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Статті в журналах з теми "Fiction - people"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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1

Cussen, John. "The People Jhumpa Lahiri Little Likes." Theory in Action 16, no. 1 (2023): 100–132. http://dx.doi.org/10.3798/tia.1937-0237.2304.

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This paper makes the claim that despite the culture-page and scholar classes' favorable reception of just about everything she offers, Bengali-American writer Jhumpa Lahiri thinks meanly of them and of their progressive mindsets. Telling in the second's regard are her counter-normative usages of their favored tropes--of, for example, the madwoman-in-the-attic trope. Telling in the first's regard are the literary academics who appear in her fictions. Nine for nine, they are shallow, feckless, and bullying sorts. Yes, literary academics--they are the people Jhumpa Lahiri little likes. In its lat

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2

Kartika, Tyas Willy, and Maria Elfrieda C.S.T. "FEMSLASH FANFICTION AND LESBIANISM: EFFORTS TO EMPOWER AND EXPRESS ASIAN AMERICAN WOMAN SEXUALITY." Rubikon : Journal of Transnational American Studies 8, no. 2 (2021): 106. http://dx.doi.org/10.22146/rubikon.v8i2.69689.

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The existence of fan fiction nowadays shows more progressive development especially in this digital era when people does not only use internet for communicating and socializing across time and space but they also show their creativity, one of them is by writing a fan fiction. By writing fan fiction in online platforms, people get the opportunity to express their interests and their identities. This opportunity is also obtained by minority groups such as LGBTQ+ where they can express their identity through fan fiction. LGBTQ+ community utilizes online platform as the tool that brings benefit fo

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3

Fathallah, Judith. "Reading real person fiction as digital fiction: An argument for new perspectives." Convergence: The International Journal of Research into New Media Technologies 24, no. 6 (2017): 568–86. http://dx.doi.org/10.1177/1354856516688624.

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‘Real person fiction’ (RPF) is a subset of fanfiction that has gone largely unnoticed by academics. A handful of articles have argued for the justification of stories about real (living) people as a legitimate and morally sound art form, but only a very few studies have begun to consider RPF as a genre with its own aesthetics and conventions. This article argues that, to understand fannish RPF, we need to incorporate tools developed by scholars of digital fiction. Almost all fanfic is now produced for and on digital platforms, and moreover, the natural fit between RPF specifically and the stud

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4

Mosselaer, Nele Van de. "How Can We Be Moved to Shoot Zombies? A Paradox of Fictional Emotions and Actions in Interactive Fiction." Journal of Literary Theory 12, no. 2 (2018): 279–99. http://dx.doi.org/10.1515/jlt-2018-0016.

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Abstract How can we be moved by the fate of Anna Karenina? By asking this question, Colin Radford introduced the paradox of fiction, or the problem that we are often emotionally moved by characters and events which we know don’t really exist (1975). A puzzling element of these emotions that always resurfaced within discussions on the paradox is the fact that, although these emotions feel real to the people who have them, their difference from ›real‹ emotions is that they cannot motivate us to perform any actions. The idea that actions towards fictional particulars are impossible still underlie

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5

Gao, Jiali, and Yan Hua. "On the English Translation Strategy of Science Fiction from Humboldt's Linguistic Worldview —Taking the English Translation of Three-Body Problem as an Example." Theory and Practice in Language Studies 11, no. 2 (2021): 186. http://dx.doi.org/10.17507/tpls.1102.11.

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In recent years, many science fictions have been published, such as The Three-body Problem, The Wandering Earth, and so on. The number of people who are interested in science fiction is increasing. Meanwhile, the translation of science fiction has become more important. The Linguistic Worldview proposed by Humboldt is of great importance to the translation of science fiction. This thesis is based on Linguistic Worldview. It analyzes The Three-body Problem (English version) and the importance of such theory to the translation of science fiction. It proposes three translation strategies: free tr

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6

Aleksander, Bjelčevič. "Truth and lie in literature: Slovene writers sued for slander." "Świat i Słowo" – "World and Word" 29, no. 2 (2018): 207–20. https://doi.org/10.5281/zenodo.1216274.

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In 1999 novelist Breda Smolnikar was sued for defamation in her novel Ko se tam gori olistajo breze (When the Birches Up There Are Greening) by certain family Nakrst. Smolnikar received broad public support. In public defence different arguments were in play, the most frequent were trying to prove that the novel does not speak about the family Nakrst because (a) all literature is fiction and all literary characters are fictional beings; (b) similarity between literary character and a real person is always a coincidence; (c) all literature is a possible world and refers to people’s counte

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7

Sparkes, Andrew C. "Fictional Representations: On Difference, Choice, and Risk." Sociology of Sport Journal 19, no. 1 (2002): 1–24. http://dx.doi.org/10.1123/ssj.19.1.1.

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This article is intended to stimulate debate regarding recent calls for fictional representations to be used within the sociology of sport. Based on the notion of “being there,” it differentiates between ethnographic fiction and creative fiction. Examples of the former are provided, and their grounding in the tradition of creative nonfiction is established. Moves toward the use of creative fiction are then considered in relation to the willingness of authors to invent people, places, and events in the service of producing an illuminative and evocative story. The issue of purpose is highlighted

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8

Van De Mosselaer, Nele. "Imaginative Desires and Interactive Fiction: On Wanting to Shoot Fictional Zombies." British Journal of Aesthetics 60, no. 3 (2019): 241–51. http://dx.doi.org/10.1093/aesthj/ayz049.

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Abstract What do players of videogames mean when they say they want to shoot zombies? Surely they know that the zombies are not real, and that they cannot really shoot them, but only control a fictional character who does so. Some philosophers of fiction argue that we need the concept of imaginative desires (or ‘i-desires’) to explain situations in which people feel desires towards fictional characters or desires that motivate pretend actions. Others claim that we can explain these situations without complicating human psychology with a novel mental state. Within their debates, however, these

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9

Prasad, Amar Nath. "The Non-fictions of V.S. Naipaul: A Critical Exploration." Creative Saplings 1, no. 8 (2022): 1–11. http://dx.doi.org/10.56062/gtrs.2022.1.8.168.

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V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legis

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10

Rusli, Devi, and Ali Arben. "PENGARUH BUKU FIKSI TERHADAP THEORY-OF-MIND ANAK PRASEKOLAH." Jurnal RAP (Riset Aktual Psikologi Universitas Negeri Padang) 14, no. 2 (2023): 144. http://dx.doi.org/10.24036/rapun.v14i2.124769.

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Fiction books are learning media that can be used to introduce various experiences about other people's views and emotions to preschoolers through story characters. At preschool age, children already have a need to interact with other people, especially with their peers. Children's understanding of the desires and feelings of other people known as theory of mind (ToM) helps them to be more accepted and adjust when playing with their friends. The effect of fiction books on the ToM development of preschoolers was tested through experimental research on 44 (forty four) preschoolers (23 boys and 2

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11

Jacobs, Arthur M., and Roel M. Willems. "The Fictive Brain: Neurocognitive Correlates of Engagement in Literature." Review of General Psychology 22, no. 2 (2018): 147–60. http://dx.doi.org/10.1037/gpr0000106.

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Fiction is vital to our being. Many people enjoy engaging with fiction every day. Here we focus on literary reading as 1 instance of fiction consumption from a cognitive neuroscience perspective. The brain processes which play a role in the mental construction of fiction worlds and the related engagement with fictional characters, remain largely unknown. The authors discuss the neurocognitive poetics model ( Jacobs, 2015a ) of literary reading specifying the likely neuronal correlates of several key processes in literary reading, namely inference and situation model building, immersion, mental

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12

Klassen, Shamika, and Casey Fiesler. "The Stoop." Proceedings of the ACM on Human-Computer Interaction 7, GROUP (2022): 1–24. http://dx.doi.org/10.1145/3567567.

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Inspired by previous research examining the challenges and benefits of Black Twitter (a community gathered on a platform used by Black people but not created by or for them), this design fiction presents a fictional study of a successful yet speculative social media platform named The Stoop. We envision this digital space as one that a Black woman created and a predominantly Black team designed and developed. Imagining what future online communities of marginalized people could be based on current struggles and shortcomings provides the inspiration for this design fiction. Proactively addressi

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13

De Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans." Paleo-aktueel, no. 33 (July 16, 2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.

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The one-handed hero: Inclusiveness in historical fiction for childrenHaving grown up with a sister in a wheelchair meant that I took this normalcy into the fictional world of the past. So when I crossed paths with Drem in Rosemary Sutcliff’s 1958 novel Warrior Scarlet, he was to me just a boy with one functional arm. It was not until much later that I realised he was one of the very few protagonists in historical fiction with a disability. A lack of inclusiveness is problematic, first, when it comes to readers identifying with the physical condition of the hero(ine) and, second, because, from

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14

Henriksson, Linda, and Juani Guerra. "Blending Fiction and the Real: Discerning the Most Robust Evolutionary Pattern in Narrative Literature." Atlantis. Journal of the Spanish Association for Anglo-American Studies 46, no. 2 (2024): 93–114. https://doi.org/10.28914/atlantis-2024-46.2.05.

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The most common understanding of fiction is as a piece of literature that describes imaginary events and people, something invented and not true. In this sense, fiction can be explained and understood as standing in opposition to the reality. If we instead look at fiction from the perspective of biopoetics and cognitive theory, it becomes clear that it does not show a sharply defined opposition to reality. It is this fuzziness of boundaries between fiction and the real that we are concerned with in this article; our hypothesis includes the application of Blending Theory (BT) to outline the cog

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15

Grillmayr, Julia. "Speculations, fabulations, incantations: Science fiction, contemporary futurology and how to change the world." European Journal of American Culture 41, no. 3 (2022): 267–79. http://dx.doi.org/10.1386/ejac_00079_1.

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After giving a short insight into the ambivalent relationship between science fiction (SF) and futurology, this article sheds light on the current trend of what can be called science-fictional scenario writing, focusing on the publications of the Center for Science and the Imagination at the Arizona State University. The stories published in projects, such as Hieroglyph, the Climate Fiction short story contest Everything Change or the Tomorrow Project, are indistinguishable from conventional SF short stories. However, the frameworks of these projects share a certain futurological ambition. Als

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16

Khan, Mir hazar. "گل بنگلزئی نا افسانہ غاتا کتاب، دڑد آتا گواچی؛ نا جاچ اس". Al-Burz 13, № 1 (2021): 36–44. http://dx.doi.org/10.54781/abz.v13i1.271.

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When the industrial revolution and progressive tendencies in the nineteenth century influenced every sphere of life, literature could also not escape such trends. At that time, fiction (short story) was introduced as a new genre in literary world and soon it managed to generate a distinction. Like the other languages of the world, fiction writers of Brahui literature also effectively adopted this genre. Among the pioneer Brahui fiction writers, the name of Gul Bangulzai is also well known who initiated the fiction writing. The effects of the progressive literary movement can be seen in his f

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17

Marston, Elsa. "Palestinians in Fiction for Young People." Wasafiri 24, no. 4 (2009): 27–33. http://dx.doi.org/10.1080/02690050903205678.

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18

Nandi, Shibasambhu. "Science Fiction and Film: An Analytical Study of Two Select Indian Movies." International Journal of English Learning & Teaching Skills 5, no. 4 (2023): 3438–46. http://dx.doi.org/10.15864/ijelts.5407.

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Science fiction is a genre of art that caters to the popular taste of the people. It presents a world mixed with science and fictional elements. It can be taken as a microcosm of fictional literature. It uses to present unfamiliar and unknown things in a familiar and known way. It provides its diverse themes and issues not only in texts but also in films. When science fiction is adapted into movies, it is able to attract a large number of audiences specially the young generation of writers. Science fictional films cover the issues like future society, challenges created by scientific developme

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19

Abad, Jordi Valor. "Singular Terms in Fiction. Fictional and “Real” Names (III Blasco Disputatio)." Disputatio 11, no. 54 (2019): 111–42. http://dx.doi.org/10.2478/disp-2019-0014.

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Abstract In this introduction, I consider different problems posed by the use of singular terms in fiction (section 1), paying especial attention to proper names and, in particular, to names of real people, places, etc. As we will see (section 2), descriptivist and Millian theories of reference face different kinds of problems in explaining the use of fictional names in fiction-related contexts. Moreover, the task of advancing a uniform account of names in these contexts—an account which deals not only with fictional names but also with “real” names—will prove to be very hard no matter whether

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20

Dr. Shazia Akbar. "Desire of Death in Sadiq Hidayat,s selected short stories." DARYAFT 15, no. 02 (2023): 57–70. http://dx.doi.org/10.52015/daryaft.v15i02.345.

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Sadiq Hidayat is renown Persian writer. He is one of the few Iranian Persian writers whose many fictions have been translated into Urdu. He introduced modern techniques in Persian fiction. In some of his stories Sadiq Hidayat has presented the subject of death from different angles. somewhere in the human being there is a desire to escape from his problems in the death. This desire of death can be found in some of his short stories because he also committed suicide by suffocating poison gas on April 9, 1951 in Paris. This research article is based on an effort to find different aspects of sadn

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21

Raghunath, Riyukta. "Possible worlds theory, accessibility relations, and counterfactual historical fiction." Journal of Literary Semantics 51, no. 1 (2022): 1–18. http://dx.doi.org/10.1515/jls-2022-2047.

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Abstract Possible Worlds Theory has commonly been invoked to describe fictional worlds and their relationship to the actual world. As an approach to genre, the relationship between fictional worlds and the actual world is also constitutive of specific text types. By drawing on the notion of accessibility relations, different genres can be classified based on the distance between their fictional worlds and the actual world. Maître, Doreen. 1983. Literature and possible worlds. Middlesex: Middlesex University Press for example, in what is considered the first attempt to adapt accessibility relat

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22

Elphinstone, Margaret, and Caroline Wickham-Jones. "Archaeology and fiction." Antiquity 86, no. 332 (2012): 532–37. http://dx.doi.org/10.1017/s0003598x0006292x.

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In the summer of 2006 author Margaret Elphinstone, embarking on a novel set in the prehistoric period (Elphinstone 2009), sought out archaeologist Caroline Wickham-Jones to discover more about Mesolithic Scotland. The resulting process proved to be more than a simple question and answer session: over three years, the two of us, novelist and archaeologist, each renegotiated the boundaries of our perceptual frameworks. This paper is intended to examine the learning process that most students of archaeology unconsciously experience, and it goes on to champion a respected role for fiction. As the

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23

Topash-Caldwell, Blaire. "“Beam us up, Bgwëthnėnė!” Indigenizing science (fiction)." AlterNative: An International Journal of Indigenous Peoples 16, no. 2 (2020): 81–89. http://dx.doi.org/10.1177/1177180120917479.

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The popularity of Indigenous-authored science fiction art, literature, film, and even video games has exploded in recent years. More than just a niche interest, these works have material effects on the possibilities young Indigenous people envision for themselves. Contrary to research on the negative effects of Native American stereotypes on youth, positive representations of Native peoples found in Indigenous science fiction portray alternative futurisms to those represented in mainstream science fiction. Developed in concert with traditional knowledge and value systems, alternative futurisms

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24

Imyaminova, Shukhratkhon Salijanovna. "The Relationship Issue of Phraseologism and Proverb-Sayings in Language." International Journal of Multicultural and Multireligious Understanding 8, no. 5 (2021): 232. http://dx.doi.org/10.18415/ijmmu.v8i5.2645.

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Phraseologisms are symbolic and figurative means of expression that people have created through language over the centuries. Therefore, fiction cannot be imagined without phraseology. Fiction bus-relies entirely on artistic expression, imagery, and narrative. Therefore, the extensive and effective use of phraseology is extremely powerful in fiction. Phraseologisms are symbolic (figurative) means of expression and imagery that people have created through language over the centuries. That is why language and fiction cannot be imagined without phraseology.

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25

Abraham, Anna, D. Yves von Cramon, and Ricarda I. Schubotz. "Meeting George Bush versus Meeting Cinderella: The Neural Response When Telling Apart What is Real from What is Fictional in the Context of Our Reality." Journal of Cognitive Neuroscience 20, no. 6 (2008): 965–76. http://dx.doi.org/10.1162/jocn.2008.20059.

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A considerable part of our lives is spent engaging in the entertaining worlds of fiction that are accessible through media such as books and television. Little is known, however, about how we are able to readily understand that fictional events are distinct from those occurring within our real world. The present functional imaging study explored the brain correlates underlying such abilities by having participants make judgments about the possibility of different scenarios involving either real or fictional characters being true, given the reality of our world. The processing of real and ficti

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26

D. Leavitt, Jonathan, Arseny A. Ryazanov, and Nicholas J. S. Christenfeld. "Amazing but true." Scientific Study of Literature 4, no. 2 (2014): 196–210. http://dx.doi.org/10.1075/ssol.4.2.04lea.

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People find it important to know if a story is factual, but still the most popular stories, in such forms as books and movies, are fictional. Research suggests that a story being true may add value to the reader’s experience, but other findings suggest that fiction may increase enjoyment by providing fewer disruptions to narrative comprehension. In three studies we explored the appeal of stories when they are presented as fiction or as non-fiction. Subjects read (1) story synopses, (2) vignettes from two popular websites, or (3) narratives on relationships and war. Results indicate that reader

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Kortenaar, Neil Ten. "“If It No Go So, It Go Near So”: Marlon James and Collective Memory." Novel: A Forum on Fiction 56, no. 2 (2023): 186–207. http://dx.doi.org/10.1215/00295132-10562799.

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Abstract Marlon James's A Brief History of Seven Killings fictionalizes a historical incident, the shooting of Bob Marley in Kingston in 1976, and the larger political, economic, and cultural forces that led to it and emerged from it. Real people can enter fiction and retain their names if they have already entered history or journalism—if, in other words, they are already part of a shared imagination. But there is a difference between the local Jamaican and global collective memories, a difference that determines which people keep their names and how people are remembered. People seek to ente

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Yusrina, Riris. "An Analysis of Popular Fiction Movie: Feminism in Movie Miss Peregrine’s Home for Peculiar Children (2016)." Rubikon : Journal of Transnational American Studies 9, no. 2 (2022): 142. http://dx.doi.org/10.22146/rubikon.v6i2.73536.

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Film is one of American popular culture that attracts many people around the world. America has many movie genres, one of which is a fictional film genre. Fiction works do have very unique characters, from the storyline to the characters in the fictional film. In addition, in the modern era, feminism has been applied in everyday life, starting from education, politics, etc. This article analyzed the feminism of the character of Miss Peregrine in the American fiction film titled Miss Peregrine's Home for Peculiar Children (2016) by using semiotic theory. The results show that several scenes in

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Cooper, Neil. "Understanding People." Philosophy 75, no. 3 (2000): 383–400. http://dx.doi.org/10.1017/s0031819100000462.

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The division between “erklaren” and “verstehen” is not as sharp as the conventional wisdom maintains, for all understanding, including the understanding of people, consists in the connecting, ordering and appraising of things encountered, believed or known. The understanding of people is a distinctive kind of cognitive understanding which has a practical side, involving the emotions. The education of the emotions, needed for us to understand ourselves and others, can be achieved both by the observation of real life and importantly by the study of realistic fiction and of biography.

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Ratner-Rosenhagen, Jennifer. "The Real Lives of Fake People." Modern American History 1, no. 3 (2018): 437–42. http://dx.doi.org/10.1017/mah.2018.29.

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Don Quixote is remembered as a dreamer, but he was, in the first instance for his creator, a cautionary tale about the bewitching danger of reading fiction. When Cervantes wrote what is considered to be the first modern novel, he did so having witnessed the explosion of printed texts thanks to the invention of the printing press, and his story chronicles what happens to hapless readers who are sucked into the dreamy world of fiction's unreality. Poor Don Quixote envisioned himself as a swashbuckling knight like those in the chivalric stories he consumed, and his metastasized imagination got hi

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Liu, Xinrui, Jiawen Yang, and Xinran Zhao. "An investigation into the causes of science fiction animation influencing young people’s awareness of science and technology based on the DIMT model - Love, Death and Robots as an example." SHS Web of Conferences 159 (2023): 02018. http://dx.doi.org/10.1051/shsconf/202315902018.

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As a medium, science fiction animation has a special significance for the construction of science and technology awareness among youth. As the science fiction animation market is booming and popular among young people, it is more and more urgent to explore ways to improve the impact of science fiction animation. This research report analyzes the science fiction symbolic landscape presented by the animation through the questionnaire analysis and interviews of Love, Death and Robots, and explores the meaning construction of the science fiction symbols in the animation and the dissemination path

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Harrington, John. "Today's conviction – tomorrow's fiction." Psychiatric Bulletin 12, no. 11 (1988): 465–69. http://dx.doi.org/10.1192/pb.12.11.465.

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Trying to put one's career into perspective is like selecting those eight records for the Desert Island; what should one choose? My recollections are more of people than events. A few individuals have had a lasting influence on me, many more have enriched my life, only rarely have I met somebody I would not care to meet again. People of all types have always fascinated me, and this is perhaps why I have greatly enjoyed my time in psychiatry. My career lacked any master plan, things happened, opportunities arose but my path was determined as much by chance as anything else.

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Rizvi, Noureen, and Muhammad Shouket Ali. "Analytical study of Rajindar singh Bedi’s Fiction." DARYAFT 14, no. 01 (2022): 59–78. http://dx.doi.org/10.52015/daryaft.v14i01.211.

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Rajindar singh Bedi was a great writer. He was one of the best fiction writers. Bedi looked at life closely and presented the problems of life in his fiction. His writing style is also unique. Bedi wrote on all topics. He explains the problems of women in his writings. Different forms of women are presented in his stories. Bedi also describes the problems of children and the elderly. The people of subcontinent fought and sacrificed in the pursuit of freedom. All this was witnessed by Bedi and he saw rivers of blood flowing. He saw people were psychologically affected by this bloody situation.

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Rogovin, Or. "From “German Wolfhounds” to “Ordinary People”." New German Critique 46, no. 2 (2019): 65–89. http://dx.doi.org/10.1215/0094033x-7546167.

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Abstract The image of the perpetrator in Israeli Holocaust fiction changed fundamentally in the mid-1980s: from one-dimensional Nazi beasts, typical of earlier Israeli writing, to humanized individuals, whose vulnerability and multidimensionality may blur the divide between victims and victimizers. This development, which corresponds to similar patterns in other literatures (e.g., George Steiner’s Portage to San Cristobal of A.H.; Jonathan Littell’s Kindly Ones) has received relatively little critical attention, and it is discussed here through a close reading of major Israeli works of fiction

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Perfilova, Anna A. "The attitude of young people to classical fiction." Человек. Общество. Наука 4, no. 2 (2023): 100–113. http://dx.doi.org/10.53015/2686-8172_2023_4_2_100.

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Mendrofa, Melania Priska. "READING FICTION FOR BETTER LIFE IN LUIS SEPULVEDA’S THE OLD MAN WHO READ LOVE STORIES." Elite English and Literature Journal 7, no. 2 (2020): 125. http://dx.doi.org/10.24252/10.24252/elite.v7i2a2.

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Reading is therapeutic. This statement reflects reading as a technique to heal people’s mental problems and increase self-ability. Researches prove that reading is not only for entertainment, but also a tool to solve problem in people’s life. Meanwhile, the question comes up in the term of what kind of book suggested to read. In Luis Sepulveda’s The Old Man Who Read Love Stories, it is implied that reading fiction helps the old man, Antonio, to deal with his old age and loneliness. Reading a love story enlightens the old man’s mind and feelings. Life is overloaded by complex problems, such as

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Ohagwam, Uchenna, and Ndubuisi Ogbuagu. "Helon Habila and the Trauma of Disposable People in Oil on Water." American Journal of Literature Studies 2, no. 1 (2023): 13–22. http://dx.doi.org/10.47672/ajls.1418.

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Trauma studies is no doubt a burgeoning area of discourse that has captured the literary imagination of academic scholars for a few decades running. This study examined the complex relationship between socio-cultural influences and intimate personal relations portrayed in a trauma fiction as Helon Habila’s Oil on Water. Specifically, how does these depictions in Habila’s fiction direct the awareness of the catastrophic effects of war, poverty, hostage taking, domestic abuse on the individual psyche? How do traumatised people respond? To what extent can one theorize trauma studies and ecocritic

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Lenoir, Norbert. "Le concept de domination politique chez Jean-Jacques Rousseau." Dialogue 39, no. 2 (2000): 317–38. http://dx.doi.org/10.1017/s0012217300005953.

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AbstractRousseau develops a genealogical reflection on political domination. The intelligibility of the genealogy does not rest on the psychological category of craving for power. That is why Rousseau differentiates between tyranny and despotism. Rousseau stresses this difference in two works: Discours sur l'origine de l'inégalité parmi les hommes and Rousseau juge de Jean-Jacques. Tyranny and despotism differ in that the latter produces an ideological speech. Political domination depends upon a double process. In the first process, ruling implies creating inequality in the political order, th

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Guangzhao, Lyu. "Waste People and the Vampiric Society." Extrapolation: Volume 62, Issue 3 62, no. 3 (2021): 309–29. http://dx.doi.org/10.3828/extr.2021.17.

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Chen Qiufan’s 2013 novel Waste Tide has become one of the most popular stories in Chinese New Wave Science Fiction, especially after the publication of its English version in 2019. This essay argues that in addition to the environmental concerns Waste Tide brings to the fore, the novel also calls for a discussion centered on migrant workers in China. Rendered as waste people on Silicon Isle, these migrant workers find themselves trapped in the duality of "economic acceptance" and "social rejection," forming an autonomous community that can be read through Michel Foucault’s notion of heterotopi

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Kyobutungi Tumwesigye, Alice Jossy. "Young Adult Vulnerabilities in the Fiction of a Ugandan Woman Writer." Global Research in Higher Education 5, no. 1 (2022): p22. http://dx.doi.org/10.22158/grhe.v5n1p22.

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Questions of identity, power, autonomy and vulnerability carry a particular weight in cultures that have emerged from colonialism. Although few writers of fiction focus on the conflicts between African and European characters, a focus on power and marginalisation remains. One category in which this focus may be plainly seen is writing for and about young people. The study’s aim was to analyse young adult fiction written by a Ugandan female author, Barbara Kimenye to investigate this writing to find out how young adult vulnerability is depicted in literature. Although literature targeting young

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Sharma, Navin, and Priyanka Tripathi. "Human Rights and Literature: A Study of The Seven Moons of Maali Almeida." Southeast Asian Review of English 60, no. 1 (2023): 171–91. http://dx.doi.org/10.22452/sare.vol60no1.10.

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This article examines the use of symbolic representations in The Seven Moons of Maali Almeida (2022) to narrate the history of Human Rights (HR) violations. The article argues that the genre of fiction has emerged as a cultural medium for promoting the discourse of HR, moving beyond legal, judicial, and political forums. Building upon the concept of Human Rights Literature (HRL) developed by Pramod K. Nayar, the article conducts a critical analysis of the novel. It analyses 1) the use of fictional narratives to depict HR violations, 2) the role of language and cultural discourse that contribut

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Iyer, Anupama. "Depiction of intellectual disability in fiction." Advances in Psychiatric Treatment 13, no. 2 (2007): 127–33. http://dx.doi.org/10.1192/apt.bp.106.002485.

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I explore some of the ways in which intellectual disability (learning disability) is depicted in fiction. My premise is that literature both reflects and shapes societal attitudes to people in this vulnerable minority group. People with intellectual disabilities are seldom able to determine, confirm or counter narratives about themselves. This situation, in which the subject is fundamentally unable to participate in their representation, raises unique ethical considerations. I use examples from various English-language novels to discuss how subjective accounts, observable behaviours and physic

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Shah, Seema. "Piercing the Veil: The Limits of Brain Death as a Legal Fiction." University of Michigan Journal of Law Reform, no. 48.2 (2015): 301. http://dx.doi.org/10.36646/mjlr.48.2.piercing.

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Brain death is different from the traditional, biological conception of death. Although there is no possibility of a meaningful recovery, considerable scientific evidence shows that neurological and other functions persist in patients accurately diagnosed as brain dead. Elsewhere with others, I have argued that brain death should be understood as an unacknowledged status legal fiction. A legal fiction arises when the law treats something as true, though it is known to be false or not known to be true, for a particular legal purpose (like the fiction that corporations are persons). Moving towar

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PORTRAYAL, OF WOMEN IN PERSIAN FICTION. "PORTRAYAL OF WOMEN IN PERSIAN FICTION." International Journal of Education &Applied Sciences Research 1, no. 3 (2014): 72–76. https://doi.org/10.5281/zenodo.10683415.

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<strong>ABSTRACT</strong> <em> </em> <em>                   </em>One of the major characteristics of modern Persian literature has been inclusion of subjects and themes that are related to common masses. Writers and poets started to give space to issues that had to do with the general condition of people in the society. Though it was not a typically Iranian phenomenon, the idea was borrowed from the writers of the Western World and was possible because of exchange of literature, translation and a vit

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Oyebode, Femi. "Fictional narrative and psychiatry." Advances in Psychiatric Treatment 10, no. 2 (2004): 140–45. http://dx.doi.org/10.1192/apt.10.2.140.

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This article addresses how mental illness and psychiatry are dealt with in fictional narrative. The starting point is Charlotte Bronte's novel Jane Eyre. The characterisation of madness in that novel provides the basis for exploring how the physical and psychological differences of mentally ill people are portrayed, and how violence and the institutional care of people with mental illnesses are depicted. It is also argued that the fact that in Jane Eyre, Bertha Mason, the madwoman in the attic, is rendered voiceless is not accidental but emblematic of the depiction of mentally ill people in fi

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Odilova, Hamida. "FICTION AND SOCIAL SITUATION." GOLDEN BRAIN 1, no. 13 (2023): 30–32. https://doi.org/10.5281/zenodo.7939686.

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<em>Socialist Labor was even a means of protecting the social position of people and the achievements of the revolution, strengthening the economic foundation of the young Soviet republic, organizing a socialist competition. In particular, “who will beat whom?"the basis of the slogan was socialist labor . During the Great Patriotic War, labor and patriotism became an integral concept.</em>

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Costello, Eamon, Tiziana Soverino, and Prajakta Girme. "Books (Are Not Like People): A Postdigital Fable." Postdigital Science and Education 4, no. 2 (2021): 519–39. http://dx.doi.org/10.1007/s42438-021-00256-2.

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AbstractWhat are books? In 2054, where reading and writing have been banned, a scholar in a dystopian academy known as University V might legitimately pose such a question. This article uses speculative fiction as a form of narrative enquiry to explore the socio-materiality of the iconic educational artefact of the textbook. It gives an empirical account of socio-material practices of textbook use (and non-use) gathered from a series of interviews with online distance education students. We analyse these interviews via speculative fiction. We engage in a sense-making activity of the student te

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Costello, Eamon, Tiziana Soverino, and Prajakta Girme. "Books (Are Not Like People): A Postdigital Fable." Postdigital Science and Education 4, no. 2 (2021): 519–39. http://dx.doi.org/10.1007/s42438-021-00256-2.

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AbstractWhat are books? In 2054, where reading and writing have been banned, a scholar in a dystopian academy known as University V might legitimately pose such a question. This article uses speculative fiction as a form of narrative enquiry to explore the socio-materiality of the iconic educational artefact of the textbook. It gives an empirical account of socio-material practices of textbook use (and non-use) gathered from a series of interviews with online distance education students. We analyse these interviews via speculative fiction. We engage in a sense-making activity of the student te

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Dar, Karim. "Alcohol use disorders in elderly people: fact or fiction?" Advances in Psychiatric Treatment 12, no. 3 (2006): 173–81. http://dx.doi.org/10.1192/apt.12.3.173.

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The number of older people is increasing in populations throughout the world. Alcohol use disorders in elderly people are a common but underrecognised problem associated with major physical and psychological health problems. Owing to the negative attitudes and inadequate training of healthcare professionals, alcohol misuse is not always being detected or effectively treated. Current diagnostic criteria and common screening instruments for alcohol use disorders may not be appropriate for elderly people. Older people are as likely to benefit from treatment as younger people and the basic princip

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Zuykina, Kristina L., and Daria V. Sokolova. "Fake News: Can Young People Distinguish Fact from Fiction?" Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 71 (June 1, 2021): 310–26. http://dx.doi.org/10.17223/19986645/71/19.

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