Добірка наукової літератури з теми "Collectionneurs et collections – Bretagne (France)"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Collectionneurs et collections – Bretagne (France)".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Collectionneurs et collections – Bretagne (France)"
Angleviel, Frédéric. "Collectes, collectionneurs et collections en France : 1774-1911." Outre-mers 88, no. 332 (2001): 113–27. http://dx.doi.org/10.3406/outre.2001.3884.
Повний текст джерелаMeyer, C. "Appropriating Antiquity/Saisir l'antique: Collections et collectionneurs d'antiques en Belgique et en Grande-Bretagne au XIXe siecle." Journal of the History of Collections 17, no. 1 (January 1, 2005): 127. http://dx.doi.org/10.1093/jhc/fhi012.
Повний текст джерелаHunt, J. D. "Le Geant, La Licorne, La Tulipe. Collections et Collectionneurs dans la France du XVIIe Siecle." Journal of the History of Collections 1, no. 2 (January 1, 1989): 225–26. http://dx.doi.org/10.1093/jhc/1.2.225-a.
Повний текст джерелаPomian, Krzysztof. "Collections et Musées (note critique)." Annales. Histoire, Sciences Sociales 48, no. 6 (December 1993): 1381–401. http://dx.doi.org/10.3406/ahess.1993.279221.
Повний текст джерелаFrère, Dominique, and Marie-Hélène Santrot. "L'anticomanie dans l'Ouest de la France : histoire des collections grecques, étrusques et phéniciennes en Bretagne et Pays de la Loire." Bulletin de la Société Nationale des Antiquaires de France 2004, no. 1 (2011): 74–75. http://dx.doi.org/10.3406/bsnaf.2011.10844.
Повний текст джерелаPoulin, Anne-Marie. "MATHIEU, JOCELYNE ET CHRISTINE TURGEON. Collections-collectionneurs. Textiles d’Amérique et de France. [Québec], Les Presses de l’Université Laval, 2002, 240 p. ISBN 2-7637-7856-9." Rabaska: Revue d'ethnologie de l'Amérique française 2 (2004): 236. http://dx.doi.org/10.7202/201675ar.
Повний текст джерелаKerbiriou, Anne-Hélène. "Collections - Collectionneurs. Textiles d’Amérique et de France. Par Jocelyne Mathieu et Christine Turgeon, dirs. (Québec : Célat et Presses de l’Université Laval, 2002. Pp. 240, ISBN 2-7637-7856-9) Le fil de l’art. Les broderies des Ursulines de Québec. Par Christine Turgeon (Québec : Musée du Québec et Musée des Ursulines, 2002. Pp. 155, ISBN 2-551-21530-7)." Ethnologies 26, no. 1 (2004): 260. http://dx.doi.org/10.7202/013356ar.
Повний текст джерелаMcNally, Peter F. "Western Canadiana at McGill University: The Lande and Arkin Collections." Fontanus 12 (January 1, 2010). http://dx.doi.org/10.26443/fo.v12i.192.
Повний текст джерелаДисертації з теми "Collectionneurs et collections – Bretagne (France)"
Allano, Mylène. "Peintures italiennes en Bretagne : collections d'aujourd'hui, goûts d'hier." Rennes 2, 2005. http://www.theses.fr/2005REN20002.
Повний текст джерелаBritanny is wealthy of an underestimated inheritance, constituated of about a thousand Italian paintings that cover the large period from the XIIIth century to the XIXth century. Those pictures, that can be mostly found in museums but also in some religious buildings and town halls are a legacy from a past going before the French Revolution - a time in which emigrants and Clergy's possessions were seized to be given to the public domain. In fact, it is from the XVIIth century on, and under the boost of engraving that Britanny has been discovering Italian painting. Nevertheless, it is necessary to wait for the XIXth century and the forming of a new generation of private collectors for the picture acquisition to spread. The increasing practice of donation and, at the same time, the blossoming museums, enriched the public collections, and the State's sendings and depositings
Aubert, Gauthier. "La noblesse, le pouvoir et le savoir dans la Bretagne des Lumières : le président de Robien : (1698-1756) : gentilhomme et savant en son siècle." Rennes 2, 2000. http://www.theses.fr/2000REN20019.
Повний текст джерелаIn 18th century Brittany, not renowned for being open to new ideas, a man stands out : President de Robien (1698-1756) a wealthy member of Brittany's High Judicial Court, descended from an ancient family of provincial aristocracy, he was a collector, an antique lover and a naturalist and his fame reached beyond the limits of Brittany. Through a study of this dignitary, this work aims at analysing how the ideas of the Enlightenment made their way into the Breton ruling circles by comparing Robien with his environment, in particular thanks to the death inventories of the Breton elites of this age. The first part is devoted to the ways and means that led to the rise of Robien in his province, through a study of his family, his fortune, his office, his standard of living and his influence on the society of his time. The second part deals with Robien's attitude towards the different fields of learning through an analysis of his writings, his use of intellectual curiosity, and the role he meant to play in the literary republic as well as the place actually had within it. Thus, through Robien is suggested an approach of the relationship between the Nobility, Power and Learning on the periphery of Europe Enlightenment. As a conclusion, this work will study the posthumous fate of this dignitary, part and parcel of Brittany's heritage, whose importance is indisputable today
Hervieu, Maïder. "Un « curieux de papier » dans la Bretagne des Lumières : étude de la collection d'estampes du président Christophe-Paul de Robien (1698-1756)." Thesis, Rennes 2, 2022. http://www.theses.fr/2022REN20001.
Повний текст джерелаUnmissable figure in Rennes' cultural and intellectual life in the first half 18th century, Christophe-Paul de Robien was one of the great provincial scholars and collectors of his time. Amatory of arts and belles-lettres, passionate about sciences and antiquity, this Breton parliamentarian set up inside of his mansion in Rennes an incredibly diversified cabinet of curiosities. The image, and in particular the printed image, occupied a great importance at the heart of his curiosity practices. As part of an encyclopedic process of access to all of universal knowledge, the president de Robien was able to find in the print the ideal medium able to fulfilling his desire for possession, both material and intellectual. Today scattered between the Musée des Beaux-Arts in Rennes, the Musée de Bretagne and Les Champs Libres's library, this collection of prints therefore deserved a complete reconstruction in order to capture the several intentions that contributed to its development. This study will also focus on the relations maintained by the magistrate with scientific imaging and the illustration practice that he may have had for his own manuscripts
Gouthe, Glenn. "Xavier de Langlais et la langue bretonne : création, sauvegarde, transmission : étude de la place du breton dans la vie d’une personnalité bretonne du XXe siècle." Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20051.
Повний текст джерелаHow did Xavier de Langlais participate in the life and survival of the Breton language during the 20th century? Breton personality, member of the Seiz Breur, he is a direct witness of the upheavals then affecting the Breton language and gradually leading to its decline. His artistic activity, such as his paintings, engravings, illustrations and even his frescoes have made him famous in Brittany and beyond. His work in the Breton language and in favour of it is less well known. This study attempts to understand the link he had with the Breton language and his activism in favour of it. He took it upon himself to learn the Breton language in a non-breton-speaking family background. He composed poems, novels, short stories, plays. He actively participated in the main literary journals of the time such as Gwalarn or Dihunamb. He took interest in the language of his environment in Vannes country by collecting songs, tales, phrases, proverbs in the field, in the region of Surzur. He fully embarked on a spelling reform which had become essential in his eyes so that the language could be taught in the school system and thus allow a transmission to future generations
Marion, Michel. "Collections et collectionneurs de livres au XVIIIe siècle." Paris 4, 1994. http://www.theses.fr/1994PA040157.
Повний текст джерелаIn the Bibliotheque Nationale, in Paris, auction books catalogues are kept and also preserved: they are the basement of the present thesis. Book collectors, in their social condition, marriages, parents and locations, especially in the head town, are presented. Estates and royalties are evaluated too. Collections themselves are also presented, so in their global part than in their secular variations. Foreign editorial production, knowledge of European and nexs, which collectors used to study production are the aim of an analysis, so too the public auctions: books are very expensive. So we may say that collecting books is an advantage that only few could have
Henry-Virly, Vanessa. "Les intailles et les camées dans les collections en France au XVIIIème siècle." Rennes 2, 2010. http://www.theses.fr/2010REN20044.
Повний текст джерелаSince the fourth millennia B. C. , cameos and intaglios have been made and used as ornaments, as talismans, or as means of political propaganda. Private individuals and administrations have also used them as seals, and from the very outset, these engraved stones have been sought after by collectors. Eighteenth-century France is no exception to this demand. This thesis sets out to determine the role and status of cameos and intaglios in the collections of the period, to identify the individuals who collected them and to evaluate the part personal taste or social conventions played in the constitution of such collections. The study of the press, publications and auction catalogues from this era in France, reveals that engraved gemstones are considered as objets d’art, as research tools and as a medium for social representation. Aside from the Répertoire of F. Lugt which catalogues 33 auctions of this type, there has been few publications in this area of the history of collections. Research carried out in this thesis has resulted in the discovery of several hundred collectors of glyptic art. Potentially, each of these individuals may now be the subject of further study using the research tools and resources developed as an integral part of this thesis. The uses to which these tools may be put is demonstrated in the analysis of several collectors including: Mariette, Caylus, the Princess Palatine and the Countess de Verrue. This thesis is the first investigation of its kind in this field and aims to contribute to the development of research on cameos and intaglios in eighteenth-century France
Notteghem, Emilie. "Parcours d’objets de dévotion : mémoire, esthétique, culture (France, XIXème-XXIème siècles)." Paris 10, 2007. http://www.theses.fr/2007PA100069.
Повний текст джерелаWhile cultual obligations are fading away, initiatives from private collectors, associations, sacred art museums to preserve Christian material heritage are growing. First, this study investigates individuals’ ways to distance themselves from Catholicism, in adulthood: objects are used to hold together a biographic and cultural memory. The autonomy of aesthetic from religion neutralizes objects’ cultual value; however they may acquire new ritual functions which extend or transpose domestic use of Christian traditions. Secondly, this study sheds light on religion officers’ position, caught in between two institutional movements of heritage summons – either ecclesiastical or governmental. This analysis leads to the conclusion that it is extremely difficult to work with liturgical objects and quasi-impossible to make non-religious sacred art museums. Museography seems to be helpless to resuscitate as a culture the so-called “shared heritage”
Viellard-Cazaumayou, Sophie. "La circulation des objets océaniens en Occident : contribution à une analyse anthropologique du marché de l'art primitif en France." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0190.
Повний текст джерелаUntil recently, the anthropology research hasn't paid much attention to the tribal art market. Yet the study enriches, not only the knowledge of the french collections but also grasping the process of the value from the "curios" to art. Furthermore, we can see a different approach of exchange system. South Sea objets circulating in the Occident are useful for the understanding of tha market specificity. The growing media coverage in the 20 th century showed the emerging of these goods in the art market and especially in the auctions. The speeches of the actors specializing in that field also bring a multitude of informations to grasp the commercial manipulation of these items. This is discernible in the multiplication of references linked to the authenticity and rarefaction of the object. In addition, these also bring the collectors to keep the object as a sacred thing. However, item which became inalienable in Occident is sometimes underlying goods of oceanian identity and culture. This increases the problem of legitimacy of the possession and restitution of this object
Trébosc, Delphine. "Confronter l'art : les collections de raretés de la Renaissance française." Paris 1, 2004. http://www.theses.fr/2004PA010573.
Повний текст джерелаMeyer, Anne-Doris. "Le "musée personnel" de la collection privée au Musée public : parcours de l'objet d'art en France au XIXème siècle." Strasbourg 2, 2001. http://www.theses.fr/2001STR20001.
Повний текст джерелаКниги з теми "Collectionneurs et collections – Bretagne (France)"
Schnapper, Antoine. Collections et collectionneurs dans la France du XVIIe siècle. Paris: Flammarion, 1988.
Знайти повний текст джерелаLéonard de Vinci en France: Collections et collectionneurs, XVème-XVIIème siècles. Roma: "L'Erma" di Bretschneider, 2009.
Знайти повний текст джерелаFagnart, Laure. Léonard de Vinci en France: Collections et collectionneurs, XVème-XVIIème siècles. Roma: "L'Erma" di Bretschneider, 2009.
Знайти повний текст джерелаColloque Collections-collectionneurs : textiles d'Amřique et de France (2000 Qub̌ec, Québec). Collections-collectionneurs: Textiles d'Amřique et de France : actes du colloque tenu ̉Qub̌ec, du 4 au 7 octobre 2000. Qub̌ec: C LAT, 2002.
Знайти повний текст джерелаCécile, Morrisson, Seibt Werner, and Bibliothèque nationale (France), eds. Les sceaux byzantins de la collection Henri Seyrig. Paris: Bibliothèque nationale, 1991.
Знайти повний текст джерелаSister brother: Gertrude and Leo Stein. New York: G.P. Putnam's Sons, 1996.
Знайти повний текст джерелаWineapple, Brenda. Sister brother: Gertrude and Leo Stein. Lincoln: University of Nebraska Press, 2008.
Знайти повний текст джерелаWineapple, Brenda. Sister brother: Gertrude and Leo Stein. Baltimore, Md: Johns Hopkins University Press, 1997.
Знайти повний текст джерелаWineapple, Brenda. Sister brother: Gertrude and Leo Stein. Lincoln: University of Nebraska Press, 2008.
Знайти повний текст джерелаWineapple, Brenda. Sister brother: Gertrude and Leo Stein. London: Bloomsbury, 1996.
Знайти повний текст джерелаЧастини книг з теми "Collectionneurs et collections – Bretagne (France)"
Bayard, Françoise. "Collections et collectionneurs en France à l’époque moderne." In Érudits, collectionneurs et amateurs, 85–102. Presses universitaires de Provence, 2017. http://dx.doi.org/10.4000/books.pup.45573.
Повний текст джерела