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Статті в журналах з теми "Engraving work"

Автор: Grafiati

Опубліковано: 28 травня 2022

Оновлено: 31 липня 2025

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1

Vydra, Anton. "Hand and Engraving: from Flocon’s Engravings to Bachelard’s Philosophizing." Studia Universitatis Babeș-Bolyai Philosophia 67, no. 1 (2022): 11–27. http://dx.doi.org/10.24193/subbphil.2022.1.01.

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Анотація:

"This text deals with the relationships between the phenomenalizations of hand and engraving art, especially against the background of Gaston Bachelard’s philosophical commentaries on the works of Albert Flocon. Special space is devoted to the interpretation of Flocon’s engraving of two hands in connection with Escher’s similar lithography. Another thematic field is the role of the tool and the hand equipped with the tool. However, the central axis of this thinking is the interconnection or intertwining of body and matter, the interactive relationship between human being and matter, between vi

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2

Rokita, Jan Gustaw. "Uwagi ikonograficzne na temat medali ślubnych Fryderyka Augusta Wettyna i Marii Józefy Habsburg z okazji Festiwalu Planet w Dreźnie (od 10 do 26 września 1719 roku)." Studia Europaea Gnesnensia 24, no. 24 (2022): 115–52. http://dx.doi.org/10.14746/seg.2022.24.7.

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In the course of preliminary research, the author managed to locate most of the engravings by artists associated with the Dresden court: Oluf Wif, Johann August Corvinus and Carl Heinrich Jacob Fehling, whose work drew thematically on the reverses of the medals which commemorated the Festivaof the Planets in Dresden. These finds are the main subject of interest in this paper. The compositional relationship between medallic art and engraving is, in most cases, indisputable. It should be noted, however, that the medallist, having to reproduce a much larger engraving on a medal disc, was compelle

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3

Pallarés-Aldeiturriaga, David, Pierre Claudel, Julien Granier, et al. "Femtosecond Laser Engraving of Deep Patterns in Steel and Sapphire." Micromachines 12, no. 7 (2021): 804. http://dx.doi.org/10.3390/mi12070804.

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Femtosecond laser engraving offers appealing advantages compared to regular laser engraving such as higher precision and versatility. In particular, the inscription of deep patterns exhibits an increasing interest in industry. In this work, an optimization protocol based on constraining overlap ratio and scan number is demonstrated. The proposed method allows changing overlap ratio while maintaining depth in the same range, which reduces the sampling number. This study WAS applied to stainless steel 316 L and sapphire for engravings deeper than 100 μm. Results exhibit overall depths higher tha

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4

Meyer, Veronique. "Nicolas Moillon (vers 1580-1619), peintre et marchand, graveur de paysages." L'IDEA 1, no. 2 (2024): 207–27. https://doi.org/10.69114/lidea/2024.179-266.

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Nicolas Moillon, a history painter, is not unknown, but his interest in landscape has not yet really attracted the scholars’ attention. After having highlighted some ignored or little-known features of his biography, this study examines his work as a landscapist, which is the current limit of five engravings. The importance he gave to this genre is also highlighted from his inventory after death. Through these engravings, this work describes the place held by landscape engraving in France during the years 1600-1615 and the difficulties encountered by artists in the use of etching and soft verm

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5

Meyer, Veronique. "Nicolas Moillon (vers 1580-1619), peintre et marchand, graveur de paysages." L'IDEA 1, no. 2 - Disegni (2024): 207–27. https://doi.org/10.69114/LIDEA/2024.179-266.

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Анотація:

Nicolas Moillon, a history painter, is not unknown, but his interest in landscape has not yet really attracted the scholars’ attention. After having highlighted some ignored or little-known features of his biography, this study examines his work as a landscapist, which is the current limit of five engravings. The importance he gave to this genre is also highlighted from his inventory after death. Through these engravings, this work describes the place held by landscape engraving in France during the years 1600-1615 and the difficulties encountered by artists in the use of etching and sof

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6

Walravens, Hartmut. "Copper-engraving in China: The First Chinese-European Co-Operative Project in the Field of Art." Art Libraries Journal 22, no. 1 (1997): 16–19. http://dx.doi.org/10.1017/s0307472200010269.

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While copper-printing can be traced back to the Yuan Dynasty in China, the art of copper-engraving was introduced by the Italian missionary, Matteo Ripa, in 1711. The first work to be printed with this new technique was Illustrations of 36 Vista ofthejehol Palace (1712). The Qianlong emperor wanted pictures of his military campaigns in Eastern Turkestan engraved on copper, and so he arranged for a series of sixteen engravings to be executed in Europe. Following the success of this initiative, pictures of his subsequent military exploits were engraved on copper by Chinese artists. Thus, while t

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7

Soung, In-geun. "Study on the Seal Engraving of Shinjae(信齋) Lee Yeong-ik(李令翊, 1740–1780)". Korean Society of Calligraphy 46 (31 березня 2025): 149–73. https://doi.org/10.19077/tsoc.2025.46.6.

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This study aims to highlight the seal engraving art of Sinjae(信齋), a scholar, calligrapher, and seal engraver of the 18th century, Yi Yeong-ik(李令翊, 1740–1780). Previous research has primarily discussed Yi Yeong-ik as a member of the Ganghwa School(江華學派), focusing on his scholarly and literary achievements, while his calligraphy has been evaluated in the context of his father, Won-gyo(圓嶠) Yi Gwang-sa(李匡師). However, research on his seal engraving has remained unexplored due to the lack of relevant documentary records and the scattered nature of his works, which has prevented comprehensive invest

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8

GEYİK, Nazlı Ece, and Musa BİLİK. "HATİCE SULTAN (NEŞETÂBÂD) SARAYI GRAVÜRÜ ÖRNEKLEMİNDE DEĞİŞEN İSTANBUL KÜLTÜRÜ." IEDSR Association 6, no. 12 (2021): 87–106. http://dx.doi.org/10.46872/pj.267.

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The fact that the Ottoman Empire was an exotic and mysterious Eastern country has been an important issue that has great meaning for Western orientalist engraving artists. The natural landscape, topographic image, mosques, palaces, daily life and the Bosphorus of Istanbul which is the capital of the Empire, were important elements that lived in the engravings of many painters. After going to Europe, many of these painters turned their paintings into an album with the technique of Engraving. These albums have survived to the present day as a historical document introducing the socio-cultural li

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9

Lebedeva, Tatiana V., Sergey I. Galanin, Olga A. Troshina, and Stepan N. Ershov. "RESEARCH OF ENGRAVING OF VARIOUS METALS AND ALLOYS, USED IN JEWELLERY PRODUCTION." Technologies & Quality 55, no. 1 (2022): 40–47. http://dx.doi.org/10.34216/2587-6147-2022-1-55-40-47.

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The paper investigates the possibilities of engraving various metals and alloys used in jewellery production. The engraving of the samples was carried out in a glossy technique using mechanised processing on an engraving pneumatic system. As a result of the conducted experiments, the relationship between the quality of the engraved surface and the hardness and plasticity of materials is demonstrated. Conclusions and recommendations on the choice of optimal materials for engraving and adaptation of equipment modes for performing engraving work on various metals and alloys are formulated. These

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10

V., Minh Do, Son Bui X., and Huong Nguyen V. "Modeling and Simulation on the Rotating Band Engraving Process of 23 mm Projectile." Advances in Military Technology 16, no. 2 (2021): 333–43. http://dx.doi.org/10.3849/aimt.01521.

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Dynamic engraving process of 23 mm projectile was studied using numerical simulation. A finite element model of projectile and barrel during the engraving process was constructed, and the deformation process of the driving band, the displacement parameters of the projectile, the force interaction between the projectile and the barrel were determined. To evaluate the simulation model, a semi-static experiment was carried out on an MTS-810 universal testing machine with a cross-head speed of 20 mm min−1. The simulation results show that the mechanism of the 23 mm projectile rotating band engravi

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11

Dean, Jason W. "Donald C. O’Brien. The Engraving Trade in Early Cincinnati. Athens: Ohio University Press, 2013. ix, 194 p. ISBN 978-0821420140. $29.14." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 15, no. 2 (2014): 157–58. http://dx.doi.org/10.5860/rbm.15.2.428.

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Donald C. O’Brien’s The Engraving Trade in Early Cincinnati is the first published survey of individuals and businesses engaged in engraving, lithographing, and printing in early Cincinnati, Ohio. Mr. O’Brien, a retired public educator, is a past president of the American Historical Print Society and a member of the American Antiquarian Society. This title highlights the work of early engravers and printers in Cincinnati in the wider context of American engraving and illustration, while also giving an overview of notable items and titles produced by these firms. O’Brien gives a roughly chronol

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12

Bluemel, Kristin. "Rural Modernity and the Wood Engraving Revival in Interwar England." Modernist Cultures 9, no. 2 (2014): 233–59. http://dx.doi.org/10.3366/mod.2014.0085.

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Анотація:

‘Rural Modernity and the Wood Engraving Revival in Interwar England’ brings analysis of a specific kind of visual-verbal text, wood-engraved books about the English countryside, and the means of these texts' production, to bear upon debates over rural modernity -what is it, where is it, who owns it-in order to more thoroughly engage literary and arts scholars in debates over the meaning of modernity for rural England and rural England for modernity. Framed by analysis of the work of social historians and cultural critics of rural England and ‘Englishness’, it takes as its supporting case studi

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13

Khromov, Oleg R. "Russian Engraving of the 17th Century in the Studies of Dmitry Rovinsky." Observatory of Culture 19, no. 5 (2022): 492–501. http://dx.doi.org/10.25281/2072-3156-2022-19-5-492-501.

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The article is devoted to the works of Dmitry Aleksandrovich Rovinsky (1824—1895), a famous Russian scientist and collector, the founder of Russian engraving studies. There are special articles devoted to him in modern literature, but mostly of a biographical nature. This article explores his methods for studying early Russian engraving of the 17th century. The author shows the directions and approaches to the topic identified and developed by D.A. Rovinsky. Exploring the scientist’s work in the context of the development of art criticism of the 19th century, the article reveals methodological

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14

Tsogoev, Elbrus Vladimirovich. "Technology of engraving production in the conditions of distance learning." Uchenyy Sovet (Academic Council), no. 3 (February 15, 2021): 196–98. http://dx.doi.org/10.33920/nik-02-2103-05.

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The article deals with methods of teaching to create colored engraving in the framework of distance learning of the discipline "Graphics Technique" in the field of "Design". Creating an engraving by means of distance learning can give a positive result under condition of strict control by the teacher and the active work of students.

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15

Esono, A. F. "Michael Peterle’s Prague Leaflet About the Russian Embassy of 1576." Art Studies Journal, no. 1 (March 2024): 154–81. https://doi.org/10.51678/2073-316x-2024-1-154-181.

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The article concerns the 16th century woodcut, depicting Russian ambassadors who arrived at the Regensburg Reichstag in 1576. The original engraving, well known to researchers since the second half of the 19th century, has been kept in the Russian National Library in St. Petersburg since 1891. In Russian art history, a stable tradition to consider this work as a pictorial source — as a kind of historical document — has been formed. However, this woodcut is an example of the synthesis of engraving and poetic text typical for leaflets of the early Modern period. The article attempts to revisit t

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16

Ali, Abdullah Ali Al-Mufargi, Khalifa Rashid Al Hinai Hisham, Zahran Mohammed Hashil Al Hinai Mohammed, Ahmed Zayid Al Burtamani Nawaf, Saud Sulaiman Al-Mufargi Sultan, and J. Sabareesaan K. "Fabrication of Smart Pantograph Engraver." European Journal of Advances in Engineering and Technology 9, no. 7 (2022): 28–34. https://doi.org/10.5281/zenodo.10646170.

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<strong>ABSTRACT</strong> The Pantograph Engraving Machine is designed to cut wood, plastics, and mild steel plates into any shape with the appropriate accuracy and precision. Pantograph machines consist of traditional cutting equipment and a pantograph, which is a mechanical linkage connected in a parallel manner and is further used to copy and scale complex line drawings. The pantograph engraving machine works on the basis of a four-bar mechanism, in which one link is fixed while the rest pivots. These other links move according to the movement of the tracing link. Overall, this apparatus is

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17

Jamaleswara Kumar, P., A. Siva Sai Tarun, M. Gowtham, P. Thamma Rao, and G. Yashwanth. "Design and fabrication of portable laser cutting and engraving machine." International Journal of Engineering & Technology 7, no. 1.1 (2017): 570. http://dx.doi.org/10.14419/ijet.v7i1.1.10170.

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Now a days digital control technology is became more and more useful to run the machines like portable laser cutting and engraving machines that can cut on the different surface contingent upon the power of the laser diode. In this paper the fundamental goal is to design and fabricate the laser cutting and engraving machine which is convenient to controlled by the Arduino CNC. It is accessible and perfect utilization for small and medium scale industries. This model is small, simple to work, cost of manufacturing and to effortlessly transport from one work station to other work station.

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18

Escalera Pérez, Reyes. "Orbis imagines, herramienta de investigación y difusión del grabado en Andalucía (XVI-XVII)." HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades 15, no. 6 (2022): 1–19. https://doi.org/10.37819/revhuman.v15i6.1403.

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There are numerous and varied investigations that analyze the art of engraving in Andalusia in the Modern Age, its influence on artistic works, as well as the mastery of some of its creators. However, we do not have a work that unites all these areas, hence the need for the project that we present called “Three centuries of engraving art (16th-28th): print and visual culture in Andalusia and its impact on the New Word. New approaches” whose objective, in addition to the research that includes a rereading of said phenomenon, is the creation of the “Orbis imagines” platform.

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19

Bukhari, Bukhari, Teuku Zia Zuliansyah, and Edi Saputra. "Design of CNC engraving machine production process for acrylic material with working dimensions of 240x400 mm." Journal of Mechanical Engineering and Fabrication 1, no. 1 (2024): 1–5. https://doi.org/10.64273/jmef.v1i1.1.

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The design of the CNC engraving machine production process for acrylic material is carried out to meet market demand for products that require special molds or shapes on acrylic materials. This CNC engraving machine has an orientation on materials made from acrylic media and a knife blade for engraving and a drill bit for cutting acrylic. And has dimensions of 51 x 50 cm and has an engraving area of 420 x 400 cm. The equipment used to make CNC machine components consists of a hand drill, cutting grinder, clamping pliers, L-key set, caliper, ruler and meter. The assembly of the CNC Engraving ma

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20

Zavyalova, Anna E. "Jaspar de Isaac’s Engraving “Narcissus”: On the Sources of Konstantin Somov’s Early Art." Observatory of Culture 17, no. 2 (2020): 164–72. http://dx.doi.org/10.25281/2072-3156-2020-17-2-164-172.

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The article reveals and introduces into scientific circulation the previously unknown artistic source of Konstantin Andreyevich Somov’s early art – Jaspar de Isaac’s engraving “Narcissus”. There is traced the course of work with this one along with other art sources (works of European masters of the 16th—18th centuries depicting hunting scenes, paintings by Antoine Watteau, Jugendstil graphics), revealed the context of reference to it, and analyzed the stylistic features of including this source in Somov’s work on the watercolor “Rest after a Walk”. These tasks are addressed in the context of

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21

Thi Ngoc Diep, Dr Nguyen. "Technical features of traditional engrave panting in lacquer works at Binh Duong." Proceedings of The International Conference of Advanced Research in Education 1, no. 1 (2024): 22–30. http://dx.doi.org/10.33422/educationconf.v1i1.367.

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Lacquer comes in a variety of forms and styles of expression, like clear warm cockroach paint and jet black lacquer, which merge in harmony with many other materials (eggs, pearls, gold, silver, lipstick, colors, and so on) to create a work of profound artistic language. Artists have conveyed these forms and techniques through lacquer paintings. With a comprehensive expression of typical materials combined with abrasive painting techniques (interlacing, snailegg carving techniques, embossed relief painting techniques, gold cupping techniques, sunken engraving techniques, engraved paint or so o

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22

Wu, Y. H., J. S. Dai, S. Y. Lin, Y. F. Gao, and K. K. Cui. "Study on the influence of the initial position of the projectile on the internal ballistic performance in the engraving process." Journal of Physics: Conference Series 2891, no. 12 (2024): 122023. https://doi.org/10.1088/1742-6596/2891/12/122023.

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Abstract Due to positioning errors and forcing cone wear, the projectile’s initial position in the chamber will change. The initial position of the projectile will influence the initial conditions of the band engraving in the rifling, which in turn affects the dynamic impact characteristics of the rotating band in the engraving process. In the present work, a small-caliber naval gun was taken as the research object, the internal ballistic procedure was used to calculate the combustion process in the chamber, and the engraving resistance and the internal ballistic performance were comparatively

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23

Liu, Ying, Bin Li Gou, and Zhao Jun Xu. "Design the Economical Engraving Machine for Wood." Applied Mechanics and Materials 157-158 (February 2012): 768–71. http://dx.doi.org/10.4028/www.scientific.net/amm.157-158.768.

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Nowadays with the improvement of people’s lives in China, furniture industry has a sustainable development. Different kinds of engraving machines are required to design and manufacture. This paper is to give the example of the process for designing the economical engraving machine. Firstly, take the DK5040 as an example, the need was supplied and the main design parameters were given. Secondly, to complete the quick design, the architecture of the CAD/CAM system was established, which had B/S structure. The five function modules were introduced. So designers and producers could do different wo

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24

Jenkins, Paul, and Thomas Theye. "Further Consideration of Two Photographs Ascribed to Christian Hornberger." History in Africa 22 (January 1995): 271–79. http://dx.doi.org/10.2307/3171917.

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Two reactions to the essay on the earliest generation of missionary photographers in West Africa published earlier in HA set up trains of thought which deserve to be minuted here as a further contribution to our praxis with images of Africa in the nineteenth century. It was pointed out by two readers of the original article that a pair of the images which, it had been asserted (104), derive from the last phase of Hornberger's photographic work, were published very early on in a non-mission context: that of three women spinning and that of one man weaving (figures 1 and 2 below).Both images exi

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25

Ivanova, Anastasia A. "The Study of a Faience Plaque Depicting a Beggar of Alms For Building a Church in the Art of Evdokim Egorov." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 30, no. 4 (2024): 121–30. https://doi.org/10.15826/izv1.2024.30.4.068.

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This article presents an attribution of an unknown faience plaque depicting a beggar of alms for building a church signed by ceramics painter E. A. Egorov. Today Evdokim Alexeevich Egorov’s life and artworks are barely studied. His name appears in the publications concerning Paris ceramic workshop of Russian painters created due to initiative of a painter Alexey Bogolubov in 1875–1876. The attribution creates a case of studying Egorov’s art outside this period. The aim of a study is to prove the authorship of Egorov. Egorov’s graphic works and ceramics from museum and private collections were

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26

Nanda Kumar, P., V. Muni Varma, and J. Venkata Jaswanth. "Investigating the Laser engraving on Polymethyl methacrylate sheets and process parameters optimization using GRA technique." Journal of Physics: Conference Series 2765, no. 1 (2024): 012011. http://dx.doi.org/10.1088/1742-6596/2765/1/012011.

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Abstract Polymethyl methacrylate (PMMA) is sound-resistant because it can lessen the transmission of outside sound waves. PMMA is widely used in many applications, such as automotive lighting, electronics and energy, health, sanitation, etc. Laser engraving for PMMA sheet panels with process parameters of good quality is a major problem in the process industry. There is a demand for surface roughness that is affected by the volume of material removal. Therefore, in this work, multi-value response optimization was performed on MRR and surface roughness during laser engraving of PMMA sheets usin

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27

Barrios García, José. "El grabado del garoé en la colección de viajes de la firma de Bry (1590-1634." Revista de Historia Canaria, no. 203 (2021): 65–84. http://dx.doi.org/10.25145/j.histcan.2021.203.03.

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The Garoé or water tree on the island of El Hierro has been represented graphically on numerous occasions. Particularly important is the copper engraving published in the famous travel collection begun by Theodor de Bry in 1590, however, the great difficulty of tracing its different editions and variants has led to various errors and imprecisions in the literature. To clarify the situation, in this work I identify the two plates of the engraving used in the collection and determine up to nine plates produced by the firm from these two plates.

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28

Shi, Shangxuan, Jiao Liang, Chenkai Qu, Shangbi Chen, and Bin Sheng. "Ramie Fabric Treated with Carboxymethylcellulose and Laser Engraved for Strain and Humidity Sensing." Micromachines 13, no. 8 (2022): 1309. http://dx.doi.org/10.3390/mi13081309.

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Wearable fabric sensors have attracted enormous attention due to their huge potential in human health and activity monitoring, human–machine interaction and the Internet of Things (IoT). Among natural fabrics, bast fabric has the advantage of high strength, good resilience and excellent permeability. Laser engraving, as a high throughput, patternable and mask-free method, was demonstrated to fabricate fabric sensors. In this work, we developed a simplified, cost-effective and environmentally friendly method for engraving ramie fabric (a kind of bast fabric) directly by laser under an ambient a

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29

Alekseev, Aleksey I. "On the Unknown Historical Work by Feofan Prokopovich." Vestnik of Saint Petersburg University. History 67, no. 4 (2022): 1350–64. http://dx.doi.org/10.21638/spbu02.2022.417.

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The article introduces a previously unknown text of the Genealogy of Russian Sovereigns from the collections of the Department of Manuscripts of the Russian National Library, which contains the engraving program of A. F. Zubov’s “Portrait of Catherine I surrounded by medallions with portraits of Russian princes and tsars” of 1725. It also reveals the source of this “Genealogy” in the form of a historical and genealogical introduction to the anonymous “History of Peter the Great”, in which Peter is presented the “fifty-sixth” ruler of Russia descending from Rurik. The process of textological re

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30

Butler, Gregory. "The Printing History of J.S. Bach's Musical Offering: New Interpretations." Journal of Musicology 19, no. 2 (2002): 306–31. http://dx.doi.org/10.1525/jm.2002.19.2.306.

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Анотація:

Evidence from the original printed edition not only supports Philipp Spitta's theory that Bach sent the print of his Musical Offering to Frederick the Great in Potsdam in two separate installments but further suggests that the work was also printed in two distinct sections, the first in Leipzig and the second possibly in the region of Halle. In Bach's earliest concept of the work, it was to have included only the three- and six-part ricercars; he subsequently enlarged the scope of the collection. A detailed examination of the engraving suggests why this was so, and it also reveals that a third

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31

Prasetyo, Rizal Dwi, and Asnawi . "PENGARUH GRAFIR LASER CO2 TERHADAP KELUARAN KANAL PANDU GELOMBANG OPTIK MODEL Y-BRANCH." Inovasi Fisika Indonesia 10, no. 3 (2021): 9–14. http://dx.doi.org/10.26740/ifi.v10n3.p9-14.

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Abstrak Pemfabrikasian kanal mikro model Y branch dengan menggunakan metode laser engraving dengan bahan dasar PMMA (Polymethyl methacrylate) atau yang biasa disebut dengan akrilik telah berhasil dibuat pada pekerjaan penelitian ini. Tujuan penelitian ini yaitu membuat kanal pandu gelombang optik yang selanjutnya akan diaplikasikan menjadi pandu gelombang optik yang kemudian kanalnya dapat diisi dengan berbagai material inti dari pandu geombang optik, dengan didopping dengan material tin oxide (SnO2) sebagai pelapis covernya. Pemfabrikasian kanal mikro pandu gelombang optik yang dilakuka

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32

Nikitin, B. "FORMATION OF THE SKILL OF A TATTOO ARTIST WORKING IN THE STYLE OF ENGRAVING." Scientific heritage, no. 103 (December 21, 2022): 7–10. https://doi.org/10.5281/zenodo.7467501.

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In this article, the author proposes to determine exactly what constitutes "the art of tattooing in the style of engraving", by means of a specific observation of the ways of creating these images inked under the skin using a technical tool: tattoo machines, and to determine their influence on the epithets assigned to professionals in the field of tattooing. As a result of his practical research, the author of the article attempts to correlate the way in which the tattoo artist in the style of engraving considers himself qualified with the qualities inherent in his work.

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33

Shcherbakova, Anna E. "Russian Magazine Illustration of the First Third of the 19th Century in the Works of D. A. Rovinsky." Университетский научный журнал, no. 79 (April 24, 2024): 72–82. http://dx.doi.org/10.25807/22225064_2024_79_72.

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Dmitry Aleksandrovich Rovinsky is familiar to every researcher of printed graphics. His scientifi c heritage forms the basis of classical literature on the history of Russian engraving. Nevertheless, the full potential of the researcher’s works has not yet been exhausted. In modern art criticism, new research topics are emerging, allowing us to look at D. A. Rovinsky’s works from new points of view. This article is devoted to the work of the scientist in the fi eld of Russian magazine pictures of the fi rst third of the 19th century. The problems of scientifi c development of this material are

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34

García Álvarez, César. "La transmisión formal e iconográfica de modelos en cuatro ejemplos del arte renacentista en León." Estudios humanísticos. Geografía, historia y arte, no. 19 (February 9, 2021): 273. http://dx.doi.org/10.18002/ehgha.v0i19.6765.

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<span>The iconological method lies on the basic idea of iconographic type, understood as the inluence that a previous visual or textual model has over a concrete artistic work. The discovery of four different models in four works from the Renaissance art of León (an engraving of Marcantonio Raimondi for a possible relief of Hércules; a german engraving of G. Pencz for a triumph of Venus; different drawings by N. Rosex for a decorative panel, and another engraving, by H. B. Grien, as a model for a St. Sebastian) supports the thesis of a general influence exerted by the Italian and German

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35

Bocharov, Taras, and Petr Kozorezenko. "Russian Landscape Linocut, 1910-1970." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 101–12. http://dx.doi.org/10.36340/2071-6818-2020-16-4-101-112.

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The article examines the origin and development of Russian graphic landscape art, performed in the technique of engraving on linoleum. It covers the period from the early 20th century, the moment the first masters of this direction of graphic art appeared in Russia, until the late 1960s when linocut, the landscape, in particular, reached its prime and acquired its completely individual, unlike any other graphic technique, characteristic. The authors analyze the linocut landscapes of notable artists of the period described starting with the founder, N.Sheverdyaev, and the leading propagandist o

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Rodríguez Mansilla, Fernando. "El grabado de La pícara Justina como parodia de la Filosofía cortesana moralizada." IMAGO. Revista de Emblemática y Cultura Visual, no. 11 (January 28, 2020): 183. http://dx.doi.org/10.7203/imago.11.15731.

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ABSTRACT: The engraving in the cover of La pícara Justina has been traditionally interpreted as a synthesis of the picaresque genre. This article explores the aforementioned engraving, commonly known as La nave de la vida picaresca, not as a reflection of the picaresque literary conventions, but through the perspective of the parody, which is an essential element of López de Úbeda’s work. The engraving would be dialoguing, comically, with the board game of the Filosofía cortesana moralizada (1587) by Alonso de Barros. This analysis of parodic elements present in Justina’s engraving allows to r

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37

Štefan, Jan T. "The Illustrations of the Balzer and Rybička Families in Books Published Outside of Prague." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 90–95. http://dx.doi.org/10.2478/amnpsc-2018-0012.

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The article provides information on two families of engravers that were involved in book illustrations in Bohemia over a hundred years beginning in the 1760s. Jan Jiří Balzer and his brothers (František, Matyáš and Řehoř) and sons (Jan Karel and Antonín Karel) significantly contributed to the development of engraving craft and graphic art in Bohemia. His international business activities in the area of graphic arts are known. After the death of Jan Balzer, the engraving and printing workshop was managed by his wife Kateřina and the mentioned brother Řehoř. At the beginning of the 19th century,

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38

Ruzicka, Laurenz, Bernhard Strobl, Stephan Bergmann, et al. "Toward Synthetic Physical Fingerprint Targets." Sensors 24, no. 9 (2024): 2847. http://dx.doi.org/10.3390/s24092847.

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Biometric fingerprint identification hinges on the reliability of its sensors; however, calibrating and standardizing these sensors poses significant challenges, particularly in regards to repeatability and data diversity. To tackle these issues, we propose methodologies for fabricating synthetic 3D fingerprint targets, or phantoms, that closely emulate real human fingerprints. These phantoms enable the precise evaluation and validation of fingerprint sensors under controlled and repeatable conditions. Our research employs laser engraving, 3D printing, and CNC machining techniques, utilizing d

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39

Fossa, John A. "Camille Flammarion’s Pythagorean Moment." Revista Brasileira de História da Matemática 20, no. 39 (2020): 1–11. http://dx.doi.org/10.47976/rbhm2020v20n391-11.

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Flammarion’s Woodcut is a frequently discussed engraving in Camille Flammarion’s 1888 work on meteorology. It is interpreted herein as a symbolic presentation of the (Pythagorean) thesis that mathematics is the key to knowledge and, specifically, that the Calculus is the key to meteorological knowledge.

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40

Boldyreva, Irina S. "Thomas Bewick — Engraver, Publisher, Innovator." Observatory of Culture 20, no. 5 (2023): 526–35. http://dx.doi.org/10.25281/2072-3156-2023-20-5-526-535.

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The article is devoted to the problem of revising assessment of the work of the outstanding British engraver and publisher Thomas Bewick. Traditionally, it is considered in the context of the general history of engraving development, mostly not connected with either animalistics or scientific editions. In this regard, T. Bewick’s works of artistic significance belong to natural-scientific illustrations and are used in popular science editions. The erroneous assessment of his works is associated with a widespread stereotype in which scientific illustration is considered as something of low arti

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41

Andrzejewska‑Zając, Alicja. "Vivit post funera virtus. Odzyskany portret Hansa von Aachena z kolekcji Jacoba Kabruna." Porta Aurea, no. 22 (December 29, 2023): 115–34. http://dx.doi.org/10.26881/porta.2023.22.06.

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In December 2018, “Art Sherlock” magazine reported that an engraving by Jan Saenredam (1565–1607) had been put up for auction at Galerie Bassenge in Berlin. It was marked with a stamp and a number that were characteristic of the collection of a Gdańsk merchant, Jacob Kabrun, a collection which, before the war, was the most valuable and the most substantial part of the collection of the Gdańsk City Museum. It emerged that the engraving was a war loss registered in the database of the Ministry of Culture and National Heritage (MKiDN) with the number of 55029. Thanks to the archival materials pre

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42

Dhirender*, Jangra Vikas, and Kumar Garg Sandeep. "ANALYSIS OF VARIOUS DEFECTS DURING ELECTROMECHANICAL ENGRAVING OF GRAVURE CYLINDER." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 5, no. 4 (2016): 236–39. https://doi.org/10.5281/zenodo.48931.

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Gravure printing process is chosen to meet high quality, long run jobs and end user expectations. This printing process is known for its versatility and print fidelity. Electromechanical engraving is one of the prominent methods of cylinder preparation. But due to complex combination of process parameters the occurrence of defects is inevitable while cylinder preparation. The presence of these defects consequences in degradation of quality which leads to rejection of cylinder. The occurrence of these problems is unavoidable but nevertheless it can be controlled and minimized by optimization of

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43

Aarman, D. Mundaganur *1 Nikhil S. Mane 2. Atul A. Gavade. "A REVIEW ON MACHINING PROCESS WITH DIFFERENT CHEMICAL ENGRAVING METHODS." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 7, no. 6 (2018): 49–54. https://doi.org/10.5281/zenodo.1255722.

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Modern high technology industries are facing challenges from machining of non- conducting materials and its cost. Gas films of appropriate thickness are the main requirement in the industry. The formation of the bubbles and the films with constant thickness is desired. To achieve this different parameters are involved in different proportion. The parameters like electrolyte concentration, temperature, critical voltage, speed, composition of electrodes, etc. are playing important role in the machining. Spark assisted chemical engraving is used for micro-structuring of glass. With the proper man

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44

Salagnon, Mathilde, Sandrine Cremona, Marc Joliot, Francesco d’Errico, and Emmanuel Mellet. "Neural correlates of perceiving and interpreting engraved prehistoric patterns as human production: Effect of archaeological expertise." PLOS ONE 17, no. 8 (2022): e0271732. http://dx.doi.org/10.1371/journal.pone.0271732.

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It has been suggested that engraved abstract patterns dating from the Middle and Lower Palaeolithic served as means of representation and communication. Identifying the brain regions involved in visual processing of these engravings can provide insights into their function. In this study, brain activity was measured during perception of the earliest known Palaeolithic engraved patterns and compared to natural patterns mimicking human-made engravings. Participants were asked to categorise marks as being intentionally made by humans or due to natural processes (e.g. erosion, root etching). To si

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45

Choirony, Iklil Vurqon, Mohammad Slamed Hariyanto, Miftachul Ulum, Achmad Ubaidillah, Haryanto Haryanto, and Riza Alfita. "Rancang Bangun Acrylic Engraver and Cutting Machine Menggunakan CNC Milling 3 Axis Berbasis Mikrokontroler." Elektrika 13, no. 1 (2021): 13. http://dx.doi.org/10.26623/elektrika.v13i1.3071.

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<p><em><span lang="EN-US">The purpose of this research is to design and implement an automatic acrylic carving and cutting tool using a microcontroller-based 3-axis CNC machine. Computer Numerical Control (CNC) is a machine technology that is operated automatically to support the demand for a product that has a complex shape and high accuracy. In general, the construction of a 3-axis CNC machine and its working system is synchronization between the computer and its mechanics. This tool has a work process by utilizing the G-Code method as a command on the machine to carry out

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46

Lenssen-Erz, Tilman, Andreas Pastoors, Thorsten Uthmeier, Tsamgao Ciqae, /Ui Kxunta, and Thui Thao. "Animal tracks and human footprints in prehistoric hunter-gatherer rock art of the Doro! nawas mountains (Namibia), analysed by present-day indigenous tracking experts." PLOS ONE 18, no. 9 (2023): e0289560. http://dx.doi.org/10.1371/journal.pone.0289560.

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Namibia is rich in hunter-gatherer rock art from the Later Stone Age (LSA); this is a tradition of which well-executed engravings of animal tracks in large numbers are characteristic. Research into rock art usually groups these motifs together with geometric signs; at best, therefore, it may provide summary lists of them. To date, the field has completely disregarded the fact that tracks and trackways are a rich medium of information for hunter-gatherers, alongside their deeper, culture-specific connotations. A recent research project, from which this article has emerged, has attempted to fill

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47

Gu, Xi Guang, Bin Qian, Li Yin Yu, Jun Hua Wang, and Yuan Zhen Wang. "Mechanism of Infrared-Laser Engraving for Polycarbonate-Based Films." Materials Science Forum 1003 (July 2020): 233–38. http://dx.doi.org/10.4028/www.scientific.net/msf.1003.233.

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The work aim to the reaction mechanism of laser engraving polycarbonate (PC)-based films. The calculation of infrared-laser acting on the PC films, was carried out by using one-dimensional heat conduction model. The power density of laser device required for laser engraving polycarbonate-based films was determined to be 4.86~7.73×104 W/cm2. Characterized by the FTIR spectra, SEM, DSC and TGA, the reaction mechanism was studied. The results show that the light-sensitive particles in the PC films absorb the laser energy with wavelength of 1064nm. After reaching the temperature of 509°C, the main

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48

De Hond, Jan. "Een onbekende tekening van Saenredam: het portret van Johannes Petri Junius." Oud Holland - Quarterly for Dutch Art History 113, no. 4 (1999): 187–96. http://dx.doi.org/10.1163/187501799x00364.

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AbstractIn 1910 the print room at Dresden acquired an unsigned portrait drawing of the clergyman Johannes Junius (c.1587-1635). The drawing has been successively attributed to Hendrick Goltzius and Jacob Matham and is currently regarded as the work of Matthias van den Bergh (1617-1665). In this article it is proposed to attribute the drawing to Pieter Saenredam (1597-1665). Junius' portrait was drafted in black chalk. At a later stage this chalk drawing was worked up in pen and brown ink. The ink version differs from the chalk drawing in a few important details. The figure is placed in an oval

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49

Trochimczuk, R. "Kinematic and Dynamic Analysis of New Polar Positioning System Dedicated to Mechatronic Laser Glass Engraving System." International Journal of Applied Mechanics and Engineering 19, no. 4 (2014): 771–81. http://dx.doi.org/10.2478/ijame-2014-0053.

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Abstract Analytical formulas describing the kinematics and dynamics of a multibody system of a new polar positioning system dedicated to mechatronic laser glass or other transparent dielectrics engraving system will be presented in this work. The analytical results will become in the later stages of the research the basis of numerical simulations. They will optimize the proposed solution of the positioning system.

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50

Munive Maco, Manuel. "El grabado contemporáneo en Arequipa." Illapa Mana Tukukuq, no. 15 (February 7, 2019): 34–43. http://dx.doi.org/10.31381/illapa.v0i15.1840.

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ResumenLa ciudad de Arequipa, una de las más importantes del Perú, se ha caracterizado por ser tierra de acuarelistas, tal como lo deja ver la interminable nómina de virtuosos pintores que sustentan esta tradición plástica desde hace más de un siglo. Sin embargo, desde hace poco tiempo, y casi a la sombra de la acuarela, ha ido desarrollándose el trabajo de un grupo de artistas de distintas generaciones, que eligieron el grabado como medio de expresión. El presente trabajo propone una primera mirada de conjunto a este acervo gráfico. Palabras clave: Arequipa, arte, tradición plástica, ar

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