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Добірка наукової літератури з теми "Generale (Motion picture)"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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Статті в журналах з теми "Generale (Motion picture)"

1

Echizen, I., H. Yoshiura, T. Arai, H. Kimura, and T. Takeuchi. "General quality maintenance module for motion picture watermarking." IEEE Transactions on Consumer Electronics 45, no. 4 (1999): 1150–58. http://dx.doi.org/10.1109/30.809196.

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2

Fovet, Frederic. "120 BPM [Motion Picture]." Journal of Homosexuality 66, no. 11 (2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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3

Ju, Yang. "Study of Human Motion Recognition Algorithm Based on Multichannel 3D Convolutional Neural Network." Complexity 2021 (May 26, 2021): 1–12. http://dx.doi.org/10.1155/2021/7646813.

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Aiming at the problem that it is difficult to balance the speed and accuracy of human behaviour recognition, this paper proposes a method of motion recognition based on random projection. Firstly, the optical flow picture and Red, Green, Blue (RGB) picture obtained by the Lucas-Kanade algorithm are used. Secondly, the data of optical flow pictures and RGB pictures are compressed based on a random projection matrix of compressed sensing, which effectively reduces power consumption. At the same time, based on random projection compression data, it can effectively find the optimal linear represen

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4

Cleveland, David. "Preservation of motion picture films." Journal of Audiovisual Media in Medicine 8, no. 4 (1985): 133–36. http://dx.doi.org/10.3109/17453058509155997.

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5

Stauder, Jürgen, Corinne Porée, Patrick Morvan, and Laurent Blondé. "Motion Picture Versioning by Gamut Mapping." Color and Imaging Conference 18, no. 1 (2010): 178–83. http://dx.doi.org/10.2352/cic.2010.18.1.art00031.

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6

Donelan, P. S., C. G. Gibson, and W. Hawes. "Trajectory singularities of general planar motions." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 129, no. 1 (1999): 37–55. http://dx.doi.org/10.1017/s0308210500027451.

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Local models are given for the singularities that can appear on the trajectories ofgeneral motions of the plane with more than two degrees of freedom. Versal unfoldings of these model singularities give rise to computer-generated pictures describing the family of trajectories arising from small deformations of the tracing point, and determine the local structure of the bifurcation curves.

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7

Siregar, Epi Supriyani, Imanuddin Siregar, Dicky Edwar Daulay, and Lady Rodearni Jawak. "Pengembangan Model Pembelajaran Picture and Picture Terhadap Materi Gerak Lokomotor Siswa Kelas V SD." Journal on Education 5, no. 2 (2023): 5304–12. http://dx.doi.org/10.31004/joe.v5i2.1273.

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This study aims to determine the development of a picture and picture learning model for locomotor motion material for fifth grade students at SD Negeri 060890. The research method used by researchers is the Research and Development method. Research and development (R&D) is a basic research activity to obtain information on user needs (needs assessment), then proceed with development activities to produce products and examine the effectiveness of these products (Sugiyono, 2014). Based on the table presented on the previous page, it can be seen that the total score achieved by the teacher i

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8

Wakabayashi, Akio, and Asami Katsumata. "The Motion Picture Mind-Reading Test." Journal of Individual Differences 32, no. 2 (2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.

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The Motion Picture Mind Reading (MPMR) Test is a novel naturalistic mind-reading task, designed to measure individual differences in a young adult population in Japan. Short scenes from TV films showing characters in social situations were presented to 128 university students; participants judged the mental state of a character in these films. The distribution of task performance (MPMR Test) of participants was approximately normal and its psychometric properties were found to be satisfactory. The MPMR Test scores correlated positively with those of the Eyes Test and also with scores on the em

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9

Fastiuk, Yevhen, Ruslan Bachynskyy, and Nataliia Huzynets. "Methods of Vehicle Recognition and Detecting Traffic Rules Violations on Motion Picture Based on OpenCV Framework." Advances in Cyber-Physical Systems 6, no. 2 (2021): 105–11. http://dx.doi.org/10.23939/acps2021.02.105.

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In this era, people using vehicles is getting increased day by day. As pedestrians leading a dog for a walk, or hurrying to their workplace in the morning, we’ve all experienced unsafe, fast-moving vehicles operated by inattentive drivers that nearly mow us down. Many of us live in apartment complexes or housing neighborhoods where ignorant drivers disregard safety and zoom by, going way too fast. To plan, monitor and also control these vehicles is becoming a big challenge. In the article, we have come up with a solution to the above problem using the video surveillance considering the video d

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10

Ye, Qiu Sun. "AI-VCR Computational Research on Visibility of 3D Materials Solids Reality Pictures." Advanced Materials Research 143-144 (October 2010): 592–97. http://dx.doi.org/10.4028/www.scientific.net/amr.143-144.592.

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An optional spatial 3D material solid reality picture may be showed on a 2D showing plane, its surface is commonly consisted of too many sub-surfaces of the 3D solid reality picture in both dispersal and continuation. It was a difficult problem to express all exact visibilities of solids sub-surfaces; because of some numerals computational error properties of visibilities are always unknown. So far, we cannot choose but select a proper dispersal degree of materials sub-surfaces, an approaching function of an optional material sub-surfaces B-Rep (Bound Representation), and numerals computation

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Дисертації з теми "Generale (Motion picture)"

1

Callaghan, Joanna. "Ontological narratives." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/75134/.

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2

Birks, Chelsea. "Limit cinema : Bataille and the nonhuman in contemporary global film." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/9086/.

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This thesis explores how contemporary global cinema represents the relationship between humans and nature. Drawing from the philosophy of Georges Bataille, especially his notion of transgression, I argue that certain contemporary films attempt to transgress the limit between human and nonhuman realities. I call these films limit cinema because they operate at the boundary between thought and world: they interrogate the lines between nature and culture and reframe our relationship to aspects of existence in excess of human thought. In taking a film-philosophical approach, I explore not only wha

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3

Todd, Laura J. "Youth film in Russia and Serbia since the 1990s." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33632/.

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This thesis explores the youth film genre in Russia and Serbia since the 1990s. Youth film is not only an essential means of tracing changes in cultural perceptions about young people and their lives in the post-communist period, but I argue that the genre serves as a means of representing society as a whole. The youth film genre, as an overarching framework dictated by the age of a film’s protagonists, encompasses and adopts a wide variety of sub-genres. This flexibility in youth film allows for an innovative study of the position of one genre as part of a wider sphere of genre film-making in

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4

Shaw, Spencer. "Showtime : the phenomenology of film consciousness." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3045/.

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The thesis argues that the notion of film consciousness deepens a wide-range of philosophical issues in ways which are only accessible through film experience. These issues, directly related to the continental tradition, deal with consciousness, experience, intentionally and meaning. We look to the implications of the initial acts of film reproduction as it creates 'images' of the world which reconceptualise vision in terms of space, time and dimension. We move from ontology to experience and examine an aesthetic form with radical implications for spectator consciousness. These issues are expl

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5

McBlane, Angus. "Corporeal ontology : Merleau-Ponty, flesh, and posthumanism." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.

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As posthumanism has developed in the last twenty-five years there has been hesitation in elucidating a robust posthumanist engagement with the body. My thesis redresses this gap in the literature in three intertwined ways. First, it is a critical assessment of posthumanism broadly, focusing on how the body is read in its discourse and how there is a continuation of a humanist telos in terms which revolve around the body. Second, it is a philosophical interrogation, adaptation, and transformation of aspects of the work of Maurice Merleau-Ponty, focusing its reading on Phenomenology of Perceptio

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6

Fotiou, Mikela. "The cinematic work of Nikos Nikolaidis and female representation." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6729/.

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This thesis examines the work of Greek postmodern filmmaker Nikos Nikolaidis with a specific focus on female representation. I examine Nikolaidis as an auteur and I trace elements throughout his oeuvre that contribute to the formation of his authorial signature. Nikolaidis’s work is autobiographical and highly political. Nikolaidis’s cinema does not abide by the traditional theories of ‘Greekness’, and his main influences are American cinema, and specifically for film noir, rock ‘n’ roll culture and his antiauthoritarian ideology. All these elements are combined together within his work throug

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7

Spurr, Graeme R. "Amateur video : technology, behaviour and practice, 1965-2015." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7473/.

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In considering the once highly visible and vibrant amateur film club culture of the United Kingdom the 1980s is arguably a pivotal, but controversial, historical decade in accounts of marginal film history. These years witnessed the end of the Scottish International Amateur Film Festival, a perceived sense and feeling of decline in club membership and vitality, and even a displacement of the film medium itself, with the arrival of domestic-level, narrow-video technology in the form of Betamax, VHS and other multifarious magnetic formats. Distinct feelings of loss are evident in amateur film jo

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8

Mulliken, Douglas. "Objectively violent : the cinema of Pablo Trapero." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9066/.

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This thesis identifies and analyses the function of violence in the films of screenwriter-director Pablo Trapero. It does this by examining different understandings of the concept of violence itself — with a particular emphasis placed on Slavoj Žižek’s concept of objective violence — and how it is represented on-screen in Trapero’s films. The work is divided into two parts, each consisting of two chapters. Each of the four chapters focuses on a pair of the director’s films; in each case the first film analysed introduces motifs and themes which the later film then expands upon and intensifie

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9

Carthy, Nikki. "Deconstructing offenders' narratives." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/20354/.

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The view of making sense of a person’s reality through the stories they tell about their lives, developed by Bruner (1991) and McAdams (1993) is the theoretical perspective used to reveal what offenders’ life-stories uncover about their offending action. Interviews with 63 incarcerated offenders and 90 non-incarcerated males’ explored three life-episodes: a Significant Event (SE), crime or deviant act, and life as a film. Narrative Roles Questionnaire (NRQ) and demographic information was also collected. The LAAF framework for eliciting and interpreting life-story narratives was implemented. T

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10

Mukhida, Leila. "Politics and the moving image : contemporary German and Austrian cinema through the lens of Benjamin, Kracauer and Kluge." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5669/.

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This thesis charts the trajectory of a strand of film-theoretical optimism in texts by Walter Benjamin (1882-1940), Siegfried Kracauer (1889-1966) and Alexander Kluge (1932–) from different moments in the twentieth century; the empirical corpus looks to post-reunification German and Austrian cinema to find evidence of this theoretical optimism in contemporary filmmaking practices. The thinkers advocate the leftist-political potential of film to stimulate a critical mode of spectatorship, and are to varying degrees influenced by Brecht and the neo- Marxist politics of the \({Frankfurter Institu

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Книги з теми "Generale (Motion picture)"

1

Scheumann, Gerhard. Die Generale. Verlag der Nation, 1986.

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2

North Carolina. Motion Picture Industry Commission. Report of the Motion Picture Industry Commission: Report to the 1989 General Assembly of North Carolina. The Commission, 1989.

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3

North Carolina. Motion Picture Industry Commission. Report of the Motion Picture Industry Commission: Report to the 1989 General Assembly of North Carolina. The Commission, 1989.

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4

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. KW Institute for Contemporary Art, 2004.

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5

Don, Ferguson, and Spiegle Dan, eds. Who framed Roger Rabbit?: Based on the motion picture from Touchstone Pictures and Steven Spielberg. Marvel Comics, 1988.

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6

McEwan, Ian. Soursweet. Faber, 1988.

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7

McEwan, Ian. Soursweet: Screenplay. Faber, 1988.

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8

Schatz, Thomas. The genius of the system: Hollywood filmmaking in the studio era. Henry Holt and Co., 1989.

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9

Schatz, Thomas. The genius of the system: Hollywood filmmaking in the studio era. Simon & Schuster, 1989.

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10

Italy) Bergamo Film Meeting (34th 2016 Bergamo. Catalogo generale: 34° BFM, 05 -13 marzo 2016. Edizioni di Bergamo Film Meeting, 2016.

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Частини книг з теми "Generale (Motion picture)"

1

Gibson, C. G., W. Hawes, and C. A. Hobbs. "Local Pictures for General Two-parameter Planar Motions." In Advances in Robot Kinematics and Computational Geometry. Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-015-8348-0_5.

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2

Yabuki, Nobuyoshi, Tomohiro Fukuda, and Ryu Izutsu. "As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data." In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality. Firenze University Press, 2023. http://dx.doi.org/10.36253/10.36253/979-12-215-0289-3.111.

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At construction sites, as-built management is generally conducted by taking pictures or surveying with total stations and comparing the images or survey data with design drawings or Building Information Modeling (BIM) models. Since this work is time-consuming and error-prone, more efficient and accurate methods using advanced Information and Communication Technology (ICT) are desired. Therefore, this research proposes a method that can efficiently capture the progress of construction by detecting each constructed structural member, such as beams, columns, connections, etc. In this proposed met

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3

Yabuki, Nobuyoshi, Tomohiro Fukuda, and Ryu Izutsu. "As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data." In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0289-3.111.

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At construction sites, as-built management is generally conducted by taking pictures or surveying with total stations and comparing the images or survey data with design drawings or Building Information Modeling (BIM) models. Since this work is time-consuming and error-prone, more efficient and accurate methods using advanced Information and Communication Technology (ICT) are desired. Therefore, this research proposes a method that can efficiently capture the progress of construction by detecting each constructed structural member, such as beams, columns, connections, etc. In this proposed met

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4

Gleeson-White, Sarah. "Readerly Pleasures: Screen Reading, and The Motion Picture Story Magazine." In Silent Film and the Formations of U.S. Literary Culture. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0005.

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Abstract This chapter picks up on Chapter 3’s conclusion about motion pictures’ ability to expand literature’s readership in order to discover the ways readers responded to and navigated new literary forms and materials generated out of literature’s encounters with motion pictures. To do so, it considers motion pictures’ invitations to read—both on screen and in motion-picture fan magazines—a strategy of motion-picture address recasting literary features. It also considers with the new experiences of and encounters with literature in venues beyond its more conventional sites and print objects.

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5

Salzberg, Ana. "Love Stories and General Principles: The Development of the Production Code." In Produced by Irving Thalberg. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.003.0005.

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This chapter examines Thalberg’s role in crafting the Motion Picture Production Code and its influence on cinematic sensuality in a post-talkie context. In 1929, Thalberg would write “General Principles to Cover the Preparation of a Revised Code of Ethics for Talking Pictures” on behalf of a three-person subcommittee, thus informing the industry’s adoption of a formal Production Code in 1930. These Principles outline Thalberg’s theorization of how studios could engage with the issue of regulation while still maintaining their commitment to “entertainment value.” The chapter takes these General

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6

Gillespie, Michael Patrick. "Gothic Forms in Irish Cinema." In Irish Gothic. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0005.

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Though many Irish films have aspects of the Gothic, their structures generally adhered in a programmatic fashion to the guidelines of Classic Hollywood Cinema, and in this way they are similar to generic motion picture structures that could come from international studios in any part of the world. A select few films have produced uniquely Irish Gothic narratives, that is to say motion pictures that echoed the post-Modern tendencies of German Expressionists with unapologetically fragmented cultural contexts. To underscore these contrasts, this essay offers a sampling of the more conventional ap

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7

Reddy, M. Karthikeyan, K. Jai RamaKrishna, and Dr V. Joshi Manohar. "IOT BASED LINE CONTROLLED ROBOT." In Futuristic Trends in IOT Volume 2 Book 15. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2023. http://dx.doi.org/10.58532/v2bs15p1ch5.

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This document will provide an idea on Line Following robot using a microcontroller and motor driver to control the motion of robot in specified marking. The line following robot is type of Automated Guide Vehicle (AGV) made using Arduino which follows a particular path (generally a black/white strip) and makes its way to the destination. In modern days the usage of intelligent electronic devices has drastically incremented in this context for the ease of applications based on path dependent criteria line follower robot will come into picture mostly. This path following mechanism is carried out

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8

Marzola, Luci. "The Academy Technical Bureau, Cooperative Research, and the Building of the Studio System." In Engineering Hollywood. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0007.

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At the end of the 1920s, the Academy of Motion Picture Arts and Sciences (AMPAS) harnessed its role in the transition to sound to shift leadership of technical research to Hollywood. At the same time that it began the Sound School, the Academy established a Producers-Technicians Committee designed to pool knowledge of universal production practices. This chapter argues that AMPAS was able to establish itself as the authority over everyday technology in Hollywood through this committee and by absorbing the AMPP’s Technical Bureau. Through their collective scientific activities, the studios were

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9

Gleeson-White, Sarah. "Novel Forms: Rose Atwood’s “A Man’s Duty,” Oscar Micheaux’s The Masquerade: An Historical Novel, Willa Cather’s A Lost Lady." In Silent Film and the Formations of U.S. Literary Culture. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0004.

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Abstract This chapter considers a rather unusual literary form generated out of the encounter of motion pictures and literature during the silent-film era: the novelization.. It examines three disparate examples of this: Rose Atwood’s “A Man’s Duty” in the Black press; Oscar Micheaux’s The Masquerade: An Historical Novel, a strange verbatim recycling of Charles Chesnutt’s The House Behind the Cedars, among other things; and the photoplay (movie) edition of Willa Cather’s A Lost Lady. It argues that in adopting, drawing on, and in other ways appealing to or incorporating features of motion pict

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10

Meli, Domenico Bertoloni. "General Introduction." In Equivalence and Priority: Newton versus Leibniz. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198539452.003.0001.

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Abstract Over the last few decades Newton’s itinerary to the Principia has been meticulously reconstructed through the study of his private manuscripts and correspondence; the new picture which has emerged has enriched enormously our understanding of his work in many aspects, ranging from the interaction between mathematics and mechanics to the role of alchemy and theology. The formation of Leibniz’s techniques and ideas about planetary motion is extremely well documented in an exciting series of previously unknown manuscripts which are published and analysed here for the first time. Leibniz’s

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Тези доповідей конференцій з теми "Generale (Motion picture)"

1

Inui, Masatomo, and Makoto Takano. "Fast and Smooth NC Milling Animation Using Partial Redrawing Technique." In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/cie-21260.

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Abstract Animation display of the NC milling process is helpful for detecting potential problems of a cutter path prior to actual machining. In the milling animation, machined shape of the workpiece is repeatedly computed and displayed after every short motion of the cutter. A single cutter motion usually removes very small portion of the workpiece, therefore most part of two successive pictures in the animation becomes the same. Based on this characteristic of the pictures, the authors develop “partial redrawing technique” for fast and smooth animation of the NC milling process. This method e

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2

Sillyman, Sheldon S. "Forming a clear picture of holograms." In OSA Annual Meeting. Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.wo4.

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In recent years, there has been a glorification of the capabilities of holography on television and in motion pictures. An exhibit dealing with holography would therefore be popular with the general public. Demonstration of the making of a hologram would provide the public with the realistic yet still fascinating uses for holograms that presently exist. A display could be built that demonstrates the fabrication of a simple transmission hologram using a laser, beam splitter, lenses, mirrors, and a film plate arranged either on an optical alignment bench or possibly in a sandbox for stability. T

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3

Ghosal, Ashitava, and Bahram Ravani. "Differential Geometric Analysis of Singularities of Point Trajectories of Serial and Parallel Manipulators." In ASME 1998 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/detc98/mech-5967.

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Abstract In this paper, we present a differential-geometric analysis of singularities of point trajectories of two and three-degree-of-freedom serial and parallel manipulators. At non-singular configurations, the first order local properties are characterized by the metric coefficients, and, geometrically, by the shape and size of a velocity ellipse and ellipsoid for two and three-degree-of-freedom motions respectively. At singular configurations, the definition of a metric is no longer valid and the velocity ellipsoid degenerates to an ellipse, a line or a point, and the area or the volume of

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4

Andreeva, Ekaterina. "ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.

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The article examines the functioning of ancient Russian artistic images and motifs in the poetry of Arseny Tarkovsky during the Great Patriotic War. The appeal to this motives and images fits modern events into the historical context, helps to create a general picture linking the past and present of the country. The author is particularly in demand for the images of Igor and Yaroslavna from “The Word about Igor's Regiment”, he reinterprets and re-creates images taking into account the new situation. Yaroslavna turns into a symbol of love, sadness, longing, memory, in her image everything oppos

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Edwards, R. "Multi-Directional Seas - A practical Tool for Evaluating the Feasibility of Marine Operations." In SNAME 22nd American Towing Tank Conference. SNAME, 1989. http://dx.doi.org/10.5957/attc-1989-033.

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The timing and feasibility of installing skyscraper sized structures in the ocean depends strongly upon limitations dictated by motion response of complex combinations of heavy 11ft vessels, barges and the structures to be installed, all Joined by elastic tethers. Exposure of these systems to long crested and Irregular seas in a model test does not produce a complete picture of the response to a realistic environment. In several recent model test programs to support the assessment of the feasibility of Installing large structures, short crested seas have been generated and imposed on combinati

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Pumas, Roland A. "Total quality management … the big picture." In OSA Annual Meeting. Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.tub1.

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There are a few critical issues is developing a stable, controlled, and effective quality improvement effort. Here we present these in a linear sequence, following the order of implementation. There are three cognitive areas and four practice areas. The former are: (1) the operational definition of quality is predictive of efforts, measures, success, and competitive blind spots. We present categories of definitions, and show how critical it is to get beyond the packaged mottos that come with training programs. (2) A total quality culture has distinctive attributes that are generally not found

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Kobus, C. J., and Y. P. Chang. "Teaching Kinematics and Kinetics From a Project-Based Experience Analyzing Sci-Fi Motion Pictures: A Star Trek Example." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88215.

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In engineering subjects both simple and complex, retention is an issue. Interested students appear to excel in such subjects, but the retention rates for everyone else suffer somewhat. In this paper an example is laid out of how to utilize motion pictures, and specifically the scientific errors therein, to create interesting problems that this author has found helps in student retention of complex engineering material. Why linking elements of entertainment aids in retention is due to creating emotionally arousing stimuli that enhances memory for central details, as has been shown in neurologic

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Jordaan, Ian, and Philippa Gosine. "The Titanic Disaster and Ice Mechanics: Completing the Picture." In SNAME 10th International Conference and Exhibition on Performance of Ships and Structures in Ice. SNAME, 2012. http://dx.doi.org/10.5957/icetech-2012-149.

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Although the Titanic disaster occurred 100 years ago, explanations of the failure rely heavily on studies of the structural failure (failure of the rivets, brittle fracture of the side plate, ... for example). Very little attention has been paid to how the ice delivered the required force. Background to the disaster is reviewed and in particular the records of experiences of passengers showing that the impact involved a “slight jar” or a “little vibration”. These indicate small global loading but not excluding the possibility of high local loading. The construction of the Titanic is described,

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Soni, Prashant K., and Carl M. Larsen. "Vortex Pattern Comparison for Periodic and Harmonic Combined Cross-Flow and In-Line Forced Oscillations." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-80089.

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For prediction of vortex-induced vibrations (VIV) the empirical models apply hydrodynamic coefficients to represent the fluid forces on the slender structures. The coefficients are in most cases found by measuring forces on a rigid cylinder under harmonic pure in-line (IL) or pure cross-flow (CF) forced motions, and are generally presented as functions of non-dimensional motion amplitude and frequency. The objective of the present work has been to find hydrodynamic coefficients for realistic combinations of CF and IL motions. Such trajectories were found from measured VIV of a flexible beam, a

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Soltani, Mohammad Reza, and Mohammad Farahani. "Experimental Investigation of Flow Instability in a Supersonic Inlet." In ASME 2010 10th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2010. http://dx.doi.org/10.1115/esda2010-24858.

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An extensive wind tunnel test series were conducted on an axisymmetric supersonic inlet. The model was tested at Mach numbers from 1.8 to 2.2 and at different values of mass flow rate. Shadowgraph flow visualization was used to capture the external shock structure in front of the inlet. The goal of this study is to find out the general characteristics of the inlet buzz. Frequencies of the buzz have been achieved from the analysis of the pressure data as well as the shadowgraph pictures. The amplitude of the shock waves motion has been measured from the visualization pictures too. In the some l

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