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Книги з теми "Didactic gestures and study gestures"

Автор: Grafiati

Опубліковано: 25 січня 2025

Оновлено: 31 липня 2025

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1

Stam, Gale, Gale Stam, and Mika Ishino. Integrating gestures: The interdisciplinary nature of gesture. John Benjamins Pub., 2011.

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2

Inge, Godøy Rolf, and Leman Marc 1958-, eds. Musical gestures: Sound, movement, and meaning. Routledge, 2010.

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3

Rajan, Sreedevi. Mudrākhyam: Mudrākhyaṃ : a visual dictionary on mohiniyattam hand gestures. Kalyana Krishna Foundation, 2012.

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4

Bollingen Foundation Collection (Library of Congress), ed. Mudrā: A study of the symbolic gestures in Japanese Buddhist sculpture. Princeton University Press, 1985.

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5

Frederick, Bridge. Musical gestures: A practical guide to the study of the rudiments of music. Novello, Ewer, 1985.

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6

Sam, Chan Moly. Khmer court dance: A comprehensive study of movements, gestures, and postures as applied techniques. Khmer Studies Institute, 1987.

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7

Lewis, Karron G. The development and validation of a system for the observation and analysis of choral conductor gestures. U.M.I., 1989.

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8

Månsson, Ann-Christin. The relation between gestures and semantic processes: A study of normal language development and specific language impairment in children. Dept. of Linguistics, Göteborg University, 2003.

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9

Grunne, Bernard De Hemricourt de. Divine gestures and earthly gods: A study of the ancient terracotta statuary from the inland Niger delta in Mali. University Microfilms, 1987.

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10

Freeman, Ena G. Phonovibratory Influences from Offset to Onset in Repeated Phonation: A Study of Sung Gestures using High-Speed Digital Imaging. [publisher not identified], 2018.

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11

Nisset, Luc. Spanish in your face!: The only book to match 1,001 smiles, frowns, and gestures to Spanish expressions so you can learn to live the language! McGraw-Hill, 2008.

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12

Adams, Thomas W. Body English: A Study of Gestures. Addison Wesley Publishing Company, 1989.

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13

The semiotics of French gestures. Indiana University Press, 1990.

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14

Prophetic gestures: A study in Biblical communication. Mimeistry, Inc, 1989.

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15

Leezenberg, Michiel, Anne-Marie Korte, and Martin M. van Bruinessen. Gestures: The Study of Religion As Practice. Fordham University Press, 2022.

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16

Leezenberg, Michiel, Anne-Marie Korte, and Martin M. van Bruinessen. Gestures: The Study of Religion As Practice. Fordham University Press, 2022.

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17

Wittry, Diane. Baton Basics: Communicating Music Through Gestures. Oxford University Press, Incorporated, 2014.

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18

Wittry, Diane. Baton basics: Communicating music through gestures. 2014.

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19

Leman, Marc, and Rolf Inge Godøy. Musical Gestures: Sound, Movement, and Meaning. Taylor & Francis Group, 2010.

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20

Musical gestures: Sound, movement, and meaning. Routledge, 2010.

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21

Bala, Sruti. The gestures of participatory art. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100771.001.0001.

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Анотація:

The gestures of participatory art offers a critical investigation of key debates in relation to participatory art, spanning the domains of applied and community theatre, immersive performance as well as the visual arts. Rather than seeking a genre-based definition, it asks how artists, audiences and art practices approach the subject of participation beyond the predetermined options allocated to them. In doing so, it inquires into the ways that artworks participate in civic life. Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet

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22

Body English: A study of gestures : with answer key. Scott, Foresman, 1987.

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23

Saunders, Ernest Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. Princeton University Press, 2018.

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24

Krause, Christina M. Mathematics in Our Hands: How Gestures Contribute to Constructing Mathematical Knowledge. Spektrum Akademischer Verlag GmbH, 2016.

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25

Krause, Christina M. The Mathematics in Our Hands: How Gestures Contribute to Constructing Mathematical Knowledge. Springer Spektrum, 2016.

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26

Kita, Sotaro. Language and thought interface: A study of spontaneous gestures and Japanese mimetics. 1993.

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27

Connolly, Maria Anne. TEMPORARILY NONVOCAL TRAUMA PATIENTS AND THEIR GESTURES: A DESCRIPTIVE STUDY (TRAUMA PATIENTS, VENTILATOR DEPENDENT PATIENTS, SPEECHLESS PATIENTS). 1992.

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28

Pham, Ngoc Tung. Nonverbal communication and Vietnamese students in Canada: a study of their sensitivity to Canadian facial expressions of fundamental emotions and gestures and their emblematic hand signals. 1994.

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29

Cuffari, Elena, and Jürgen Streeck. Taking the World by Hand. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190210465.003.0007.

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Анотація:

Pairing interpretation of philosophical texts with microanalysis of video data, this essay examines some particular ways that hand gestures enable embodied meaning making and sharing. The point of departure is Maurice Merleau-Ponty’s statement that gesture is the initial basis by which a subject lives and signifies. Intercorporeality and interpretive effort then become the basis of interactive meaning making. Meaning emerges when hand gestures, as intercorporeal acts, reflect and reflexively alter the constituting norms, perspectives, and possibilities found in a given space. This double movem

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30

Gawne, Lauren. Gesture. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198951377.001.0001.

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Abstract The gestures that we use when we speak are an important, if often overlooked, part of how we communicate. This book provides a friendly, fast-paced introduction to the field of Gesture Studies. Gestures are those communicative actions made with the human body that accompany spoken or signed language. Paying attention to gesture means paying attention to the fuller context in which humans communicate. Gesture is absolute, in that every human community that has language also has gestures as part of that language. But gesture is also relative, in that it is far more heavily context depen

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31

Bavelas, Janet Beavin. Face-to-Face Dialogue. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190913366.001.0001.

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Face-to-face dialogue is the basic and universal form of language use, from everyday life to professional interactions. This book, written for a range of readers from researchers to practitioners, presents a program of research into the key features that make face-to-face dialogue unique: First, interacting in dialogue is highly reciprocal, with constant moment-by-moment interchanges. Dialogues that are face-to-face are also multimodal, combining speech with hand and facial gestures (including gaze) that contribute to both the content and the coordination of a dialogue. The book starts with tw

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32

Koozin, Timothy. Embodied Expression in Popular Music. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197692981.001.0001.

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Abstract This study of embodiment and meaning in popular music explores a wide-ranging repertoire, offering a performance-based analytical methodology that progresses from basic idiomatic gestures, to gestural combinations and interactions with large-scale design, to broader interpretive strategies that engage with theories of embodiment, the musical topic, and narrative. The book examines artistic practices in popular song that draw from a vast range of stylistic sources, including rock, blues, folk, soul, funk, fusion, and hip hop, as well as European classical and African American gospel mu

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33

Altman, Michael J. Epilogue. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190654924.003.0007.

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Анотація:

The epilogue examines what the genealogy of “heathen,” “Hindoo,” and “Hindu” means for the study of American religious history and religious studies. It argues that the various projects of comparative religion that included representations of heathens, Hindoos, and Hindus must be incorporated into the larger history of religious studies. As the previous chapters have shown, definitions of heathen, Hindoo, Hindu, and Hinduism emerged from American debates about the category “religion.” The epilogue gestures toward a history that would locate religious studies within the history of religion in t

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34

Lambert, Erin. The Resurrection of the Body and the Life Everlasting. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661649.003.0002.

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Chapter 1 explores the central role that the promise of universal resurrection and its enactment in the liturgy played in the constitution of the late medieval Christian community of faith. Together, it argues, raised voices and the promise of the resurrection of the dead created the ideal of a universal Christian community that was to remain forever united and that was bound together by a shared experience of ritual. The chapter presents a case study of the ways in which resurrection pervaded the aural, visual, and material culture of Nuremberg, particularly in the commemoration of the dead w

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35

Bruckner, Matilda Tomaryn. Weaving a Tapestry from Biblical Exegesis to Romance Textuality. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795148.003.0006.

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This study examines how the particular character of Grail romances follows from the incongruous meeting of courtly and Christian discourses, combined for the first time in LeConte du Graal, Chrétien de Troyes’s last, unfinished romance. The romancer’s unsettling inclusion of religious issues within Arthurian narrative coincides with a new turn toward the Bible’s literal and historical sense observable in both Christian and Jewish biblical exegesis. By investigating features shared by romance and exegesis, we can glimpse how a number of issues involving representation and interpretation dissemi

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36

Cook, Nicholas. Seeing Sound, Hearing the Body. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.7.

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This chapter argues that visual and embodied dimensions of performance are integral to the experience of live music. The author describes this as the “old multimedia,” since the principles of intermedial alignment and meaning production in performance are in essence the same as in the “new multimedia” that forms the dominant mode of music consumption in the twenty-first century. The chapter largely consists of an extended case study based on two filmed performances by Glenn Gould of the first movement of Anton Webern’sPiano Variations, Op. 27. It addresses the role in Gould’s interpretations o

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37

Blackadder, Neil. Performing Opposition. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400696138.

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Анотація:

Modern theater history is punctuated by instances of scandalized audience members disrupting and in some cases suspending the first production of a new play. Such incidents are usually dismissed as riots, as self-evident displays of philistinism. Neil Blackadder's intriguing new study reveals them in fact to be multifaceted conflicts, showing the ways in which these protesters-acting against plays by such notables as Jarry, Synge, and Brecht-creatively devised and enacted resistance through verbal rejoinders, physical gestures, and organized group demonstrations. Performing Opposition draws on

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38

Gray, Laurel Victoria. Women's Dance Traditions of Uzbekistan. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350249509.

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The first comprehensive work in English on the three major regional styles of Uzbek women’s dance –Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in publi

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39

Bakan, Michael B. Donald Rindale. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190855833.003.0004.

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Years ago, long before he was diagnosed with Asperger’s syndrome at the age of twenty-one, Donald Rindale described music as “the only love of my life.” It’s different for Donald now. “Honestly, if my trombone got run over by a tank, I’d be delighted,” he asserts, adding that being a musician “was a wonderful chapter of my life, but that page has long been turned.” We first meet Donald as a musicology graduate student on the verge of falling out of love with musicology and in love with the study of law. At chapter’s end some four years later, he has just graduated from law school and is envisi

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40

Orentlicher, Diane. Some Kind of Justice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882273.001.0001.

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Created in 1993, the International Criminal Tribunal for the former Yugoslavia (ICTY) has operated longer than any war crimes tribunal in history. It thus offers a singularly important case study of how and why the local impact of an international criminal tribunal (ICT) evolves over time; the circumstances in which international justice can advance the normative, reparative, and other aims of transitional justice; and, more generally, the goals ICTs are either well-suited or unlikely to advance. The book explores the ICTY’s impact in Serbia, whose wartime leader plunged the former Yugoslavia

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41

Novaes, Daniel. Relações de ensino: Possibilidade de (trans)formação de um aluno com transtorno do espectro autista e seu professor. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-411-1.

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The study is based on the theoretical-methodological reference of the Historical-Cultural Perspective, in particular, in the studies of Vigotski that emphasize the beginning role of language for human development. About the children with disabilities, he considers that they develop a new way of understanding and relating, and for this reason, in dealing with them, the boundary barriers of disability (the insufficiencies) cannot be walls that prevent action of the teacher. This, in turn, needs to be attentive to the compensatory ways established in social relationship. Based on these ideas, thi

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42

Augustine, Matthew C. Aesthetics of contingency. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100764.001.0001.

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Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past

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43

Joseph, Timothy A. Thunder and Lament. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197582145.001.0001.

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Lucan’s epic poem Pharsalia tells the story of the cataclysmic “end of Rome” through the victory of Julius Caesar and Caesarism in the civil wars of 49–48 BCE. This book argues that Lucan’s poetic agenda moves in lockstep with his narrative arc, as he fashions the Pharsalia to mark the momentous end of the epic genre. In order to accomplish the closure of the genre, Lucan engages pervasively and polemically with the very first works of Greek and Roman epic—inverting, collapsing, undoing, and completing tropes and themes introduced in Homer’s Iliad and Odyssey and in the foundational Latin epic

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44

Piqueux, Alexa. The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192845542.001.0001.

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Abstract Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various connections between Attic comedy and comic vases from Sout Italy and Sicily (the so-called ‘phlyax vases’). After introducing comic texts and comedy-related vase-paintings in the regional contexts, the book considers the generic features of the comic body, characterized as it is by a specific

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45

Oberlin, Heike, та David Shulman, ред. Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.001.0001.

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Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kūṭiyāṭ

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46

Zeeman, Nicolette. The Arts of Disruption. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198860242.001.0001.

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Анотація:

The Arts of Disruption offers a series of new readings of the allegorical poem Piers Plowman: but it is also a book about allegory. It argues not just that there are distinctively disruptive ‘arts’ that occur in allegory, but that allegory, because it is interested in the difficulty of making meaning, is itself a disruptive art. The book approaches this topic via the study of five medieval allegorical narrative structures that exploit diegetic conflict and disruption. Although very different, they all bring together contrasting descriptions of spiritual process, in order to develop new underst

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47

Stadler, Nurit. Voices of the Ritual. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197501306.001.0001.

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Voices of the Ritual analyzes the revival of and manifestation of rituals at female saint shrines in the Holy Land. In the Middle East, a turbulent, often violent place, states tend to have no clear physical borders, and lands are constantly in flux. Here, groups with no voice in the political, cultural, media, and legal arenas look for alternative venues to voice their entitlements. Members of religious minorities employ rituals in various sacred places to claim their belonging to and appropriation of territory. What does this female ritualistic revival mean—politically, culturally, and spati

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