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Статті в журналах з теми "German romantic movie"

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Roman, Sergei N. "The movie “M” (1931) by Fritz Lang in the context of the scientific, social and cultural life of Germany in the 20-30 - ies of the twentieth century." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 47 (2022): 204–16. http://dx.doi.org/10.17223/22220836/47/17.

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The article deals with the specifics of the social, political and cultural life in the Weimar Republic at time of the making of Fritz Lang's movie “M”. While showing the connection between the historic events of the time and the ideas conveyed in the movie, the author rejects the traditional interpretation of “M” as a pamphlet reflecting the problems in Germany before the national socialists came to power. The cooperation of the police and the criminal elements making attempts to catch the maniac is considered to be a logical continuation of the spiritual unity of the upper and lower classes s
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Joy, Aparna I. "From Page to Screen: Navigating the Influence of Culture on Adapted Fiction." Translation Today 18, no. 1 (2024): 48–62. https://doi.org/10.46623/tt/2024.18.1.ar3.

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Renowned German director and screenwriter, Robert Schwentke holds a significant position in the annals of cinema’s history. His directorial work on The Time Traveler’s Wife (2009) stands out as an exemplary American romantic science fiction drama film. The film adaptation draws its inspiration from Audrey Niffenegger’s 2003 novel of the same name. This paper aims to undertake a comparative study, delving into the cultural disparities between the book and its cinematic counterpart, shedding light on the transformation of the fiction genre into the unique visual medium of film. The central focus
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Clarke, Laura. "Painting the Globe with Wings: Sculpture and the Aesthetics of Realism in Aurora Leigh." Victoriographies 15, no. 1 (2025): 22–40. https://doi.org/10.3366/vic.2025.0554.

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Elizabeth Barrett Browning's debt to British Romanticism is well known, yet the influence of early German Romantic ideas on her poetics has been largely overlooked. In this essay, I show how Barrett Browning draws upon August Wilhelm Schlegel's comparison between sculpture and painting – representing classical and romantic art, respectively – as a framework for conceptualising Aurora and Carrington's move towards realism and for critiquing Romney's social theories, which are equated with the static forms of French neoclassical art. I contend that in framing Aurora and Carrington's artistic dev
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Solanki, Tanvi. "The Multisensorial Ramayana and Its Migrant Afterlife in the Making of German Romanticism and Narendra Modi’s India." Comparative Literature 77, no. 2 (2025): 188–212. https://doi.org/10.1215/00104124-11626857.

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Abstract This article traces the migration of late eighteenth- and nineteenth-century German philologists and writers’ textually mediated mythical images of India and the Sanskrit canon, particularly the Ramayana. Stories about Ram’s ultimate authority each have their own history as they migrate across different languages, communities, and media. While the migration of the story is textual for the Europeans, the article will show how it migrates across very sensory regimes for the Indians, most recently in Narendra Modi’s Ram Temple project. The German Romantics’ work cannot be isolated in Ger
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Amit, Mr. "Romanticism: Characteristics, Themes and Poets." SMART MOVES JOURNAL IJELLH 9, no. 5 (2021): 66–74. http://dx.doi.org/10.24113/ijellh.v9i5.11034.

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This paper examines about Romanticism or Romantic era, themes and some famous writers, poets and poems of romantic era. Romanticism is one of the repetitive topics that are connected to either creative mind, vision, motivation, instinct, or independence.
 The subject frequently condemns the past, worries upon reasonableness, disconnection of the essayist and pays tribute to nature. Gone before by Enlightenment, Romanticism brought crisp verse as well as extraordinary books in English Literature. Begun from England and spread all through Europe including the United States, the Romantic dev
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Banerjee, Suddhasattwa. "Wrong Train to Right Destination: Romantic Journey Motif in The Lunchbox." Humanities & Social Sciences Reviews 9, no. 6 (2021): 40–45. http://dx.doi.org/10.18510/hssr.2021.967.

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Purpose of the study: This paper attempts to analyze the theme of journey in The Lunchbox in the context of the varied strains of Romantic journey motifs present in 19th Century and early 20th Century Romanticisms prevalent in England, Germany, France, and America in the said period.
 Methodology: It is primarily a revisionist study. I have attempted to place The Lunchbox in the context of Romantic literature, predominantly of the 19th Century and early 20th Century and meticulous textual analysis is the basic procedure for this venture.
 Main Findings: The findings of this study ind
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Universidad, de Extremadura. "Märchenfantasie in der Berliner Gegenwart: Christian Petzolds Filmadaption Undine (2020)." Anuario de estudios filológicos XLVI (May 3, 2023): 323–39. https://doi.org/10.17398/2660-7301.46.323.

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Christian Petzold's drama Undine, a German-French co-production released in 2020, transposes the Romantic myth of the scorned nymph into modern-day Berlin. This is the first part of a trilogy planned by Petzold on figures of German Romanticism, which intends to bring the so-called elemental spirits closer to our reality. The result is a poetic film fairy tale, in which the main characters move between two worlds: not only underwater and on land, but also between reality and fantasy, between the present and the past. Petzold shows that the myth of Undine is ahistorical and doomed to be repeated
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Farkas, Márton. "Lukács in Self-Translation: The Necessity of Contingency in The Soul and the Forms." October 161 (August 2017): 23–41. http://dx.doi.org/10.1162/octo_a_00302.

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A series of meditations on history and criticism, György Lukács's The Soul and the Forms appeared first in Hungarian in 1910 and then in German in 1911—arguably having been translated by the author himself, as a work of mourning. Despite renewed interest in the work, English-language editions have been taken from the German translation and barely consider the Hungarian version. This essay argues that an exemplary skirmish takes place in translation between the Hungarian and the German texts, as Lukács shifts from an Epicurean-Lucretian to a Stoicist view of causality. Not unlike in the early n
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Kay, Carolyn. "German children’s art during World War I." Global Studies of Childhood 11, no. 2 (2021): 195–212. http://dx.doi.org/10.1177/20436106211015694.

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My article considers German wartime propaganda and pedagogy from 1914 to 1916, which influenced young schoolchildren (aged 5–14) to create drawings and paintings of Germany’s military in World War I. In this art, the children drew bodies of German soldiers as tough, heroic, on the move, armed with powerful weapons, and part of a superior military movement; their enemies (French, Russian, British soldiers) embodied disorder, backwardness, ineptitude, and deadly weakness. The artwork by these schoolchildren thus reveals the intense propaganda of the war years, and the children’s tendency to see
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GOEHRING, EDMUND J. "MUCH ADO ABOUT SOMETHING; OR, COSÌ FAN TUTTE IN THE ROMANTIC IMAGINATION: A COMMENTARY ON AND TRANSLATION OF AN EARLY NINETEENTH-CENTURY EPISTOLARY EXCHANGE." Eighteenth Century Music 5, no. 1 (2008): 75–105. http://dx.doi.org/10.1017/s1478570608001206.

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ABSTRACTAmong the gems buried in Johann Friedrich Reichardt’s short-lived Berlinische musikalische Zeitung is a ‘Musikalischer Briefwechsel’ that appeared over three volumes in September 1805. The text, cast as an epistolary exchange between the fictional characters Arithmos and Phantasus, argues the merits of Mozart’s Così fan tutte. (The opera had recently returned to the Berlin stage after a thirteen-year absence.) The exchange has received little scholarly attention, and yet it is a remarkable document for the glimpse it gives both into Berlin’s musical politics and, most of all, the recep
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Дисертації з теми "German romantic movie"

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Виноградова, М. "Граматична опозиція Perfekt-Präteritum у сучасній німецькій мові (на матеріалі німецького романтичного кіно-дискурсу)". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67216.

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Серед усіх існуючих видів дискурсу, особливої уваги потребує кіно-дискурс, адже сьогодні кінематограф та телебачення стали важливим чинником формування системи цінностей людей. Саме у фільмах відбиваються мовленнєві особливості сучасної німецької мови. При цьому різні жанри кіно розкривають різні аспекти вживання досліджуваної мови. Драматичні та мелодраматичні твори, зокрема, можуть стати у нагоді при вивченні літературної німецької мови. Так, досліджуючи даний жанр кінематографу може знайти своє вираження граматична опозиція Perfekt-Präteritum.
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Книги з теми "German romantic movie"

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Stoker, Bram. Dracula: Now a Major Movie. AD Classic, 2014.

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Stoker, Bram. Dracula: Now a Major Movie. AD Classic, 2014.

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Частини книг з теми "German romantic movie"

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Cornelius, Deborah S., and Jonathan A. Grant. "Eastern Europe in World War II." In The Oxford Handbook of World War II. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780199341795.013.19.

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Abstract As Europe headed for war it became almost inevitable that the Eastern European countries of Poland, Romania, and Hungary would be drawn into the conflict. Germany had plans to harness the region economically and make it subservient to the Reich. Given that each of the Eastern European countries viewed the spread of communism from the Soviet Union as the most immediate threat, the central question became whether they would enter the German orbit as occupied countries, client states, or allies. Poland would first bear the brunt of Nazi and Soviet attack and occupation, whereas Romania a
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Bonsaver, Guido. "Cross-National Influence in Post-Unification Italy." In America in Italian Culture. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198849469.003.0002.

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Abstract Chapter 1 begins by looking at Italy’s cultural relations with foreign countries at the time of its unification. It dwells on the mediatory role exercised by Parisian culture on Italy’s educated elite. Attention is paid to the hegemony of French as a foreign language in Italian schools and on the dependence of both the Italian press and publishing industry on their French counterpart. Most American literature was first translated in France before it reached Italy, and most translations into Italian were based on pre-existing French versions. The chapter also examines the move from the
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Klinger, William, and Denis Kuljiš. "The Belgrade Operation." In Tito's Secret Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197572429.003.0027.

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This chapter analyzes how self-styled Marshal Tito was impressed with the fourteen-year older generalissimo, Joseph Stalin, who was at the peak of his power and was able to move armies of millions. It talks about Stalin's intention to give Tito arms for building a real army and to send two Soviet strategic formations to the Balkan theater of operations. It also mentions the representatives of the Bulgarian Fatherland Front who went to Craiova in Romania to sign an agreement with Tito on the engagement of their army against the German forces on the Yugoslav front. The chapter details Stalin's a
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Ray, Robert B. "Kringelein’s Disease." In The ABCs of Classic Hollywood. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195322910.003.0011.

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Abstract Kringelein is dying, but the movie cannot name his disease, whose narrative function resembles that of Rick’s mysterious crime in Casablanca. Rick “cannot return to his country,” as Major Strasser summarizes. “The reason is a little vague.” Like Gatsby’s past, Rick’s offense must remain unspecified, for while anything less than murder (e.g., theft, forgery) would make Rick simply a common criminal, any capital crime would disqualify him as Ilsa’s suitor. Similarly, Grand Hotel’s narrative evades particulars. Naming Kringelein’s disease (e.g., cancer, ALS) would evoke both existing sym
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Kozerska, Ewa, and Tomasz Scheffler. "State and Criminal Law of the East Central European Dictatorships." In Lectures on East Central European Legal History. Central European Academic Publishing, 2022. http://dx.doi.org/10.54171/2022.ps.loecelh_9.

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The chapter is devoted to discussing constitutional and criminal law as it existed in selected countries of Central and Eastern Europe between 1944 and 1989 (Czechoslovakia, the German Democratic Republic, Romania, Hungary, and Poland). As a result of the great powers’ decisions, these countries came under the direct supervision of the Soviet Union and adopted totalitarian political solutions from it. This meant rejecting the idea of the tripartite division of power and affirming the primacy of the community (propaganda-wise: the state pursuing the interests of the working class) over the indi
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Тези доповідей конференцій з теми "German romantic movie"

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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were
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Antonoaie, Cristina, and Camelia Bucur. "CONSIDERATIONS CONCERNING ICT SPECIALISTS IN EUROPE." In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-002.

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Today we need more than basic skills to use a computer. Due also to the current pandemic situation we have a lot of on-line activities - starting from school, work, training, shopping, paying the bills, exercising, watching a movie and many others. Fortunately, the Internet is offering us the possibility to stay safe. That is why we need to obtain digital skills - information, communication, problem-solving, and software skills. For that, besides the infrastructure, we need specialists that will be able in the end to also teach the large population to properly use a computer. We have analyzed
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