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Статті в журналах з теми "Colonial Victoria"

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McMullen, Gabrielle L. "Noted colonial German scientists and their contexts." Proceedings of the Royal Society of Victoria 127, no. 1 (2015): 9. http://dx.doi.org/10.1071/rs15001.

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German scientists made substantial and notable contributions to colonial Victoria. They were involved in the establishment and/or development of some of the major public institutions, e.g. the Royal Society of Victoria, National Herbarium, the Royal Botanic Gardens, Museum Victoria, the Flagstaff Observatory for Geophysics, Magnetism and Nautical Science, the Pharmaceutical Society of Victoria and the Victorian College of Pharmacy. Further, they played a leading role not only in scientific and technological developments but also in exploration – Home has identified ‘science as a German export to nineteenth century Australia’ (Home 1995: 1). Significantly, an account of the 1860 annual dinner of the Royal Society of Victoria related the following comment from Dr John Macadam MP, Victorian Government Analytical Chemist: ‘Where would science be in Victoria without the Germans?’ (Melbourner Deutsche Zeitung 1860: 192). This paper considers key German scientists working in mid-nineteenth century Victoria and the nature and significance of their contributions to the colony.
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Theobald, Marjorie R. "Women's studies in colonial Victoria." Melbourne Studies in Education 31, no. 1 (January 1989): 14–33. http://dx.doi.org/10.1080/17508488909556228.

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Marsden, Beth. "“The system of compulsory education is failing”." History of Education Review 47, no. 2 (October 1, 2018): 143–54. http://dx.doi.org/10.1108/her-11-2017-0024.

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Purpose The purpose of this paper is to examine the ways in which the mobility of indigenous people in Victoria during the 1960s enabled them to resist the policy of assimilation as evident in the structures of schooling. It argues that the ideology of assimilation was pervasive in the Education Department’s approach to Aboriginal education and inherent in the curriculum it produced for use in state schools. This is central to the construction of the state of Victoria as being devoid of Aboriginal people, which contributes to a particularly Victorian perspective of Australia’s national identity in relation to indigenous people and culture. Design/methodology/approach This paper utilises the state school records of the Victorian Department of Education, as well as the curriculum documentation and resources the department produced. It also examines the records of the Aborigines Welfare Board. Findings The Victorian Education Department’s curriculum constructed a narrative of learning and schools which denied the presence of Aboriginal children in classrooms, and in the state of Victoria itself. These representations reflect the Department and the Victorian Government’s determination to deny the presence of Aboriginal children, a view more salient in Victoria than elsewhere in the nation due to the particularities of how Aboriginality was understood. Yet the mobility of Aboriginal students – illustrated in this paper through a case study – challenged both the representations of Aboriginal Victorians, and the school system itself. Originality/value This paper is inspired by the growing scholarship on Indigenous mobility in settler-colonial studies and offers a new perspective on assimilation in Victoria. It interrogates how curriculum intersected with the position of Aboriginal students in Victorian state schools, and how their position – which was often highly mobile – was influenced by the practices of assimilation, and by Aboriginal resistance and responses to assimilationist practices in their lives. This paper contributes to histories of assimilation, Aboriginal history and education in Victoria.
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Ghosh, Sanmita. "‘Bharat Mata’ and ‘Ma Victoria’: Forms of Divine Motherhood in Colonial Bengal." Indian Historical Review 47, no. 2 (December 2020): 296–312. http://dx.doi.org/10.1177/0376983620968011.

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This article attempts to explore the cult of the ‘Bharat Mata’ that was born out of the patriotic fervour of Indian nationalist leaders who transformed their nationalist passion into an image of the nation as mother, and the widely promoted idea of Queen Victoria as a mother to her subjects in the nineteenth-century Bengal. The image of ‘Bharat Mata’ was conceived with the rising tide of nationalism in the nineteenth century, the impetus provided by the Bengali novelist Bankimchandra Chattopadhyay’s novel Anandamath (1882). The image of Queen Victoria as a mother to her Indian subjects found its most emphatic projection in Bengali texts like Raja Sir Sourindro Mohun Tagore’s poem Srimad-Victoria-Mahatmyam, The Greatness of the Empress Victoria: A Sanskrit Poem, Set to Music with English Translation (1897). Composed on the occasion of the completion of 60 years of Queen Victoria’s reign, the poem was a ‘humble offering of loyalty’ to the Queen-Empress, whose reign over India was glorified and regarded auspicious. The article looks into the apparently contradictory nature of the worship of the feminine form as the ‘mother’ in a pre-independent nineteenth-century Bengal, through a consideration of texts like Anandamath, Srimad-Victoria-Mahatmyam and Girishchandra Ghosh’s play Hirak Jubilee (1897), among others. In this context, the article also takes into account the theoretical perspective of the cultural ‘Other’, inherent in a study involving the dynamics of colonial relations.
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Curthoys, Ann, and Kathryn Cronin. "Colonial Casualties: Chinese in Early Victoria." Labour History, no. 48 (1985): 121. http://dx.doi.org/10.2307/27508741.

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Cahir, Fred, Ian D. Clark, Dan Tout, Benjamin Wilkie, and Jidah Clark. "Aboriginal fire-management practices in colonial Victoria." Aboriginal History Journal 45 (April 26, 2022): 109–30. http://dx.doi.org/10.22459/ah.45.2021.05.

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Cahir, Fred, Ian D. Clark, Dan Tout, Benjamin Wilkie, and Jidah Clark. "Aboriginal fire-management practices in colonial Victoria." Aboriginal History Journal 45 (April 26, 2022): 109–30. http://dx.doi.org/10.22459/ah.45.2021.05.

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Cousen, Nicola. "Vandemonians: The Repressed History of Colonial Victoria." Australian Historical Studies 53, no. 1 (January 2, 2022): 163–64. http://dx.doi.org/10.1080/1031461x.2022.2020071.

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Silverstein, Ben. "Settler Colonial Governance in Nineteenth Century Victoria." Australian Historical Studies 47, no. 2 (May 3, 2016): 334–35. http://dx.doi.org/10.1080/1031461x.2016.1162685.

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Cahir, Fred, Rani Kerin, and Kylie Rippon. "The Aboriginal Adjustment Movement in Colonial Victoria." Journal of Religious History 43, no. 4 (November 25, 2019): 478–94. http://dx.doi.org/10.1111/1467-9809.12630.

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Дисертації з теми "Colonial Victoria"

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Marmion, Robert J. "Gibraltar of the south : defending Victoria : an analysis of colonial defence in Victoria, Australia, 1851-1901 /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/4851.

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During the nineteenth century, defence was a major issue in Victoria and Australia, as indeed it was in other British colonies and the United Kingdom. Considerable pressure was brought to bear by London on the self-governing colonies to help provide for their own defence against internal unrest and also possible invasions or incursions by nations such as France, Russia and the United States.
From 1851 until defence was handed over to the new Australian Commonwealth at Federation in 1901, the Victorian colonial government spent considerable energy and money fortifying parts of Port Phillip Bay and the western coastline as well as developing the first colonial navy within the British Empire. Citizens were invited to form volunteer corps in their local areas as a second tier of defence behind the Imperial troops stationed in Victoria. When the garrison of Imperial troops was withdrawn in 1870, these units of amateur citizen soldiers formed the basis of the colony’s defence force. Following years of indecision, ineptitude and ad hoc defence planning that had left the colony virtually defenceless, in 1883 Victoria finally adopted a professional approach to defending the colony. The new scheme of defence allowed for a complete re-organisation of not only the colony’s existing naval and military forces, but also the command structure and supporting services. For the first time an integrated defence scheme was established that co-ordinated the fixed defences (forts, batteries minefields) with the land and naval forces. Other original and unique aspects of the scheme included the appointment of the first Minister of Defence in the Australian colonies and the first colonial Council of Defence to oversee the joint defence program. All of this was achieved under the guidance of Imperial advisors who sought to integrate the colony’s defences into the wider Imperial context.
This thesis seeks to analyse Victoria’s colonial defence scheme on a number of levels – firstly, the nature of the final defence scheme that was finally adopted in 1883 after years of vacillation, secondly, the effectiveness of the scheme in defending Victoria, thirdly, how the scheme linked to the greater Australasian and Imperial defence, and finally the political, economic, social and technological factors that shaped defence in Victoria during the second half of the nineteenth century.
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Walter, Tamra Lynn. "Archaeological investigations at the Spanish colonial mission of Espíritu Santo de Zuñiga (41VT11), Victoria County, Texas /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004394.

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Hubbard, Timothy Fletcher, and mikewood@deakin edu au. "Towering over all the Italianate Villa in the colonial landscape." Deakin University. School of Architecture and Building, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051110.132654.

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The Picturesque aesthetic emerged in the later 18th century, uniting the Sublime and the Beautiful and had its roots in the paintings of Claude Lorrain. In Britain, and in Australia, it came to link art, literature and landscape with architecture. The Picturesque aesthetic informed much of colonial culture which was achieved, in part, through the production and dissemination of architectural pattern books catering for the aspirations of the rising middle classes. This was against a background of political change including democratic reform. The Italianate villa, codified and promoted in such pattern books, was a particularly successful synthesis of style, form and function. The first Italianate villa in England, Cronkhill (1803) by John Nash contains all the ingredients which were essential to the model and had a deeper meaning. Deepdene (from 1807) by Thomas Hope gave the model further impetus. The works of Charles Barry and others in a second generation confirmed the model's acceptability. In Britain, its public status peaked with Osborne House (from 1845), Queen Victoria's Italianate villa on the Isle of Wight, Robert Kerr used a vignette of Osborne House on the title page of his sophisticated and influential pattern book, The Gentleman's House (1864,1871). It was one of many books, including those of J.C, Loudon and AJ. Downing, current in colonial Victoria. The latter authors and horticulturists were themselves villa dwellers with libraries and orchards, two criteria for the true villa lifestyle. Situation and a sense of retreat were the two further criteria for the villa lifestyle. As the new colony of Victoria blossomed between 1851 and 1891, the Italianate villa, its garden setting and its landscape siting captured the tenor of the times. Melbourne, the capital was a rich manufacturing metropolis with a productive hinterland and international markets. The people enjoyed a prosperity and lifestyle which they wished to display. Those who had a position in society were keen to demonstrate and protect it. Those with aspirations attempted to provide the evidence necessary for such acceptance, The model matured and became ubiquitous. Its evolution can be traced through a series of increasingly complicated rural and suburban examples, a process which modernist historians have dismissed as a decadent decline. These villas, in fact, demonstrate an increasingly sophisticated retreat by merchants from ‘the Town’ and by graziers from ‘the Country’. In both town and country, the towers of villas mark territory newly acquired. The same claim was often made in humbler situations. Government House, Melbourne (from 1871), a splendid Italianate villa and arguably finer than Osborne House, was set in a cultivated landscape and towered above all It incorporated the four criteria and, in addition, claimed its domain, focused authority and established the colony's social status. It symbolised ancient notions of democracy and idealism but with a modem appreciation for the informal and domestic. Government House in Melbourne is the epitome of the Italianate villa in the colonial landscape and is the climax of the Picturesque aesthetic in Victoria.
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Morris, Richard William Tavener. "Celebrating Queen Victoria in the colonial city : the Diamond Jubilee in Hong Kong and Cape Town." Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40776.

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The 1897 Diamond Jubilee was a truly global celebration, breaking out across the wide expanses of the British Empire in a near simultaneous fashion. Yet these local events were not identical across the world. Using the local coverage of the celebrations that took place in Hong Kong and Cape Town, two of the empire’s most rapidly growing and significant port cities, this thesis uses the comparative method of analysis to uncover the nuances, similarities and discrepancies within them. This approach allows light to shine away from the focus of the festivities – Queen Victoria – and to be brought to bear more directly onto the locations and celebrants themselves. This thesis considers the socio-political and economic background to the events and examines whether these issues had any bearing on how the celebrations were performed and received. It also seeks to examine the subject of empire loyalty within these two cities, and the extent to which genuine levels of affection held towards the queen could be found. Whilst it is apparent that the celebrations were largely well-attended, and general levels of public engagement with the event appeared to be high, the arguments of this thesis take issue with the facile verdict, voiced by colonial institutions at the time, that active participation and attendance at the event was proof enough of its popularity. Instead, this work considers the different motivations that may have lay behind attendance at the festivities and also considers the various representations of Britishness that were also projected during the celebrations. In the final chapter, the Diamond Jubilee is considered in relation to the histories and identities of the two cities in which these celebrations took place.
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Del, Solar Rizo Patrón Vhal Alessandro. "Cartografía y construcción simbólica de una frontera: Vilcabamba y San Francisco de la Victoria en la época colonial." Master's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/18802.

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En los últimos años de la conquista española del Tahuantinsuyu sobrevivió un remanente del estado Inca en la zona de Vilcabamba, un territorio próximo al Cusco protegido por su geografía y condición de aproximación selvática. Esta situación le valió para permanecer como el último reducto libre y autónomo de los Incas en pleno ejercicio de su poder donde por un breve período de tiempo, lograron interactuar y negociar con autoridades coloniales que aún no terminaban de afianzar su poder. Fueron tiempos de gran complejidad y cambio. Los sucesos que acontecieron entre 1571 y 1572, partiendo con la llegada del virrey Francisco de Toledo al Cusco, precipitaron la caída de Vilcabamba. Tras la captura y ejecución de Tupa Amaru y el traslado de la población al nuevo asentamiento de San Francisco de la Victoria, fundado por orden de Toledo, nada quedó luego sobre lo que se podría reconstruir la idea de un estado incaico. Sin embargo, llama la atención la manera en que este espacio geográfico fue representado en la cartografía colonial posterior hasta el siglo XVIII y cómo se le asoció con una ubicación cardinal (relación Este con respecto al Cusco) que no se correspondió con su realidad física (relación Noroeste). A partir del análisis de mapas coloniales que se encuentran en el Archivo Central del Ministerio de Relaciones Exteriores del Perú (MRE), este trabajo busca repensar la forma en que los vemos y reflexionar sobre el entendimiento que se tuvo del territorio sobre el cual se construyó un andamiaje simbólico que perdura hasta la actualidad.
In the last years of the Spanish conquest of the Tahuantinsuyu, a remnant of the Inca state survived in the Vilcabamba area, a territory near Cusco protected by its geography and condition of jungle approach. This situation was worthy for it to remain as the last free and autonomous bastion of the Incas in the full exercise of their power where for a short period of time, they managed to interact and negotiate with colonial authorities that had not yet consolidated their power. They were times of great complexity and change. The events that occurred between 1571 and 1572, starting with the arrival of Viceroy Francisco de Toledo to Cusco, precipitated the fall of Vilcabamba. After the capture and execution of Tupa Amaru and the relocation of the population to the new settlement of San Francisco de la Victoria, founded by order of Toledo, nothing remained after which the idea of an Inca state could be reconstructed. However, it attracts attention how this geographical space was represented in the subsequent colonial cartography until the 18th century and how it was associated with a cardinal location (East relation to Cusco) that did not correspond to its physical reality (Northwest relationship). Based on the analysis of colonial maps found in the Central Archive of the Ministry of Foreign Affairs of Peru (MRE), this work seeks to reconsider the way we see them and to think over on the past understanding of the territory on which a symbolic scaffolding was built that endures to the present.
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Lethbridge, Sarah Val. "A pagan and inferior race : the changing nature of racist ideology towards Chinese immigrants to colonial Victoria, 1840-1865 /." Title page, contents and introduction only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09arl647.pdf.

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Ncube, Glen. "The making of rural health care in colonial Zimbabwe : a history of the Ndanga Medical Unit, Fort Victoria, 1930-1960s." Doctoral thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11490.

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Includes abstract.
Includes bibliographical references.
This thesis adopts a social history of medicine approach to explore the contradictions surrounding a specific attempt to develop a rural healthcare system in south-eastern colonial Zimbabwe (Southern Rhodesia) from the 1930s to the 1960s. Influenced by a combination of healthcare discourses and models, in 1930, the colony’s new medical director formulated the first comprehensive rural healthcare delivery plan, premised on the idea of ‘medical units’ or outlying dispensaries networked around rural hospitals. The main argument of the thesis is that the Ndanga Medical Unit, as this pioneer medical unit was known, was a variant of a typical colonial project characterised by tensions between innovative endeavours to control disease on the one hand, and the need to fulfil broader colonial ambitions on the other.
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Woodland, John George, and woodland@bigpond net au. "R. H. Bland and the Port Phillip and Colonial Gold Mining Company." La Trobe University. School of Historical and European Studies, 2002. http://www.lib.latrobe.edu.au./thesis/public/adt-LTU20041222.162756.

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There are numerous histories of the Victorian goldfields, individual digger�s experiences, and the digging community as a whole. By contrast, very little has been written about the early gold mining companies. This thesis seeks to address this dearth in part, with a longitudinal study of one of the leading gold mining companies in nineteenth-century Victoria. The Port Phillip and Colonial Gold Mining Company (�Port Phillip Company�) was one of many �gold bubble� companies formed in England during 1851-3 to undertake gold mining in Australia. Within a few years it was the only survivor of this episode of British corporate gold-fever. The thesis argues that the influence of Rivett Henry Bland, the company�s managing director, was instrumental in its success, particularly in its early years when faced with anti-company sentiment and unfavourable mining legislation. The company established a large-scale operation at Clunes in 1857, rapidly assuming a pre-eminent position in colonial gold mining with its superior technology and mining practices. Historians generally portray Australian gold mining operations as small, locally funded and inefficient, prior to British capital investment in the late 1880s. While true of the larger picture, this simply emphasises the uniqueness of the British-owned and funded Port Phillip Company, the largest and most efficient gold mining operation in Australia from 1857 until the early 1880s. The company and its investment offshoot, the Victoria (London) Mining Company, invested in over thirty Victorian gold mining companies during the 1860s. Again, this runs counter to the general view that British investment in Australian gold mining began only in the late 1880s. Although the two companies� investments equalled only a fraction of the later wave of British capital in absolute monetary terms, their contribution to the growth of the Victorian gold mining industry at the time was significant.
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Gerlach, Tim. "The cabbage garden and the farinaceous village : aspects of colonial identity in Victoria and South Australia in the 1890's [sic] /." Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arg371.pdf.

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Marmion, Bob, and victorianvolunteers@hotmail com. "The Victorian Volunteer Force on the central Victorian Goldfields, 1858-1883." La Trobe University. School of Arts and Education, 2003. http://www.lib.latrobe.edu.au./thesis/public/adt-LTU20050430.150445.

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During the 19th century, defence was a major issue in Victoria as indeed it was in other British colonies and the United Kingdom. To help defend themselves, self governing colonies throughout the Empire enlisted local citizens to serve as part time soldiers on a voluntary basis. The Victorian government in 1859 - 60 took a calculated risk in adopting a Volunteer Force to underpin the whole colonial defence scheme, particularly as the military effectiveness of the citizen soldiers was questionable due to the lack of any real discipline within the Force and the part time nature of the military service. Whilst the savings which resulted (from using Volunteers rather than expensive Imperial troops) were spent on building forts and purchasing ordnance to protect Port Phillip Bay, there were other advantages to be gained from the government decision. It harnessed the considerable groundswell of public patriotism and pride in the Empire to ensure the development of a colonial society with strong links to Britain. The Government also linked Volunteering, stability and patriotism together as part of a less obvious agenda for the goldfields. In a period of lingering unrest only a few short years after Eureka, the Volunteers provided a clear indication of government power and yet another sign (along with the judicial system, education, language) of the importance and expanse of British society. Should there be any civil unrest on the goldfields, the local Corps were ideally suited to the role of civil control. On a number of occasions, the Volunteer Corps were called out to maintain law and order. The thesis studies a major group of over 5,100 men on the goldfields over two decades, particularly with regard to their motives for joining the Volunteers and their demographics such as ages, occupations, addresses, activities and the networks between members. By addressing the Corps demographics it is possible to understand the role played by the Volunteers in the development of goldfields society.
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Книги з теми "Colonial Victoria"

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Arrington-Sirois, Andrea L. Victoria Falls and Colonial Imagination in British Southern Africa. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2.

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Naomi, Perkins, and Trumble Angus, eds. Victoria's colonial governors: 1839-1900. Carlton, Vic: Melbourne University Press at the Miegunyah Press, 1993.

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Watson, Angus B. Lost & almost forgotten towns of colonial Victoria: A comprehensive anaysis of census results for Victoria, 1841-1901. [Victoria, Australia]: Angus B. Watson and Andrew MacMillan Art & Design, 2003.

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A people learning: Colonial Victorians and their public museums, 1860-1880. North Melbourne, Vic: Australian Scholarly, 2007.

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1944-, Beer Jane M., and University of Melbourne. History Dept., eds. Colonial frontiers and family fortunes: Two studies of rural and urban Victoria. Parkville, Vic: History Dept., University of Melbourne, 1989.

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Barr, Jennifer Nell. Ross Bay Villa: A colonial cottage 1865-2000. 3rd ed. Victoria, B.C: Hallmark Society, 2000.

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Barr, Jennifer Nell. Ross Bay Villa: A colonial cottage 1865-1999. 2nd ed. Victoria, B.C: Hallmark Society, 1999.

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Great Britain. Colonial Office. Church affairs (Canada and Victoria): Copies of extracts of recent correspondence on colonial church affairs, in the dioceses of the colonies of Canada and Victoria. [London: HMSO, 2002.

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Cage, R. A. Poverty abounding, charity aplenty: The charity network in colonial Victoria / R. A. Cage. Sydney, NSW: Hale & Iremonger, 1992.

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Coleborne, Catharine. Reading 'madness': Gender and difference in the colonial asylum in Victoria, Australia, 1848-1880s. Perth, W. A: Network Books, 2007.

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Частини книг з теми "Colonial Victoria"

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Dyason, Diana. "The medical profession in colonial Victoria, 1834-1901." In Disease, Medicine, and Empire, 194–216. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003278245-13.

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Chu, Cecilia L. "A Dual City in the Making: Accumulation and Segregation in Nineteenth-Century Victoria." In Building Colonial Hong Kong, 20–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429438356-2.

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Arrington-Sirois, Andrea L. "Introduction: Toward a Transcolonial History of Victoria Falls." In Victoria Falls and Colonial Imagination in British Southern Africa, 1–17. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_1.

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Arrington-Sirois, Andrea L. "Staking Their Claim: White Settlement at Victoria Falls." In Victoria Falls and Colonial Imagination in British Southern Africa, 105–41. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_4.

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Arrington-Sirois, Andrea L. "“A Cataract on the Zambezi”: The Waterfalls in Precolonial Context." In Victoria Falls and Colonial Imagination in British Southern Africa, 19–58. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_2.

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Arrington-Sirois, Andrea L. "Lewanika’s Scramble for Africa: Barotseland and the British South Africa Company." In Victoria Falls and Colonial Imagination in British Southern Africa, 59–103. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_3.

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Arrington-Sirois, Andrea L. "Performing Europe or Redefining African: The African Social Life of a Colonial Town." In Victoria Falls and Colonial Imagination in British Southern Africa, 143–78. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_5.

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Arrington-Sirois, Andrea L. "“What is the Trouble?”: Dispute and Discontent in North Western Rhodesia." In Victoria Falls and Colonial Imagination in British Southern Africa, 179–220. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_6.

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Arrington-Sirois, Andrea L. "‘Of More Value to South Africa than all the Diamonds Ever Found or Dreamed:’ Victoria Falls and the Hydroelectric Power Scheme." In Victoria Falls and Colonial Imagination in British Southern Africa, 221–58. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-59693-2_7.

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Clark, Ian D. "2. Visitor Experiences of Aboriginal Place Names in Colonial Victoria, Australia, 1834–1900." In Names and Naming, edited by Guy Puzey and Laura Kostanski, 18–31. Bristol, Blue Ridge Summit: Multilingual Matters, 2016. http://dx.doi.org/10.21832/9781783094929-005.

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Тези доповідей конференцій з теми "Colonial Victoria"

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Harper, Glenn. "Becoming Ultra-Civic: The Completion of Queen’s Square, Sydney 1962-1978." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4009pijuv.

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Declaring in the late 1950s that Sydney City was in much need of a car free civic square, Professor Denis Winston, Australia’s first chair in town and country planning at the University of Sydney, was echoing a commonly held view on how to reconfigure the city for a modern-day citizen. Queen’s Square, at the intersection of Macquarie Street and Hyde Park, first conceived in 1810 by Governor Lachlan Macquarie, remained incomplete until 1978 when it was developed as a pedestrian only plaza by the NSW Government Architect under a different set of urban intentions. By relocating the traffic bound statue of Queen Victoria (1888) onto the plaza and demolishing the old Supreme Court complex (1827), so that nearby St James’ Church (1824) could becoming freestanding alongside a new multi-storey Commonwealth Supreme Court building (1975), by the Sydney-based practise of McConnel Smith and Johnson, the civic and social ambition of this pedestrian space was assured. Now somewhat overlooked in the history of Sydney’s modern civic spaces, the adjustment in the design of this square during the 1960s translated the reformed urban design agenda communicated in CIAM 8, the heart of the city (1952), a post-war treatise developed and promoted by the international architect and polemicist, Josep Lluis Sert. This paper examines the completion of Queen’s Square in 1978. Along with the symbolic role of the project, that is, to provide a plaza as a social instrument in humanising the modern-day city, this project also acknowledged the city’s colonial settlement monuments beside a new law court complex; and in a curious twist in fate, involving curtailing the extent of the proposed plaza so that the colonial Supreme Court was retained, the completion of Queen’s Square became ultra – civic.
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Pessotti, Luciene. "Patrimônio ambiental urbano de Vitória: rupturas e permanências do traçado colonial na contemporaneidade." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Maestría en Planeación Urbana y Regional. Pontificia Universidad Javeriana de Bogotá, 2014. http://dx.doi.org/10.5821/siiu.5997.

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A pesquisa de pós-doutoramento desenvolvida entre 2009/2011 abordou a temática do Patrimônio Cultural Urbano e sua relação com a paisagem cultural. Teve-se como objeto de estudo a Cidade de Vitória, capital do Espírito Santo, que foi fundada em 1551 e passou por diversas transformações. O tema visa refletir sobre o Patrimônio Ambiental de Vitória, ou seja, as rupturas e permanências do traçado colonial na contemporaneidade e pressupõe a abordagem sobre a formação urbana da primitiva sede da capitania do Espírito Santo, Brasil, na longa duração, e sobre os processos que influenciaram em sua configuração espacial e paisagística. Além disto, esta reflexão permitiu constatar quais as permanências urbanas da antiga vila na cidade de hoje, isto é, o que na contemporaneidade constitui o patrimônio ambiental urbano de Vitória, suas origens e referências. A noção de patrimônio ambiental abordada na pesquisa está relacionada ao processo de construção cultural, constantemente transformada pela interação do homem com seu habitat. Este processo de acumulação sucessiva é denominado de construção cultural. Research postdoctoral developed between 2009/2011 addressed the theme of Urban Cultural Heritage and its relation to the cultural landscape. Had as object of study the City of Vitoria, capital of Espírito Santo, which was founded in 1551 and has undergone several transformations. The theme aims to reflect on the Environmental Heritage Victory, namely. , ruptures and continuities traced in colonial and contemporary approach presupposes on urban formation of primitive seat of the Captaincy of the Espírito Santo, Brazil , in the long term , and the processes that influenced his space and landscape configuration. Moreover, this reflection have revealed which urban permanence of the ancient village in the city today, namely, what constitutes the contemporary urban environmental heritage Victory, its origins and references. The concept of environmental equity addressed in the research is related to the cultural construction process, constantly transformed by the interaction between man and his habitat. This process is called successive accumulation of cultural construction
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Chergui, Samia, and Dehbia Haddad. "Les abords de la citadelle d’Alger au XIXème siècle." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11370.

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The surroundings of the Algiers’s citadel in the nineteenth centuryThe major works undertaken between 1817 and 1830 transformed the citadel of Algiers into a most important place of sovereignty and power, boasting different administrative, economic and religious centres. However, today, the physiognomy of the surroundings of this palace-fortress is marked by the upheaval of the French colonial period between 1830 and 1870. The creation of the Boulevard de la Victoire and the demolition, for security reasons, of the surrounding buildings, definitively altered the landscape and urban typology of the Ottoman period. This article examines the urban fabric of the ancient surroundings of the Citadel and their transformation during the nineteenth century. It traces back the development of the surroundings, and explains the reasons behind their demolition. The study tries also to give an assessment of the principle characteristics of the architectural components within their urban fabric.
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Jain, Priyanka. "Descolonizando la recitación de imágenes." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.150.g294.

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La recitación de imágenes es el arte de contar historias en verso acompañado de un accesorio visual como una pintura de pergamino o un tapiz. Numerosas prácticas de recitación de imágenes se realizaban en la India, pero sufrieron de muchas maneras durante la colonización por los británicos. La sutil censura victoriana del tema de lo erótico expresado en las narrativas religiosas (que formaban la mayor parte del género de recitación de imágenes), el borrado de la oratura como primitiva, la relegación de las prácticas de recitación de imágenes como arte popular y la división entre la imagen (objetos y accesorios de utilería que se pueden exhibir en museos) y la recitación (aspectos performativos que no se podrían musealizar fácilmente), al tiempo que llenan los museos europeos con artefactos coloniales, han infligido un gran daño a las tradiciones vivas de recitación de imágenes en la India. Mi investigación dirigida por la práctica busca descolonizar la recitación de imágenes para deshacer estos daños. Siguiendo el llamado de Walter Mignolo de desvincularse de la hegemonía occidental, busco resaltar, en lugar de las nociones europeas de belleza y estética, las teorías indias clásicas del afecto de alrededor del año 300 d.C. que pueden producir placer estético en el espectador. Por lo tanto, utilizando la teoría clásica india de Rasa y la subversión, creo narrativas contemporáneas para la recitación de imágenes utilizando hechos empíricos de la investigación científica (neurociencia, microbiología, fitoquímica y meteorología), que se complementan con accesorios visuales hechos al fusionar la estética de la pintura india en miniatura medieval, así como con la Ilustración médica contemporánea. La investigación guiada por la práctica es el único método para redimir la práctica de la recitación de imágenes, al igual que la práctica contemporánea de las neominiaturas ha rescatado el género de las pinturas en miniatura de la clasificación del kitsch oriental. Al invertir en temas eróticos y oraturas, así como al reunir imágenes y recitaciones, espero eliminar los efectos adversos de la colonización en algunos géneros de artes indias. Concretamente, mi práctica se centra en la contemporización de la poesía sánscrita erótica clásica que existe desde el año 1000 a. C., componiendo poesía erótica que incorpora la investigación científica y creando composiciones de imagen y texto como una vez se encontró en las miniaturas indias medievales. El segundo enfoque busca revivir la recitación de imágenes usando un arquetipo clásico indio de una heroína femenina que sale al encuentro de su amante desafiando graves peligros y contemporizándola con la lectura de las neurociencias. A través de la práctica, descubro mis recuerdos corporales que emergen durante la actuación y el papel de la respiración en la voz, así como la imagen, el texto, la voz y la actuación se influyen mutuamente de forma iterativa y el afecto se transfiere a través de la actuación al espectador. A través de la práctica, establezco un campo más amplio para los recién llegados, con mayor vigor y validez que simplemente repitiendo un llamado teórico a la descolonización. Se incorporará una interpretación de la recitación de imágenes dentro del video de 10 minutos de la presentación.
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