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Добірка наукової літератури з теми "Darzen"

Автор: Grafiati

Опубліковано: 1 квітня 2023

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Статті в журналах з теми "Darzen"

Yliniemelä, Ari, Gösta Brunow, Jörg Flügge, and Olle Teleman. "A Cyclic Transition State for the Darzen Reaction." Journal of Organic Chemistry 61, no. 19 (January 1996): 6723–26. http://dx.doi.org/10.1021/jo960232+.

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YLINIEMELAE, A., G. BRUNOW, J. FLUEGGE, and O. TELEMAN. "ChemInform Abstract: A Cyclic Transition State for the Darzen Reaction." ChemInform 28, no. 5 (August 4, 2010): no. http://dx.doi.org/10.1002/chin.199705054.

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Liu, Wen-Jie, Yun-Hui Zhao, and Xing-Wen Sun. "A convenient synthesis of chiral vinyl aziridines via aza-Barbier–Darzen type reaction." Tetrahedron Letters 54, no. 28 (July 2013): 3586–90. http://dx.doi.org/10.1016/j.tetlet.2013.04.046.

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Liu, Wen-Jie, Yun-Hui Zhao, and Xing-Wen Sun. "ChemInform Abstract: A Convenient Synthesis of Chiral Vinyl Aziridines via Aza-Barbier-Darzen Type Reaction." ChemInform 44, no. 41 (September 19, 2013): no. http://dx.doi.org/10.1002/chin.201341092.

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SHIBATA, I., H. YAMASAKI, A. BABA та H. MATSUDA. "ChemInform Abstract: Stereoselective Synthesis of α,β-Epoxy Ketones by the Darzen′s Reaction with Methyl N-Ethyl-N-tributylstannylcarbamate." ChemInform 22, № 2 (23 серпня 2010): no. http://dx.doi.org/10.1002/chin.199102182.

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Mitchell, Eleanor, and Sarah Barbara Watstein. "Taiga and Darien." Reference Services Review 37, no. 3 (August 14, 2009): 253–59. http://dx.doi.org/10.1108/00907320910982749.

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Achard, Thierry J. R., Yuri N. Belokon’, Jamie Hunt, Michael North, and Francesca Pizzato. "Diastereoselective Darzens condensations." Tetrahedron Letters 48, no. 17 (April 2007): 2961–64. http://dx.doi.org/10.1016/j.tetlet.2007.03.010.

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Comunale, Rachael E. "‘Ill Used by our Government’: The Darien Venture, King William and the Development of Opposition Politics in Scotland, 1695–1701." Scottish Historical Review 98, no. 1 (April 2019): 22–44. http://dx.doi.org/10.3366/shr.2019.0378.

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This article examines the development of political opposition in Scotland from 1695 to 1701 in the context of the Company of Scotland Trading to Africa and the Indies. It is argued that the potency of the political movement inspired by Darien derived from the view that King William was directly implicated in the failure of the colony. Three episodes in the Company's history—the loss of subscriptions in Hamburg, the appearance of memorials in the new world prohibiting English aid to the colony and the imprisonment of Darien sailors by the Spanish authorities—are examined in detail. The ramification of these controversies was increasingly seen as the result not of English interference, but rather the crown's refusal to act on behalf of the Company. Because a significant proportion of the population was invested in the Company, and because the press helped to keep Darien in the forefront of public consciousness, these issues transformed Darien into a major political grievance that united disparate political factions in support of a single cause. Although the alliance inspired by Darien was temporary, it, nonetheless, played a crucial role in disrupting the political status quo.

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Danielewski, Marek, and Bartek Wierzba. "Bi-Velocity Method and Linear Nonreversible Thermodynamics, Interdiffusion in R2." Defect and Diffusion Forum 297-301 (April 2010): 1461–68. http://dx.doi.org/10.4028/www.scientific.net/ddf.297-301.1461.

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Kirkendall and Darken findings of the drift velocity since 1948 have stimulated progress in transport phenomenological models. The convection velocity (the Darken drift in solids), , and velocity of diffusion, , require definition and the method how the diffusion displacement is defined, computed and measured. The equation of volume continuity allowed the extension of the Darken method and avoids the rigid assumption of the constant molar concentration. In this work, we use the bi-velocity approach, i.e., the generalized Darken method, to model interdiffusion in two-dimensional diffusion multiple. We show the convergence of one- and two-dimensional models in the case of the process at the constant volume and perfect agreement between R1 and R2 simulations. We impose modifications in the foundations of mechanics of solids namely, the Navier-Lamé-Fourier equations. We show that the method can be used in the mechano-chemistry of solids and is self-consistent with linear irreversible thermodynamics.

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Herlihy, Peter. "Opening Panama's Darien Gap." Journal of Cultural Geography 9, no. 2 (March 1989): 42–59. http://dx.doi.org/10.1080/08873638909478462.

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Дисертації з теми "Darzen"

Gréau, Valia. "Georges Darien et l'anarchisme littéraire." Paris 4, 1998. http://www.theses.fr/1998PA040179.

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L'étude de l'engagement anarchiste de Georges Darien (1862-1921) repose sur une analyse précise de l'œuvre littéraire et journalistique de l'auteur, de la réception de celle-ci, de sa correspondance en partie inédite, de sa vie, et du contexte historique et culturel contemporain. Entre 1886 et 1890, Darien, qui fréquente la jeune génération littéraire, fait ses débuts sur la scène littéraire avec « Bas les cœurs! » et « Biribi », et sa pièce « Les chapons » fait scandale. Il est perçu comme un écrivain subversif, un antimilitariste, un naturaliste ; mais par les thèmes qu'il aborde, le nationalisme, la défaite de 1870, la critique du conformisme bourgeois, et par la façon si personnelle dont il les traite, avant tout parce qu'il s'inspire de sa propre expérience, Darien est d'abord un écrivain contestataire, un anarchiste qui s'ignore, car il n'utilise pas ce terme avant 1890. La période qui va de 1890 à 1897 est celle de l'engagement. Tout en continuant à critiquer le nationalisme revanchard, Darien se détourne, par haine du parlementarisme, des possibilités d'action légale, que présente notamment le socialisme. Apres avoir défendu les actes terroristes dans « L'en dehors » et publie sa revue « L'escarmouche », il fuit la France en juillet 1894. Cependant ce militantisme va de pair au fil des ans avec une revendication accrue de liberté individuelle : Darien finit par prendre ses distances avec l'anarchisme dans « Le voleur », au nom de l'individualisme. A partir de 1898, il poursuit cette évolution qui l'amène à tenir des propos toujours plus extrémistes. Il reste cependant fidèle à l'idéal libertaire, et relève de la catégorie des anarchistes individualistes, de ceux qui par mépris de la soumission populaire, s'en remettent à l'action individuelle violente. De même, la voie réformiste qu'il choisit dans ses dernières années ne constitue pas un reniement de son passé mais une manifestation peu commune de l'idéal libertaire
The anarchistic commitment of Georges Darien (1862-1921) can be studied through an accurate analysis of his literary and journalistic work and of its reception. The study of his correspondence - mainly unpublished -, of his life and of the historical and cultural context will add to this approach. Between 1886 and 1890, Darien moves in the young literary generation, makes his first appearance on the literary stage with “Bas les coeurs!” and “Biribi”, and his play “Les chapons” is found scandalizing. He is seen as a subversive, antimilitarist and naturalistic writer. As long as the literary themes are concerned - nationalism, the defeat of 1870, the criticism of the bourgeois conformism, all these subjects based on very personal approach - Darien is an antiestablishment writer, a real anarchist, and between 1890 and 1897, he actually commits himself in this way. If Darien criticizes the revanchards nationalists he also denounces socialism because of his hatred of parliamentary government and legal political action. After his defense of terrorism in “L'endehors” and the publishing of his review “L'escarmouche”, he leaves France in July 1894. With the passing years, Darien stands aloof from anarchism as he takes sides in personal freedom: “Le voleur” is actually a good example of his new aspiration. Since 1898, Darien has become more and more extremist in his political opinions. However, he remains faithful to his ideals of freedom and can be considered as an individualistic anarchist, preferring personal and violent action to the submission of the common people. In that respect, at the end of his life, he makes the choice of reformism to express clearly his ideals of freedom

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Gréau, Valia. "Georges Darien et l'anarchisme littéraire /." Tusson : Du Lérot, 2002. http://catalogue.bnf.fr/ark:/12148/cb38879655d.

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Texte remanié de: Th. doct.--Litt. française--Paris 4, 1998.
Titre de dos : "Georges Darien & l'anarchisme littéraire" Bibliogr. des oeuvres de G. Darien p. 416-428. Bibliogr. p. 429-438. Index.

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Lorig, Aurélien. "Un destin littéraire. Georges Darien." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA032/document.

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Les discours tenus aujourd’hui sur Georges Darien restent, pour une large part, associés à l’anarchisme. Pour en saisir les limites, la thèse remonte aux sources biographiques. La lecture de son œuvre− aussi riche que méconnue− prendra acte d’un moment fondateur : l’expérience des camps disciplinaires, en 1883. A partir de là, les fictions s’inscrivent dans une démarche contestataire. Le destin littéraire devient spéculaire, véritable miroir d’une âme entrée en résistance. Tenant à la fois de Balzac, Vallès ou encore Mirbeau, l’écrivain dénonce et engage sa responsabilité d’auteur. Combinant avec originalité des personnages et des situations, Darien revisite les problématiques de son époque : rapport à la bourgeoisie, à l’argent, aux institutions, à l’individu. A ce titre, sa littérature est un vaste territoire à explorer. Les pratiques d’écriture et les stéréotypies particulières de la « fin de siècle » font l’objet d’une analyse très critique. L’homme de lettres écrit sa contestation sous toutes les formes : roman, poésie, théâtre, pamphlet, journal, discours. Enfant perdu de la bourgeoisie, livré à la Grande Muette, assiégé par des visions cauchemardesques ; Darien a de quoi nourrir sa résistance scripturaire. Rien ne manquera à la parole libertaire qu’il exerce. Bagnes et armées connaîtront une satire des plus violentes. Famille et instances tutélaires délivreront des idéologies souvent ridicules. Nations et littérateurs donneront l’occasion de discuter la place de l’artiste et de forger un individualisme féroce. Sous le couvert de récits détonants, l’écrivain donne ainsi à voir matière, mais aussi manière. Surenchère, image, caricature, raisonnement par l’absurde, fondent une esthétique originale. La fiction ne fait jamais allégeance à un système de pensée, quel qu’il soit. Le continent littéraire sur lequel nous posons notre regard impose de revoir nos certitudes. Aller à la rencontre de Darien, c’est repenser la question de l’adhésion à l’anarchisme, au naturalisme ou encore au symbolisme. La littérature devient le laboratoire d’une pensée qui n’est jamais partisane, mais toujours soucieuse de décrypter. La démarche comparatiste comme la sociologie permettent d’engager ce décryptage. Finalement, lire ou relire Darien, c’est passer du singulier d’un destin littéraire au pluriel de nos destinées. Le texte retrouve son étymologie de « textus », ce fil qui se fait et défait au gré des écritures et des heurts de l’Histoire collective comme personnelle
The speeches today Georges Darien remain largely associated with anarchism. To grasp the limits, the thesis goes back to biographical sources. Reading his œuvre− as rich as méconnue− take note of a founding moment: the experience of disciplinary camps, in 1883. From there, fictions are part of a protest action. The literary destiny becomes specular true reflection of a resistor input soul.Holding both Balzac Vallès or Mirbeau, the writer denounces and engages its copyright liability. Combining with original characters and situations, Darien revisits the issues of his time compared to the bourgeoisie, to money, to institutions, to the individual. As such, its literature is a vast territory to explore. Writing practices and specific stereotypes of the “end of century” are the subject of a highly critical analysis. The man of letters wrote his challenge in all forms: novel, poetry, theater, pamphlet, newspaper, speech. Lost child of the bourgeoisie, comes to the Great Muette, besieged by nightmarish visions; Darien has enough to feed his scriptural resistance. Nothing missed libertarian speech he exercises. Bagnes and armies will experience more violent satire. Family and guardianship bodies shall issue often ridiculous ideologies. Nations and writers will provide an opportunity to discuss the place of the artist and forge a fierce individualism. Under the cover of detonating stories, the writer gives to see and matter but also fashion. Increment, picture, cartoon, reductio ad absurdum, founded an original aesthetic. Fiction never pledged allegiance to a system of thought, whatever it is. The literary continent on which we lay our eyes means reviewing our certainties. Go to the meeting of Darien, is rethinking the issue of accession to anarchism, naturalism or symbolism. Literature becomes the laboratory of a thought that is never partisan, anxious to decrypt. The comparative approach such as sociology allow it to engage decryption. Finally, read or reread Darien is spend a singular literary destiny plural of our destinies. The text finds its etymology of “textus” this thread is done and undone at the discretion of the scriptures and clashes of collective history as personal

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Terrone, Patrice. "L'individu dans l'œuvre romanesque de Georges Darien." Université Stendhal (Grenoble ; 1970-2015), 1992. http://www.theses.fr/1992GRE39036.

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Georges darien, "l'auteur de biriti" et du voleur, longtemps oublie avant d'etre enfin redecouvert par les surrealistes, est un ecrivain insaisissable et inclassable. En marge de la litterature, il a toujours refuse de s'inscrire dans un mouvement litteraire ou politique au nom de la necessaire liberte de l'individu. Il s'est affronte a toute les institutions et son passage a l'ecriture romanesque s'explique par sa revolte face a l'armee, la guerre de 1870 et la corruption de la societe bourgeoise "fin de siecle". Les traumatismes de l'enfance figurent de maniere recurrente dans ses six romans. Son ideologie et son imaginaire sont tres marques par la pensee anarchiste de max stirner et de joseph proudhon : il affirme la primaute de l'individu, de l'unique et pousse l'homme a recouvrer les instincts dont la societe l'a depouille. Il demarque toutefois de l'anarchisme par ses positions bellicistes et antisemites. Volontaire ment en marge ou en-dehors, il affiche son originalite par le renversement des lieux communs qui conduit au rire cruel. L'art est l'ultime recours de l'unique
Georges darien, "the author of biriti" and of the thief, who fell onto oblovion for some time before being rediscovered by the surrealists, is difficult both to define and classify as a writer. Working on the fringe of literature, he refused to join any literary or political movement, in the name of the necessary freedom of the individual. The stood against all institutions and his shift to novel writing can best be explained by his revolt against the army, the 1870 war with germany and the corruption of "fin de siecle" bourgeois society. The traumas of childhood are recurrent in his six novels. His ideology and imagination were very much marked by the anarchist thinking of max stirner and joseph proudhon : he insists on the primacy of the individual, ot the unique, and encourages his fellow human beings to recover those instincts of which society has robbed them. However, his bellicist and antisemitic positions mark him off from the anarchist tradition. Voluntarily on the fringe or an outsider, his originality resides in his ability to subvert the common-place and invite cruel laughter. Art is the umtimate recourse of the unique

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Simmons, Andrew Martin. "Darker Now." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302806445.

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Lefrère, Jean-Jacques. "Les saisons littéraires de Rodolphe Darzens (1865-1938)." Paris 8, 1996. http://www.theses.fr/1996PA08A001.

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Hogstrom, Mark M. "Barthian Bliss in the Films of Darren Aronofsky." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/130.

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In this essay I argue that the films of director Darren Aronofsky correspond to the Text of Bliss defined in Roland Barthes' The Pleasure of the Text. Using several aspects of audience reception to dissect Aronofsky’s films justifies identifying his oeuvre as texts of bliss: works that disquiet viewers by unsettling their assumptions of the world around them and their own relationships with it. This Barthes-based appropriation of literary theory to audience reception theory in Film Studies serves as an example of how personally-developed classification systems can be used to circumvent relying on popular opinion and corporate aims for guidance in film classification.

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Mauméjean, Xavier. "L'invention d'Henry Darger." Thesis, Valenciennes, 2019. http://www.theses.fr/2019VALE0011/document.

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L’objet de ce travail est de rendre compte d’une triple invention. La première, au sens de « trouver », tient à la découverte fortuite des œuvres d’Henry Darger (1892-1973). La deuxième, qui est le fait de la réception institutionnelle, consiste à faire de l’écrivain et illustrateur un artiste d’Art Brut, créateur pour ainsi dire par accident. Qui plus est, cette approche privilégie sa production picturale, alors qu’il se considérait lui-même avant tout comme romancier. Ces deux inventions seront avant tout l’occasion d’exposer l’objet central de cette étude : l’invention de l’artiste par lui-même, rétabli en écrivain. Dans ses écrits, autobiographiques et fictionnels, Darger déploie une inquiétude volontaire qui lui permet de remettre en cause le primat de l’identité personnelle, en multipliant les Moi potentiels. L’état d’inquiétude interroge la relation au monde, bouleverse les rapports conventionnels entre réel et vrai, vrai et faux, et met au jour l’irréel, ce pan de la réalité que la fiction rend accessible. Enfin, Darger déploie une pratique littéraire en rapports à des œuvres préexistantes, véritable écriture-lectrice qui repose toutefois sur une mythologie personnelle, un ensemble de thèmes structuré en architecture de symboles
The purpose of this study is to account for a triple invention. The first resultsfrom the incidental finding of Henry Darger’s works (1892-1973). The secondone, which is the result of institutional reception, consists in turning both writerand illustrator into an Outsider Artist, creator by accident, so to speak.Moreover, this approach favour his pictorial work, whereas he consideredhimself to be a novelist above all. These two inventions will give us theopportunity to present the main issue of this study : the artist’ self-creation,reclaiming the status of writer. In his writings, be they autobiographical or fiction, Darger displays a purposeful anxiety enabling him to question theprimacy of personal identity, hence multiplying potential selves. This purposefulanxiety questions his relation to the world and upsets the traditional structuresbetween what is real and what is true, right and wrong. It also unveils the unreal,this aspect of reality made available by fiction. Finally, Darger displays aliterally craft associated with pre-existing works, a fully-fledged writing-in-thereadingexperience still based upon a personal mythology: a set of themeswoven into an architecture of symbols

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Lapington, Claire. "Mobile literacies : walking and talking in Blackburn and Darwen." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/21343/.

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A study of the literacies used by two groups participating in Health Walks run by Blackburn with Darwen Council. In this study, I examine the literacy practices that took place during participation in group led walks organised by Blackburn with Darwen Borough Council as part of their Health Walks provision. My focus was on how participation in Health Walks effects changes in individuals. The study found its focus in anthropological participant observation with two groups of walkers. Data took the form of observational field notes, recordings of talk generated whilst walking and written accounts of walks completed by some participants. My analysis of the data included the arts based processes of creating trail maps and transcribing recorded talk onto Ordnance Survey maps. I used these processes as a heuristic to help draw out the properties of the literacies encountered and their relationship to place. The study is rooted in an understanding of literacy as an everyday activity that permeates people’s lives and through which power relationships are expressed and sustained. I foreground oral storytelling practices and term these practices mobile literacies. I examined how mobile literacies emerge in mobility and are shaped by the landscapes through which the walkers move. I aimed to demonstrate that participation in mobile literacies is a significant transformational aspect of the experience of participating in Health Walks. The study introduces the concept of mobile literacies as a discrete literacy practice. I characterise Mobile Literacies as emplaced, embodied collective storytelling practices that are generated by affectual response to moving through landscape. I describe how the practice offers opportunities to interrogate, extend and re – calibrate identities, express resistance and participate in collaborative acts of generation and transformation. The study offers policy makers and practitioners an alternative lens by which to view how walkers experience their involvement in Health Walks and new tools by which to measure impact and design further initiatives. In terms of education it offers a glimpse of the affordances of walking and the local environment in developing strategies by which to involve learners in meaningful and creative language and literacy learning.

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Elgadi, Abdelaziz. "Nouvelles applications de la réaction de darzens en synthèse." Nancy 1, 1987. http://www.theses.fr/1987NAN10028.

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Книги з теми "Darzen"

Waterston, Darren. Darren Waterston. New York (420 W. Broadway, New York 10012): Charles Cowles Gallery, 1997.

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Hughes, Simon J. S. Darren Mines. Sheffield: Northern Mine Research Society, 1990.

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Darren Criss. New York: Gareth Stevens Pub., 2013.

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Darien dogs. London: Jonathan Cape, 2004.

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Bosc, David. Georges Darien. Aix-en-Provence: Editions Sulliver, 1996.

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Liu Daren. Tainan Shi: Guo li Taiwan wen xue guan, 2017.

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Gray, Nigel. Sharon and Darren. London: Young Lions, 1994.

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White, Kiersten. And I darken. New York: Random House Children's Books, 2016.

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University of Virginia. Darden Graduate School of Business Administration., ed. Darden case bibliography. Charlottesville: Darden Graduate School of Business Administration, University of Virginia, 1995.

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Thorne, Ramsay. Death over Darien. New York: Warner Books, 1985.

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Частини книг з теми "Darzen"

Li, Jie Jack. "Darzens condensation." In Name Reactions, 196–97. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03979-4_82.

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Li, Jie Jack. "Darzens condensation." In Name Reactions, 169–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-01053-8_74.

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Dickey, James. "Near Darien." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 212–15. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-069.

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Li, Jie Jack. "Darzens Condensation." In Name Reactions, 144–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50865-4_40.

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Laue, Thomas, and Andreas Plagens. "Darzens-Glycidester-Kondensation." In Teubner Studienbücher Chemie, 86–88. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-322-94015-5_29.

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Laue, Thomas, and Andreas Plagens. "Darzens-Glycidester-Kondensation." In Teubner Studienbücher Chemie, 91–92. Wiesbaden: Vieweg+Teubner Verlag, 1998. http://dx.doi.org/10.1007/978-3-322-94077-3_30.

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Berdnikov, Eugene A., Vakhid A. Mamedov, and Vitalij V. Yanilkin. "Electrochemical Darzens Synthesis." In Novel Trends in Electroorganic Synthesis, 255–58. Tokyo: Springer Japan, 1998. http://dx.doi.org/10.1007/978-4-431-65924-2_79.

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Faistenberger, Christoph, Heinz Barta, and Bernhard Eccher. "Darlehn." In Springers Kurzlehrbücher der Rechtswissenschaft, 2–8. Vienna: Springer Vienna, 1988. http://dx.doi.org/10.1007/978-3-7091-6959-9_2.

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Li, Jie Jack. "Darzens glycidic ester condensation." In Name Reactions, 103. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-05336-2_81.

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Тези доповідей конференцій з теми "Darzen"

Lurie, Darren. "Darren Lurie." In ACM SIGGRAPH 2006 Courses. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1185657.1185710.

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Kruiskamp, Wim, and Domine Leenaerts. "DARWIN." In the 32nd ACM/IEEE conference. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/217474.217566.

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Streiffer, Christopher, Ramya Raghavendra, Theophilus Benson, and Mudhakar Srivatsa. "Darnet." In the 18th ACM/IFIP/USENIX Middleware Conference. New York, New York, USA: ACM Press, 2017. http://dx.doi.org/10.1145/3154448.3154452.

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Chen, Eric Y., Lin-Shung Huang, Ole J. Mengshoel, and Jason D. Lohn. "Darwin." In GECCO '14: Genetic and Evolutionary Computation Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2598394.2598413.

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Jaramillo, Juan Jose, and R. Srikant. "DARWIN." In the 13th annual ACM international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1287853.1287865.

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Qi, Dawei, Abhik Roychoudhury, Zhenkai Liang, and Kapil Vaswani. "Darwin." In the 7th joint meeting of the European software engineering conference and the ACM SIGSOFT symposium on The foundations of software engineering. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1595696.1595704.

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Haslgrübler, Michael, and Clemens Holzmann. "DarSens." In the Fifth International Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/2221924.2221969.

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Turakhia, Yatish, Gill Bejerano, and William J. Dally. "Darwin." In ASPLOS '18: Architectural Support for Programming Languages and Operating Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173162.3173193.

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Fridlund, C. V. Malcolm, and Philippe Gondoin. "Darwin mission." In Astronomical Telescopes and Instrumentation. SPIE, 2003. http://dx.doi.org/10.1117/12.460943.

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Penny, Alan J., Alain M. Leger, Jean-Marie Mariotti, Cornelius Schalinski, C. Eiroa, Robin J. Laurance, and C. V. Malcolm Fridlund. "Darwin interferometer." In Astronomical Telescopes & Instrumentation, edited by Robert D. Reasenberg. SPIE, 1998. http://dx.doi.org/10.1117/12.317130.

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Звіти організацій з теми "Darzen"

Garrett, Charles Kristopher. The Darwin Cluster. Office of Scientific and Technical Information (OSTI), June 2018. http://dx.doi.org/10.2172/1441285.

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Leeper, Eric. Fiscal Analysis is Darned Hard. Cambridge, MA: National Bureau of Economic Research, December 2015. http://dx.doi.org/10.3386/w21822.

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Siwabessy, Justy, Maggie Tran, Zhi Huang, Scott Nichol, and Ian Atkinson. Mapping and Classification of Darwin Harbour Seabed. Geoscience Australia, 2015. http://dx.doi.org/10.11636/record.2015.018.

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Bleuel, D. L. FY2018 Annual report on Darren Bleuel's research activities for neutron imaging facility development. Office of Scientific and Technical Information (OSTI), November 2018. http://dx.doi.org/10.2172/1557396.

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Bleuel, D. L. FY2017 Annual report on Darren Bleuel's research activities for neutron imaging facility development. Office of Scientific and Technical Information (OSTI), September 2017. http://dx.doi.org/10.2172/1562801.

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Lorig, Aurélien. Le Voleur de Georges Darien : une figure romanesque et idéologique de la marge. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.03.

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Boyd, J. K., E. P. Lee, and S. S. Yu. Aspects of three field approximations: Darwin, frozen, EMPULSE. Office of Scientific and Technical Information (OSTI), May 1985. http://dx.doi.org/10.2172/5673870.

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Mejía Herrera, Edgardo, Paula Natalia Soto Bernal, Juan David Cortés Pacheco, and Fabián Leonardo Vargas Peralta. Modelo para la evaluación del desempeño laboral. Ediciones Universidad Cooperativa de Colombia, December 2021. http://dx.doi.org/10.16925/gcnc.21.

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Анотація:

El propósito del presente trabajo es darle al lector las pautas de cómo evaluar el desempeño laboral en las empresas del sector privado. Con el desarrollo del trabajo se hilarán los pasos para llevar a cabo la evaluación del desempeño laboral, comenzando por su planificación, en la cual se debe escoger el instrumento y el método para evaluar, definir el tiempo en el que se llevará a cabo la evaluación y los responsables de su cumplimiento; se darán las indicaciones de cómo concertar los objetivos y los compromisos por evaluar; el seguimiento que se le debe hacer al evaluado; cómo evaluar los resultados versus los objetivos concertados; se dan las pautas para corregir las desviaciones en los objetivos; cómo se hace la evaluación final y los recursos a los que pueden tener derechos los evaluados en la evaluación final propios de un debido proceso. Es necesario que todo administrador conozca y aplique las herramientas de una evaluación del desempeño, como una de las competencias propias de la gestión de empresas, ya que lo anterior le servirá para encarrilar las metas para su cumplimiento, todo los anterior enfocado hacia los objetivos visionales, misionales y estratégicos de la organización.

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Haggart, J. W. Geology, Ramsay Island, Darwin Sound, and Tasu Head, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/213670.

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Siwabessy, Justy, Neil Smit, Ian Atkinson, Nicholas Dando, Simon Harries, Floyd Howard, Jin Li, et al. Outer Darwin Harbour Marine Survey 2015: GA0351/SOL6187 – Post-survey report. Geoscience Australia, 2016. http://dx.doi.org/10.11636/record.2016.008.

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