated with students' perceived level learning. Within teachers' reports of observed student behaviors, teachers identified all four elements of sense-of-community: membership, influence, integration and fulfillment of needs, and shared emotional connection. Teachers also reported purposefully planning activities in order to facilitate their choir students' sense-of-community. Activities included teaching behaviors found within the Positive Learning Environment, Group Dynamics, Artistic Music Performance, and Student Independence teaching-styles. Teachers expressed that a sense-of-community has importance in that it effects students' musical expression; students' ability to achieve their potential for musical performance; students' retention within choir ensembles; teachers' advocacy for choir programs; and student's participation in musical ensembles beyond high school.
Temple University--Theses

Krigström, Rasmus. "Learning Tracks : En studie om auditiva hjälpmedel vid instudering av körmusik." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4231.

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Denna studie är gjord på ämnet learning tracks, dvs auditiva instuderingsfiler för vokalmusik. Det finns ingen historisk forskning eller annan tidigare forskning på ämnet men man vet att det har förekommit som fenomen inom genren barbershop lika länge som den portabla kassettbandspelaren, och på senare år utvecklats mycket i och med internet samt möjligheten att spela in och editera musik på en hemdator. Angränsande forskning om spegelneuroner, inlärning på gehör och körmetodik har studerats som forskningsgrund och det sociokulturella perspektivet samt variationsteori är studiens teoretiska perspektiv. Syftet med studien är att undersöka vilka variationer i musikaliskt resultat samt i elevernas upplevelse av instudering som kan urskiljas kopplat till notbaserad instudering av körmusik, respektive instudering med hjälp av instuderingsfiler som komplement. Två testgrupper, en som fick jobba med instuderingsfiler som komplement till noter och en som bara fick instudera med noter, jobbademed ett stycke musik under fyra lektionspass som observerades och ljud spelades in för att kunna följa progressionen i instuderingen. En enkät till samtliga elever som deltog som frågade om deras upplevelse av instuderingen fylldes i direkt efter studiens avslut. Resultatet var tydligt, både utifrån testgruppernas musikaliska prestation och ifrån deras egen upplevelse av instuderingen, instuderingsfiler var för dem bättre än enbart noter. Resultatet går även att tydligt knyta an till den angränsande tidigare forskningen på ämnet. Även om studien är tydlig behövs det mer forskning inom detta område.
This study is on the subject of music learning tracks for learning a capella music. While there is no specific research on the subject yet it has been known as a phenomenon in the genre of barbershop harmony for as long as the tape recorder has been around, and has grown into a well-established business because of the internet and the possibilities of editing music on home computers. Earlier research in surrounding areas such as choir methodology, ear training and mirror neurons have laid the research ground for the study, and the theoretical perspectives which the data was analyzed through are the sociocultural perspective and variation theory. The purpose of this study is to explore variations in musical results and the pupils experience of learning that can be detected between a group that studies with learning tracks and a group that studies without learning tracks. The two groups were followed learning the same piece of music during four classes through observation and recording of sound. Directly following the last class, the students answered a survey about their experience of the learning process. The results were clear, both from the difference in musical results and from the answers in the survey, learning tracks are better for learning new music than just using sheet music. The results also connect to earlier research in surrounding areas, but even though the results of this study are clear more research is needed in this specific area.

Clemente, Louise. "Estratégias didáticas no canto coral : estudo multicaso em três corais universitários da Região do Vale do Itajaí." Universidade do Estado de Santa Catarina, 2014. http://tede.udesc.br/handle/handle/1542.

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Made available in DSpace on 2016-12-08T17:06:44Z (GMT). No. of bitstreams: 1 115843.pdf: 1029698 bytes, checksum: b17c9ac17c774191d3c06f2d376414ae (MD5) Previous issue date: 2014-03-25
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation goal was to investigate teaching strategies used by conductors in three university choirs in the Vale do Itajaí region, in Santa Catarina state, Brazil. Specific objectives were: to discuss the choir practice from the perspective of music education; reflect on the musical education in the choir practice and more specifically in the university choir; identify the main teaching strategies adopted by the conductors for the development of choral practice and; verify musical content covered in the practice of university choirs participating in the research. The work is situated within the qualitative research on the design of a multi case study and the techniques of data collection used semi-structured interviews, systematic observations and interviews by stimulation of remembrance. Data were divided into six categories initial activities, studying a new piece, rehearsing old pieces, preparing a performance, organizing the time, space and use of material resources and analyzed in the light of the literature of the choir area and also in the field of didactics. The results indicate a number of didactic strategies used by conductors in the development of activities in the respective choirs, evidencing the uniqueness and richness of the investigated contexts.
Essa dissertação teve como objetivo geral investigar estratégias didáticas utilizadas pelos regentes em três coros universitários da região do Vale do Itajaí, no estado de Santa Catarina. Os objetivos específicos foram: discutir a prática coral em uma perspectiva de educação musical; refletir sobre o ensino musical na prática do canto coral e mais especificamente no canto coral universitário; identificar as principais estratégias didáticas adotadas pelos regentes para o desenvolvimento da prática musical dos corais e; verificar conteúdos musicais abordados na prática de corais universitários participantes da pesquisa. O trabalho situou-se no âmbito da pesquisa qualitativa sob o desenho de um estudo multicaso e as técnicas de coleta de dados utilizadas foram entrevistas semiestruturadas, observações sistemáticas e entrevista por estimulação de recordação. Os dados coletados foram divididos em seis categorias atividades iniciais, ensaio de música nova, ensaio de música conhecida, ensaio para apresentação, organização do tempo e do espaço e utilização de recursos materiais e foram analisados à luz da literatura específica da área do canto coral e também do campo da didática. Os resultados da pesquisa apontam uma série de estratégias didáticas utilizadas pelos regentes no desenvolvimento de suas atividades, evidenciando a singularidade e riqueza dos contextos investigados.

Guengard, Marianne. "Formation des chefs de choeur. Approche descriptive et compréhensive de l'enseignement-apprentissage de la direction de choeur. Un exemple "la levée"." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040001.

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Cette thèse se veut une contribution à la recherche en éducation musicale en France. Elle est ancrée dans le domaine de l’enseignement spécialisé de la direction de chœur et aborde les pratiques de l’élève et de l’enseignant dans leur interdépendance, à travers l’analyse d’une situation réelle d’enseignement-apprentissage du geste de direction musicale. La recherche traite spécifiquement le travail de l’enseignant et tente de mettre en lumière le rôle de ce dernier dans la construction des savoir-faire liés à un élément technique particulier :« la levée ». Il s’agit de mettre en évidence la manière dont l’enseignant structure le cours, et les aménagements qu’il opère, en termes de « milieu » pour accompagner l’élève vers les connaissances visées
This thesis has the purpose investing in the research of musical education in France. It isfocused on specialised teaching for choir conductors and hence studies the practicesundertaken by both the student and the teacher interdependently, by analysing the conductinggestures in a real teaching-learning situation. The research specifically takes an interest in theteacher's work, and seeks to highlight the role of the latter in the building of knowledge linkedto a particular technical element: « the upbeat ». Of particular importance is the way in whichthe teacher structures the lessons, organises the layout, in terms of “the environment” in orderto direct the students towards targeted learning

Cairns, Alison M. "Introduction and evaluation of a peer observation of teaching scheme to develop the teaching practice of chair-side clinical dentistry tutors." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/38918/.

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Glasgow Dental School (GDS) offers a varied learning environment for well-motivated, high-achieving students. These students, along with institutional, professional and public stakeholders, demand high quality, efficient, effective and modern teaching practices. A new undergraduate curriculum was introduced at GDS; a more authentic learning experience was to be delivered with a move away from traditional teaching based solely within the dental hospital. Outreach teaching facilities were introduced and a cohort of NHS clinical tutors joined academic staff. Both new and old staff were required to develop their teaching skills. Some tutors expressed distress at the lack of availability of training to enhance teaching skills, and implementation of a Peer Observation of Teaching Scheme (POT) was considered as a way to address this issue. POT focuses on providing opportunities for staff to improve their teaching skills. It can be conducted successfully with inexperienced teaching staff and limited resources. It can help identify and eliminate poor teaching practice while enabling participants to develop their skills, self-identity and group identity as teachers. POT, in this study, is a reciprocal process whereby one peer observes another teaching and provides supportive and constructive feedback. Its underlying rationale is to encourage professional development in teaching and learning through critical reflection, by both the observer and the observed. In this thesis, I outline the implementation of the POT scheme across clinical sites at GDS. The study involved multiple stakeholders and therefore required approval, accommodation and support across six geographically diverse Scottish health board areas. The process and outcomes from the evaluation of the POT scheme are presented. The current body of published research offers little in relation to POT for the development of teaching chair-side clinical dentistry, a distinct area where students carry out multiple invasive procedures on patients during each teaching session. Appraisal of the scheme and its impact was conducted using evaluation methodology underpinned by constructivist epistemology. Ethical approval was sought and granted. Results describe motivations to teach and evaluation of the POT process in relation to its authenticity, acceptability and practicality. Analysis of who is truly considered a ‘peer’ as well as aspects of trust, honesty and respect are presented along with the perceived issues for colleagues sharing critical feedback. Impact of the POT scheme is explored in terms of teaching, reflection, increased self-awareness, and lessons learned about personal teaching practice. There is a strong focus on the role of POT for quality enhancement. Key issues highlighted by the findings include; the notable differences between participants from a range of academic backgrounds; study limitations; and feasible alternatives for the development of teaching staff. The POT scheme was successfully implemented and analysed. It was an authentic method for encouraging reflection and development of teaching practice. Recommendations for further progress are outlined. These include whether POT should be mandatory; how to facilitate wider group discussion; systems for implementation of shared good practice; and increasing access to teaching qualifications. Further research is required to directly measure the impact of POT on student learning and look at how the scheme has impacted on development of the wider community of practice.

Xu, Ying. "Piano teaching in Hong Kong : portraits of four outstanding piano pedagogues." HKBU Institutional Repository, 2004. http://repository.hkbu.edu.hk/etd_ra/542.

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Kwan, Che-ying, and 關之英. "A school-based case study." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31957900.

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Garrouste, Manon. "Ressources scolaires et réactions individuelles : trois essais en économie de l'éducation." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010010/document.

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L'objectif de cette thèse est d'étudier l'interdépendance des ressources scolaires et des ressources individuelles dans la production du capital humain. À travers trois cas d'études sur données françaises, différentes méthodes sont proposées pour analyser l'effet des politiques éducatives tout en tenant compte des comportements des individus. Le premier chapitre montre que les politiques d'éducation prioritaire sont susceptibles de conduire les familles, notamment les plus avantagées socialement, à contourner les établissements traités. Ces stratégies d'évitement sont de nature à contrebalancer les effets des moyens supplémentaires sur les résultats des élèves. Le deuxième chapitre cherche à savoir si les choix d'orientation des élèves sont contraints par J'offre scolaire locale. Nous montrons que l'ouverture d'un nouveau lycée augmente la proportion d'élèves qui poursuivent leurs études dans le second cycle, notamment en voie professionnelle. Enfin, le troisième chapitre montre que les étudiants tiennent compte de l'information contemporaine dont ils disposent sur leurs notes lorsqu'ils évaluent les qualités pédagogiques de leurs enseignants
The main objective of this thesis is to study the interdependence of school resources and individual resources in human capital production. In three empirical analyses using French data, various methods arc proposed to evaluate the impact of educational policies, taking individual behaviors into account. The first chapter shows that compensatory education policies may result in individual sorting. The fact that socially more advantaged families tend to avoid treated schools cancels out additional resources positive effects on academic achievement. The second chapter examines whether pupils are constrained by local school supply. We find that opening a new high school increases the proportion of pupils who continue in upper secondary education, particularly in a vocational track. Studying how students evaluate teaching, the third chapter shows that they take contemporaneous information about their grades into account when they evaluate teachers' pedagogical qualities

Poulogiannopoulou, Paraskevi. "Comment devient-on enseignant? : De l'expérience universitaire à la formation." Phd thesis, Université René Descartes - Paris V, 2012. http://tel.archives-ouvertes.fr/tel-00794332.

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L'objet de notre recherche est d'étudier la dynamique subjective du parcours universitaire des enseignants en vue de la construction d'une identité professionnelle et de leur préparation à l'enseignement. Nous analysons les expériences, les représentations et les méthodes de travail des futurs professeurs de l'enseignement secondaire en milieu universitaire ainsi que la transition de l'expérience universitaire à la formation. Notre enquête porte sur un échantillon de 170étudiants (et professeurs stagiaires) préparant les concours de recrutement (CAPES, CAPEPS, Agrégation), futurs enseignants du second degré dans trois disciplines : Lettres, EPS et Sciences physiques. Nous avons utilisé pour le recueil des données un questionnaire qui nous a permis de collecter les données nécessaires (données quantitatives)puis nous avons conduit 35 entretiens complémentaires afin de collecter des données qualitatives. Nous dégageons ainsi sur la base des résultats obtenus les particularités de leurs représentations par rapport à leur discipline d'appartenance.Nous nous intéressons plus spécifiquement aux méthodes de travail des futurs enseignants selon certains concepts pédagogiques (l'efficacité des enseignants, l'évaluation des élèves, le comportement en classe et dans différents contextes, la préparation des cours, les connaissances relatives aux disciplines, les compétences pédagogiques). Il es tégalement intéressant d'examiner la question du choix du métier des enseignants candidats ainsi que d'étudier la position culturelle des nouveaux enseignants entre la culture académique-scolaire et la culture des jeunes. En outre,nous envisageons les modalités actuelles de la professionnalisation et des nouvelles contraintes du métier ainsi que les stratégies possibles en vue de la construction d'une culture professionnelle commune des enseignants du secondaire

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Книги з теми "Choir teaching":

Iotti, Paolo. Forming a liturgical choir: A practical approach. Washington, DC: Pastoral Press, 1994.

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Swears, Linda. Teaching the elementary school chorus. West Nyack, N.Y: Parker Pub. Co., 1985.

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Bedsole, Betty. Effective music activity teaching in preschool and children's choirs. Nashville, Tenn: Convention Press, 1992.

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Meirieu, Philippe. Le choix d'éduquer: Éthique et pédagogie. 2nd ed. Paris: ESF éditeur, 1991.

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Jacques-Jouvenot, Dominique. Choix du successeur et transmission patrimoniale. Paris: L'Harmattan, 1997.

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Denis, Girard. Choix et distribution des contenus dans les programmes de langues. Strasbourg: Conseil de la coopération culturelle, Les éditions du Conseil de l'Europe, 1992.

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Romilly, Jacqueline de. Lettre aux parents sur les choix scolaires. Paris: Editions de Fallois, 1994.

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Colloque Enseignement du français comme langue non maternelle (1983 Sèvres, France). Colloque Enseignement du français comme langue non maternelle: Choix de documents. [Québec]: Service des communications, Conseil de la langue française, 1986.

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Seagren, Alan T. The department chair: New roles, responsibilities, and challenges. Washington, DC: School of Education and Human Development, George Washington University, 1993.

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Martin, Ged. Canadian history: A play in two acts : inaugural lecture for the Chair of Canadian Studies. Edinburgh: University of Edinburgh, Centre of Canadian Studies, 1999.

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Частини книг з теми "Choir teaching":

Shaw, Julia T. "Culturally Responsive Teaching in the West Side Choir." In Culturally Responsive Choral Music Education, 22–42. New York : Routledge, 2019. | Series: Culturally responsive teaching in music: Routledge, 2019. http://dx.doi.org/10.4324/9780429503900-2.

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Shaw, Julia T. "Culturally Responsive Teaching in the North Side Choir." In Culturally Responsive Choral Music Education, 43–62. New York : Routledge, 2019. | Series: Culturally responsive teaching in music: Routledge, 2019. http://dx.doi.org/10.4324/9780429503900-3.

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Shaw, Julia T. "Culturally Responsive Teaching in the South Side Choir." In Culturally Responsive Choral Music Education, 63–84. New York : Routledge, 2019. | Series: Culturally responsive teaching in music: Routledge, 2019. http://dx.doi.org/10.4324/9780429503900-4.

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Cooper, Naomi. "Introducing first year music students to the community choir experience." In Teaching and Evaluating Music Performance at University, 132–44. [1.] | New York : Routledge, 2020. | Series: ISME global perspectives: Routledge, 2020. http://dx.doi.org/10.4324/9780429328077-9.

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Pio, Edwina, and Isaac Pio. "Whose Chair Is It Anyway?" In Teaching Leadership and Organizational Behavior through Humor, 19–20. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137024893_8.

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Mindus, Patricia. "The Value of a Chair: The Moral Teachings." In A Real Mind, 77–108. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2895-2_3.

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Carabal-Montagud, María Ángeles, Guillem Escorihuela-Carbonell, Virginia Santamarina-Campos, and Javier Pérez-Catalá. "The Impact of the COVID-19 Pandemic on Musical Societies in the Valencian Region, Spain." In Music as Intangible Cultural Heritage, 119–37. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_8.

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AbstractThe aim of this study is to analyse the impact of the COVID-19 pandemic on musical societies in the Valencian Region, which were declared as an Asset of Intangible Cultural Interest in 2018. These cultural societies, which include over 1,100 bands, have had to make changes to adapt to the global pandemic. They are made up of symphonic bands, music schools, choirs, orchestras and other musical groups. Their social structure involves a large part of the Valencian Region’s population which, to some extent, becomes part of the creative process and transfer of musical languages, such as cultural transmission and historical content. This teaching model includes a variety of strategies, such as generating community ties that go beyond the social dimension. Moreover, the process of transformation, adaptation and resilience followed by these musical societies in order to maintain their training routines and other tasks will be analysed through an ethnographic study. This aims to focus on the extent of the economic, social and pedagogical impact of COVID-19 on these organisations.

Dorfman, Jay. "Teaching Methods and Teacher Behaviors." In Theory and Practice of Technology-Based Music Instruction. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199795581.003.0008.

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TBMI differs from simple integration in that this type of teaching emphasizes direct student engagement with technology for introducing, reinforcing, and assessing learning experiences. While teachers’ uses of technology are encouraged, the main idea associated with TBMI is that teachers design experiences during which student engagement with music technologies is essential ; students are learning music by experiencing it from within. This encourages construction of new knowledge through creativity and builds on previous experiences. In this chapter and the next, we will address several questions: 1. Why are new teaching methods associated with TBMI? 2. What are the dispositions of teachers as they develop teaching methods for TBMI? 3 .How are these methods designed? 4.How do teachers function physically in the TBMI classroom? 5.How do teachers connect theory and practice in the act of teaching TBMI lessons? Answering these questions will help you to understand exactly how TBMI lessons look and how to carry out lessons in a space designed for them. It makes sense that traditional music teaching uses traditional methods. When choir teachers, for example, direct an ensemble, they typically make use of techniques they saw their own teachers use or that they were taught to employ during their own teacher education programs. While they may be using new music, and the students are new from year to year, the techniques teachers use go essentially unchanged. Teachers determine learning objectives for their students through a process of diagnosis, adherence to curriculum guidelines, and sometimes through input from the students themselves. But once those learning objectives are determined, in reality, the teaching methods that teachers employ are dictated by the demands of the material the students are to learn. When choir teachers encounter a passage in a piece of music that requires soft singing, they will employ the techniques they know to encourage their students to sing softly while maintaining proper breath support and diction. And so it is in other types of music instruction—the technique matches the content. TBMI presents us with different content and therefore with a new set of techniques to convey material.

Hammel, Alice M., and Ryan M. Hourigan. "Teaching Strategies for Performers with Special Needs." In Teaching Music to Students with Special Needs. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195395402.003.0014.

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Because of previously discussed changes in philosophy and policy, the demographics of our performing ensembles are constantly changing. Many school districts have moved toward a policy of full inclusion of students with special needs. This has led to an increased number of students with special needs in performing ensembles and has challenged many conductors to find ways to include many students with disabilities who were not previously a part of performing ensembles. In addition, this has forced many conductors to reexamine their underlying philosophy of what it means to be a successful ensemble conductor. The purpose of this chapter is to offer techniques for choral and instrumental conductors who teach performers with special needs and to suggest ideas for consideration for those who are preparing to conduct performing ensembles. These strategies come from extensive work researching, consulting with ensemble conductors, and working with parents of performers with special needs. This chapter is designed to alleviate any anxieties conductors and conducting students may have and to provide confidence when teaching students with disabilities. Typically the percentage of students with disabilities in performing ensembles is far less than the overall percentage of students with disabilities in a school. This is anecdotal data, however; the open challenge exists to those who teach performing ensembles to truly examine this phenomenon throughout their school system (Pre-K through 12). Band, choir, and orchestra directors can inadvertently discourage participation of students with special needs in their ensembles in many ways. For example, many band and orchestra programs have an entry point in or around fifth grade. However, after that point, students are not allowed to join. Unfortunately, many students with special needs are not developmentally ready to join an instrumental or choral ensemble in fifth grade. Many of these same students would be extremely successful if given another point of entry later in their school career. Small curricular nuances such as a floating entry point to beginning band, choir or orchestra can make a meaningful difference in developing an inclusive performing ensemble program in a public school.

Cairns, John W. "The First Edinburgh Chair in Law: Grotius and the Scottish Enlightenment." In Enlightenment, Legal Education, and Critique. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748682133.003.0004.

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This chapter examines the development of teaching from the chair of Public Law and the Law of Nature and Nations at the University of Edinburgh during the Scottish Enlightenment, with particular emphasis on the intellectual content of the classes and the politics of professorial appointments. For the first half-century, law teaching from the chair was intermittent. However, this does not mean that the holder was incapable or unlearned. When the holder of the chair did teach, the class was based on Hugo Grotius' De iure belli ac pacis libri tres. The chapter first provides an overview of legal education in Scottish universities before profiling the law professors who were appointed to the new chair between 1707 and 1831, including Charles Areskine, William Kirkpatrick, George Abercromby, Robert Bruce, James Balfour, Allan Maconochie, and Robert Hamilton. Robert Bruce was the last holder of the chair to teach Grotius' natural law.

Тези доповідей конференцій з теми "Choir teaching":

"Message from Publication Chair." In 2013 Learning and Teaching in Computing and Enginering (LaTiCE). IEEE, 2013. http://dx.doi.org/10.1109/latice.2013.5.

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"Message from General Chair." In 2014 International Conference on Teaching and Learning in Computing and Engineering (LaTiCE). IEEE, 2014. http://dx.doi.org/10.1109/latice.2014.5.

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"Message from Publication Chair." In 2016 International Conference on Learning and Teaching in Computing and Engineering (LaTICE). IEEE, 2016. http://dx.doi.org/10.1109/latice.2016.33.

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Chan, Henry. "Message from the General Chair." In 2012 IEEE International Conference on Teaching, Assessment and Learning for Engineering (TALE). IEEE, 2012. http://dx.doi.org/10.1109/tale.2012.6360311.

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"Message from the general conference chair." In 2015 IEEE International Conference on Teaching, Assessment, and Learning for Engineering (TALE). IEEE, 2015. http://dx.doi.org/10.1109/tale.2015.7385999.

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Connoley, Kathy. "Integration for a New Generation - Technological Solutions for Linking Core Functions of Teaching and Learning." In InSITE 2006: Informing Science + IT Education Conference. Informing Science Institute, 2006. http://dx.doi.org/10.28945/3012.

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The Teaching and Learning Group, in the Faculty of Arts, Deakin University, Australia, has successfully implemented Stage One of a Teaching and Learning Database. The database is unique in Deakin, and aims to integrate the core functions of curriculum, unit chair and assessment panel maintenance, academic workloads and quality assurance reporting for the Faculty of Arts. Stage One developments have already replaced many hard-copy forms. The following paper describes the database project, how it was initiated in the Faculty, the options considered, and an illustration of its progress to date. It will also describe the future developments planned for this project during the next six months, developments that will add capabilities to manage academic workloads.

Harvey, Jen, Claire McAvinia, Kevin O'Rourke, and Jason FitzSimmons. "Transforming spaces: Fostering student-centered learning through the intentional design of formal and informal learning spaces." In Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.24.

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Transforming the academic experience and success of students by building Active Learning Classrooms (ALCs) is increasing, but ALCs are still fewer than traditional classroom spaces. These new learning spaces create an inherent tension between increasing student enrollments and active learning environments. Accommodating increased class sizes does not have to exclude fostering an active learning space. We have an opportunity every time a classroom is renovated or a new building is built to intentionally acknowledge and engage this tension to positively influence student learning and success. As we renovate and construct new learning spaces on our campuses, it is not only important to understand how the “built pedagogy” (Monahan 2000, 2002) and “architecture as pedagogy” (Orr 1993, 1997) of our spaces can help or hinder more active learning pedagogies, but also how to support effective teaching in these spaces (Levesque-Bristol, 2019). While many institutions are prioritizing active learning as old classrooms get renovated, few are doing so at the broad campus-wide scope necessary to affect larger-scale culture change (Park & Choi, 2014). Two such institutions that are developing and supporting large-scale active learning spaces are the Technological University Dublin (TU Dublin) and Purdue University (Indiana, USA). TU Dublin and Purdue are conducting collaborative research focusing on how each institution’s new, large-scale construction of formal and informal learning spaces is impacting teaching and learning.