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Готові списки джерел за темами / Intonational and semantic pattern / Статті в журналах

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Intonational and semantic pattern.

Статті в журналах з теми "Intonational and semantic pattern"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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1

Alkhazaali, Musaab Raheem. "Intonation in Iraqi Musical Melodies." Buckingham Journal of Language and Linguistics 9 (May 31, 2017): 75–90. http://dx.doi.org/10.5750/bjll.v9i0.1060.

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This paper deals with intonation in Iraqi musical melodies (MMs). As such, it aims to analyze the intonational patterns in the Iraqi music. The main musical melodies in the Iraqi music are Rast, Dasht, Hijaaz, Kurd, and Bayaat. In this vein, the current study attempts to answer the following questions: the current paper attempts to answer the following questions: (i) What are the intonational patterns of Iraqi MMs? And (ii) What is the additional function of intonation in MMs? In the light of these questions, the corner hypothesis is that Iraqi MMs have their own specific definable intonationa

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2

Zhang, Xiaoshuai. "A Study on English Equivalents of Cantonese Sentence-Final Particles: Zaa3 and Ze1 as an Example." International Journal of Linguistics, Literature and Translation 6, no. 8 (2023): 01–07. http://dx.doi.org/10.32996/ijllt.2023.6.8.1.

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This study explores English equivalents of the Cantonese sentence-final particles (SFPs) zaa3 and ze1 by utilizing Natural Semantic Metalanguage (NSM) explications to analyze their semantic components and roles and conducting a phonetic experiment to find the English intonational equivalents. While zaa3 and ze1 both convey the meaning of “only” or “just” in Cantonese, this research reveals that they differ in connotations, are contextually specific, and their implied meanings cannot be adequately captured through direct translation into English. To address this, the study employs NSM explicati

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3

Pinto, Maristela da Silva, and Leticia Rebollo Couto. "Describing, listening and teaching questions and orders´ intonation in mexican, caribbean and castilian spanish to brazilian learners." Journal of Speech Sciences 5, no. 2 (2021): 177–200. http://dx.doi.org/10.20396/joss.v5i2.15073.

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The study intends to present results obtained from a methodology of intonation teaching, based on metacognition assumptions (Flavell, 1976; Gombert, 1992; Ribeiro, 2003). The methodology has five stages labelled as: 1 - learner's awareness of the transfering their mother tongue (LM) into the target foreign language (LEA); 2 - description of the intonational contour of total and partial interrogative utterances; 3-perception; 4-mimetic repetition; 5 - oral production based on careful listening. According to Cortés (2002), intonation is essential to convey messages in an appropriate way, showing

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4

Jumabay, Uldanay. "Formal and functional approaches to subordination in Kazakh." Orientalia Suecana 72 (December 16, 2023): 76–99. http://dx.doi.org/10.33063/os.v72.318.

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This paper investigates clausal subordination in Kazakh and its functional and formal properties. Kazakh subordinate clauses manifest typical Turkic nominalization, where the dependent predicate and the first argument (if overtly expressed) differ from those of main clauses. Such differences can be seen in three grammatical aspects: syntax, semantics and prosody. Regarding the semantic-syntactic features, subordinate clauses are morphologically reduced and display various degrees of syntactic downgrading; they can display first argument co-reference and semantic integration with their superord

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5

Petrova, Anastasiya Dmitrievna. "New poetics of French prose and its perception in Russian translation." Litera, no. 8 (August 2025): 1–9. https://doi.org/10.25136/2409-8698.2025.8.74989.

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The object of the study is the new poetics of French prose of the late 19th — first half of the 20th century and its functioning in the system of Russian translation. The focus is on texts in which the artistic effect is created not so much by the plot composition, but through the syntactic structure, rhythmic organization and intonational heterogeneity. The study is based on the works of such authors as Marcel Proust and Andr&#233; Gide, whose texts are dominated by extended periods, grammatical deviations from the norm, associative logic of the statement and elements of "inner speech". T

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6

Kojadinović, Zlatan. "Variation in the prosody of illocutionary adverbs." Open Linguistics 8, no. 1 (2022): 593–617. http://dx.doi.org/10.1515/opli-2022-0209.

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Abstract Illocutionary adverbs such as frankly, honestly, and seriously have been commonly analysed as interpersonal (non-truth-conditional) modifiers that are characterised by syntactic and prosodic detachment from the ‘host’ they are associated with. However, recent accounts (e.g. Keizer 2018a) have shown that the formal (syntactic and prosodic) properties of such adverbs do not necessarily follow directly from the semantic non-truth-conditionality towards the main proposition. With respect to the prosodic realisation, such interpersonal adverbs can either be integrated into the respective u

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7

Escandell-Vidal, Victoria. "Intonation and Evidentiality in Spanish Polar Interrogatives." Language and Speech 60, no. 2 (2017): 224–41. http://dx.doi.org/10.1177/0023830917698178.

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Three different nuclear pitch accents can be found in Castilian Spanish polar interrogatives. In addition to the ‘canonical’ low-rise pattern, there are two marked interrogative contours featuring high-rise and rise–fall pitch accents. The aim of this paper is to explain how each contour contributes to the interpretation of the utterance in which they occur. I argue that this contribution is to be sought at the semantic, not at the pragmatic-illocutionary, attitudinal-level. My proposal is that the low-rise contour is the expression of unspecified sentence polarity (corresponding to the interr

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8

Forbes-McKay, Katrina, Michael F. Shanks, and Annalena Venneri. "Profiling spontaneous speech decline in Alzheimer's disease: a longitudinal study." Acta Neuropsychiatrica 25, no. 6 (2013): 320–27. http://dx.doi.org/10.1017/neu.2013.16.

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ObjectiveThis study aims to document the nature and progression of spontaneous speech impairment suffered by patients with Alzheimer's disease (AD) over a 12-month period, using both cross-sectional and prospective longitudinal design.MethodsThirty one mild–moderate AD patients and 30 controls matched for age and socio-cultural background completed a simple and complex oral description task at baseline. The AD patients then underwent follow-up assessments at 6 and 12 months.ResultsCross-sectional comparisons indicated that mild–moderate AD patients produced more word-finding delays (WFDs) and

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9

Ню, Ц. "«КОЛОКОЛА В ТУМАНЕ»: ФЕНОМЕН ЛИРИЧЕСКОЙ СОНОРИКИ В ТВОРЧЕСТВЕ Э. ДЕНИСОВА". Music Journal of Northern Europe, № 1(41) (9 квітня 2025): 106–16. https://doi.org/10.61908/2413-0486.2025.41.1.106-116.

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В статье исследуется феномен лирической сонорики в творчестве Эдисона Денисова, рассматриваемый на примере сочинения для большого оркестра «Колокола в тумане». Анализ пьесы позволил заключить, что различные по форме, тембровой окраске и интонационному составу звучности композитор наделяет исключительно лирической выразительностью и образно-смысловой функцией. В «Колоколах в тумане» Денисов подвергает тщательной разработке колорит, объём, плотность, протяжённость, динамику, звуковысотный и ритмический рисунок соноров, что и позволяет ему достичь большой проникновенности, утончённости, чувственн

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10

О., О. Тєлєжкіна. "ХІАЗМ ЯК МОВНОСТИЛІСТИЧНИЙ ПРИЙОМ У ВІРШОВІЙ ОПОВІДІ (на матеріалі української поезії ІІ половини – початку ХХІ століття)". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 138–45. https://doi.org/10.5281/zenodo.1048779.

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<em>Chiasmus is a bright and many-sided means of poetic syntax. Despite the fact that chiasmus as a method of expressing the text has been used since 10</em><em>th</em><em>-8</em><em>th </em><em>centuries BC and was recorded in Hebrew sacred texts, and therefore it has had a long history of research, as indicated by I. Barchyshyn, </em><em>Е</em><em>. Berehovska, O. Krylova, I. Parovyak and others, so far there is no single characteristic and definition of this notion. This state of affairs actualizes the study in domestic linguistics. The paper is aimed to characterize chiasmus as a stylistic

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11

GHOSH, Soumya Sankar, Samir KARMAKAR, and Arka BANERJEE. "Functional Significance of Contextual Distribution: Discourse Particle ar in Bangla." Acta Linguistica Asiatica 7, no. 1 (2017): 23–39. http://dx.doi.org/10.4312/ala.7.1.23-39.

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This paper deals with Bangla indeclinable ar to explore its role in conversational discourse. In doing so, the paper provides a detail study about ar in the Bangla language. This, in turn, helps to conceptualize how the occurrences of ar motivate a conversation in a pragmatic domain, in particular. More specifically, multiple interpretations of ar pose a particular challenge to semantics and pragmatics, which can be taken care of through the incorporation of phonological context. Phonological context contains information about speaker’s intention and speaker’s approach to their utterance. The

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12

Georgiafentis, Michalis, Anna Sfakianaki, Angeliki Tsokoglou, and Mary Baltazani. "Where do you like it?" Journal of Greek Linguistics 25, no. 1 (2025): 49–77. https://doi.org/10.1163/15699846-02501004.

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Abstract We examine utterances that contain merely contrastive, corrective, confirmative, and mirative focus structures in Greek. Through a perception experiment, we provide evidence regarding listener preferences about the syntactic position (‘high’ vs ‘low’) of the contrastively focused objects in SVO vs OVS patterns. The results suggest that listeners consider utterances with all four focus types acceptable, regardless of whether the sentential object appears in a ‘high’ or ‘low’ position in Greek, unlike other languages. Moreover, specific listener preferences are brought to light for each

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13

Ройа, А., and В. Алиреза. "THE COMPARATIVE ANALYSIS OF SUPRASEGMENTAL UNITS IN RUSSIAN AND PERSIAN BASED ON PRONUNCIATION ERRORS OF IRANIAN STUDENTS IN THE FIFTH INTONATION PATTERN (IC-5)." Международный аспирантский вестник. Русский язык за рубежом, no. 3 (September 27, 2024): 75–79. http://dx.doi.org/10.37632/pi.2024.12.26.013.

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Статья посвящена сравнительному анализу фонетических ошибок иранских студентов при произнесении ими пятой интонационной конструкции (ИК-5). В результате проведения акустического анализа авторы выясняют причины персидского акцента и возникновения семантических помех в русской речи иранских студентов. Целью данной статьи является рассмотрение особенностей интонации русского языка, выступающей важнейшим средством экспрессивности и лингвосемантической дифференциации. The article is devoted to the comparative analysis of phonetic errors of Iranian students when pronouncing the fifth intonation cons

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14

김수정 and 박시윤. "Effects of Semantic Features on the Intonational Patterns of Intransitive Verb Sentences: acoustic analysis of speeches of English natives and Korean learners." New Korean Journal of English Lnaguage & Literature 57, no. 2 (2015): 87–107. http://dx.doi.org/10.25151/nkje.2015.57.2.005.

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15

Berenbein, Inessa. "Mythopoetics of V. Kosenko's sonata work as a manifestation of meaning." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(62) (March 28, 2024): 92–103. https://doi.org/10.31318/2414-052x.1(62).2024.304969.

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The author examines the features of the mythopoetic semantics of Victor Kosenko's sonata works on the example of the Third Sonata in h-moll op. 15 for piano, Sonatas for violin and piano a-moll op. 18, of the piano cycle "11 etudes in the form of an ancient dance" op. 19 and their semantic concept. The culminating significance of the Zhytomyr period in the realm of chamberinstrumental creativity is defined as an individual intonation-sound pattern. The peculiarities of the artist's stylistic thinking in the creation of the author's sound universe are revealed as an ethical text of culture invo

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16

Valenzuela, Javier, Joseph Hilferty, and Mar Garachana-Camarero. "On the reality of constructions." Annual Review of Cognitive Linguistics 3 (October 31, 2005): 201–15. http://dx.doi.org/10.1075/arcl.3.11val.

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In the present paper, we adduce further evidence for the reality of grammatical constructions by focusing on a highly idiosyncratic configuration from Spanish, which we call the reduplicative-topic construction. This construction is a productive syntactic pattern that functions as a “constructional hedge”. The grammatical behaviors of this construction cannot be captured by syntactocentric approaches to grammar. Instead, co-ocurring multiple constraints must be taken into account, including phonological (intonation and rhythm), morphosyntactic and semantic factors. The thrust of our argument i

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17

Kleiber, Judit, Gábor Alberti, and Veronika Szabó. "The intensional profiles of five hungarian imperative sentence types." Linguistica 56, no. 1 (2016): 161–72. http://dx.doi.org/10.4312/linguistica.56.1.161-172.

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The paper investigates Hungarian imperative sentence types from a pragmaticosemantic point of view. In addition to the baseline imperative, it analyzes types with non-standard intonation pattern and/or discourse markers. We apply the (S)DRT-based discourse-semantic framework of ℜeALIS for the examination and representation of five form–function pairs. The discussed types are all assigned an intensional profile which encodes the interlocutors’ beliefs, desires and intentions (from the addresser’s perspective). The analysis derives the different meanings of the variants from parametric differenc

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18

Cosentino, Gianluca. "Die Integration prosodischen und syntaktischen Wissens bei der Ermittlung der Textkohärenz im schriftlichen Textverstehen." Linguistik Online 117, no. 5 (2022): 23–47. http://dx.doi.org/10.13092/lo.117.9041.

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Reading is a highly complex cognitive process. From a neurobiological point of view, it involves at least six linguistic sub-competences including orthographic, semantic, syntactic, phonetic and prosodic competence. Each of these skills is required of the reader to extract different types of information from the text, ranging from the perceptual and the syntactic to the lexical and pragmasemantic one. Based on the main results of cognitive-oriented research on text and reading, this paper illustrates how prosodic competence, combined with formal coherence patterns, can be considered and employ

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19

Azadi, R., and A. Valipour. "Comparative Study of Suprasegmental Units of the Russian and Persian Languages in the Speech of Iranian Students Acquiring the Sixth Intonation Pattern." Linguistics & Polyglot Studies 11, no. 1 (2025): 131–45. https://doi.org/10.24833/2410-2423-2025-1-41-131-145.

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When learning a new language, students may encounter various challenges, particularly those related to the unique structural aspects of the target language. One of the fundamental and most important subjects in the field of language education is phonetics − one of the main sections of linguistics, which allows the language to focus on the physical aspects and coordinates speech sounds. Phonetics is the field that examines intonation as a means of registering utterances and creating their integrity, while simultaneously dividing speech streams into minimal units with semantic meaning.In this ar

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20

Musiienko, Yulia. "EMOTIONAL-AND-PRAGMATIC POTENTIAL OF ACCENTUATION IN THE PARABLE DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (2020): 128–32. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-128-132.

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The article is devoted to the study of prosodic means’ loading in creating emotional didactic utterance conveyed in modern English parables. The relevance of the problem is due to the general tendency of contemporary linguistic studies to analyze the functioning of prosodic means of coding, generating, perception and decoding of didactic loading of the utterance. A conducted experimental-and-phonetic research has shown that accentuation of lexical, grammatical and stylistic linguistic means within their prosodic loading facilitates a process of actualization and decoding of directive intention

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21

Mosegaard Hansen, Maj-Britt. "Syntax in interaction." Studies in Language 25, no. 3 (2001): 463–520. http://dx.doi.org/10.1075/sl.25.3.04mos.

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This paper investigates the correlation between the form and function of yes/no interrogatives in spoken French. The standard language possesses three ways of constructing such interrogatives: verb-clitic inversion; prefixation of a declarative sentence with the interrogative particle est-ce que; and a rising intonation pattern superposed on a declarative structure. The choice between the three has traditionally been described in terms of register differences. This paper argues, however, that the three constructions differ not only on the pragmatic level, but also on the semantic level, and th

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22

Zabiran, Raisa Vladimirovna, and Svetlana Vladimirovna Bobrova. "The role of speech melody in shaping the semantics of Boris Pasternak's poem "Like Them"." Philology. Theory & Practice 18, no. 1 (2025): 135–41. https://doi.org/10.30853/phil20250020.

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The purpose of the study is to determine the role of intonation characteristics of B. L. Pasternak's lyrical works in constructing the meaning of the text. The article describes the functions of the melodics of speech in B. L. Pasternak's poem "Like Them", examines the main role of the melodics of a lyrical work, influencing the content of the entire text, helping to create the image of a lyrical hero and revealing the author's intention. The scientific novelty of the research consists in the analysis of the lyrical composition of B. L. Pasternak's poem "Like Them" and in identifying the influ

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23

Bleortu, Cristina. "Is there a prosodic accommodation in the final falling contours of Pola Siero’s absolute interrogatives?" Onomázein Revista de lingüística filología y traducción, no. 11 (2023): 140–50. http://dx.doi.org/10.7764/onomazein.ne11.02.

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This paper investigates the final Pola de Siero’s contours in absolute interrogatives. We carried out 24 surveys of situations using the methodology of Interactive Atlas of Spanish Intonation, with examples of various intonation contours, which are employed to encode different semantic nuances. The 24 subjects of our corpus were selected taking into account three social variables (age, education and sex)2. We aim to address one question in this study: is there a correlation between social factors and the final contours of Pola de Siero in absolute interrogatives? We found that 21 informants in

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24

Sitsui, Zhang. "Intonation Attributes of Traditional Singing And Recitations of Suzhou Musical Drama." Culture of Ukraine, no. 71 (April 2, 2021): 125–28. http://dx.doi.org/10.31516/2410-5325.071.16.

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The aim of this paper is to identify the intonation attributes of traditional singing and recitation in Suzhou musical drama, which is embodied in the melodic organization of melody, rhythmic pattern, signs of syncretism with speech and gestures of singers-actors, which add semantic certainty and artistic expression to images. Research methodology. The study investigates this issue by examining the basic methods and principles of musicology. Results. Suzhou drama is based on traditional folk songs of the northern regions of Jiangsu province, “labor cries”, such as urging bulls when

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25

Val’kova, Vera B. "Intonation models N.A. Rimsky-Korsakov in the music of S.V. Rachmaninov." Contemporary Musicology, no. 3 (2019): 24–43. http://dx.doi.org/10.56620/2587-9731-2019-3-024-043.

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Using intonation models of N.A. Rimsky-Korsakov in Rakhmaninov’s music was deeply motivated by his special attitude to the older contemporary: N.A. Rimsky-Korsakov – along with P.I. Tchaikovsky – was one of the most considered and beloved Rakhmaninov’s composers. The nature of Rakhmaninov’s appeal to the musical patterns of the Petersburg master is determined by the specifics of the personal and creative contacts of the two musicians, which are briefly covered in the article. Cases of particular interest are when a tense semantic conjugation of his own text and borrowings from Rimsky-Korsakov’

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Naiko, Natalia M. "SEMANTIC OVERTONES OF D. SHOSTAKOVICH'S NINTH SYMPHONY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 170–84. http://dx.doi.org/10.17223/22220836/39/16.

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The ninth symphony, created by D. Shostakovich in 1945 and a few years later defined as the “scherzo symphony”, was met with bewilderment by critics who expected a grandiose work praising the Victory. The deep layers of its content, the direction of the author’s thought, become accessible to understanding only as a result of the analysis of the composer’s work with thematic material having a “secondary” nature. This is material I (sonata allegro), III (scherzo) and V (final). The main themes of parts I and III are generalized in genre, they are characterized by being ori-entated at classicist

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27

Fedorak, Dar’ia. "Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style." Aspects of Historical Musicology 19, no. 19 (2020): 312–30. http://dx.doi.org/10.34064/khnum2-19.18.

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Statement of the problem. Today national musicology is beginning to actively show interest in the study of Western European medieval monody. However, there is still no scientific information about the unique personality of the Middle Ages – Hildegard of Bingen and her musical creativity – in particular about the liturgical drama «Ordo virtutum», although there are some musicology methods for analyzing this music. The relevance of this study is due to the filling of this gap. Taking in account that a musical work of the 11–12th centuries is usually considered only within the context of the “his

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Oparina, Julia M. "Poetic Intonation in the Poems by Alexander Blok and Sergei Yesenin: More on the Methodology of Analysis." Contemporary Musicology, no. 4 (2021): 65–78. http://dx.doi.org/10.56620/2587-9731-2021-4-065-078.

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In poetry, like in music, the poetic sounding has a semantic meaning and the meaning captured in a poem is “incapable of being renamed”, that is, expressed in any other way. This is what A.V. Mikhailov defines as “musicality”. Based on the concept of musicality in poetry, the article puts forward an original method of analysing poetic intonation. It can be used to identify individual features of the sound structure in a verse and, as a consequence, its emotional tone. The comparative analysis of two poems by A. Blok and S. Yesenin found the difference between the poetic intonation—a sound mean

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Pinem, Yune Andryani. "STYLISTIC ANALYSIS OF ENGLISH IMPERATIVE COMMAND MOOD TRANSFER TO JAVANESE." LLT Journal: A Journal on Language and Language Teaching 22, no. 1 (2019): 11–22. http://dx.doi.org/10.24071/llt.v22i1.1646.

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Imperative Mood (IM) for Javanese is strongly related to social status determining language choice. Triglossia of Ngoko, Madya and Krama are pictured in language use as well as prosodic features of pitch contour. To look at how English IM transfers to Javanese is the purpose of this research as well as how this process influences variant of pitch contours produced by Javanese speaker. This is a comparative study highlighting difference and similarity visualized by Javanese and English pitch contours with similar semantic meaning to be analyzed in pragmatics stylistic framework. Imperative to C

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30

Wang, Duangui. "Re-semantization of A. Pushkin’s poetry in the creative work of V. Kosenko (on the example of “The Five Romances”, op. 20)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 89–102. http://dx.doi.org/10.34064/khnum1-50.07.

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Анотація:

Formulation of the problem. In the chamber-vocal genre, the composer exists in two images: he is both the interpreter of the poetic composition and the author of a new synthetic music and poetic composition. The experience of the style analysis of one of the best examples of Ukrainian vocal lyrics of the first third of the 20th century shows that the cycle op. 20 characterizes the mature style of the composer, which was formed, on the one hand, under the influence of European Romanticism. On the other hand, the essence of the Ukrainian “branch” of the Western European song-romance (“solo-singi

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Teslitska, Halyna Illivna. "Scientific and theoretical fundamentals of the onomasiological parameters study of adjectives as a part of speech word-class." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 157–62. http://dx.doi.org/10.34079/2226-3055-2021-14-24-157-162.

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Анотація:

The article focuses on the study of the phenomenon of syntactic complication of a simple sentence structure by semi-predicative adjectival components (traditionally known as detached participle and verbal adverb phrases) with the inherent potential predicativeness. The scientific relevance of the investigation is predetermined by a general tendency of modern linguistic studies towards the problems of semantic syntax, and by the attempt to elaborate a semantic theory of a sentence with regard to the central place of syntax in grammar, asymmetry of a language sign, deep categories of sentence. T

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КУЛЬБАБСЬКА, Олена, and Галина ТЕСЛІЦЬКА. "SEMANTICSANDSYNTAGMATICRELATIONSOFSIMPLESENTENCESWITHSEMIPREDICATIVEADJECTIVAL COMPONENTS IN UKRAINIAN." Lingua Montenegrina 29, no. 1 (2022): 101–18. https://doi.org/10.46584/lm.v29i1.898.

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Анотація:

The research focuses on the study of the phenomenon of syntactic com-plication of a simple sentence structure by semipredicative adjectival components with the inherent potential predicativeness. The scientific relevance of the investigation is predetermined by a general tendency of modern linguistic studies towards the problems of semantic syntax, and by the attempt to elaborate a semantic theory of a sentence with regard to the central place of syntax in grammar, asymmetry of a language sign, deep categories of sentence. Therefore, the analysis of simple sentences complicated by semipredicat

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Maltseva, Anastasiya А. "SOME OBSERVATIONS OF THE CONTEMPORARY MUSICAL AND RHETORIC ANALYTICS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 146–55. http://dx.doi.org/10.17223/22220836/40/12.

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Анотація:

When considering the research of the musical rhetoric in the Russian musicology the leading significance of the intonation-semantic aspect should be highlighted, as well as active elaboration of the musical language and its communicative possibilities, but at the same time we should pay attention to fixation of the unidirectional concept of really board and heterogeneous range of Baroque musical and rhetoric figures. The early 1980s – 1990s and 2000s was the period of intensive studies of the musical language elements as meaning-forming building blocks of a work of arts as a total. In the 21st

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34

Milićev, Tanja, Nataša Milićević, and Maja Marković. "Prosodic and Semantic Properties of Intonational Phrases." Romanian Journal of English Studies 9, no. 1 (2012): 70–77. http://dx.doi.org/10.2478/v10319-012-0008-9.

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Анотація:

Abstract The aim of this paper is to investigate the relation between prosodic and semantic properties of Intonational Phrases, based on the facts from Serbian. The production tests and elicited judgements show that the prosodic integration of the embedded IPs (appositives, parentheticals, and the left-peripheral adverbs) has a distinct semantic effect, or is accompanied by the narrow focus interpretation within the proposition modified.

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35

Okhotnikov, Vladimir E. "The Semantic Explicitization of the Musical Text in Work with Beginner Guitarists." ICONI, no. 3 (2020): 107–20. http://dx.doi.org/10.33779/2658-4824.2020.3.107-120.

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Анотація:

The procedure of interpreting the content of the musical composition studied in a performance class is often reduced to reconstituting the version created by the instructor. The foundation of the joint interpretation with the pupil of the compositions may be served by the process of functioning of semantic fi gures in the context of the musical theme. Its semantic organization is impossible without turning to the foundational concept of semantic analysis — the intonational lexis, which summate the perceptions of the intonational vocabulary of the composer and the musical work he created. There

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36

Kamenieva, Anna. "Stylistic features of the choral concerto “Witchery songs” by M. Shukh." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (2019): 122–35. http://dx.doi.org/10.34064/khnum1-55.09.

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Анотація:

Background. The current paper provides an intonation and dramaturgical analysis of the choral concerto “Witchery Songs” by a contemporary Ukrainian composer M. Shukh (1952–2018). It reveals stylistic features of the late composition, presents an argument for its affiliation to the meditative sphere enriched with new stylistics, which can be seen in the semantics of contemplation, philosophical and psychological focus (the first movement), the concept of “Light” (the second miniature) as well as composure and blissful sleep (final). Objectives. To reveal stylistic features of the choral concert

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37

Steedman, Mark. "Information Structure and the Syntax-Phonology Interface." Linguistic Inquiry 31, no. 4 (2000): 649–89. http://dx.doi.org/10.1162/002438900554505.

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Анотація:

The article proposes a theory of grammar relating syntax, discourse semantics, and intonational prosody. The full range of English intonational tunes distinguished by Beckman and Pierrehumbert (1986) and their semantic interpretation in terms of focus and information structure are discussed, including “discontinuous” themes and rhemes. The theory extends an earlier account based on Combinatory Categorial Grammar, which directly pairs phonological and logical forms without intermediary representational levels.

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Blankenborg, Ronald. "Particles as deictic phonation." Quaestiones Oralitatis 4 (December 1, 2019): 79–100. https://doi.org/10.19195/qo.2019.4.79.100.

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Анотація:

This paper focuses on the deictic usage of selected ancient Greek particles, whereby particles primarily represent sounds functioning as symbols.1 In the study of Greek particles, little words with no stable thesis in prosody, much attention has been given to their auxiliary or nuancing semantic function, sometimes to the effect that a particle was awarded its own independent semantics. This approach, I argue, only suits written composition. From a prosodic point of view, the point of view of oral composition and performance, such semantic value is unexpected and often untenable, as rhythmical

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Sediuk, I. O. "The originality of neoclassic principles reflection in the Sonata for two pianos by Paul Hindemith." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 154–68. http://dx.doi.org/10.34064/khnum1-56.10.

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Анотація:

Background. The neoclassicism of the first decades of the 20th century turned to be a kind of opposition to atonalism, which captured many radical composers. The supposed “bilingualism” of neoclassicism opened wide perspectives for individual concepts realization, broadening the boundaries of new knowledge of the Baroque and early classicism. Instrumental sonata, including the Sonata for Two Pianos naturally entered the neoclassical trend mainstream in a number of others, non-symphonic classical and romantic genres, compensating for the rejection of effective dramaturgy by enhancing the contra

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Haiduk, Maryna. "«Sinfonia da Requiem» by Benjamin Britten: Semantic and Constructive Features of the Requiem." Ukrainian musicology 47 (October 21, 2021): 80–101. http://dx.doi.org/10.31318/0130-5298.2021.47.256737.

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Анотація:

Relevance of the study «Sinfonia da Requiem» by B. Britten in modern musicology is essential as this work is demonstrative of four interconnected artistic processes: modification and emancipation of the requiem genre, the evolution of Britten’s art, development of European modernistic symphonism, and reception of musical culture of the middle of the XX century at the events of the Second World War. The artistic and historical content of the symphony allows deepening the general scientific ideas about the specifics of the passing of these processes. The scientific novelty of the study is that B

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Piera, Carlos. "Intonational factors in metrics." Linguistic Approaches to Poetry 15 (December 31, 2001): 205–28. http://dx.doi.org/10.1075/bjl.15.14pie.

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Анотація:

Current theories of meter tend to rely exclusively on stress-based properties. This paper argues that certain phenomena in Spanish metrics — some well-known, some neglected — should be accounted for in terms of intonational primitives. Any standard stress-based metrical pattern will be compatible with several Pierrehumbert-style intonational configurations, but there can also be alignment conflicts between stress and tone which cause metrical tension and/or unmetricality. As a case in point, the Spanish (hen)decasyllable, which has two possible stress patterns, discourages lines in which the i

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Jitcă, Doina. "Information packaging correlates of semantic information structure categories." Bucharest Working Papers in Linguistics 22, no. 1 (2020): 5–27. http://dx.doi.org/10.31178/bwpl.22.1.1.

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Анотація:

This paper presents an Information Structure (IS) model at the information packaging (IPk) level and its usage in utterance partitioning and in explaining semantic IS category realizations at the pragmatic level. The IPk model proposes a hierarchical view of F0 contours that transforms utterances into binary contrast unit (CU) hierarchies. CUs have binary IPk partitions with two independent and overlapping structures and a nuclear element which project its IPk functions to the whole units it belongs to. Two nuclear accent identification rules are formulated in this paper in order to be used in

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43

Turnbull, Rory. "The Role of Predictability in Intonational Variability." Language and Speech 60, no. 1 (2016): 123–53. http://dx.doi.org/10.1177/0023830916647079.

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Анотація:

Predictability is known to affect many properties of speech production. In particular, it has been observed that highly predictable elements (words, syllables) are produced with less phonetic prominence (shorter duration, less peripheral vowels) than less predictable elements. This tendency has been proposed to be a general property of language. This paper examines whether predictability is correlated with fundamental frequency (F0) production, through analysis of experimental corpora of American English. Predictability was variously defined as discourse mention, utterance probability, and sem

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Col, Gilles. "Prosodie et émergence du sens : propositions pour une étude cognitive de l’intonation." Canadian Journal of Linguistics/Revue canadienne de linguistique 52, no. 3 (2007): 255–77. http://dx.doi.org/10.1017/s0008413100004308.

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Анотація:

AbstractThis paper aims at giving English intonation a driving role in the building and the emergence of meaning. It presents four propositions, going from the perception of intonation to its role in the representation of meaning. First, the concept of intonational form, based on the gestalt model of good form, is introduced. Second, the fundamental characteristic of intonational form is its dynamic nature. Third, intonation is positioned in the semantic layer, and is on par with the other linguistic components (syntax, lexicon, grammar). Finally, it is the evolution of the verbal scene that g

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Bargiela, Víctor. "Dedialectalisation of intonational patterns of yes-no questions in León, Zamora, Salamanca, and Palencia." Journal of Experimental Phonetics 31 (March 31, 2022): 149–60. https://doi.org/10.1344/efe-2022-31-149-160.

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Анотація:

This work studies intonational patterns of yes-no questions of five speakers from the provincial capitals of León, Zamora, Salamanca, Palencia and Valladolid using the Sp_ToBI annotation system. For the provinces studied, a co-occurrence of descending (L%) and rising (H%) question patterns is found. These patterns correspond to a traditional pattern and to the pattern of standard Spanish respectively, so the coexistence of both will lead us to propose a process of standardisation or dedialectalisation that is affecting the intonational patterns of the varieties of these peripheral territories

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KOMAROVSKA, Oksana. "Artistic into national way of life in the epresentation of the child." EUROPEAN HUMANITIES STUDIES: State and Society, no. 1 (February 15, 2021): 138–52. http://dx.doi.org/10.38014/ehs-ss.2021.1.10.

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Анотація:

The content of artistic space as an objective basis for the formation of personality values is revealed. Shown coexistence in the artistic space of pedagogically managed and spontaneous information flows and their role in shaping the value sphere of the child. The definition of artistic intonation as a semantic feature of an artistic product (musical, plastic intonation, logosfery, visual image as rolled intonation) is substantiated and introduced into the pedagogical context. The interpretation of the artistic-intonational way of life as a subjective factor in the formation of a person's arti

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Shiyab, Said. "The Pragmatics of Punctuation and Its Problematic Nature in Translation." Babel. Revue internationale de la traduction / International Journal of Translation 46, no. 2 (2000): 112–24. http://dx.doi.org/10.1075/babel.46.2.03shi.

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Анотація:

This article attempts to describe some of the pragmatic and semantic functions of two important punctuation marks. These are the semicolon (;) and the colon (:). The reason for this description is that no studies have provided a detailed description of the pragmatic and semantic functions of these marks. These marks are mostly used in Arabic for intonational or decorative purposes. It was found that the system of punctuation marks in Arabic is inadequate as it does not specify rules for using them. However, in this study, it was found that the punctuation marks have linguistic implications tha

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陈, 彤. "Discourse Association and Semantic Extraction of the Intonational Adverb “Anyway”." Modern Linguistics 11, no. 09 (2023): 3996–4003. http://dx.doi.org/10.12677/ml.2023.119537.

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Tatarnikova, Anzhelika. "The Role of the Glorifying Semantics in the Figurative-semantic and Intonational Concept of "The Flood" by I. Stravinsky." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 134–41. https://doi.org/10.31866/2410-1176.41.2019.188669.

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Анотація:

The relevance of the article is determined by the key role of the creative figure of I. Stravinsky in the cultural life of the 20th century and the demand for his heritage in contemporary performing practice. The composer not only opened new horizons in musical art but also generalised such important quality of the era’s cultural paradigm as style diversity. The author’s works, especially those of the late period, and their spiritual component still require fundamental research  in modern art history. The purpose of the article is to identify the intonational and semantic spec

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Jitcă, Doina. "Cognitive features for sentence stress pattern description." Bucharest Working Papers in Linguistics 24, no. 2 (2022): 23–40. http://dx.doi.org/10.31178/bwpl.24.2.2.

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Анотація:

The paper proposes cognitive features for describing sentence stress patterns produced by emphasized and non-emphasized intonational contours of utterances. Cognitive features consist in hierarchies of binary cognitive structures described in terms of the functional categories of the cognitive model proposed in the paper. The cognitive perspective of the model transforms weak-strong “metrical” structures used by Ladd (2008), into binary structures with one nuclear element and two structural levels: CU_argument-CU_predicate CU_emotional-CU_rational element. A set of rules are presented, for nuc

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