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Статті в журналах з теми "Crime Fiction Technique"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 1 лютого 2022

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1

Pape, Toni. "Moving in stealth: On the tracking shot as a technique for imperceptibility." Critical Studies in Television: The International Journal of Television Studies 14, no. 1 (March 2019): 40–54. http://dx.doi.org/10.1177/1749602018816876.

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This article explores recent uses of the tracking shot in various media. Examples drawn from television, video games and video art reveal that recent audiovisual media have frequently used a particular kind of tracking shot that follows an individual through a complex environment. This article argues that this tracking shot contributes to an aesthetic of stealth, that is, a perceptual attunement to notions of imperceptibility and secrecy. The stealth tracking shot can thus be seen as one of the aesthetic principles that articulate discourses of securitisation. The argument proceeds in three st

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2

Achsani, Ferdian. "REALITAS SOSIAL MASYARAKAT PERKAMPUNGAN DALAM NASKAH DRAMA H.A.H KARYA PUTU WIJAYA." LEKSEMA: Jurnal Bahasa dan Sastra 4, no. 2 (December 31, 2019): 139. http://dx.doi.org/10.22515/ljbs.v4i2.1769.

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The drama script is a type of prose fiction literature that can not only be enjoyed through pen strokes from writers, but also aims to be performed on stage shows. In drama scripts, the topic or story that is displayed is inseparable from the life of society in general. Through the action of the cast of the cast, it is able to show that the story brought in the script seems to reflect the real life. This study aims to describe the form of reality of social life that occurs in the H.A.H drama by Putu Wijaya. This research is in the form of qualitative descriptive, with the method of analysis an

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3

Khisamova, Zarina, and Ildar Begishev. "Criminal Liability and Artificial Intelligence: Theoretical and Applied Aspects." Russian Journal of Criminology 13, no. 4 (August 23, 2019): 564–74. http://dx.doi.org/10.17150/2500-4255.2019.13(4).564-574.

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The humanity is now at the threshold of a new era when a widening use of artificial intelligence (AI) will start a new industrial revolution. Its use inevitably leads to the problem of ethical choice, it gives rise to new legal issues that require urgent actions. The authors analyze the criminal law assessment of the actions of AI. Primarily, the still open issue of liability for the actions of AI that is capable of self-learning and makes a decision to act / not to act, which is qualified as a crime. As a result, there is a necessity to form a system of criminal law measures of counteracting

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4

Alzouabi, Lina. "Social Environment and Crime in Dickens' Oliver Twist and Great Expectations." International Journal of Linguistics, Literature and Translation 4, no. 6 (June 30, 2021): 163–70. http://dx.doi.org/10.32996/ijllt.2021.4.6.19.

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This study reads Charles Dickens' Oliver Twist and Great Expectations as crime novels by applying Sutherland's theory of "differential association" which postulates that criminal behavior is learned rather than inherited, and it is learned through interaction with other people within intimate personal groups in which one learns techniques and acquires motives for committing crimes. In Oliver Twist, Oliver is portrayed as a victim of the corrupted social environment as well as Monks' conspiracy with Fagin to drag him down to the underworld.; he is raised as an orphan in a workhouse and subjecte

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5

Berberich, Christine. "Detecting the Past: Detective Novels, the Nazi Past, and Holocaust Impiety." Genealogy 3, no. 4 (December 7, 2019): 70. http://dx.doi.org/10.3390/genealogy3040070.

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Crime writing is not often associated with Holocaust representations, yet an emergent trend, especially in German literature, combines a general, popular interest in crime and detective fiction with historical writing about the Holocaust, or critically engages with the events of the Shoah. Particularly worthy of critical investigation are Bernhard Schlink’s series of detective novels focusing on private investigator Gerhard Selb, a man with a Nazi background now investigating other people’s Nazi pasts, and Ferdinand von Schirach’s The Collini Case (2011) which engages with the often inadequate

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6

Sampytho, Gilang Rizky, Tutik Sulistyowati, and Muhammad Hayat. "Sistem Mafia Aplikasi Online Grab di Era Digitalisasi." Al-Mada: Jurnal Agama, Sosial, dan Budaya 4, no. 1 (January 12, 2021): 40–63. http://dx.doi.org/10.31538/almada.v4i1.837.

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The development of technology will be followed by the development of crime, one of which is the Grab online application mafia in the form of a fictional restaurant. Humans become objects so it must also be analyzed that the mafia experiences control by technology, it is an important subject when analyzing using the Herbert Mercuse theory. digitization. The research method used is qualitative, with a descriptive type of research. Descriptive is a type of qualitative research that describes problems that exist in society. The technique of determining the subject using purposive sampling. The ana

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7

Carvalho, Tiago Jose de, Helio Pedrini, and Anderson De Rezende Rocha. "Visual Computing and Machine Learning Techniques for Digital Forensics." Revista de Informática Teórica e Aplicada 22, no. 1 (May 18, 2015): 128. http://dx.doi.org/10.22456/2175-2745.49492.

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It is impressive how fast science has improved day by day in so many different fields. In special, technology advances are shocking so many people bringing to their reality facts that previously were beyond their imagination. Inspired by methods earlier presented in scientific fiction shows, the computer science community has created a new research area named Digital Forensics, which aims at developing and deploying methods for fighting against digital crimes such as digital image forgery.This work presents some of the main concepts associated with Digital Forensics and, complementarily, prese

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8

Nayebpour, Karam. "Narrativity in The Thousand and One Nights." Advances in Language and Literary Studies 8, no. 4 (August 31, 2017): 85. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.85.

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Scheherazade’s art of storytelling is the main vehicle for the fictional worldmaking in The Thousand and One Nights. The overall structure of the folktale narrative depends on the tales she recounts to King Shahriyar, and it is through these tales that she finally is able to change his mind. The richness of the narrative qualities, properties, and techniques in The Thousand and One Nights has attracted narrative scholars and narratologists for a long time. Besides applying the frame narrative as a basic narrative technique for storytelling practices, Scheherazade’s tales include many other nar

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9

Herzog, Todd. "Crime Stories: Criminal, Society, and the Modernist Case History." Representations 80, no. 1 (2002): 34–61. http://dx.doi.org/10.1525/rep.2002.80.1.34.

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THIS ARTICLE EXAMINES the role that the case history plays in distinguishing criminal from noncriminal. It focuses on a remarkable moment in the development of the criminal case history: the ambitious but short-lived series Außßenseiter der Gesellschaft——die Verbrechen der Gegenwart (Outsiders of Society——the Crimes of Today), published in Germany in 1924-25. In a project without precedent in German literature, the series enlisted the talents of some of Germany's and Austria's most important novelists and journalists to write book-length studies of recent sensational criminal cases. The topics

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10

Semenova, Oksana. "National Cinematography as a Response to Russian Information Aggression (A Case Study of Historical and Patriotic Films)." Ukrainian Studies, no. 2(79) (August 3, 2021): 30–49. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234951.

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The article reveals the influence of Russian information propaganda on cultural industries of Ukraine, in particular film making, and describes place and role of contemporary Ukrainian cinematography as a “soft power” in counteracting humanitarian expansion of the Russian Federation, as a factor having an influence on mass consciousness and social attitudes of Ukrainians, as means of counter-propaganda and construction of all-Ukrainian identity and formation of consolidated political nation as a whole. The author has studied the state of national cinematography during 2014–2021, analyzed the r

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11

Malkin, Shira. "Tableau et coup de théâtre." Études littéraires 35, no. 2-3 (February 22, 2005): 107–22. http://dx.doi.org/10.7202/010528ar.

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Résumé Alors qu’elle écrit de front pour le roman et pour le théâtre dans le but de créer des fictions attendrissantes, George Sand emploie dans son roman Adriani (1853) les techniques du tableau et du coup de théâtre qu’elle emprunte au drame bourgeois inventé par Diderot et perfectionné par Sedaine. Marquée pour un temps par l’esthétique du pathétique que prisait le public du Second Empire, Sand en problématise les enjeux idéologiques, surtout en ce qui concerne le personnage féminin en état de crise. Alliant plusieurs modes de représentations dans l’espace même du roman, Sand en reproduit l

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12

Lo Bello, Maya J. "The Holocaust Journal of Miksa Fenyő." Hungarian Cultural Studies 9 (October 11, 2016): 60–71. http://dx.doi.org/10.5195/ahea.2016.230.

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For readers today, first-person accounts provide one of the most effective means of gaining an intimate glimpse into the everyday lives of those experiencing historical events. Diary entries recorded during the Holocaust not only individualize the process of mass extermination, they also preserve the words of those bearing witness to horrendous crimes. Yet should these written records only be interpreted as works of non-fiction? What literary techniques might have been employed in creating these depictions? Other than the period in which they were written, what characteristics may diaries writ

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13

Beveridge, Allan. "The detective, the psychiatrist and post-modernism." Psychiatric Bulletin 22, no. 9 (September 1998): 573–74. http://dx.doi.org/10.1192/pb.22.9.573.

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The similarity between the work of the fictional detective and that of the psychiatrist has often been remarked. Both Marcus (1984) and Shepherd (1985) have compared the technique of the archetypal sleuth, Sherlock Holmes, with that of Sigmund Freud. The sage of Baker Street attempted to solve criminal cases by finding links between items in the external world, such as footprints, bloodstains or broken locks, while Freud tried to make sense of the mysteries of the mind by making connections between events in the inner world, such as dreams, thoughts and desires. Both attempted to provide an al

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14

Baratova, Olga A., Vera B. Shamina, and Elena M. Apenko. "Metaphors of Postmodernism in Neo-Victorian Fiction: “The Trial of Elizabeth Cree” by Peter Ackroyd and “The Decorator” by Boris Akunin." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 139. http://dx.doi.org/10.7596/taksad.v6i5.1260.

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<p>One of the features that characterizes postmodern fiction is an intense interest in the past, and especially so – in Victorian period, chiefly in its sensational aspects. Therefore we witness a revival of Victorian crime novel and this tendency can be traced not only in recent English literature, but in other literatures as well, Russian in particular. This gave birth to the term “neo-Victorian novel”, referring to the pieces, which recreate the atmosphere of the period, introduce a lot of intertextual allusions and references to the well-known Victorian novels and exploit most popula

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15

Dornbach, Mária, and Arturo Pérez-Reverte. "Busca el libro! : la intervención de Sherlock Holmes y D'Artagnan en El Club Dumas de Arturo Pérez-Reverte." Acta Hispanica 13 (January 1, 2008): 41–47. http://dx.doi.org/10.14232/actahisp.2008.13.41-47.

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The essay examines Arturo Pérez-Reverte's novel The Dumas Club. The novel can be categorized as a literary crime story; it maintains the characteristics of traditional detective fiction, but, as the author points out, it also presents the use of refined and complex narrative techniques. Pérez Reverte offers a dizzying array of cultural, literary and historical references, which all carry a metaphoric layer of meaning and expand the narrative space and time of the novel into infinity. Similarly to the Greek tradition and the characteristics of the literature of adventure, defined by Bakhtin, th

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16

Laumond, Bénédicte. "La méthode expérimentale du jeu de cartes pour étudier les représentations pénales ordinaires en Allemagne et en France." Bulletin of Sociological Methodology/Bulletin de Méthodologie Sociologique 147-148, no. 1-2 (August 2020): 169–99. http://dx.doi.org/10.1177/0759106320939892.

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Si les travaux s’interrogeant sur les perceptions ordinaires du pénal se sont historiquement intéressés à la technique de la vignette ( vignette research), ceux-ci ne reposent que rarement sur des dispositifs comparés et continuent de faire un large usage des questionnaires amputant l’analyse des représentations pénales profanes d’une exploration de leurs raisonnements. Afin de remédier à cette limite méthodologique, cet article présente une démarche expérimentale adossée à un jeu de cartes et menée en France et en Allemagne entre 2017 et 2019. Le jeu est composé de 23 cartes présentant des ca

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17

Ohme, Andreas. "Der heterodiegetische Präsensroman – ein Fall von unreliable narration?" Journal of Literary Theory 12, no. 1 (March 26, 2018): 93–112. http://dx.doi.org/10.1515/jlt-2018-0006.

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Abstract Research has shown that the present-tense novel poses significant logical problems of narrative mediation. For this reason, the current essay addresses the question of whether, due to these problems, the heterodiegetic present-tense novel is a case of unreliable narration. To this end, the essay first discusses the sustainability of the concept of unreliability. Its point of departure is the observation that researchers have created significant confusion by applying a characterological concept to literary phenomena. Despite an overwhelming amount of pertinent essays and monographs on

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18

Saraskina, Liudmila. "Truths and Lies in a TV Series About “Dostoevsky Beyond the Textbook”." Неизвестный Достоевский 7, no. 4 (December 2020): 70–105. http://dx.doi.org/10.15393/j10.art.2020.5061.

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The paper offers a detailed analysis of Dostoevsky, a historical and biographical feature TV serial (in eight episodes), produced in 2011, when the writer’s 190th anniversary was celebrated. The film was directed by V. I. Khotinenko, the script was written by E. Ya. Volodarsky. The authors of the series claimed that their objective was to create an image of “Dostoevsky beyond the textbook”, wholly (or largely) unknown to today’s audience. But the authors did not explain what they meant by “Dostoevsky beyond the textbook”, nor, for that matter, by the “textbook” version. Professional expertise

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19

Bollig, Ben. "Unreasonable doubt: Politics and aesthetics in the crime novels of Horacio Vázquez Rial." Radical Americas, July 23, 2018. http://dx.doi.org/10.14324/111.444.ra.2018.v3.1.001.

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Horacio Vázquez Rial (Buenos Aires, 1947–Madrid, 2012) was an Argentine writer, historian and ex-militant in the Trotskyite Ejército Revolucionario del Pueblo (People’s Revolutionary Army, or ERP). He left Argentina for Spain in the mid-1970s and became an outspoken critic of the Latin American left and in particular of the Kirchner and Fernández de Kirchner governments in the 2000s. He also penned a series of pioneering, neo-noir thrillers that return time and again to the violence of the mid- to late-1970s in Argentina. This paper draws on the work of Andrew Popper on crime fiction, Fredric

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20

Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r

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21

Wise, Jenny, and Lesley McLean. "Making Light of Convicts." M/C Journal 24, no. 1 (March 15, 2021). http://dx.doi.org/10.5204/mcj.2737.

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Introduction The social roles of alcohol consumption are rich and varied, with different types of alcoholic beverages reflecting important symbolic and cultural meanings. Sparkling wine is especially notable for its association with secular and sacred celebrations. Indeed, sparkling wine is rarely drunk as a matter of routine; bottles of such wine signal special occasions, heightened by the formality and excitement associated with opening the bottle and controlling (or not!) the resultant fizz (Faith). Originating in England and France in the late 1600s, sparkling wine marked a dramatic shift

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22

Franks, Rachel. "Building a Professional Profile: Charles Dickens and the Rise of the “Detective Force”." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1214.

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IntroductionAccounts of criminals, their victims, and their pursuers have become entrenched within the sphere of popular culture; most obviously in the genres of true crime and crime fiction. The centrality of the pursuer in the form of the detective, within these stories, dates back to the nineteenth century. This, often highly-stylised and regularly humanised protagonist, is now a firm feature of both factual and fictional accounts of crime narratives that, today, regularly focus on the energies of the detective in solving a variety of cases. So familiar is the figure of the detective, it se

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23

Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri

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24

Nursari, Nindya. "ANALISIS YURIDIS UNSUR IGNORANTIA LEGIS EXCUSAT NEMINEM DALAM KASUS PEMBAKARAN MAYAT DI KECAMATAN SANDEN BANTUL YOGYAKARTA." Jurnal Kewarganegaraan 4, no. 2 (December 30, 2020). http://dx.doi.org/10.31316/jk.v4i2.1167.

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Abstrak Penelitian ini bertujuan untuk mengetahui unsur Ignorantia Legis Excusat Neminem (ketidaktahuan tentang hukum) yang terdapat dalam fiksi hukum, jika diterapkan dalam kasus pembakaran mayat yang terjadi Sanden Bantul Yogyakarta. Metode penelitian ini menggunakan kualitatif deskriptif. Adapun tempat penelitian dilakukan di Polres Bantul dan Pengadilan Negeri Bantul, penelitian dilakukan pada bulan Maret sampai Mei 2019. Subjek dari penelitian ini dua orang yaitu Penyidik dari Polres Bantul dan Hakim Pengadilan Negeri Bantul. Teknik analisis data yang digunakan adalah dengan mereduksi dat

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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (June 11, 2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of

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Allison, Deborah. "Film/Print." M/C Journal 10, no. 2 (May 1, 2007). http://dx.doi.org/10.5204/mcj.2633.

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   Introduction Based on the profusion of scholarly and populist analysis of the relationship between books and films one could easily be forgiven for thinking that the exchange between the two media was a decidedly one-way affair. Countless words have been expended upon the subject of literary adaptation, in which the process of transforming stories and novels into cinematic or televisual form has been examined in ways both general and particular. A relationship far less well-documented though is that between popular novels and the films that have spawned them. With the nota

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Schlotterbeck, Jesse. "Non-Urban Noirs: Rural Space in Moonrise, On Dangerous Ground, Thieves’ Highway, and They Live by Night." M/C Journal 11, no. 5 (August 21, 2008). http://dx.doi.org/10.5204/mcj.69.

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Despite the now-traditional tendency of noir scholarship to call attention to the retrospective and constructed nature of this genre— James Naremore argues that film noir is best regarded as a “mythology”— one feature that has rarely come under question is its association with the city (2). Despite the existence of numerous rural noirs, the depiction of urban space is associated with this genre more consistently than any other element. Even in critical accounts that attempt to deconstruct the solidity of the noir genre, the city is left as an implicit inclusion, and the country, an implict exc

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King, Ben. "Retelling Psycho." M/C Journal 2, no. 1 (February 1, 1999). http://dx.doi.org/10.5204/mcj.1740.

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As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels:The Stage of Literacy Technologies Increasingly, cultural study is villainised by defenders of the academic tradition for luring English students away from the high-brow texts of the literary canon, a condition exacerbated by institutions' need for economic survival. In Britain in 1995 there were 1500 fewer English A-Level students than in 1994, whereas cultural studies students increased by approximately the same number (Cartmel e

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Richardson, Sarah Catherine. "“Old Father, Old Artificer”: Queering Suspicion in Alison Bechdel’s Fun Home." M/C Journal 15, no. 1 (February 17, 2012). http://dx.doi.org/10.5204/mcj.396.

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Halfway through the 2006 memoir comic Fun Home, the reader encounters a photograph that the book’s author, Alison Bechdel, found in a box of family snapshots shortly after her father’s death. The picture—“literally the core of the book, the centrefold” (Bechdel qtd. in Chute “Interview” 1006)—of Alison’s teenaged babysitter, Roy, erotically reclining on a bed in only his underwear, is the most tangible and direct evidence of her father’s sexual affairs with teenage boys, more confronting than his own earlier confession. Through this image, and a rich archive of familial texts, Bechdel chronicl

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Waterhouse-Watson, Deb, and Adam Brown. "Women in the "Grey Zone"? Ambiguity, Complicity and Rape Culture." M/C Journal 14, no. 5 (October 18, 2011). http://dx.doi.org/10.5204/mcj.417.

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Probably the most (in)famous Australian teenager of recent times, now-17-year-old Kim Duthie—better known as the “St Kilda Schoolgirl”—first came to public attention when she posted naked pictures of two prominent St Kilda Australian Football League (AFL) players on Facebook. She claimed to be seeking revenge on the players’ teammate for getting her pregnant. This turned out to be a lie. Duthie also claimed that 47-year-old football manager Ricky Nixon gave her drugs and had sex with her. She then said this was a lie, then that she lied about lying. That she lied at least twice is clear, and i

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Dieter, Michael. "Amazon Noir." M/C Journal 10, no. 5 (October 1, 2007). http://dx.doi.org/10.5204/mcj.2709.

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   There is no diagram that does not also include, besides the points it connects up, certain relatively free or unbounded points, points of creativity, change and resistance, and it is perhaps with these that we ought to begin in order to understand the whole picture. (Deleuze, “Foucault” 37) Monty Cantsin: Why do we use a pervert software robot to exploit our collective consensual mind? Letitia: Because we want the thief to be a digital entity. Monty Cantsin: But isn’t this really blasphemic? Letitia: Yes, but god – in our case a meta-cocktail of authorship and copyright –

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Smith, Royce W. "The Image Is Dying." M/C Journal 6, no. 2 (April 1, 2003). http://dx.doi.org/10.5204/mcj.2172.

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Анотація:

The whole problem of speaking about the end…is that you have to speak of what lies beyond the end and also, at the same time, of the impossibility of ending. Jean Baudrillard, The Illusion of the End(110) Jean Baudrillard’s insights into finality demonstrate that “ends” always prompt cultures to speculate on what can or will happen after these terminations and to fear those traumatic ends, in which the impossible actually occurs, may only be the beginning of chaos. In the absence of “rational” explanations for catastrophic ends and in the whirlwind of emotional responses that are their after-e

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