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Готові списки джерел за темами / Hong Kong fiction (Chinese) / Статті в журналах

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Hong Kong fiction (Chinese).

Статті в журналах з теми "Hong Kong fiction (Chinese)"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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1

WU, Meng. "Fanning Out Possibilities: Dung Kai-cheung and the Multiplicities of Time." Modern Chinese Literature and Culture 34, no. 2 (2022): 420–44. http://dx.doi.org/10.3366/mclc.2022.0020.

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Анотація:

Hong Kong has brought to world literature some of the most prolific and best-loved fiction writers in modern Chinese history. Dung Kai-cheung is one of them — a Hong Kong-based writer who has found the city to be a constant source of inspiration. This article discusses the significance of multiplicity in Dung’s fictional representation of Hong Kong (“the V-City”), focusing on his 2007 novel Histories of Time: The Luster of Mute Porcelain. In this novel, Dung explores the narrative possibility of perceiving Hong Kong as a multi-historical space through the lens of multiplying temporalities. I h

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2

Lopes, Helena F. S. "The handover moment: Representing transition in Chinese Box." Asian Cinema 36, no. 1 (2025): 3–21. https://doi.org/10.1386/ac_00085_1.

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This article reassesses Wayne Wang’s Chinese Box (1997) a quarter century after the film’s production with a focus on ‘transition’. It aims to ‘recover’ Chinese Box on different levels, arguing that this complex film is an important historical artefact from the handover period of Hong Kong and a clear film d’auteur to which the director’s vision is the key. In contrast with the cold critical reception of the film at the time of its release, this article posits that Chinese Box is an accomplished work of transnational cinema that, merging fiction and documentary, constitutes a powerful personal

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3

Yung, Faye Dorcas. "The Silencing of Children's Literature Publishing in Hong Kong." International Research in Children's Literature 13, Supplement (2020): 159–74. http://dx.doi.org/10.3366/ircl.2020.0344.

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Children's literature publishing in Hong Kong is supposed to enjoy the freedom of a free market economy and legal autonomy. However, the market structure and the titles available in the market dominated by imported titles reveal that children's books published in Hong Kong have little room to feature the local voice. The market conditions are tough and publishers are incentivised to publish for the larger Sinosphere market. As a result, Cantonese is absent in imported texts annotated with either Mandarin phonetics ruby characters in Hanyu Pinyin or Zhuyin symbols. Non-fiction picturebooks feat

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4

Lashin, Roman. "     Hong Kong Scholar’s Troubled Identity in Dorothy Tse’s <em>Owlish</em>." Writing Chinese: A Journal of Contemporary Sinophone Literature 2, no. 1 (2023): 16–33. http://dx.doi.org/10.22599/wcj.42.

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Owlish is a part-realist part-surreal tale of a disgruntled professor in Hong Kong’s fictional double Nevers who unexpectedly falls in love with a ballerina doll. The novel’s plot unfolds against the backdrop of the growing pressure on Hong Kong’s freedoms and its very identity resulting in protests – events concealed by the veil of Dorothy Tse’s inventive language but still unmistakably discernable. This essay approaches Owlish as an academic novel i.e. literary work concerned with university professors and the vicissitudes of their lives within and outside the campus walls. The novel's prota

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5

Wang, Yuefan. "Classical Literature as Subtexts." Prism 21, no. 2 (2024): 318–38. https://doi.org/10.1215/25783491-11825585.

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Abstract Dung Kai-cheung's 董啟章 (1967–) V-city tetralogy was first published right after the Hong Kong Retrocession in 1997. Turning from the foreground of modernization and colonialism's impact to the background of the writer's perspective, we see Chinese literature's profound influence on the writer's creation of a V city—a fictional counterpart of modern Hong Kong. This article questions how textual narratives of places in Dung's four novellas rebuild collective cultural memory with a historical tradition of Chinese literary geography. As the founding text for the series, the first volume, D

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6

Chen, Jack W. "Love and Women in Early Chinese Fiction. By Daniel Hsieh. Hong Kong: Chinese University of Hong Kong Press, 2008. 331 pp. $39.00 (cloth)." Journal of Asian Studies 68, no. 1 (2009): 268–70. http://dx.doi.org/10.1017/s0021911809000242.

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7

Jayawickrama, Sharanya. "Metonymic Figures: Cultural Representations of Foreign Domestic Helpers and Discourses of Diversity in Hong Kong." Cultural Diversity in China 3, no. 1 (2018): 1–16. http://dx.doi.org/10.1515/cdc-2017-0006.

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Abstract Foreign Domestic Helpers account for nearly half of Hong Kong’s total ethnic minority population and are therefore integral to any discussion of diversity in the postcolonial, global Chinese city. In Asia, discourses of diversity have evolved from the juncture of complex historical, political, and cultural factors including colonialism, postcoloniality, traditional and precolonial customs and values, religious and spiritual beliefs, as well as Western-derived liberal-democratic discourses of rights and citizenship. “Diversity” has been identified as one of the core values and attribut

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8

Ruvinskiy, Roman. "The Hong Kong problem: popular sovereignty, centralization, and the challenges of the crisis age." Sravnitel noe konstitucionnoe obozrenie 33, no. 4 (2024): 107–27. https://doi.org/10.21128/1812-7126-2024-4-107-127.

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Анотація:

In recent years, Hong Kong, a former British colony and now a region with special status within the People’s Republic of China, has become the object of increased attention from Beijing and the scene of large-scale civil protests. The central government of the PRC has attempted to secure greater control over the region through legislative interventions and neutralize growing political opposition; at the same time, residents of Hong Kong, resisting imposed control and demanding greater democratic participation in regional affairs, are becoming increasingly aware of their own political identity,

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9

LaFleur, Frances, and Michael S. Duke. "Worlds of Modern Chinese Fiction: Short Stories and Novellas from the People's Republic, Taiwan, and Hong Kong." World Literature Today 67, no. 1 (1993): 233. http://dx.doi.org/10.2307/40149034.

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10

Tsoi, Ling Yu. "Translation of Hollywood film titles: Implications of Culture-Specific Items in Greater China." TranscUlturAl: A Journal of Translation and Cultural Studies 14, no. 1 (2022): 70–96. http://dx.doi.org/10.21992/tc29563.

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In view of the lack of updated analysis on film title translation in Greater China, the present study attempted to investigate translation of culture-specific items in Hollywood film titles among three regions of Greater China: Mainland China, Hong Kong and Taiwan. From 1989 to 2018, a film title database was built, comprising of 2472 source texts and over 7410 target texts. Culture-specific items were identified and classified into five themes, namely toponym; anthroponym and fictional character; forms of entertainment; means of transportation; and social taboos. Analysis was in two tiers: Fi

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11

Zhang, Yu. "A Collective Fantasia of the Financial Age in Early 1990s China: Erotic-Speculative Sensation, Neoliberal Labor Heroine, and Presentist Worldly Wisdom." positions 32, no. 3 (2024): 573–600. http://dx.doi.org/10.1215/10679847-11164501.

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Abstract When the notion of “finance” reentered ordinary Chinese people's lives since the “Reform and Opening Up,” how were “finance and economics” (caijing) perceived and felt? This essay focuses on the mainland critics’ reviews of the “finance-themed” novels by the Hong Kong entrepreneur-cum-writer Leung Fung Yee (b. 1949) and discusses how “Leung fever” (1992 – 93) provided a medium for a collective imagination of the financial age. Leung's fiction introduced “sensuous and lively” financial knowledge particularly attractive to a financially uneducated mainland readership who nonetheless des

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12

Yuwono, Edi, and Stefanny Irawan. "THE MAN AT THE SELF-PAINTED WINDOW." K@ta Kita 5, no. 1 (2017): 39–46. http://dx.doi.org/10.9744/katakita.5.1.39-46.

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This creative project is an autobiographical novel that tells the story of Hero Widjaja, a Chinese Indonesian man who embarks on his journey to Hong Kong, Macau, and Mainland China to find his true identity. Having raised in a pretty conservative Chinese Indonesian family background, Hero learns that there is an unfinished business in finding his identity as a Chinese Indonesian man. His parents unconsciously indoctrinate him to identify himself just like Mainland Chinese people. On the other hand, Hero surely does not have Chinese citizenship or even speak Mandarin. One morning, his father of

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13

Anderson, Marston. "The Russian Hero in Modern Chinese Fiction. By Mau-sang Ng. SUNY Series in Chinese Philosophy and Culture. Albany: State University of New York Press and Hong Kong: Chinese University Press, 1988. xvi, 332 pp." Journal of Asian Studies 48, no. 2 (1989): 370–72. http://dx.doi.org/10.2307/2057409.

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14

Banh, Jenny. "“I Have an Accent in Every Language I Speak!”: Shadow History of One Chinese Family’s Multigenerational Transnational Migrations." Genealogy 3, no. 3 (2019): 36. http://dx.doi.org/10.3390/genealogy3030036.

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According to scholar and Professor Wang Gungwu, there are three categories of Chinese overseas documents: formal (archive), practical (print media), and expressive (migrant writings such as poetry). This non-fiction creative essay documents what Edna Bonacich describes as an “middleman minority” family and how we have migrated to four different nation-city states in four generations. Our double minority status in one country where we were discriminated against helped us psychologically survive in another country. My family history ultimately exemplifies the unique position “middleman minority”

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15

Багаутдинова, Гульзада Гадульяновна. "The Frigate Pallada by I. A. Goncharov as a Literary Monument of Artistic Ethnology." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 5 (December 10, 2019): 181–88. http://dx.doi.org/10.26158/tk.2019.20.5.015.

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Анотація:

Жанровая природа «Фрегата “Паллада”» И. А. Гончарова сложна и эклектична. Несмотря на ее мозаичность, структура текста отличается четкостью, она выверена и хорошо продумана. В этом произведении повествуется о разных странах, континентах, а также населяющих их народах и этносах. В статье рассматривается одна из глав книги с точки зрения художественно-этнологического дискурса: автор-повествователь описывает нравы, род занятий, этнические особенности китайского народа, но делает это весьма живо, занимательно, эмоционально, т. е. на художественном уровне. Основным композиционным принципом произвед

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16

Delazari, Ivan. "Madeleine Thien's Chinese Encyclopedia: Facts, Musics, Sympathies." Genre 54, no. 2 (2021): 221–44. http://dx.doi.org/10.1215/00166928-9263078.

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This article explores the “encyclopedic” properties of Madeleine Thien's Do Not Say We Have Nothing (2016), seeking to define the novel as inherently comparative—that is, providing, in Edward Said's words, “a comparative or, better, a contrapuntal perspective” on the world with no need for a second counterpart text to draw cross-literary parallels. Written from a transpacific narratorial stance of a millennial Vancouver-based daughter of Chinese immigrants, the narrative communicates her secondhand knowledge about the traumatic twentieth-century history of the People's Republic of China, accum

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17

Feuchtwang, Stephan. "Book Review: Unstructuring Chinese Society: The Fictions of Colonial Practice and the Changing Realities of ‘Land’ in the New Territories of Hong Kong." Theory, Culture & Society 22, no. 2 (2005): 144–45. http://dx.doi.org/10.1177/026327640502200210.

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18

Brandauer, Frederick P. "Chinese Middlebrow Fiction from the Ch'ing and Early Republican Eras. Edited by Liu Ts'un-yan, with the assistance of John Minford. Hong Kong: Chinese University Press, 1984. viii, 372 pp. Notes on Contributors, Notes on Illustrations. $35." Journal of Asian Studies 44, no. 3 (1985): 599–601. http://dx.doi.org/10.2307/2056289.

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19

McDougall, Bonnie S. "Ng Mau-sang: The Russian hero in modern Chinese fiction. (SUNY series in Chinese Philosophy and Culture.) xv, 332 pp. Hong Kong: Chinese University Press; Albany, N.Y.: State University of New York Press, State University of New York Press, 1988. $39.50 (paper $12.95)." Bulletin of the School of Oriental and African Studies 53, no. 1 (1990): 175–77. http://dx.doi.org/10.1017/s0041977x00021807.

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20

Eide, Elisabeth. "Michael S. Duke (ed.): Worlds of modern Chinese fiction: short stories and novellas from the People's Republic, Taiwan and Hong Kong. xiii, 344 pp. Armonk, N.Y. and London: M. E. Sharpe Inc., 1991: $45 (paper $16.95)." Bulletin of the School of Oriental and African Studies 55, no. 3 (1992): 580–81. http://dx.doi.org/10.1017/s0041977x00004122.

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21

Pollard, D. E. "Stephen C. Soong and John Minford (ed.): Tress on the mountain: an anthology of new Chinese Writing. (Renditions Book Series.) 396 pp. Hong Kong: Chinese University Press, 1984. - Michael S. Duke(ed.): Contemporary Chinese literature: an anthology of post-Mao Fiction and poetry. (An expanded version of the Bulletin of Concerned Asian Scholars, Col. 16, No. 3,1984.) 137 pp. New York: M.E.Sharpe, Inc., 1985. - Zhao Zhenkai: Waves. Transl. by Bonnie S. McDougall and Susette Ternet Cooke. 216 pp. Hong Kong: Chinese University Press, 1985." Bulletin of the School of Oriental and African Studies 50, no. 3 (1987): 587. http://dx.doi.org/10.1017/s0041977x00040039.

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22

Shi, Dingxu. "Hong Kong written Chinese." Journal of Asian Pacific Communication 16, no. 2 (2006): 299–318. http://dx.doi.org/10.1075/japc.16.2.09shi.

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Анотація:

Hong Kong written Chinese is the register used in government documents, serious literature and the formal sections of printed media. It is a local variation of Standard Chinese and has many special features in its lexicon, syntax and discourse. These features come from three distinctive sources: English, Cantonese and innovation. The main concern of this paper is which features come from English and how they are adopted. It is shown that Hong Kong written Chinese has a large number of English loan words, both localized and semi-localized ones, and quite a few calque forms from English. Some of

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23

Zee, Eric. "Chinese (Hong Kong Cantonese)." Journal of the International Phonetic Association 21, no. 1 (1991): 46–48. http://dx.doi.org/10.1017/s0025100300006058.

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The style of speech illustrated is that typical of the educated younger generation in Hong Kong. The recording is that of a 22-year-old female university student who has lived all her life in Hong Kong.

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24

Cheung, Siu Keung. "From transnational to Chinese national?" Social Transformations in Chinese Societies 13, no. 2 (2017): 106–17. http://dx.doi.org/10.1108/stics-04-2017-0009.

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Purpose This paper aims to challenge the longstanding cosmopolitan interpretation of Hong Kong, particularly why this global city fails to absorb China equally through its great inclusiveness and flexibility as before. On the contrary, rising tensions, conflicts and resistance could be founded between Hong Kong and China these days. Design/methodology/approach By using Hong Kong cinema as an analytical lens, this paper seeks to throw light on the cinematic landscape of post-1997 Hong Kong and, by implications, the overall destiny of postcolonial Hong Kong under Chinese rule. Findings The postc

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25

Tong, Christopher. "Hong Kong Poets and the Making of a Cosmopolitan Literary Genre." Writing Chinese: A Journal of Contemporary Sinophone Literature 2, no. 1 (2023): 66–87. http://dx.doi.org/10.22599/wcj.44.

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Hong Kong has always existed on the margins of history. Interestingly, Hong Kong’s liminal status also made it a cosmopolitan space for transcultural exchanges between Chinese and Western worlds throughout the nineteenth and twentieth centuries. Despite its unique position vis-à-vis China and the West, however, Hong Kong has long been dismissed as lacking cultural gravitas. As such, Hong Kong culture finds itself self-consciously confronting a perennial crisis: as the People’s Republic of China gains increasing recognition in the canons of world literature, Hong Kong’s cosmopolitan culture is

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26

Lok, Peter. "Lost in Hong Kong." Social Transformations in Chinese Societies 13, no. 2 (2017): 149–58. http://dx.doi.org/10.1108/stics-04-2017-0011.

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Purpose The purpose of this paper is to explore how a neo-liberal nationalist discourse of China imagines the spatial identity of the post-1997 Hong Kong with reference to Lost in Hong Kong, a new Chinese middle-class film in 2015 with successful box office sales. Design/methodology/approach Textual analysis with the aid of psychoanalysis, postcolonial studies and semiotics is used to interpret the meaning of the film in this study. The study also utilizes the previous literature reviews about the formation of the Chinese national identity to help analyze the distinct identity of the Chinese m

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27

CARROLL, JOHN M. "Colonial Hong Kong as a Cultural-Historical Place." Modern Asian Studies 40, no. 2 (2006): 517–43. http://dx.doi.org/10.1017/s0026749x06001958.

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In July 1997, when Hong Kong reverted to Chinese sovereignty, this former British colony became a new kind of place: a Special Administrative Region (SAR) of the People's Republic of China (PRC). In the several years leading up to the 1997 transition, a sudden outpouring of Mainland Chinese scholarship stressed how Hong Kong had been an inalienable part of China since ancient times. Until then, however, Hong Kong had rarely figured in Mainland Chinese scholarship. Indeed, Hong Kong suffered from what Michael Yahuda has called a “peculiar neglect”: administered by the British but claimed by Chi

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28

Chan, Siu Han. "Chinese Nationality and Coloniality of Hong Kong Student Movement, 1960–1970s." Asian Journal of Social Science 46, no. 3 (2018): 330–58. http://dx.doi.org/10.1163/15685314-04603006.

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Abstract The present study investigates the episode of Hong Kong student movement in the 1960s to 1970s inspired by the charismatic idea of the Chinese Nation. Unlike most other cases of nationalist politics in colonial societies, Chinese identity politics in Hong Kong not only failed to challenge fundamentally the legitimacy of the British colonial state. It also did not proselytise Hong Kong people towards Chinese national identification and preoccupy Hong Kong society with the Chinese Question thereafter. Propitious colonial modernisation experience acting upon a diasporic population, which

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29

Yang, Liao, and Meng Li. ""Patriots Governing Hong Kong" and the Innovation of Practice Path to Cultivate the Chinese National Community Consciousness." Journal of Social and Political Sciences 4, no. 4 (2021): 161–68. https://doi.org/10.31014/aior.1991.04.04.328.

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The basic meaning of "patriots ruling Hong Kong" is that Hong Kong people who love China and love Hong Kong govern Hong Kong society to ensure the smooth implementation of the "One Country, Two Systems" system and the Basic Law of the Hong Kong Special Administrative Region in Hong Kong and maintain the long-term prosperity and stability of Hong Kong society. There is a logical connection between "patriots governing Hong Kong" and Hong Kong's united front work, which has firmly established the consciousness of the Chinese nation's community. "patriots

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30

Mok, C. C., and C. S. Lau. "Lupus in Hong Kong Chinese." Lupus 12, no. 9 (2003): 717–22. http://dx.doi.org/10.1191/0961203303lu451xx.

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31

MacDonald-Jankowski, David S., and Pui Chee Wu. "Cementoblastoma in Hong Kong Chinese." Oral Surgery, Oral Medicine, Oral Pathology 73, no. 6 (1992): 760–64. http://dx.doi.org/10.1016/0030-4220(92)90024-k.

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32

Tang, Winnie. "(Re) imaginings of Hong Kong: Voices from the Hong Kong Diaspora and Their Children." Journal of Chinese Overseas 10, no. 1 (2014): 91–108. http://dx.doi.org/10.1163/17932548-12341275.

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AbstractThis paper explores the (re)imaginings of the past by Chinese Americans and their families who came as part of the Hong Kong Chinese diaspora before 1997. Hong Kong is a locale often described as being conflicted with “the politics of disappearance”, but the Hong Kong Chinese diaspora provides a rich perspective into complex and nuanced tensions between central and peripheral linguistic and cultural imperialistic fields across time. Drawing upon the sociological work of transnational migration and belonging in Hong Kong, this research explores the discourses of Hong Kong émigrés and th

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33

Wang, Qiyu. "The Research on the Hong Kong's Ideological Identity in Days of Being Wild." BCP Education & Psychology 8 (February 27, 2023): 289–94. http://dx.doi.org/10.54691/bcpep.v8i.4342.

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At a time when Hong Kong's ideological identity is diverging from that of mainland China, Days of Being Wild, as a film that profoundly insinuates the problem of Hong Kong's identity, lurks as a root cause and a solution to the problem of resolving the conflict between Hong Kong and mainland China. At present, the ideological research on the film is mainly focused on post-colonial studies, and the value of the film for Hong Kong identity studies is not well understood. This article uses the ideological analysis of the film in John Ford's Young Mr. Lincoln of Cahiers du Cinéma to analyze the ba

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34

Li, Xiaofan Amy. "Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse." Journal of Modern Literature 48, no. 3 (2025): 94–112. https://doi.org/10.2979/jml.00086.

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Abstract: Although the fiction of Hong Kong writers Hon Lai-chu and Dorothy Tse Hiu-hung are frequently described as “surreal,” does this term have critical purchase beyond its misleading vernacular use for anything that appears bizarre and fantastical? In Hon’s Empty Faces and Tse’s Owlish, Surrealism proves to be deeply relevant to both writers. Surrealist visuality prioritizes the novels’ literariness and resists reading Hong Kong literature as political allegory. The precarious human face in Hon and the uncanny doll figure in Tse re-enact surreal experiences of disquietude and liminality.

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35

Kin, Au Chi. "The Academic Role of Hong Kong in the Development of Chinese Culture, 1950s–70s." China Report 54, no. 1 (2017): 66–80. http://dx.doi.org/10.1177/0009445517744408.

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For many people, ‘Hong Kong is a cultural desert’. However, we find that Hong Kong plays an important academic role and acts as a cultural bridge between China and Western countries, especially when China experiences unstable political, economic, social and cultural situations. The People’s Republic of China was established in 1949. During this time, numerous scholars fled China and selected Hong Kong as a ‘shelter’. Some decided to stay for good, whereas others viewed the territory as a stepping stone. Regardless of their reasons, their academic performance has significantly influenced Hong K

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36

Pang, Ka Wei. "The making of Chinese medicine in Hong Kong." Social Transformations in Chinese Societies 14, no. 1 (2018): 17–28. http://dx.doi.org/10.1108/stics-01-2018-0003.

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Purpose This paper aims to examine the development of Chinese medicine in Hong Kong and argues that Chinese medicine is not a mere healing practice but a discursive practice against its unique institutional context. Design/methodology/approach Reviewing the medical history in the colonial and post-colonial era, this paper delineates the dynamics between Chinese medicine and Western medicine, and the discursive shaping of Chinese medicine in Hong Kong. Findings While Chinese medicine in post-colonial Hong Kong is modernizing itself from a traditional medicine to the scientific Traditional Chine

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37

Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After high

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Lee, Sing, Helen F. K. Chiu, and Char-Nie Chen. "Anorexia Nervosa in Hong Kong." British Journal of Psychiatry 154, no. 5 (1989): 683–88. http://dx.doi.org/10.1192/bjp.154.5.683.

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Anorexia nervosa is a geographically distinct psychiatric disorder; it is rapidly increasing in incidence in Western countries, while being virtually unreported in China, or in the Chinese community of Hong Kong. This is surprising when the Chinese preoccupation with food and their reported readiness to somatise dysphoria are considered. Three Chinese anorectics born and living in Hong Kong and exhibiting mostly typical clinical features are reported. The rarity of the disorder in the East could be related to protective biological and sociocultural factors specific to the Chinese, and while it

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Fu, Poshek. "Japanese Occupation, Shanghai Exiles, and Postwar Hong Kong Cinema." China Quarterly 194 (June 2008): 380–94. http://dx.doi.org/10.1017/s030574100800043x.

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AbstractThis article explores a little-explored subject in a critical period of the history of Hong Kong and China. Shortly after the surrender of Japan in 1945, China was in the throes of civil war between the Nationalists and Communists while British colonial rule was restored in Hong Kong, The communist victory in 1949 deepened the Cold War in Asia. In this chaotic and highly volatile context, the flows and linkages between Shanghai and Hong Kong intensified as many Chinese sought refuge in the British colony. This Shanghai–Hong Kong nexus played a significant role in the rebuilding of the

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Tang, Ling. "Guarding the Space In-between." British Journal of Chinese Studies 11 (June 29, 2021): 36–52. http://dx.doi.org/10.51661/bjocs.v11i0.71.

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Based on eight in-depth interviews, this article analyses the quandary faced by liberal mainland Chinese student migrants in Hong Kong. On the one hand, the liberal pro-democracy movements in Hong Kong are deeply intertwined with the rise of localism, which is based on a dichotomy between Hong Kong and mainland China. On the other hand, a rising, development-centric nationalism in mainland China reduces Hong Kong protesters to unemancipated British colonial subjects. However, in the context of this “double marginalisation,” liberal Mainland students guard a form of liberalism that transcends b

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Tanigaki, Mariko. "The Changing ‘China’ Elements in China Studies in the University of Hong Kong." China Report 54, no. 1 (2018): 99–117. http://dx.doi.org/10.1177/0009445517744406.

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This article aims to give a broad picture of the development of Chinese/China Studies at the University of Hong Kong until the 1970s. Courses on Chinese were conducted from the very beginning of the establishment of the University of Hong Kong. Chinese Studies at the University of Hong Kong started with the first two migrant scholars to Hong Kong and reflected the pre-Republican style cultivated in the imperial civil service examinations. However, the curriculum changed gradually after the establishment of the Department of Chinese. Xu Dishan and Chen Junbao took the reform further. In the pos

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Shaoyang, Lin. "Hong Kong in the Midst of Colonialism, Collaborative and Critical Nationalism from 1925 to 1930." China Report 54, no. 1 (2018): 25–47. http://dx.doi.org/10.1177/0009445517744409.

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In the late 1920s, cultural nationalism in Hong Kong was imbedded in Confucianism, having been disappointed with the New Culture Movement and Chinese revolutionary nationalism.1 It also inspired British collaborative colonialism. This study attempts to explain the link between Hong Kong and the Confucius Revering Movement by analysing the essays on Hong Kong of Lu Xun (1881–1936), the father of modern Chinese literature and one of the most important revolutionary thinkers in modern China. The Confucius Revering Movement, which extended from mainland China to the Southeast Asian Chinese communi

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MacDonald-Jankowski, D. S. "Calcification of the stylohyoid complex in Londoners and Hong Kong Chinese." Dentomaxillofacial Radiology 30, no. 1 (2001): 35–39. http://dx.doi.org/10.1038/sj/dmfr/4600574.

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AIM To compare the prevalence and pattern of calcification of the stylohyoid complex in Hong Kong Chinese with that in London. METHODS The panoramic radiographs of two consecutive series of patients attending the primary dental care departments were reviewed, 862 patients in Hong Kong and 800 in London. The morphology of the stylohyoid complex was allocated to one of 12 patterns. RESULTS A normal styloid process is significantly more prevalent in Hong Kong (P&lt;0.01). A calcified stylohyoid ligament is significantly more common in London (15.8%) than Hong Kong (3.9%, P&lt;0.01), where

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Lu, Xiao. "Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong." Arts 12, no. 6 (2023): 237. http://dx.doi.org/10.3390/arts12060237.

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Following the trauma of the Second World War, Hong Kong, under British governance, enjoyed considerable economic and political freedom to establish a local entertainment industry. Musical films became a major genre of Hong Kong’s film releases in the 1950s. Local melodramas, Hollywood musicals, celebrities, and ideals of female beauty were all present in the growth of Hong Kong musical films, which culminated in a glorious display of cinematic art. This article aims to provide insight into the popularity of Chinese-speaking musical films by examining the social, economic, and political complex

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Song, Chris. ""The City’s Charms and Challenges" by P K Leung (translation)." Writing Chinese: A Journal of Contemporary Sinophone Literature 2, no. 1 (2024): 149–52. http://dx.doi.org/10.22599/wcj.56.

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In this essay “The City’s Charms and Challenges” 城巿的诱惑·城市的挑战' by P K Leung (alias Ye Si 也斯) published in Zhong Hua Du Shu Bao (《中华读书报》) in 2013, Leung traces his own journey as he -- just like many other Chinese families -- moved with his family from Guangdong to Hong Kong in 1949, where he grew up, lived and taught, becoming one of the best-known Hong Kong writers. In the essay, he also mapped out the early beginnings of Hong Kong literature, its intrinsic roots in Chinese literature, and how it has thrived amidst the socio-cultural and historical changes in Hong Kong in the last few decades

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Huei-Ying (郭慧英), Kuo. "Trading with the “Enemy”? Hong Kong Bourgeoisie and Chinese Nationalism during the Two Wars, 1919–1941." Translocal Chinese: East Asian Perspectives 9, no. 1 (2015): 170–96. http://dx.doi.org/10.1163/24522015-00900009.

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This paper examines the interplay between trade and nationalism in the development of Chinese bourgeois nationalism in British Hong Kong in the interwar years (1919–1941). It points out the contingent responses among the Chinese bourgeoisie to the calls of Chinese nationalism. The bourgeoisie were lukewarm to the mobilization of the Chinese anti-British strikes and boycotts in the 1920s. They however organized fundraising movements and charities to support the Chinese defence against the Japanese inroads in the 1930s. The implication of the findings is twofold: first, the operation of Chinese

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Jiang, Hechao, Daniel T. L. Shek, and Moon Y. M. Law. "Differences between Chinese Adolescent Immigrants and Adolescent Non-Immigrants in Hong Kong: Perceived Psychosocial Attributes, School Environment and Characteristics of Hong Kong Adolescents." International Journal of Environmental Research and Public Health 18, no. 7 (2021): 3739. http://dx.doi.org/10.3390/ijerph18073739.

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Although the impact of immigration on adolescent developmental outcomes has received extensive scholarly attention, the impact of internal migration, particularly in the Chinese context, on adolescents’ psychosocial development has not been scientifically investigated. This study examined whether mainland Chinese adolescent immigrants (N = 590) and adolescent non-immigrants (n = 1798) differed on: (a) psychosocial attributes indexed by character traits, well-being, social behavior, and views on child development, (b) perceived school environment, and (c) perceptions of characteristics of Hong

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P.C. Cheung, Patti, and Maria L.C. Lau. "From union catalogue to fusion catalogue." Library Management 35, no. 1/2 (2014): 88–101. http://dx.doi.org/10.1108/lm-04-2013-0031.

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Purpose – The purpose of this paper is to reflect The Chinese University of Hong Kong Library's catalogue evolution as a result of electronic resources cataloguing and how collaborative cataloguing could be implemented in the context of Hong Kong. Design/methodology/approach – The paper outlines the challenges faced by The Chinese University of Hong Kong Library and the need to find alternative way to catalogue e-books come in large batches. It describes in particular the cataloguing of Chinese e-books in collaboration with the China Academic Library and Information System (CALIS). Findings –

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Rule, Pauline. "The Transformative Effect of Australian Experience on the Life of Ho A Mei, 1838–1901, Hong Kong Community Leader and Entrepreneur." Journal of Chinese Overseas 9, no. 2 (2013): 107–34. http://dx.doi.org/10.1163/17932548-12341256.

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Abstract Ho A Mei, one of the earliest young Chinese to receive a thorough English education in the colony of Hong Kong, spent ten difficult years from 1858 to 1868, striving to make a fortune in the gold rush Australian colony of Victoria. Here he learnt much about modern business practices and ventures and also protested against the racial hostility that the Chinese encountered. Eventually after his retreat back to Hong Kong and Guangdong Province, he was successful partly because of his experiences in the advanced capitalist economy of colonial Victoria. This led him to move beyond the merc

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Pan, Jia-Yan, Daniel Fu Keung Wong, Lynette Joubert, and Cecilia Lai Wan Chan. "Acculturative Stressor and Meaning of Life as Predictors of Negative Affect in Acculturation: A Cross-Cultural Comparative Study between Chinese International Students in Australia and Hong Kong." Australian & New Zealand Journal of Psychiatry 41, no. 9 (2007): 740–50. http://dx.doi.org/10.1080/00048670701517942.

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Objective: The purpose of the present study was to compare the predictive effects of acculturative stressor and meaning of life on negative affect in the process of acculturation between Chinese international students in Australia and Hong Kong. Method: Four hundred mainland Chinese students studying at six universities in Hong Kong and 227 Chinese international students studying at the University of Melbourne in Australia completed a questionnaire that included measures of acculturative stressor, meaning of life, negative affect and demographic information. Results: The Australian sample was

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