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Книги з теми "Historical temporalities"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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1

Tomba, Massimiliano. Marx's Temporalities. BRILL, 2012.

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2

D, Thomas Peter, Massimiliano Tomba, and Sara R. Farris. Marx's Temporalities. Haymarket Books, 2013.

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3

Presbyterian Church in Canada Tempor. Historical Report of the Administration of the Temporalities Fund of the Presbyterian Church of Canada in Connection with the Church of Scotland, 1856-1900. Creative Media Partners, LLC, 2021.

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4

Phillips, Jason. Prologue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190868161.003.0001.

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This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but a

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5

Germana, Michael. “Modulate, Daddy, Modulate!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0005.

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Chapter 4 examines Ellison’s use of rhythm—specifically his incorporation of polyrhythms and his application of an advanced rhythmic concept called metric modulation—to express his beliefs about virtual temporalities and social change. The chapter illustrates how Ellison often places temporal constructs, including the static time of official history and the dynamic time of duration, into polyrhythmic relation in order to challenge an entrenched ideology of historical determinism. This process, and the critique that emerges from it, depend upon a related rhythmic concept, metric modulation, whi

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6

Sizemore, Michelle. Future Passing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190627539.003.0007.

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The conclusion proposes an alternative to historicism informed by the growing body of work in nineteenth-century American time studies. New approaches need to explore temporalities and temporal frameworks different from the standard linear chronology employed in historicist criticism. Drawing on Catharine Sedgwick’s The Linwoods, the conclusion advances one such temporal framework (future-passing) and a complementary mode of reading (anticipatory reading) as directions for historicist revisionism. Both future-passing and anticipatory reading emerge from the genre of historical romance, offerin

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7

Franko, Mark. Introduction. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.1.

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The Introduction to this handbook covers the broad themes and positions of the chapters without engaging specifically with the argument of any one chapter. It begins with a discussion of an early example of reenactment in dance, that of Susanne Linke’s work on Dore Hoyer’s Affectos Humanos in 1988. It analyzes the significance of Hoyer’s identity in German modern dance of the mid-twentieth century to the emergence of reenactment per se. The author theorizes reenactment as a practice of “asymmetrical historical temporalities” and develops the distinction between historicity and temporality. The

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8

Rascaroli, Laura. Temporality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0005.

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Opening with a discussion of the diptych form in film, seen as a dialogic structure activated in a spatiotemporal in-betweenness, this chapter focuses on films constructed around an interstice between incommensurable temporalities. In particular, it looks at filmic practices that spatialize time and at films that articulate the road as a palimpsest through which a diachronic way of thinking develops. The first case study is a diptych by Cynthia Beatt, Cycling the Frame (1988) and The Invisible Frame (2009), which follow the actor Tilda Swinton while she cycles the route along the Berlin Wall,

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9

Alonzi, Luigi, ed. History as a Translation of the Past. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350338241.

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This volume considers how the act through which historians interpret the past can be understood as one of epistemological and cognitive translation. The book convincingly argues that words, images, and historical and archaeological remains can all be considered as objects deserving the same treatment on the part of historians, whose task consists exactly in translating their past meanings into present language. It goes on to examine the notion that this act of translation is also an act of synchronization which connects past, present, and future, disrupting and resetting time, as well as creat

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10

Germana, Michael. Ralph Ellison, Temporal Technologist. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.001.0001.

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Ralph Ellison, Temporal Technologist examines Ralph Ellison’s body of work as an extended and ever-evolving expression of the author’s philosophy of temporality—a philosophy synthesized from the writings of Henri Bergson and Friedrich Nietzsche that anticipates the work of Gilles Deleuze. Taking the view that time is a multiplicity of dynamic processes, rather than a static container for the events of our lives, and an integral force of becoming, rather than a linear groove in which events take place, Ellison articulates a theory of temporality and social change throughout his corpus that flie

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11

Smith, Jennifer J. Writing Time in Metaphors. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0004.

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Coherence of place often exists alongside irregularities in time in cycles, and chapter three turns to cycles linked by temporal markers. Ray Bradbury’s The Martian Chronicles (1950) follows a linear chronology and describes the exploration, conquest, and repopulation of Mars by humans. Conversely, Louise Erdrich’s Love Medicine (1984) jumps back and forth across time to narrate the lives of interconnected families in the western United States. Bradbury’s cycle invokes a confluence of historical forces—time as value-laden, work as a calling, and travel as necessitating standardized time—and co

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12

Palmusaari, Jussi. For Revolt. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350273993.

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For Revolt: Rancière, Abstract Space and Emancipation presents an interpretation of Rancière’s uncompromising view of emancipation, drawing on its invariably rational and Kantian-moralist basis. Tracing a logic of abstract or empty space in all of Rancière’s work, it contrasts the prevailing tendencies to emphasise Rancière’s sensitivity to evolving historical forms and changing regimes of sensibility. Overturning the meaning of Rancière’s interest in the sensible enables the capture of the object of his thought as a revolt against the reality accorded to ordered temporalities and forms of app

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13

Shelleg, Assaf. The State of Afterness. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197786758.001.0001.

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Abstract The State of Afterness traces the cultural histories of contemporary music in Israel since the 1980s. Assembling the networks of composers trained in the post-ideological climate of the 1970s and 1980s and the compositional approaches that recorded the attenuation of territorial nationalism, afterness emerges as the state of being unconditioned by territorialism while opting for previously unavailable temporalities and ethnographies. If earlier the statist subject superseded or subsumed any competing political project, since the 1980s such self-referential acts have been losing their

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14

Kantor, Georgy, Tom Lambert, and Hannah Skoda, eds. Legalism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813415.001.0001.

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In this volume, ownership is defined as the simple fact of being able to describe something as ‘mine’ or ‘yours’, and property is distinguished as the discursive field which allows the articulation of attendant rights, relationships and obligations. Property is often articulated through legalism as way of thinking which appeals to rules and to generalising concepts as a way of understanding, responding to, and managing the world around one. An Aristotelian perspective suggests that ownership is the natural state of things and a prerequisite of a true sense of self. An alternative perspective f

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15

Kleinberg-Levin, David. Heidegger's Phenomenology of Perception. The Rowman & Littlefield Publishers Group, 2020. https://doi.org/10.5040/9798881811174.

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In volume I, Kleinberg-Levin interprets five key words in Heidegger’s project. In this second volume, he illuminates their significance for Heidegger’s phenomenology of perception and his philosophy of history. At stake is the possibility of a new experience and understanding of being. Taking us beyond the metaphysical understanding of being, Heidegger proposes to introduce a new key word Seyn (beyng). Beyng is the Da-sein-appropriating event in which a clearing occurs as an open dimension for the time-space interplay of concealment and unconcealment, an interplay within which beings are exper

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