Готові списки джерел за темами / Fashion and textile industry

Добірка наукової літератури з теми "Fashion and textile industry"

Автор: Grafiati
Опубліковано: 15 вересня 2021
Оновлено: 5 лютого 2022

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Fashion and textile industry".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Зміст

  1. Статті в журналах
  2. Дисертації
  3. Книги
  4. Частини книг
  5. Тези доповідей конференцій
  6. Звіти організацій

Статті в журналах з теми "Fashion and textile industry":

1

Wood, Jane. "Bioinspiration in Fashion—A Review." Biomimetics 4, no. 1 (February 12, 2019): 16. http://dx.doi.org/10.3390/biomimetics4010016.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
This paper provides an overview of the main technologies currently being investigated in the textile industry as alternatives to contemporary fashion fabrics. The present status of the textile industry and its impact on the environment is discussed, and the key drivers for change are highlighted. Historical use of bioinspiration in synthetic textiles is evaluated, with the impact of these developments on the fashion and apparel industries described. The review then discusses the move to nature as a supplier of new fabric sources with several alternatives explored, drawing special attention to the sustainability and performance aspects of these new sources.
2

Gupta Khusbu Kumari. "Waste Management Strategies in Textile & Garment Sector." International Journal for Modern Trends in Science and Technology 06, no. 9S (October 12, 2020): 58–60. http://dx.doi.org/10.46501/ijmtst0609s09.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Textiles and Apparel (T&A) sector is one of the most significant industrial sectors and plays a major role towards contribution to national economy, employment generation and exports in developing countriesand most essential consumer goods industry. However, textile industry is accused of being one of the most polluting industries. Not only production but consumption of textiles also produces waste. To counter the problem, textile industry has taken many measures for reducing its negative contribution towards environment. One of such measures is textile recycling- the reuse as well as reproduction of fibers from textile waste. Recycling can be done through thermal, material, chemical and mechanical processes. Textile recycling is beneficial for environmental and economic conditions, reducing demand for textile chemicals, requirement of landfill space is reduced, consumption of less energy and reducing of water wastage. Market research, and efforts are needed to increase consumer awareness and to encourage manufacturers to increase the use of recycled textile waste into new products. Fashion consumption and sustainability are often opposing ideas. Fashion consumption is a highly resource-intensive, wasteful practice; and sustainability frowns on wasteful consumption. Sustainability in the fashion business is still an emerging agenda, not yet established, and many authors have recognised the importance of investigating how sustainability could be achieved
3

Muskan Agrawal and Latika Bhatt. "Upcycling: An emerging textile waste management strategy for the fashion industry." International Journal for Modern Trends in Science and Technology 06, no. 9S (October 16, 2020): 161–65. http://dx.doi.org/10.46501/ijmtst0609s26.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The fashion industry is the second largest polluting industry in the world. Different fashion cycles provide various options in the market, which leads to the rising concern of the environmental impact of the industry. Wastewater, carbon, and textile waste are different types of waste being generated by the industry. Textile waste is generated in two phases i.e. during production (textile leftovers) and post-production (discarded textiles). Therefore, it is important to look at the environmental impact of the textile industry and take initiatives to reduce the overall impact on the environment. The purpose of the research is to study how a couture brand manages the textile waste generated during the production and to generate ideas to reuse them. The couture brand in which the study was conducted was Shriya Som. The waste management strategy of the Couture brand Shriya Som was studied and analyzed in terms of waste generation and its reuse. The amount of waste being generated by the brand daily was evaluated and how much is reused and how much was going to landfill. Strategy to utilize the leftover fabrics were developed keeping in mind the brand identity. This study gives an overall perspective of textile waste management strategies being adopted by the industry. Also suggests ideas to reuse textile waste. It was found that most of the leftovers can be creatively reutilized in the product line itself to reduce or completely zero down the waste going to the landfills.
4

Harmsen, Paulien, Michiel Scheffer, and Harriette Bos. "Textiles for Circular Fashion: The Logic behind Recycling Options." Sustainability 13, no. 17 (August 30, 2021): 9714. http://dx.doi.org/10.3390/su13179714.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
For the textile industry to become sustainable, knowledge of the origin and production of resources is an important theme. It is expected that recycled feedstock will form a significant part of future resources to be used. Textile recycling (especially post-consumer waste) is still in its infancy and will be a major challenge in the coming years. Three fundamental problems hamper a better understanding of the developments on textile recycling: the current classification of textile fibres (natural or manufactured) does not support textile recycling, there is no standard definition of textile recycling technologies, and there is a lack of clear communication about the technological progress (by industry and brands) and benefits of textile recycling from a consumer perspective. This may hamper the much-needed further development of textile recycling. This paper presents a new fibre classification based on chemical groups and bonds that form the backbone of the polymers of which the fibres are made and that impart characteristic properties to the fibres. In addition, a new classification of textile recycling was designed based on the polymer structure of the fibres. These methods make it possible to unravel the logic and preferred recycling routes for different fibres, thereby facilitating communication on recycling. We concluded that there are good recycling options for mono-material streams within the cellulose, polyamide and polyester groups. For blended textiles, the perspective is promising for fibre blends within a single polymer group, while combinations of different polymers may pose problems in recycling.
5

Sandvik, Ida Marie, and Wendy Stubbs. "Circular fashion supply chain through textile-to-textile recycling." Journal of Fashion Marketing and Management: An International Journal 23, no. 3 (July 8, 2019): 366–81. http://dx.doi.org/10.1108/jfmm-04-2018-0058.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Purpose The purpose of this paper is to explore the drivers, inhibitors and enablers of creating a textile-to-textile recycling system in the Scandinavian fashion industry. It investigates the technology, innovation and systemic changes required to enable circular supply chains. Design/methodology/approach The research study uses a qualitative, interpretivist approach, drawing on in-depth semi-structured interviews with stakeholders in the Scandinavian fashion industry. Findings The main inhibitors to textile-to-textile recycling systems in the Scandinavian fashion industry are: limited technology which creates a challenge for separating materials; high costs of research and development and building the supporting logistics; complexity of supply chains including the multitude of stakeholders involved in product development. The enablers are design and use of new materials, increased garment collection and collaboration. This research suggests that sorting and recycling technology can be enhanced with the use of digital technologies, as this would create transparency, traceability and automatisation. Research limitations/implications The research is limited by a small sample size and lack of representation of all key stakeholder groups, which limits the ability to generalise these findings. However, as an exploratory study, the findings provide insights that can be further tested in other contexts. Originality/value Understanding of textile-to-textile recycling is emerging both theoretically and practically, however, there is still much that is not understood. This research contributes to furthering understanding of how technology, collaboration and systemic change in the fashion industry can support opportunities for textile-to-textile recycling, thereby aligning with circular economy principles.
6

Hilletofth, Per, and Olli Pekka Hilmola. "Supply chain management in fashion and textile industry." International Journal of Services Sciences 1, no. 2 (2008): 127. http://dx.doi.org/10.1504/ijssci.2008.019608.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Viziteu, Diana-Roxana, and Antonela Curteza. "3D PRINTING TECHNOLOGY IN TEXTILE AND FASHION INDUSTRY." Fashion Industry, no. 3 (January 14, 2021): 41–44. http://dx.doi.org/10.30857/2706-5898.2020.3.2.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The extraordinary thing about the application of 3D printing technology is that it can be used to create accessible items customized to personal needs. In the fashion industry, there is a need for individualized protective equipment. The possibility of applying new technologies such as 3D modelling of protective elements that can be made by using 3D printers is presented in this paper. 3D modelling and additive technologies (3D printing) can be used in the development of protective work clothing. The fabrication process only requires the digital fi le with the 3D model and the right material - we chose to use thermoplastic polyurethane (TPU).The design samples were constructed and modelled using a software program called Rhinoceros. The samples can be integrated into the clothing item, in order to follow the body shape and to provide the necessary protection. Purpose. This paper aims to explore the applicability of 3D printing materials using thermoplastic polyurethane (TPU) for the development of protective gear. Scientifi c novelty. In the fashion industry, three-dimensional (3D) printing has been used by designers and engineers to create everything from accessories to clothing, but only a few studies have investigated its applicability in personal protective equipment. Practical value. One of the most signifi cant technologies of the fourth industrial revolution is 3D printing. Additive manufacturing and 3D printing are the subject of intensive research and development (methods, materials, new techniques, application areas, etc.). The purpose of this study is to develop 3D printing samples and study conditions related to TPU.
8

Garbacz, Kamil, Lars Stagun, Sigrid Rotzler, Markus Semenec, and Malte von Krshiwoblozki. "Modular E-Textile Toolkit for Prototyping and Manufacturing." Proceedings 68, no. 1 (January 6, 2021): 5. http://dx.doi.org/10.3390/proceedings2021068005.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
We present a novel E-textiles toolkit that can be used in the rapid prototyping of electronic textiles during the research and evaluation phase. The modular, Arduino-compatible toolkit incorporates various sensors and control and communication modules. The needs of fashion professionals have been considered during the conception of the toolkit, which was developed in close cooperation with partners from textile research institutes, the textile industry, art schools and design. After the initial manual prototyping, the toolkit modules can be directly transferred to reliable industrial integration using advanced machinery. To achieve this, we developed the E-textile Bonder, a machine capable of mechanically and electrically connecting modules to textiles with integrated conductors. This paper gives an overview of the toolkit as well as the design considerations discussed and implemented during the cooperation with textile industry stakeholders. Furthermore, the integration process with the E-Textile Bonder is described, and its advantages over other technologies are discussed.
9

Bertola, Paola, and Jose Teunissen. "Fashion 4.0. Innovating fashion industry through digital transformation." Research Journal of Textile and Apparel 22, no. 4 (December 3, 2018): 352–69. http://dx.doi.org/10.1108/rjta-03-2018-0023.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Purpose The on-going transition of societies and economies toward different organizational paradigms deeply informed by digital technologies is at the very center of current debates, involving scholars and impacting on a broad context of disciplines, ranging from humanities to science and technology. Therefore, the so-called “Fourth Industrial Revolution” has been described as a model where new modes of production and consumption will dramatically transform all major industrial systems; it has been targeted by many governmental plans as a goal for a sustainable future. While general frameworks describing 4.0 paradigm are codified and accessible, implementation strategies and their implications on specific local and sectorial systems are largely unexplored. Starting from this assumption, this paper aims to provide insights on the current state of the art and major trends of the “Fourth Industrial Revolution”, possibly identifying its impacts on the textile and apparel industry. Design/methodology/approach From a methodological standpoint, the study approaches the topic from the perspective of fashion domain experts which can contribute, with a positioning essay, to better understanding Industry 4.0 (I4.0) implementation within their specific domain. This experts’ perspective is enriched by several descriptive case studies (Yin, 1984) offering examples and insights on possible implementation of I4.0 solutions in fashion industry, also showing the potential of a design driven perspective. Findings Starting from a synthesis of I4.0 framework and principles, the paper aims at showing their impacts on business units, processes and components within the specific context of the fashion industry. Through emerging evidences detected by experts’ domain perspective and exemplified by several descriptive cases, it offers a comprehensive overview of the potential implications of the Forth Industrial Revolution on this specific business. The picture drafted clearly shows how digital transformation, properly driven, could reshape the fashion industry into a more sustainable and truly customer-driven business. But, it also underlines criticalities and slowness of adoption by traditional established brands and companies. As a result, being focused on on-going phenomena, highly unexplored, it shows possible trajectories, enabling an effective transformation of textile and apparel industry embracing the I4.0 paradigm. Originality/value The paper has a broad perspective and could offer insights to different audiences, which could effectively contribute to a positive transition, to scholars and academics, who might want to better address the implementation of I4.0 model into real economic and social context, focusing on medium – long-term implications and showing innovation pathways which are still unexplored, second to practitioners, who are usually immersed into strict silos of competences and business functions and can start to build new bridges and interconnection within the system, taking advantages of I4.0 potential, finally to policy-makers who can better shape development frameworks targeted to specific industries whose features require peculiar approaches and actions.
10

Craik, Jennifer. "Challenges for Australian fashion." Journal of Fashion Marketing and Management 19, no. 1 (March 9, 2015): 56–68. http://dx.doi.org/10.1108/jfmm-03-2014-0017.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Purpose – The purpose of this paper is to examine the challenges facing the Australian fashion industry (textile, clothing and footwear or TCF sector). Just at the point where Australian fashion has achieved international attention for its distinctive design practice, the industry is on the point of collapse. Since the 1980s, radical re-structuring aimed at reducing industry protection to encourage greater international competitiveness and innovation. Key policies have included tariff reduction, new forms of industry assistance, new manufacturing techniques, changing retail forms, and reform of employment and workplace conditions. Design/methodology/approach – Overview of recent trends in the Australian fashion industry due to industry policies and the effects of globalisation. Findings – Severe decline in industry viability. Originality/value – Important multifaceted analysis of the state of the industry and tracking of effects of government policies.
Більше джерел
Також вас можуть зацікавити розширені добірки на тему "Fashion and textile industry" для конкретних типів джерел:
Статті в журналах Дисертації Книги

Дисертації з теми "Fashion and textile industry":

1

Kyaga, Ulrika. "Swedish Fashion 1930–1960 : Rethinking the Swedish Textile and Clothing Industry." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145428.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The aim of this thesis is to explore the development of Swedish fashion between 1930 and 1960 by examining the textile and clothing industry from the wider perspective of fashion production. It was during this period that Sweden was transformed into a leading industrial nation, which laid the foundation for increased prosperity in the post-war period. This historical and empirical study is predominantly based on systematic analysis of Swedish official statistics and close reading of the fashion press. The thesis applies a combination of approaches in the analytical chapters (chapter 2–4) that include three central aspects of fashion production: manufacturing, symbolic production, and the production of a national fashion.  Chapter 2 gives an account of the industrial production of clothing and examines the scope, size and structure of the textile and clothing industry. The results confirm its importance to the Swedish economy in the period. One important finding shows that a shift in production from tailored outerwear to lighter garments occurred as early as the mid-1950s.  Chapter 3 investigates the symbolic production of fashion by looking at the structure of the field of fashion in Sweden. The results show a French dominance where couturiers were celebrated as creative ‘artists’. A significant finding is how the idea of Swedish fashion was considered a process of creating economic value, as in clothing manufacturing.  Chapter 4 deals with fashion as an expression of national culture. The result reveals a significant fashion culture associated with an everyday wear fashion that followed the Social Democratic reforms aimed at equality in society during the period. One important finding is that the wool coat was the hallmark of Swedish fashion identity in the post-war period.  These results contribute to a broader understanding of fashion production and new insights into the history of its developments in Sweden between 1930 and 1960, which has gone largely unrecognised by previous fashion historians.
2

Vuletich, Clara. "Transitionary textiles : a craft-based journey of textile design practice towards new values and roles for a sustainable fashion industry." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12402/.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The current fashion textiles industry is based on an outdated, exploitative system that encourages fast consumption, generates huge amounts of textile waste, creates toxic impacts to ecosystems and causes significant social impacts to production workers. The move towards a more sustainable industry is a complex challenge and will be based on circular and social systems that prioritise values, collaboration and empathy for the environment and all stakeholders. This research defines the move towards a more sustainable fashion textiles industry as a transition that operates across environmental, social, and human domains. At the human level, the transition is an emergent process that involves both ‘inner’ and ‘outer’ dimensions (Maiteny & Reed 1988). For fashion textile designers, this process will demand new ways to practice and engage with the sustainability agenda, including the ‘outer’ dimensions of better materials or more ethical production models; and the ‘inner’, reflective dimensions of values and the self. This research proposes new roles for designers in these transitionary contexts, through craft-based fashion textile design practice. The practice projects presented in the thesis demonstrate three new roles that evolve through the sustainable design continuum to the highest level of Design for Social Equity (Manzini & Vezzoli 2008), where designers will support all stakeholders towards systemic, sustainable change. The practice projects reveal a collaborative and inter-disciplinary approach to fashion textile design practice in industry, local communities and the global supply chain. The research draws on a range of literature from sustainability theory, design/craft thinking, and psychology. The mixed methodology includes an action–research phase of collaborative practice projects, facilitation of workshops with designers in industry, and a reflective phase of textile making and writing. A model for the Transitionary Textile Designer is presented as a final outcome. In order for fashion textile designers to practice in transitionary contexts ‘beyond the swatch’, the research presents new methods and tools to connect individual values to social values inherent in the transition towards sustainability.
3

Fletcher, Kate Tanya. "Environmental improvement by design : an investigation of the UK textile industry." Thesis, Open University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300241.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Rossol, Evelyn. "The Viability of Banana Fiber-based Textiles in the Fashion Industry." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574248933968539.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Sjöholm, Isabel, Esmeralda Persson, and Sara Rydén. "The Brazilian Textile Industry : Could locally produced apparel be the answer to sustainable fashion?" Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23501.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The Brazilian textile industry has many years of experience in producing apparel within the country. Brazil is a country with a well developed supply chain, yet they import a big amount of manufactured textile products from Asia each year. Globalization has made fashion brands look outside of the country's borders to be able to deliver a good price to the end consumer. In this study an investigation has been made to elucidate why the apparel companies import from Asia, what is imported from Asia and how the image of the companies would be affected by working more sustainably by utilizing the existing resources available in Brazil. In order to learn why companies do import, semi-structured interviews have been made with people who work and have good knowledge regarding this subject. To put this matter into context a Brazilian apparel company named Cia.hering has been used as an exponent for this report. This to get a more clear view on how the company might be affected by producing more locally and if it would be possible. To learn about how the Brazilian consumers look at sustainable fashion and what they think of Cia.Hering as a company a survey has been conducted. The outcome of this study shows that the consumers have a big effect on how companies choose to produce but that it is up to the individual apparel company to choose how they want to produce their goods. Producing locally makes it a lot easier to control the full supply chain and to work as a more transparent company.
6

Cho, Hsin-Ying. "A study of 'Tree of Life' patterns for the fashion textile industry in Taiwan." Thesis, University of Manchester, 2010. https://www.research.manchester.ac.uk/portal/en/theses/a-study-of-tree-of-life-patterns-for-the-fashion-textile-industry-in-taiwan(eaefcd6f-b8fc-416b-ad91-924b26ebd889).html.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Patterns from the past have frequently been a source of creative ideas for fashion textiles. Culturally-inspired fashion products reflect traditional beauty, cultural identity, and national image, and preserve national cultural heritage (Perivoliotis, 2005; Hyun and Bae, 2007; Cho, 2009). The 'Tree of Life' or, as it is sometimes known, the 'Flower of Life', is a motif used to express ideas about immortality and the origins of life. As such, this motif has been an important element of traditional art and craft, frequently being incorporated into traditional textiles. The findings of Chinese interviews show that tree worship is still important, as are 'Tree of Life' patterns in China. Chinese 'Tree of Life' patterns are associated with fertility worship, longevity (long life) and immortality (eternal life). The review of literature and the findings from Taiwanese interviews indicate that elements of traditional Chinese patterns are suitable use in modern fashion, because Chinese imagery is a rich source of inspiration for contemporary textile designs, and China chic is pervasive in today's fashion. Exploring the relevance of the 'Tree of Life' pattern for the Taiwanese market, it was found that Taiwanese customers would be happy to see traditionally patterned designs of textile or clothing. This was felt to be important for the Taiwanese textile and fashion industry, which is currently in a state of change as it becomes design-focused rather than purely manufacturing-led. With fieldwork carried out in both China and Taiwan, and an investigation into the design process, the research concludes that the 'Tree of Life' can be re-created and adapted in different ways for fashion textile designs for the Taiwanese market. In addition, a model of a new design process for reinterpreting traditional patterns into contemporary ones is proposed. University students and designers can apply this design process model to any textile design project based on traditional patterns.
7

Hetti, Arachchige Chamirangika Madushani. "Cascade Use in Circular Economy Business Models in the Textile and Fashion Industry : a Dynamic Capabilities Perspective." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26417.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Background - The textile and fashion industry is paving the way towards the circular economy to achieve economic and environmental value. Today the industry is mainly dependent on the linear production model of the take-make-dispose system. This linear model excels in making waste out of virgin raw materials that can utilize several lifetimes. In light of generating a wave for the future with the circular economy, the textile and fashion industry is implementing circular economy, business models. The organizations’ cascade use ability of recurrent and abundance resources leads to the circular economy future. Although the circular economy is rich in concept, academia and practitioners sense a lack of implementation of business models. Therefore, the organizations require to develop a unique set of capabilities to harness the benefits from circular economy business models. Purpose - To achieve successful circular economy business models, the organizations should develop capabilities that reinforce them to innovate their business models. Therefore, this study investigates the dynamic capabilities to gain competitive advantage while utilizing resources by cascade use to achieving economic and environmental values. This study provides the practitioners and academic guide to be a part of the wave of the circular economy. Methodology - This research conducts multiple case studies with an abductive reasoning approach to extend the theory of dynamic capabilities for cascade use in circular economy business models within the textile and fashion industry. Semi-structured interviews were conducted to gather primary data with three companies that practice cascade use in their businesses while strengthening the data gathered by reviewing company documents. The data were analyzed using thematic analysis. Findings - Results revealed dynamic capabilities facilitate cascade use in the circular economy business models. These dynamic capabilities undergirded by unique microfoundations. Sensing capability undergirded learning and knowledge creation on resources, information search on competencies, and market sensing to achieve the circular economy. Seizing undergirded microfoundations of business model innovation, collaborations, investments in innovations, and take-back systems. Transformation capability undergirded stakeholder engagement, revitalizing internal organization and transparency. The organizations gain maximum resources utility by these dynamic capabilities. Practical implications and research limitations - This thesis creates new insights on cascade use in circular economy business models facilitated by dynamic capabilities. The study assists the practitioners to understand and manage organizational activities to leverage cascade use in the circular economy business models to gain competitive advantage. The study limits by the selected interviewed companies with cascade use strategies implemented in their businesses, representing retailers in Sweden.
8

Kellerman, Amanda, and Sandra Strömstedt. "Svenska klädföretags arbete med cirkulär ekonomi." Thesis, Linköpings universitet, Institutionen för tema, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-128699.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
I Sverige köps det idag 13,1 kg kläder per person och år, av dessa slängs 8 kg kläder per person och år. Cirka 60 procent av det som slängs skulle dessutom kunna användas igen. Detta är en inte en hållbar resurshantering och för att ta tillvara på kläderna behövs en omställning där kläderna ses som en resurs. Denna studie syftar till att undersöka varför svenska klädföretag arbetar med cirkulär ekonomi, hur de arbetar och vilka svårigheter som kan uppstå med arbetet. Studien genomfördes med hjälp av åtta stycken semistrukturerade intervjuer inom ett brett spektra av svenska klädföretag. De klädföretag som har intervjuats är H&M, Filippa K, Björn Borg, Myrorna, Swedish Stockings, Odd Molly, Fjällräven och Houdini. Erfarenheterna från respondenterna redovisas i fyra olika teman – kläder som resurs, beteendeförändringar, ansvar och överlevnad och förändrad marknadssyn. Det empiriska materialet ställs mot varandra och jämförs med tidigare forskning. Resultatet av studien visar att klädföretagen ser cirkulär ekonomi som deras framtida överlevnad. Det är viktigt att börja se kläderna som en resurs efter användning och det krävs mer arbete i designfasen för att verkligen göra skillnad. Det har även visat sig att det krävs beteendeförändringar för att kunna ställa om till en cirkulär ekonomi.
In Sweden people purchase 13.1 kg garments per person per year, of these garments 8 kg per person per year gets discarded. Approximately 60 percent of the discarded garments could be used again. This is not a sustainable resource management and to take advantage of the garments a transition is needed because the garments have to be seen as a resource. This study aims to investigate why Swedish clothing companies work with circular economy, how they are working with this and what difficulties may arise during the process. The study was conducted with the help of eight semi-structured interviews in a wide range of Swedish fashion companies to share their views and experiences. The clothing companies that have been interviewed are H&M, Filippa K, Björn Borg, Myrorna, Swedish Stockings, Odd Molly, Fjällräven and Houdini. The experience of the respondents are presented in four different themes - clothes as a resource, behavioural changes, responsibility and survival and change in market view. The empirical data are compared against each other and also compared with previous research. The results of the study show that the clothing companies are seeing circular economy as their future survival strategy. It shows that it is important to begin to see the clothes as a resource and further work is required in the design phase in order to really make a difference. It has also been shown that it requires behavioural changes in order to adjust to a circular economy.
9

Fenton-Douglas, Joyce. "From hand craft to digital technology : a practice-based material culture analysis of the historical and contemporary ancillary trades of the London élite fashion industry." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8922/.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
The ancillary trades of the London based élite fashion industry are the focus of this practice-based research, which is founded in material culture studies. Hitherto these trades have not been the subject of any in depth scholarly work, and therefore this thesis seeks to make a contribution to knowledge by assessing and documenting their historical and contemporary application and significance; by examining and assessing the potential of laser technology to those trades that are concerned with embellishment; and by developing and applying a material culture framework to the execution and analysis of practice. The ancillary trades serve the material production of luxury fashion through the small scale, bespoke manufacturing of items such as artificial flowers and buttons; and the provision of specialist finishes such as bead-work, embroidery and pleating. These trades have developed little over the last century or more and most still involve varying degrees of skilled hand-making processes; but while their French counterparts are widely recognised as crafts, they remain an entity to which scant attention has been paid in assessments of either élite British fashion or of the crafts in Britain. Through a series of material culture analyses this research critically evaluates these trades, examining their contribution to the necessary distinction of historical and contemporary élite fashionable dress, and investigating the making practices and wider circumstances of key trades and practitioners. The contextual research not only situates the empirical practice-based case study in the field of interest but also is significant in informing the aesthetics and techniques invoked in practice. The potential of laser technology is investigated in the production of items of embellishment, alternatives to the more ubiquitous sequins, beads and faux jewels. Presented and critically evaluated within the thesis, the outcomes, a series of embellished textile proposals for the élite fashion industry, are hybrids of industrial process and hand-making techniques. Artefacts are central to this research. The interdisciplinary material culture theory and method of Jules David Prown, foregrounding the artefact as a repository of information, has been adopted for the contextual research and further developed in relation to the analysis of the objects that inform practice, while the outcomes of practice serve as material mnemonics in the retrieval of the intimacies of the making process. Referring to a range of associated literature, archival research and interview findings, the outcomes of the ancillary trades and of practice are examined in the aesthetic, cultural, technological, and socio-economic circumstances of their production and consumption.
10

Stremlau, Kerstin, and Joanne Tao. "Green Supply Chain Management Enablers and Barriers in Textile Supply Chains : What factors enable or aggravate the implementation of a GSCM strategy for textile and fashion companies?" Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10247.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Purpose of this paper: The purpose of this paper is to provide an overview of the factors that enable or aggravate the implementation of a GSCM strategy for textile and fashion companies. Moreover, it shall be investigated how textile and fashion companies perceive their incentives of implementing GSCM and what their organizational responses regarding the perceived barriers and enablers look like. Design/methodology/approach: The report combines a literature study on previous research in the field of supply chain management, Green Supply Chain Management and the drivers and barriers of implementing a GSCM strategy, with an empirical study consisting of an online survey, a semi-structured interview and two case studies that are based on literature review. In order to analyze the survey results, a method to calculate a company’s GSCM incentive score has been developed. Findings: The factors that have been identified as the strongest or most important ones by many companies of the survey, as well as the interviewee and the case studies are supplier collaboration, the lack of supplier commitment, customer demand for more sustainability, customer desire for lower prices and top management commitment. Some companies also perceived the alignment of their company’s strategy as strong GSCM enabler. However, the calculation shows that the overall incentive score of most participants is in the neutral level; meaning that they in total perceive neither significant incentives nor barriers to implement GSCM. With mostly internal enablers and external barriers, more than half of the survey participants can be categorized as Agenda Setters. Research limitations: Due to the low response rate, the sample size of this study is very small. Moreover, the results strongly depend on the personal opinion and experiences of the interviewee and the individual situations of the companies. This means that the results of this study give an indication, but are not generalizable. Therefore, another study with a different sampling method and a larger sample size is needed. Practical implications: The outcomes of this study show that GSCM concerns every aspect of a supply chain. A company that wants to engage in GSCM needs to have good relationships with and control over its suppliers in order to ensure that they fulfill the sustainability requirements, and deal with pressure from NGOs. Additionally, the company needs to balance customer demands for low prices and sustainability, expect some (one-time) investments and sacrifice short-term profit in order to ensure sustainable production. Originality/value: This report identifies the most important GSCM barriers and enablers for textile companies. By evaluating how companies within the textile and fashion sector perceive their incentives of implementing GSCM and investigating their organizational behavior towards barriers and enablers of GSCM, this study indicates what the current situation in the textile industry looks like; shows where improvements are necessary and gives insight for companies that aim to engage in green practices. The development of the so called GSCM incentive score; a method to calculate a company’s perceived incentives to implement a GSCM strategy, can be useful for future studies within this field.
Більше джерел

Книги з теми "Fashion and textile industry":

1

Lane-Rowley, Ulla Vad. Using design protection in the fashion and textile industry. Chichester: John Wiley, 1997.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Kincade, Doris H. Merchandising of fashion products. Upper Saddle River, N.J: Pearson Prentice, 2010.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Bramel, Sophie. Mode & tissus: High-tech fabrics & fashion. Paris: Falbalas, 2012.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Godley, Andrew. The development of the international clothing industry: Technology and fashion. Reading, England: University of Reading, Dept. of Economics, 1997.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Hofer, Alfons. Textil- und Modelexikon. 7th ed. Frankfurt am Main: Deutscher Fachverlag, 1997.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Gardetti, Miguel Angel, and Subramanian Senthilkannan Muthu, eds. The UN Sustainable Development Goals for the Textile and Fashion Industry. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-13-8787-6.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Young, Deborah E. Swatch reference guide to fashion fabrics. New York: Fairchild Books, 2015.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Fauque, Claude. L'industrie des désirs: Une histoire culturelle des étoffes. Paris: Institut français de la mode, 2013.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Garofoli, Maura. Le fibre intelligenti: Un secolo di storia e cinquant'anni di moda. Milano: Electa, 1991.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Baugh, Gail. The fashion designer's textile directory: [a guide to fabrics' properties, characteristics, and garment-design potential]. Hauppauge, New York: Barrons Educational Series, Inc., 2011.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Частини книг з теми "Fashion and textile industry":

1

Höhn, Wolfgang. "Textile Industry Effluent." In Sustainable Textile and Fashion Value Chains, 123–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-22018-1_8.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Khandual, Asimananda, and Sanjay Sahu. "Sabai Grass: Possibility of Becoming a Potential Textile." In Sustainable Fibres for Fashion Industry, 45–60. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0566-4_4.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Coste-Manière, Ivan, Paul Charpentier, Gérard Boyer, Karine Croizet, Julia Van Holt, and Sudeep Chhabra. "Innovation and Sustainability in the Luxury Fashion and Fabrics Industry." In Textile Science and Clothing Technology, 11–34. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8285-6_2.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Pal, Rudrajeet. "Sustainable Design and Business Models in Textile and Fashion Industry." In Textile Science and Clothing Technology, 109–38. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2639-3_6.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Coste-Manière, Ivan, Hamdi Guezguez, Mukta Ramchandani, Marie Reault, and Julia van Holt. "Detoxifying Luxury and Fashion Industry: Case of Market Driving Brands." In Textile Science and Clothing Technology, 29–43. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4783-1_2.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Koep, Lisa, Jonathan Morris, Nina Dembski, and Edeltraud Guenther. "Buying Practices in the Textile and Fashion Industry: Past, Present and Future." In Sustainable Textile and Fashion Value Chains, 55–73. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-22018-1_5.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Morris, Jonathan, Lisa Koep, and Matthias Damert. "Labels in the Textile and Fashion Industry: Communicating Sustainability to Effect Sustainable Consumption." In Sustainable Textile and Fashion Value Chains, 257–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-22018-1_14.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Beyer, Katja, and Marlen Gabriele Arnold. "Circular Approaches and Business Model Innovations for Social Sustainability in the Textile Industry." In Sustainable Textile and Fashion Value Chains, 341–73. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-22018-1_19.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Sironi, Olga, Jonathan Rösler, Nadzeya Kalbaska, and Thomas Friedli. "Understanding the Internal and External Drivers and Barriers for Digital Servitization in the European Textile Manufacturing Industry." In Fashion Communication, 53–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81321-5_5.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Eckert, Claudia. "Design for Values in the Fashion and Textile Industry." In Handbook of Ethics, Values, and Technological Design, 1–20. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6994-6_37-1.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

Тези доповідей конференцій з теми "Fashion and textile industry":

1

Čuk, Marjeta, Matejka Bizjak, Deja Muck, and Tanja Nuša Kočevar. "3D printing and functionalization of textiles." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p56.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
3D printing is used to produce individual objects or to print on different substrates to produce multi-component products. In the textile industry, we encounter various 3D printing technologies in fashion design, functional apparel manufacturing (protective, military, sports, etc.), including wearable electronics, where textile material is functionalized. 3D printing enables the personalization of the product, which in the apparel industry can be transformed into the production of clothing or parts of clothing or custom accessories. Additive technology allows a more rational use of the material than traditional technologies. In the textile industry we meet different uses of it, one is the printing of flexible structures based on rigid materials, another is the printing with flexible materials and the third is the printing directly on textile substrate. All rigid, hard and soft or flexible materials can be integrated into the final design using 3D printing directly on the textile substrate. We speak of so-called multi-material objects and systems, which have many advantages, mainly in the increasing customization and functionalization of textiles or clothing. The article gives a broader overview of 3D printing on textiles and focuses mainly on the influence of different parameters of printing and woven fabric properties on the adhesion of 3D printed objects on the textile substrate. In our research we investigated the influence of twill weave and its derivate as well as different weft densities of the woven fabric on the adhesion of printed objects on textile substrate. Therefore, five samples of twill polyester/cotton fabrics were woven and their physical properties measured for this research. 3D objects were printed on textile substrates using the extrusion based additive manufacturing technique with polylactic acid (PLA) filament. Preliminary tests were carried out to define printing parameters and different methods of attaching the fabric to a printing bed were tested. T - Peel adhesion tests were performed on the Instron dynamometer to measure the adhesion between 3D printed objects and textile substrates.
2

Choy, Tommy K. L., Harry H. K. Chow, Karen K. L. Moon, and Alvis C. K. Cheng. "The Knowledge Based System to Support the Subjective Hand Evaluation Process of Fabric Swatch Selection in Fashion and Textile Industry." In 2009 Fifth International Joint Conference on INC, IMS and IDC. IEEE, 2009. http://dx.doi.org/10.1109/ncm.2009.366.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Hu, Xudong, Yanhong Yuan, and Weiping Shen. "Weaving Loom Integration in Textile Enterprise." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-41661.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Анотація:
Weaving technique represents the development of textile industry. After 25 years of open gate and reform of industry construction, textile manufacturing in China has been developed to a higher level. China had imported many modern weaving machines from Italy, Switzerland, Belgium, Japan, and other countries. The domestic textile machine manufacturers and research institutes developed and manufactured many kinds of shuttleless looms. According to the statistical calculation, the total number of shuttleless looms is more than shuttle looms in use in China currently [1]. The wide use of the shuttleless loom demonstrates a strong technical support to the modernization of textile industry in China. These kind of shuttleless looms are equipped with advanced mechanisms like electronic let-off motion, electronic shedding motion, computer based monitoring, electronic dobby and jacquard machine. They are modern textile machines. Due to the labor denseness of the textile industry and unbalanced development of information technology (IT) in China, the manufacturing organization mode of textile is still old fashioned. Modern machines did not get the most economic and technical benefits. This situation was called “Automation Island”. In this paper, the author will describe his research in the integration of weaving machines through a local net. In the author’s project, which is being supported by the Natural Science Foundation of Zhejiang in China, a research team tries to reform the original computer-based loom controller. The required hardware modification and software programming was added. All looms of the workshop were linked to a central control computer through PROFIBUS to make a local net. Now weaving information of every single loom can be monitored through this central computer. Weaving machine integration is very important textile enterprises. There are a lot of applications using this technology. Web-based (mass customization, MC) customized produce is the future of advanced manufacture. An integrated workshop is a good platform for the enterprisers to expose their business to worldwide market. In this article, the author will discuss effort in this area, including experiments and results.
4

LeHew, Melody L. A., and Sarif U. Patwary. "Dissemination of textile and apparel environmental information on Facebook." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11478.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Degirmencioglu, Nimet. "Fair trade practices in the U.S. textile and apparel brands: an exploratory case study." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11488.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Paramita, Eristia. "Slow Fashion: Ethics and Sustainability in the Fashion Batik Industry." In Proceedings of the 3rd International Conference on Gender Equality and Ecological Justice, GE2J 2019, 10-11 July 2019, Semarang, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.10-7-2019.2298853.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

HuanzhangWang, Sang Jin Kim, and Kyung Hoon Kim. "SUSTAINABILITY INDEX MODEL IN FASHION INDUSTRY." In Bridging Asia and the World: Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.11.06.01.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Voynilovych, Vita, and Nataliia Ilchenko. "SOCIAL MARKETING IN THE FASHION INDUSTRY." In PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v1.11.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Costa, Manuel F. P. C. M., and Jose B. Almeida. "Mapping Of Textile Surface Relief." In Laser Technologies in Industry. SPIE, 1988. http://dx.doi.org/10.1117/12.968853.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Lee, Min-Young, RayeCarol Cavender, and Scarlett Wesley. "An Exploration of Consumer Accountability for Sustainability in the Fast Fashion Industry." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11397.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

Звіти організацій з теми "Fashion and textile industry":

1

Badin, J. S., and H. E. Lowitt. The US textile industry: An energy perspective. Office of Scientific and Technical Information (OSTI), January 1988. http://dx.doi.org/10.2172/5686233.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Boorady, Lynn M. Global Engagement: The fashion industry in Vietnam. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-325.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Watson, David, Anja Charlotte Gylling, Maria Elander, Jurate Miliute-Plepiene, and Mikkel Stenbæk Hansen. Inclusion of Nordic textile and fashion work within the UN One Planet network. Nordic Council of Ministers, February 2019. http://dx.doi.org/10.6027/na2019-902.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Adams, Melinda K. P., and Cathryn Studak. The Impact of a Formal Partnership between Industry and Fashion. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-780.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Hawley, Jana M. Right-Sized Consumption: Should Doughnut Economics Inform the Textile and Apparel Industry? Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8350.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Liu, Jiajun, Jiufeng Liu, Lori Rothenberg, Renzo Shamey, and Zhenhua Luo. Applying STRESS to Evaluate Variabilities in Consumer Responses in the Textile Industry. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8404.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Kincade, Doris H., Peggy P. Quesenberry, and Elizabeth H. Dull. History of the Southern Apparel and Textile Industry: Through the Photographer's Lens. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-31.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Quesenberry, Peggy P., and Doris H. Kincade. Copying and Product Development: Definitions and Practices by Fashion Industry Personnel. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8782.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Kafi, Md Abdullahil, and Laurel D. Romeo. Evaluating Sustainable Practices of Bangladeshi Apparel and Textile Industry: Triple Bottom Line Approach. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1876.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Sun, Lushan, and Sheng Lu. The 3D Printing Era: A Conceptual Model for the Textile and Apparel Industry. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1171.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

До бібліографії