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Добірка наукової літератури з теми "Ford#5.04.00"

Автор: Grafiati
Опубліковано: 20 червня 2021
Оновлено: 9 лютого 2022

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Зміст

  1. Статті в журналах
  2. Дисертації
  3. Книги
  4. Частини книг
  5. Тези доповідей конференцій
  6. Звіти організацій

Статті в журналах з теми "Ford#5.04.00":

1

Fromm, Harold, and Alan Judd. "Ford Madox Ford Unmuddled?" Hudson Review 44, no. 4 (1992): 649. http://dx.doi.org/10.2307/3852039.

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2

Davies, Alistair. "Ford Madox Ford & Women." English Literature in Transition, 1880-1920 50, no. 2 (2007): 217–20. http://dx.doi.org/10.1353/elt.2007.0018.

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3

Bernot, Marine. "L’impressionniste selon Ford Madox Ford." Modèles linguistiques XXXVIII, no. 75 (December 29, 2017): 105–20. http://dx.doi.org/10.4000/ml.4158.

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4

Joseph Wiesenfarth. "Fargobawlers: James Joyce and Ford Madox Ford." Biography 14, no. 2 (1991): 95–116. http://dx.doi.org/10.1353/bio.2010.0334.

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5

Beaumont, Matthew. "‘Ford Madox Ford: Autobiography, Urban Space, Agoraphobia’." Journal of Literature and Science 3, no. 1 (2010): 37–49. http://dx.doi.org/10.12929/jls.03.1.04.

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6

Huculak, J. Matthew. "Ford Madox Ford, Modernist Magazines and Editing." Media History 17, no. 3 (August 2011): 326–28. http://dx.doi.org/10.1080/13688804.2011.595607.

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7

Wiesenfarth, Joseph. "Ford Madox Ford and the Arts: Introduction." Contemporary Literature 30, no. 2 (1989): 167. http://dx.doi.org/10.2307/1208396.

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8

Wilbers, Usha. "Jason Harding (ed.), Ford Madox Ford, Modernist Magazines and Editing. International Ford Madox Ford Studies, Volume 9." Tijdschrift voor Tijdschriftstudies, no. 30 (December 20, 2011): 161. http://dx.doi.org/10.18352/ts.39.

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9

Mason, Jeffrey D., Peter Stowell, and Robert Lyons. "John Ford." Theatre Journal 39, no. 3 (October 1987): 404. http://dx.doi.org/10.2307/3208171.

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10

Mathews, J. Scott. "Nippon Ford." Michigan Historical Review 22, no. 2 (1996): 83. http://dx.doi.org/10.2307/20173587.

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Статті в журналах Дисертації Книги

Дисертації з теми "Ford#5.04.00":

1

Tomlinson, Nora. "The achievement of Ford Madox Ford as editor." Thesis, Open University, 1996. http://oro.open.ac.uk/19038/.

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This thesis challenges the conventional opinion that Ford Madox Ford was a great editor. It establishes criteria by which an editor can be judged; these are the literary and cultural opinions on which a review operates, an awareness of the needs of readers of a review as revealed in its style and content, and the way in which a review is managed. These criteria are applied to three different, though overlapping fields of enquiry. Firstly, the thesis examines how far Ford's editorial practice was consistent with his own literary and critical principles as expressed through a long and varied writing career. Secondly, it places the two reviews edited by Ford in the context of the society which produced them, English Review in London between 1908 and 1910, and The Transatlantic Review in Paris in 1924, and compares these two reviews with a wide range of contemporary cultural journals on the basis of the three criteria outlined above. Finally the study compares Ford's achievement as editor of The English Review and The Transatlantic Review. It concludes that while Ford was a good editor in some respects, he was not the great editor which is so often claimed for him.
2

Saunders, M. W. M. "Ford Maddox Ford and the reading of prose." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373696.

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3

Dahab-Maguire, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376041687.

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4

Dahab-Maguire, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37607599b.

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5

Dahab, Farida Elizabeth. "Ford Madox Ford (1873-1939) et la France." Paris 4, 1987. http://www.theses.fr/1987PA040456.

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Le but de cette thèse est d'étudier Ford Madox Ford, né Hueffer, romancier anglais, dans les rapports multiples qu'il entretint avec la France. Ce travail se constitue de deux parties : dans la première partie - elle consiste en quatre chapitres -, nous étudions la revue internationale que Ford fonda et édita à Paris en 1924. Cette revue s'intitule la revue translatlantique (janvier 1924-decembre 1924). Conçue dans le but de promouvoir l'internationalisme dans les lettres, elle contient des publications françaises, anglaises et américaines. Dans la deuxième partie de ce travail (3 chapitres), nous étudions "Ford et la provence" : la présence de cette dernière dans le meilleur roman de Ford, The Good Soldier (1915), l'image que Ford se faisait de la Provence avant son expatriation (1922) et après y avoir vécu (entre 1922 et 1939), et la place qu'occupe la Provence dans le cadre de la vision de Ford du monde contemporain
The aim of this thesis is to study Ford Madox Ford, né Hueffer, in his various relations with France where he exiled himself since 1922 until the day of his death. The first part of this study (4 chapters) consists of an attempt to study the international review Ford founded and edited in Paris in 1924. The aim of this review which lasted 12 months, was to promote internationalism in the world of letters. Entitled the transatlantic review, it published french, english and american writers at a time where there was a large number of american expatriates in Paris. In the second part of this work, we investigate Ford's relations with Provence, this part of France where he lived for long stretches of time. It consists of three chapters, the first one of which is an analysis of the presence of Provence in Ford's best novel. The good soldier (1915). Follows a study of the type of vision Ford had of this part of France, as well as an analytical study of the place of Provence in the larger context of ford's vision of the world in which he lived
6

Goraczkowski, Sebastian. "Ford Evoke." Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-125873.

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„ What if Adaptive Personalization excelled Hardware Customization? “ Adaptive Vehicle Personalization Human mobility is about to create a generation of " Movers"  - a new breed of mobility users with global transportation  needs and a connection to multiple urban areas  already from a young age. Expectations towards mobility go towards adaptable and personalized solutions and technological advancements should enable a strategy in which one vehicle could adapt to multiple qualities. The final result is an adaptable urban mobility solution designed for global membership use in the year 2025. The intention of the project has been to holistically investigate how Vir tual Reality can influence the design process and result of interior and exterior. The goal has been to inspire and to show a believable way of how in the future adaptive personalization could excel hardware customization in order to suit the different and changing needs of various mobility service users.
7

Skinner, Paul. "Ford Madox Ford and Ezra Pound : responses to crisis." Thesis, University of Bristol, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357675.

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8

Brasme, Isabelle. "Parade's End de Ford Madox Ford : vers une esthétique de la crise." Paris 7, 2008. http://www.theses.fr/2008PA070079.

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Анотація:
Ford Madox Ford occupa une place majeure mais paradoxale au sein du modernisme. Son inscription dans ce contexte littéraire se caractérise par la vibration entre l'hommage à son héritage artistique et l'enthousiasme pour les démarches de rupture constitutives du modernisme. Les résistances à inscrire Ford dans le canon moderniste peuvent s'expliquer par la difficulté à réconcilier les contradictions de son œuvre et à en dégager ainsi un système esthétique stable. L'ambivalence se retrouve au cœur du projet esthétique de l'auteur et particulièrement de Parade's End. Cette tétralogie décrit un rapport contradictoire à l'héritage - idéologique, esthétique et philosophique - et au passé. La dialectique est irréconciliable entre la chimère d'un passé venant habiter le présent et la rupture dont cette nostalgie est le symptôme. Le texte témoigne d'une réticence à dénouer les apories qu'il génère : il est impossible d'établir une ligne de partage fixe entre les valeurs de la tradition et de la modernité. La dimension fondamentale de négativité imprime au texte un paradoxal dynamisme. Ce travail explore la tension entre hommage et dérision qui caractérise Paradas End, La nostalgie d'une idéologie stable, d'un récit satisfaisant les attentes du lecteur et d'un sujet qui se laisse appréhender de façon unifiée, est simultanément sublimée et tournée en dérision. Cette mise en crise des systèmes de pensée idéologique, esthétique et ontologique ne débouche pas sur l'élaboration d'un système alternatif; elle ne débouche pourtant pas sur du vide, mais sur un système dont nous devinons les contours. Le texte est en perpétuel mouvement vers une esthétique qu'il suggère en creux
Ford Madox Ford held a major yet paradoxical stance within modernist. His relationship to his literary context is characterized by a vibration between the tribute to his artistic heritage and enthusiasm for the imperative of novelty mat defines modernism. The reluctance to inscribe Ford within the modernist canon may be explained by the difficulty to reconcile his work's contradictions and consequently to delineate a stable aesthetic System. Ambivalence is indeed at the core of the author's aesthetic project, particularly so in Parade's End. The tetralogy describes a contradictory relationship to its ideological, aesthetic and philosophical heritage and to the past; it initiates an irreconcilable dialectic between the ideal of a past inhabiting the present and the notion of newness that such nostalgia implies. The text conveys a reluctance to resolve the confusion it generates: it is thus impossible to establish a fixed line between the values of tradition and those of modernity. The fundamental dimension of negativity endows the text with a paradoxical dynamism. This work explores the tension between homage and derision that characterizes Parade's End, The nostalgia of a stable ideology, of a satisfyingly coherent narrative and of a subject that can be grasped as a whole, is simultaneously sublimated and derided. The crisis of ideological, aesthetic and ontological Systems of thought that is thus made blatant does not result in the development of an alternative System; it does not however lead to void either, but to lets us delineate a System that has yet to be created. The text is constantly moving towards an aesthetics whose contours are merely suggested
9

Bernot, Marine. "Ford Madox Ford (1873-1939) en quête d'identité : chroniques et vagabondages impressionnistes." Thesis, Toulon, 2017. http://www.theses.fr/2017TOUL3001.

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Madox Ford est une des grandes figures, non seulement de la littérature d’expressionanglaise, mais de la vie culturelle et artistique d’Europe occidentale dans le premier tiersdu XXe siècle. Il est très lié à Henry James et à Conrad (avec qui il écrit trois romans),joue un rôle de premier plan comme éditeur et contribue au développement del’impressionnisme littéraire et à l’instauration du « modernisme ». Cosmopolite par sesantécédents (anglais, allemand, français), grand voyageur partagé entre l’Angleterre, lesEtats-Unis et la France (surtout la Provence, sa terre d’élection et Toulon), Ford estl’auteur d’une oeuvre considérable qui compte plus de 80 ouvrages. Marine Bernot achoisi d’analyser plus particulièrement une dizaine de récits de souvenirs de toutes sorteset deux récits de voyage qu’il publie de 1904 à 1937. On y découvre toute une époque, unécrivain original et une personnalité d’une rare complexité – politiquement avancé,féministe et libertaire, écologiste avant la lettre, quelque peu visionnaire, un homme quiparle aux gens d’aujourd’hui
Ford Madox Ford is one of the most important figures, not only of English literature butof the Western European cultural and artistic world of the twentieth century. Closelyconnected with Henry James and Joseph Conrad (with whom he wrote three novels incollaboration), Ford played a vital role as editor, contributor to literary impression and aspioneer of “modernism”. Cosmopolitan by birth (English, German, French), this tirelessvoyager, torn between England, the United States and France (especially Provence, hischosen domain and Toulon), Ford is the author of a voluminous sum of publicationsmade up of more than 80 books and other items. The author of this thesis, Marine Bernot,has chosen to concentrate on a dozen or so memoirs covering the years going from 1904to 1937, focusing particularly on two travel ‘novels’, Provence and The Great TradeRoute. These works, which give an original insight into the first half of the twentiethcentury, introduce the reader to an original and complex personality – politicallyadvanced, feminist, non-conformist, ecologist ahead of his times, visionary –, a man inharmony with contemporary preoccupations
10

Berrahou, Zineb. "La grande guerre de ford madox ford : de l'histoire à la fiction." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30057.

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Le corpus se compose de deux ouvrages non-fictionnels When Blood is Their Argument : An Analysis of Prussian Culture et Between St. Dennis et St. George : A Sketch of Three Civilisations, publiés pendant la guerre en 1915(Between St. Dennis, traduit en français, a été bien accueilli en France) ; et de quatre ouvrages autofictionnels dont un texte inachevé, True Love & a General Court Martial, commencé bien avant la fin de la Grande Guerre mais qui n’a pas été publié jusqu’à 1999; d’un texte inédit, Mr. Croyd : A Romance of Reconstruction (alias That Same Poor Man), terminé en 1920, dont le manuscrit se trouve à la Bibliothèque de Cornell (« Division of Rare and Manuscript Collections ») ; de No Enemy : A tale of Reconstruction, écrit principalement en 1919, publié dix ans plus tard, en 1929, aux Etats-Unis, et après plusieurs décennies en Angleterre en 2002 ; et The Marsden Case : A Romance of Reconstruction, publié en 1923. La notion de trauma est implicitement et explicitement au cœur de ces six œuvres. Il est généralement convenu que le trauma n’est pas l’apanage des temps modernes, pourtant celui engendré par la Grande Guerre est sans précédent. Il ne se limite pas qu’au champ de bataille mais a touché toute une société, mobilisée derrière l’effort de guerre. Le cas de Ford Madox Ford, né Hueffer est unique dans le sens où il est le seul à traverser le gouffre qui s’était ouvert entre sa génération représentée par Henry James, Bennett, Kipling, Wells, et ceux qui ont prostitué leurs plumes en faveur d’une cause idéologique, et la jeune génération d’écrivains meurtris (Robert Graves, Siegfried Sassoon, Richard Aldington, etc.) qui se sont sentis trahis par ce qu’ils appelaient les Vieux – les dirigeants politiques et les écrivains. Ce travail, étayé sur des arguments socio-politique, théorique, et autobiographique, permet d’examiner les processus douloureux de reconstruction et de consolidation de la pratique impressionniste fordienne et de son auteur, ébranlés par l’expérience traumatique de la guerre
The corpus consists of two non-fiction volumes When Blood is Their Argument: An Analysis of Prussian Culture and Between St. Dennis and St. George: A Sketch of Three Civilizations, published during the war in 1915 (Between St. Dennis was translated in French and well received by the French government); and four autofictions including an unfinished text, True Love & a General Court Martial, started well before the end of the Great War but was not published until 1999; an unpublished book, Mr. Croyd: A Romance of Reconstruction (alias That Same Poor Man), completed in 1920, the manuscript is available at the Library of Cornell ( "Division of Rare and Manuscript Collections"); No Enemy: A Tale of reconstruction, mainly written in 1919, published ten years later, in 1929, only in the United States, and after several decades in England, in 2002; and The Marsden Case: A Romance of Reconstruction, published in 1923. The notion of trauma is implicitly as well as explicitly the main theme of these six books. It is generally agreed that the trauma is not the prerogative of modern times, however, the trauma generated by the Great War is extraordinary. It is not restricted only to the battlefield but affected a whole society, mobilised behind the war effort. The case of Ford Madox Ford, née Hueffer is unique in the sense that he is the only writer who crossed the abyss that opened up between the two generations of writers, on the one hand, his, represented by Henry James, Bennett, Kipling, Wells, and all those who participated in the ideological cause, and the young disillusioned generation of writers (Robert Graves, Siegfried Sassoon, Richard Aldington, etc.) who were betrayed by those they called the Old – political leaders and writers. This work, bearing on socio-political, historical, theoretical and biographical arguments, attempts to examine the painful processes of reconstruction and consolidation of the Fordian impressionist technique and its author, ‘shell-shocked’ by the traumatic experience of war
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Книги з теми "Ford#5.04.00":

1

Judd, Alan. Ford Madox Ford. Cambridge, Mass: Harvard University Press, 1991.

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2

Hoffmann, Charles G. Ford Madox Ford. Boston: Twayne Publishers, 1990.

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3

Judd, Alan. Ford Madox Ford. London: Flamingo, 1991.

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4

Judd, Alan. Ford Madox Ford. London: Collins, 1990.

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5

Pollard, Michael. Henry Ford and Ford. Watford: Exley, 1995.

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6

Pollard, Michael. Henry Ford ve Ford. Ankara: Ilkkaynak Kültür ve Sanat Ürünleri, 1996.

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7

Ford, Ford Madox. The Ford Madox Ford reader. New York: Ecco Press, 1986.

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8

Ford, Ford Madox. The Ford Madox Ford reader. London: Paladin, 1987.

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9

Ford, Ford Madox. The Ford Madox Ford reader. Manchester [Greater Manchester]: Carcanet, 1986.

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10

Lemarchal, Dominique, and Claire Davison-Pégon. Ford Madox Ford, France and Provence. Amsterdam: Editions Rodopi B.V., 2011.

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Частини книг з теми "Ford#5.04.00":

1

Warters, T. Alissa. "Ford and Ford." In A Companion to Gerald R. Ford and Jimmy Carter, 181–95. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118907634.ch11.

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2

Volk-Birke, Sabine. "Ford, Ford Madox." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8532-1.

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3

Mattes, Bernhard, and Norbert Krüger. "Ford." In Deutsche Standards, 152–55. Wiesbaden: Gabler Verlag, 2005. http://dx.doi.org/10.1007/978-3-322-82497-4_35.

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4

"Ford Madox Ford." In Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris, 225–43. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004328372_014.

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5

Jones, Charlotte. "Ford Madox Ford." In Realism, Form, and Representation in the Edwardian Novel, 217–63. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198857921.003.0006.

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This chapter seeks to educe the forms of truth that impressionist aesthetics wants to elicit from representation by re-approaching the relationship between particular impressions and universal categories of experience, in order to ask what happens when realism, a mode premised on the production of consensual knowledge, encounters the contingencies of individual vision. Ford insists upon a holistic axiom of literary impressionism in his critical writings, insisting that a thing conceived apart from its relationships would not be a thing, since all language is a matter of relating some things to other things. Yet Ford’s narrators seek a kind of knowledge that is not discursive—that does not rely on the choice of a particular linguistic formulation, and that one cannot be argued out of. Ford stages this descriptive limit by exploiting a set of non-descriptive terms—everything and nothing. The indescribable here means not so much a sublime beyond comprehension but rather the particularities of individual feelings.
6

"Preliminary Material." In Ford Madox Ford, 1–8. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206136_001.

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7

"GENERAL EDITOR’S PREFACE." In Ford Madox Ford, 9–11. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206136_002.

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8

"TRANSITIONS, CONTINUITIES, NETWORKS, NUCLEI." In Ford Madox Ford, 13–28. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206136_003.

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9

"‘WE WILL LISTEN TO NONE BUT SPECIALISTS’: FORD, THE RISE OF SPECIALIZATION, AND THE ENGLISH REVIEW." In Ford Madox Ford, 29–41. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206136_004.

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10

"PERSONALITIES OF PAPER: CHARACTERISATION IN A CALL AND THE GOOD SOLDIER." In Ford Madox Ford, 43–60. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206136_005.

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Тези доповідей конференцій з теми "Ford#5.04.00":

1

Greenberg, Jeffry A., and Thomas J. Park. "The Ford Driving Simulator." In International Congress & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1994. http://dx.doi.org/10.4271/940176.

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2

Machado Filho, Alexandrino T., John Scholtes, Marcio R. Alfonso, and Nat Jambulingam. "Ford Product Creation Process." In SAE Brasil 2002 Congress and Exhibit. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2002. http://dx.doi.org/10.4271/2002-01-3515.

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3

"Keynote: Ford Gaol, Ph.D." In 2019 8th International Congress on Advanced Applied Informatics (IIAI-AAI). IEEE, 2019. http://dx.doi.org/10.1109/iiai-aai.2019.00011.

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4

Thwaite, R. "Ford: business process innovation." In IEE Seminar on Innovation for High Value Adding Manufacturers. IEE, 2004. http://dx.doi.org/10.1049/ic:20040522.

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5

Main, J. J. "Ford ELTEC Integrated Powertrain Control." In SAE International Congress and Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1986. http://dx.doi.org/10.4271/860652.

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6

Barth, Ken, and Robert W. Spring. "Certification of UAW/Ford thermographers." In AeroSense 2000, edited by Ralph B. Dinwiddie and Dennis H. LeMieux. SPIE, 2000. http://dx.doi.org/10.1117/12.381537.

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7

Toma, Sorin-George, Andreea Simona Săseanu, and Carmen Cristina Runceanu-Albu. "Henry Ford: Engineer and Entrepreneur." In 7th BASIQ International Conference on New Trends in Sustainable Business and Consumption. Editura ASE, 2021. http://dx.doi.org/10.24818/basiq/2021/07/103.

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8

Bechtold, Richard L., Michael T. Miller, and James D. Hyde. "Ford Methanol FFV Performance/Emissions Experience." In International Fuels & Lubricants Meeting & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1990. http://dx.doi.org/10.4271/902157.

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9

Natkin, Robert J., Xiaoguo Tang, Kathleen M. Whipple, Daniel M. Kabat, and William F. Stockhausen. "Ford Hydrogen Engine Laboratory Testing Facility." In SAE 2002 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2002. http://dx.doi.org/10.4271/2002-01-0241.

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10

Tang, Xiaoguo, Daniel M. Kabat, Robert J. Natkin, William F. Stockhausen, and James Heffel. "Ford P2000 Hydrogen Engine Dynamometer Development." In SAE 2002 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2002. http://dx.doi.org/10.4271/2002-01-0242.

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Звіти організацій з теми "Ford#5.04.00":

1

Maranville, Clay. Ford Thermoelectric HVAC Project. Office of Scientific and Technical Information (OSTI), February 2013. http://dx.doi.org/10.2172/1607865.

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2

Bock, Geoffrey. Ford Launches the ePIM Initiative:. Boston, MA: Patricia Seybold Group, February 2002. http://dx.doi.org/10.1571/cs2-28-02cc.

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3

Raff, Daniel M. G., and Lawrence Summers. Did Henry Ford Pay Efficiency Wages? Cambridge, MA: National Bureau of Economic Research, December 1986. http://dx.doi.org/10.3386/w2101.

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4

Eichengreen, Barry. The Gold Standard Since Alec Ford. Cambridge, MA: National Bureau of Economic Research, September 1989. http://dx.doi.org/10.3386/w3122.

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5

Rask, E., D. Bocci, M. Duoba, and H. Lohse-Busch. Model year 2010 Ford Fusion Level-1 testing report. Office of Scientific and Technical Information (OSTI), November 2010. http://dx.doi.org/10.2172/993395.

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6

Van Voorst, Carol. Looking Ferocious: The Ford Administration's Management of the Mayaguez Affair. Fort Belvoir, VA: Defense Technical Information Center, January 1998. http://dx.doi.org/10.21236/ada441469.

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7

Cole, G. H., R. A. Richardson, and E. J. Yarger. Dynamometer tests of the Ford Ecostar Electric Vehicle No. 41. Office of Scientific and Technical Information (OSTI), September 1995. http://dx.doi.org/10.2172/125358.

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8

Cole, G. H., and E. J. Yarger. Dynamometer tests of the Ford/TDM Ranger electric pickup truck. Office of Scientific and Technical Information (OSTI), June 1997. http://dx.doi.org/10.2172/582228.

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9

Petersen, Alex, Charles Isbell, Jake Flattum, Michael Delagardelle, Joseph R. Vanstrom, and Jacek A. Koziel. Ford P558 Extended Running Board – Product / Process Flow Improvement Event. Ames: Iowa State University, Digital Repository, April 2017. http://dx.doi.org/10.31274/tsm416-180814-17.

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10

Meyer, Chris. CVN 78 Gerald R. Ford Class Nuclear Aircraft Carrier (CVN 78). Fort Belvoir, VA: Defense Technical Information Center, December 2013. http://dx.doi.org/10.21236/ada613351.

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