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Статті в журналах з теми "Grammatical chiasmus"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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1

О., О. Тєлєжкіна. "ХІАЗМ ЯК МОВНОСТИЛІСТИЧНИЙ ПРИЙОМ У ВІРШОВІЙ ОПОВІДІ (на матеріалі української поезії ІІ половини – початку ХХІ століття)". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 138–45. https://doi.org/10.5281/zenodo.1048779.

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<em>Chiasmus is a bright and many-sided means of poetic syntax. Despite the fact that chiasmus as a method of expressing the text has been used since 10</em><em>th</em><em>-8</em><em>th </em><em>centuries BC and was recorded in Hebrew sacred texts, and therefore it has had a long history of research, as indicated by I. Barchyshyn, </em><em>Е</em><em>. Berehovska, O. Krylova, I. Parovyak and others, so far there is no single characteristic and definition of this notion. This state of affairs actualizes the study in domestic linguistics. The paper is aimed to characterize chiasmus as a stylistic

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2

Kelley, Christine M. "The Chiasm: The Inverse Parallel of Le Corbusier." LC. Revue de recherches sur Le Corbusier, no. 8 (September 29, 2023): 154–68. http://dx.doi.org/10.4995/lc.2023.19871.

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The “axis” is ubiquitous in Le Corbusier’s architectural oeuvre. “The Chiasm: The Inverse Parallel of Le Corbusier” examines the concept of the axis in the essays, “Architecture, Pure Creation of the Mind,” and “Architecture, The Illusion of the Plan,” published in Vers une architecture (1923). Le Corbusier writes: “…a sense of the harmonious that gives rise to a resonance…” and “…the trace of an indefinable absolute preexisting at the core of our being.” And decisively, “This must be the axis along which man is organized…”. The axis Le Corbusier described is, in fact, a chiastic device he emp

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3

Al-Jarf, Reima. "Verses of Impossibility in the Holy Quran: A Grammatical and Rhetorical Analysis." International Journal of Cultural and Religious Studies 4, no. 1 (2024): 26–44. http://dx.doi.org/10.32996/ijcrs.2024.4.1.4.

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Анотація:

Verses of impossibility are those that refer to events that can never or rarely happen, tasks that are difficult or impossible to perform, people or things that are of no use, things that are impossible to find or futile efforts. Impossibilities can be classified into logical, physical, causal, nomological, temporary, permanent, partial, total, objective or subjective impossibility. This study sought to analyze verses of impossibility in the Holy Quran, their grammatical structure, rhetorical features, types of questions and conditional, emphatic, and/or negative particles used. Results of the

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Gladkova, Katerina Yu. "MEANS OF COHERENCE IN INTERROGATIVE UTTERANCES IN ‘WATERLAND’ BY G. SWIFT." Вестник Пермского университета. Российская и зарубежная филология 13, no. 2 (2021): 14–24. http://dx.doi.org/10.17072/2073-6681-2021-2-14-24.

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The paper considers relations between two fundamental linguistic categories, which are interrogativity and text coherence. In particular, the problem of representation of the coherence category in interrogative utterances is being analyzed. The aim of the article is to study the means of coherence used in interrogative utterances in Waterland by G. Swift. This novel was chosen to provide material for investigation as it is characterized by explicit interrogation which serves to facilitate cohesion. Based on the text of the novel, we created a database including 932 interrogative utterances. To

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5

Junaidi, M. Mahbub. "STYLISTIC ANALYSIS OF SURAKH AL-QUBUR: A SHORT STORY BY KAHLIL GIBRAN / ANALISIS STILISTIKA CERPEN SURAKH AL-QUBUR KARYA KAHLIL GIBRAN." Lughawiyah: Journal of Arabic Education and Linguistics 3, no. 2 (2021): 143. http://dx.doi.org/10.31958/lughawiyah.v3i2.2981.

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This study aims to reveal the stylistic used in a short story written by Kahlil Gibran entitled “Surakh al-Qubur” and also to describe the effect of it toward meaning. This is a descriptive qualitative research that used stylistic analysis to show the aesthetics side found in the short story. Based on data analysis, it was found that there are five categories of language styles in short story Surakh al-Qubur, they are: first, lexical (synonym and typical words); second, grammatical (verb and noun); third, rhetorical (alliteration, asyndeton, assonance, chiasmus, polysyndeton, and hyperbole) an

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Lagutina, Ksenia Vladimirovna. "Comparison of Style Features for the Authorship Verification of Literary Texts." Modeling and Analysis of Information Systems 28, no. 3 (2021): 250–59. http://dx.doi.org/10.18255/1818-1015-2021-3-250-259.

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The article compares character-level, word-level, and rhythm features for the authorship verification of literary texts of the 19th-21st centuries. Text corpora contains fragments of novels, each fragment has a size of about 50 000 characters. There are 40 fragments for each author. 20 authors who wrote in English, Russian, French, and 8 Spanish-language authors are considered.The authors of this paper use existing algorithms for calculation of low-level features, popular in the computer linguistics, and rhythm features, common for the literary texts. Low-level features include n-grams of word

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7

Zadok, Tikva. "Ōlim in the the Tacitean Corpora." Athens Journal of Philology 10, no. 2 (2023): 123–52. http://dx.doi.org/10.30958/ajp.10-2-3.

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In studies on Latin adverbs the discussion of a specific temporal adverb in a certain corpus is rare. Moreover, an adverb peculiar to the treatises of Tacitus has not yet been analyzed in the studies concerning his language and style. Our study fills a gap, to a certain extent, on the adverbs’ researches in Latin prose and in the Tacitean corpora by examining the characteristic and unique usages of ōlim in his treatises. We surveyed selected studies dealing with general and specific adverbs, as well as with the language and style of Tacitus. Our grammatical approach adopted here is descriptive

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8

Voronichev, O. E. "The means of conveying ironic expressivity in N. A. Teffi’s short stories (to the 150th anniversary of the birth)." Russian language at school 83, no. 3 (2022): 53–64. http://dx.doi.org/10.30515/0131-6141-2022-83-3-53-64.

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The article aims to identify the linguistic means (first of all those which can be considered as marking the writer’s individual style) employed in N. A. Teffi’s short stories to convey ironic comicality. The research was performed with the use of the descriptive, linguostylistic, semantic methods, componential analysis, and elements of statistical analysis. As a result, the undertaken study made it possible to identify a wide range of linguistic units belonging to different linguistic levels. The combination of these units and various stylistic devices which were revealed while analysing the

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Bojchuk, Elena I. "Automated analysis of the rhythm of advertising text." Verhnevolzhski Philological Bulletin 1, no. 24 (2021): 137–44. http://dx.doi.org/10.20323/2499-9679-2021-1-24-137-144.

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The purpose of this study is to determine the specificity of the rhythm in advertising texts based on the analysis of rhythm figures using the ProseRhythmDetector computer application, which allows to search for certain rhythm figures in a text of any nature in four languages (English, French, Russian and Spanish). The issue of the specific nature of advertising texts has been studied in some detail, as is evident from a large number of scientific works in this area; the issues of the impact of advertising on the recipient have been studied in detail. However, the question of the means of infl

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10

Irizar, Pablo, Guinevere Rallens, and Charles Kim. "Uniendo lo humano y lo divino. La gramática, la ontología y la forma del lenguaje en la conversación de san Agustín en Ostia (conf. 9, 24)." Augustinus 63, no. 1 (2018): 115–36. http://dx.doi.org/10.5840/augustinus201863248/2494.

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The fracturing of language at Babel (Gn 11.1-9) is one of the defining events which, for Augustine, gives language its current fallen characteristics and limitations. But does the fallen state of language necessarily imply that language creates a chiasm rather than a bridge between the human and the divine? And if so, is language used in vain to invoke God? This paper addresses these questions through an analysis of the role of language in Augustine’s Ostia ascent narrative (conf. 9, 24). According to a first line of interpretation, language creates a chiasm rather than a bridge between the hu

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11

TIELIEZHKINA, Olesia. "LANGUAGE AND ARTISTIC ORGANIZATION OF RUBAI BY DMYTRO PAVLYCHKO: THE LINGUISTIC AND STYLISTIC DIMENSION." Culture of the Word, no. 98 (2023): 16–26. http://dx.doi.org/10.37919/0201-419x-2023.98.2.

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The paper deals with the analysis of stylestemes of various origin which are means of eliciting philosophical senses in rubai by Dmytro Pavlychko. The author concludes that figurative and expressive means of phonic (equiphony, metaphony) and lexical-grammatical nature (antithesis, gradation, parallelism, antanaklasis, doubling, anadiplosis, annomination, polyptoton, redif and chiasm) act as an organic component of the studied poetic texts. Antithesis and gradation dominate among the stylistic devices implemented in the linguistic and artistic space of Dmytro Pavlychko’s rubai. And it is throug

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Patroeva, Natal’ia V. "To the question of the poetics of the Antiochus Cantemir’s poems." Vestnik of Saint Petersburg University. Language and Literature 19, no. 4 (2022): 669–91. http://dx.doi.org/10.21638/spbu09.2022.402.

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The article offers generalizing data concerning the system of rhetorical techniques used by A.D.Kantemir in small and medium-sized poetic genres. The poetic practice of Kantemir is compared with the recommendations from the treatises of Feofan Prokopovich De arte poetica and De arte rhetorica libri X, concerning the use of various rhetorical devices in certain literary genres and styles. The hypothesis of the work is the assumption of the synthetic nature of the poetic syllable of Antiochus Kantemir, which is close not so much to the classicistic requirements of clarity and accuracy of the syl

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О. Р., Семенова, та Стругова Г. С. "О ФОРМИРОВАНИИ У СТУДЕНТОВ ПОНЯТИЙ ЛИНГВИСТИЧЕСКОЙ ПОЭТИКИ". Журнал "Вестник Челябинского государственного педагогического университета", № 7 (19 листопада 2018): 156–74. https://doi.org/10.25588/cspu.2019.60..7..011.

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Анотація:

Введение. В статье обосновывается важность сознательного отношения к дефинициям терминов, т.к. современные словари лингвистических терминов не всегда могут отразить современное состояние метаязыка науки. Часто эта работа осложняется тем, что некоторые термины не имеют точной, а иногда и единой трактовки. В качестве примеров взяты такие термины, как оксюморон, хиазм, зевгма, сегментация, рифма. Цель статьи - способствовать развитию умения критически относиться к дефинициям стилистических терминов, подтверждая свою позицию результатами анализа фактического материала, извлеченного из художественн

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TIELIEZHKINA, Olesia, and Olena KIRYANOVA. "ARTISTIC AND EXPRESSIVE MEANS IN THE LANGUAGE AND POETIC PALETTE OF THE AHATANHEL KRYMSKY: TYPOLOGY AND FUNCTIONS." Culture of the Word, no. 95 (2021): 174–83. http://dx.doi.org/10.37919/0201-419x-2021.95.14.

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In the offered article it is noted that one of the most important problems of the Ukrainian linguistic stylistics – revealing of features of realization of language units in works of art, in particular and in poetic. A. Krymskyi’s poetry is full of stylistic figures that express the artist’s opinion embodied in verse. These stylistic devices provided a background sound image that brightened the depicted pictures of nature or images from the life of society, portrait descriptions or inner experiences of the lyrical hero. Stylistic and syntactic expanses of A. Krymskyi’s poetry are distinguished

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T.Jacobs, Andrew. "Appropriating a Slur." M/C Journal 5, no. 4 (2002). http://dx.doi.org/10.5204/mcj.1972.

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The word 'nigger' is arguably the most charged epithet in American English; thus it is surprising that this word has been appropriated by some African Americans to refer to themselves. To be precise, the African-American version of this term is not 'nigger' but 'nigga', a word that has, as Geneva Smitherman notes, "a variety of meanings ranging from positive to negative to neutral" (Black Talk 167). Henry Louis Gates, Jr., in his study of African-American literature, provides a theoretical foundation for understanding why some African Americans use this word and how it operates rhetorically. B

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