Дисертації з теми "Inventaire patrimoine culturel immatériel"
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Becuywe, Isabelle. "Patrimoine immatériel et technologies numériques : représentations et usages." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0003.
With the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO (2003), the concept of heritage was expanded to new objects, but above all a new distribution of roles was made among the actors, putting the practitioners individual and collective at the heart of the device. States that have ratified the convention have given themselves the obligation to carry out inventories by involving the communities in the designation of what, for them, constitutes intangible heritage, thus offering an opportunity for experimentation of forms and methods to achieve this goal. These inventories were largely based on digital technologies for their constitution and on the web for their dissemination. The social dynamics in which the notion of inventory is inscribed is based on an imaginary of digital techniques as a means of warding off cultural loss, and an ambiguous relationship is formed at the time of the natively digital inventory between immaterial and virtual. The study of the narative of the history of the web makes it possible to highlight a set of founding myths of the Internet which contribute to this ambiguity. Based on an observant participation in the Inventory of the Intangible Religious Heritage of Quebec (IPIR), which is based on the definitions of the UNESCO Convention, digital technologies, including the Internet, should be considered as tools that the communities (state, local communities, actors of the inventory) mobilize to be staged by intangible heritage. The example of the IPIR, with three missions (keep the memory, list the living practices, communicate them), compared to other existing online inventories illustrates the plasticity of the intangible cultural heritage inventory. The trajectories of inventorization emerge by questioning the social demand for an inventory of intangible cultural heritage in the context of de-Christianization of Quebec from the 1960s. Finally, the web-based dissemination of inventory data makes it possible to question the uses of techniques and forms of representation of the web as a means of cultural transmission. While the social dynamics in which an online inventory is based on an imaginary digital techniques as a means to avert cultural loss, the proliferation of tracks on the Internet comes to challenge the promise of universal accessibility that the web was wearing. origins
Glas, Tamara. "L'authenticité dans les pratiques de patrimonialisation : sens, statuts et usages." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC176.
Central to heritage, authenticity is an ambivalent notion. Its use as a criterion leads practitioners to face concrete difficulties forcing them to interrogate, criticize, andsolve the meanings embedded in the « authenticity of the heritage object », whether monumental, tangible or intangible. A theoretical approach, internal and external to the heritage field, allows to formulate through an organized system, the controversies they bring forward and the solutions other disciplines explore. Such an approach leads to suggesting different « authentication modes ». Despite its artificial nature, it offers a tool and vocabulary to distinguish between different ways to consider authenticity in two case-studies on diametrically opposed scales: the enhancement of hybrid indigenous heritage in the city of Sucre, Bolivia, and the implementation of the World Heritage List and of the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO. The different ways these authenticities are combined attest for different appropriation or exclusion strategies both of the heritage at stake and of those who embody it. These strategies may be described as an interplay leading to coalitions and struggles. Stake holders no longer consider authenticationas the study of experts resulting in a permanent arbitration, but see it as a constantly renewed process in which more and more diverse participants take action
Boul, Maxime. "Le patrimoine immatériel des personnes publiques." Thesis, Toulouse 1, 2017. http://www.theses.fr/2017TOU10016.
The public intangibles deeply shift the public property law. The report « The economy of the intangible: tomorrow’s growth » published in 2006 started an awareness of intangibles in the public heritages resulting on the establishment in 2007 of the Agency for Public Intangibles ofFrance (APIE), a government agency with national authority attached to Treasury Directorate General and Public Finances Directorate General. The rising interest for intangibles manifests a political will to value because they are an underutilized wealth. These assets are complexly identified in law because “intangible asset” is an accounting concept. Moreover, Intangibles law is built in the margin of the general Code on public property adopted in 2006, which is mute on its applicability to these intangible goods. Intangibles’ inclusion in the public estates consequently raises the issue of their incorporation in the public domain. The hypothesis of an intangible public domain means that the characteristics of condition and legal structures of these goods has to be studied, as well as its compatibility with economic valuation’s imperatives among other public utilities
Schenberg, Virginie. "La filière sardinière en Vendée de 1880 à 2018 : Entre maintien de la tradition et nécessité d’industrialisation." Thesis, La Rochelle, 2021. http://www.theses.fr/2021LAROS016.
The Vendée experienced a boom in the sardine industry as early as the late 19th century due to the invention of canning. The advent of canning led Nantes industrialists to open canneries in the four main Vendée harbours. Alongside this economic development, social movements appeared, as fishermen and cannery workers, initially opposed industrialization. Fishermen and canners were regularly confronted with two restrictive factors : the contingency of the presence of sardines, as well as the conflicts which froze the sector. The emergence of foreign competition woke up the spirits which were mired in internal conflicts. However, faced with a lack of responsiveness and overconfidence in French expertise which manufacturers charged dearly, Spanish and Moroccan sardines invaded the market. Canneries had to close down one after the other, and seafarers turned to other fisheries.Only one sardine cannery survived the sardine crisis in Vendée. It is located in Saint-Gilles-Croix-de-Vie, which has become the Vendée capital of sardines thanks to the first wild fish to obtain a red label in 2000. Based on traditional catching techniques, sardine fishing in Saint-Gilles-Croix-de-Vie has been listed in the inventory of intangible cultural heritage in France since 2018. Through the historical study of the choices which have guided the fishermen, the fishmongers, the canners and factory workers, we will shed light on the interactions of the various participants who have made the Vendée sardine industry what it is today
Alsalmo, Abdallah. "La sauvegarde du patrimoine culturel immatériel en droit international." Thesis, Bordeaux 4, 2011. http://www.theses.fr/2011BOR40007.
Cultural heritage doesn't only include monuments and the collection of objects. /cultural heritage is about more than monuments or the collection of objects. It, also, includes the traditions or the modern inherited expressions from our ancestors and transmitted to our descendants, what we call the intangible cultural heritage. The importance of this heritage doesn't reside so much in the cultural demonstration itself, but in the richness of knowledge, and the know-hows that are transmitted from one generation to another. This transmission of knowledge has social value, economical, cultural and legal relevance for minority groups, as well as for the main social groups, and is also, important for the world. The choice of the techniques used for international protection is linked directly to the objectives pursued by the UNESCO. Beyond the text of the 2003 convention and other international agreements adopted by the UNESCO, it can perhaps be useful to tackle more widely the legal solutions of the intangible cultural heritage. The aim of our study consists of analysing the normative action concerning the intangible cultural heritage in placing the light on the definition of the intangible cultural heritage as well as the international standards important to its protection and also in tackling the question of effectivity and efficiency of the international protection of this heritage. In conclusion, the results for the normative action and effectivity do not escape our analysis. It is, in the end about the possibility of putting in place a plan for the protection of a better future
Leborgne, Yann. "Patrimoine culturel immatériel et résilience : territorialités et lieux matriciels." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMLH20/document.
Social practices and representations, passed from generation to generation, are today defined as “intangible cultural heritage” and figure in both national and international patrimonial provisions (Unesco 2003). In some cases, people’s attachment to “intangible cultural heritage” can reveal the existence of “areas of suffering”, whether personal or societal. As a spatial phenomenon, the expression of which is often related to a geographical location, “intangible cultural heritage” contributes to Man’s and society’s capacity to ensure its sustainability through the preservation of Man’s feelings of identity, territorial presence and continuity through Time. Successful or not, patrimonialisations are proof of the energy of those who perpetrate them. In fine, “intangible cultural heritage” conveys territorialities linked to the resiliency of those who create such heritage and hold on to it. A field study of 9 sites, in the Normandy and Pays de la Loire regions, shows that these expressions of “ICH” provide Man with a way to overcome disruptions through resiliency, detectable on various geographical scales: from the micro scale, where we look after the individual and his organic corporal location, to the meso and macro scales, where they tend to mend the wider socio-territorial fabric. Thus, between locations, communities and territories, “intangible cultural heritage” becomes part of a matrix territoriality. It is, therefore, part of the permanent re-creation between Mankind and Earth
Becuywe, Isabelle, and Isabelle Becuywe. "Patrimoine culturel immatériel et technologies numériques : représentations et usages." Doctoral thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/38295.
Avec la Convention pour la Sauvegarde du Patrimoine Culturel Immatériel de l’UNESCO (2003), le concept de patrimoine s’est trouvé élargi à de nouveaux objets, mais surtout une nouvelle distribution des rôles s’est opérée parmi les acteurs, mettant les praticiens individuels et collectifs au cœur du dispositif. Les états qui ont ratifié la convention se sont donné l’obligation de procéder à des inventaires en impliquant les communautés dans la désignation de ce qui, pour elles, fait patrimoine immatériel, offrant ainsi une opportunité d’expérimentations de formes et de méthodes pour réaliser cet objectif. Ces inventaires se sont largement appuyés sur des technologies numériques pour leur constitution et sur le web pour leur diffusion. La dynamique sociale dans laquelle s’inscrit la notion d’inventaire s’appuie sur un imaginaire des techniques numériques comme moyen de conjurer la perte culturelle et une relation ambiguë se noue au moment de l’inventaire nativement numérique entre immatériel et virtuel. L’étude du récit de l’histoire du web permet de mettre en évidence un ensemble de mythes fondateurs d’Internet qui contribuent à cette ambiguïté. À partir d’une participation observante à l’Inventaire du Patrimoine Immatériel Religieux du Québec (IPIR), qui s’appuie sur les définitions de la convention UNESCO, il s’agit de considérer les technologies numériques, dont Internet, comme outils que les communautés (État, communautés locales, acteurs de l’inventaire) mobilisent pour se mettre en scène par le patrimoine immatériel. L’exemple de l’IPIR, chargé de trois missions (conserver la mémoire, répertorier les pratiques vivantes, les communiquer), comparé à d’autres inventaires en ligne existants illustre la plasticité des inventaires du Patrimoine Culturel Immatériel. Les trajectoires de l’inventorisation émergent en interrogeant la demande sociale d’un inventaire du Patrimoine Culturel Immatériel religieux dans le contexte de déchristianisation du Québec à partir des années 1960. Enfin, la diffusion sur le web des données d’inventaire permet de questionner les usages des techniques et les formes de représentations du web comme moyen de transmission culturelle. Alors que la dynamique sociale dans laquelle s’inscrit un inventaire en ligne s’appuie sur un imaginaire des techniques numériques comme moyen de conjurer la perte culturelle, la prolifération des traces sur le web vient défier la promesse d’accessibilité universelle que portait le web des origines.
With the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO (2003), the concept of heritage was expanded to new objects, but above all a new distribution of roles was made among the actors, putting the practitioners individual and collective at the heart of the device. States that have ratified the convention have given themselves the obligation to carry out inventories by involving the communities in the designation of what, for them, constitutes intangible heritage, thus offering an opportunity for experimentation of forms and methods to achieve this goal. These inventories were largely based on digital technologies for their constitution and on the web for their dissemination. The social dynamics in which the notion of inventory is inscribed is based on an imaginary of digital techniques as a means of warding off cultural loss, and an ambiguous relationship is formed at the time of the natively digital inventory between immaterial and virtual. The study of the narative of the history of the web makes it possible to highlight a set of founding myths of the Internet which contribute to this ambiguity. Based on an observant participation in the Inventory of the Intangible Religious Heritage of Quebec (IPIR), which is based on the definitions of the UNESCO Convention, digital technologies, including the Internet, should be considered as tools that the communities (state, local communities, actors of the inventory) mobilize to be staged by intangible heritage. The example of the IPIR, with three missions (keep the memory, list the living practices, communicate them), compared to other existing online inventories illustrates the plasticity of the intangible cultural heritage inventory. The trajectories of inventorization emerge by questioning the social demand for an inventory of intangible cultural heritage in the context of de-Christianization of Quebec from the 1960s. Finally, the web-based dissemination of inventory data makes it possible to question the uses of techniques and forms of representation of the web as a means of cultural transmission. While the social dynamics in which an online inventory is based on an imaginary digital techniques as a means to avert cultural loss, the proliferation of tracks on the Internet comes to challenge the promise of universal accessibility that the web was wearing. origins.
With the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO (2003), the concept of heritage was expanded to new objects, but above all a new distribution of roles was made among the actors, putting the practitioners individual and collective at the heart of the device. States that have ratified the convention have given themselves the obligation to carry out inventories by involving the communities in the designation of what, for them, constitutes intangible heritage, thus offering an opportunity for experimentation of forms and methods to achieve this goal. These inventories were largely based on digital technologies for their constitution and on the web for their dissemination. The social dynamics in which the notion of inventory is inscribed is based on an imaginary of digital techniques as a means of warding off cultural loss, and an ambiguous relationship is formed at the time of the natively digital inventory between immaterial and virtual. The study of the narative of the history of the web makes it possible to highlight a set of founding myths of the Internet which contribute to this ambiguity. Based on an observant participation in the Inventory of the Intangible Religious Heritage of Quebec (IPIR), which is based on the definitions of the UNESCO Convention, digital technologies, including the Internet, should be considered as tools that the communities (state, local communities, actors of the inventory) mobilize to be staged by intangible heritage. The example of the IPIR, with three missions (keep the memory, list the living practices, communicate them), compared to other existing online inventories illustrates the plasticity of the intangible cultural heritage inventory. The trajectories of inventorization emerge by questioning the social demand for an inventory of intangible cultural heritage in the context of de-Christianization of Quebec from the 1960s. Finally, the web-based dissemination of inventory data makes it possible to question the uses of techniques and forms of representation of the web as a means of cultural transmission. While the social dynamics in which an online inventory is based on an imaginary digital techniques as a means to avert cultural loss, the proliferation of tracks on the Internet comes to challenge the promise of universal accessibility that the web was wearing. origins.
Du, Lili. "Les vieilles enseignes, partie intégrante du patrimoine culturel immatériel de Pékin." Phd thesis, Université Paul Valéry - Montpellier III, 2012. http://tel.archives-ouvertes.fr/tel-00766025.
Kante, Bocar Oumar. "Droit du patrimoine culturel en Afrique." Paris 1, 2010. http://www.theses.fr/2010PA010312.
Cominelli, Francesca. "L'économie du patrimoine culturel immatériel : savoir-faire et métiers d'art en France." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010003.
This thesis provides an economic analysis of a new category of heritage: Intangible Cultural Heritage (ICH). The research initiates with an in-depth analysis of the structure of tangible heritage, followed by a literature survey and field work allowing a theoretical and practical examination of the evolution of the concept of cultural heritage and the importance of extending it to include intangible expressions and practices. Main results: -analysis of the major differences between tangible and intangible heritage, emphasizing that ICH is deeply rooted in territories and communities, it is held by specific members, and it is not static, but continually transforms and innovates. -highlights the strategic role of ICH in contemporary global and knowledge economics as a critical factor for economic, cultural, social and sustainable development. -understanding of teh main causes of deterioration, disappearance and destruction of ICH elements, principally related to formal and informal processes of transmission of knowledge and skills, and including effects of intellectual property measures, the lack of material resources, and the degradation of the natural and social environments. -analysis of the main existing policies for ICH. -awareness of the idea that ICH can be considered, from an economic point of view, a cultural commons, thus increasing the realization that inadequate uses might destroy it and that alternative ways of governance can exist
Hao, Qiang. "L'héritage du patrimoine culturel immatériel et sa transmission par le cinéma d'animation." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30032.
Currently, the protection work of intangible cultural heritage is booming. It is at the heart of attention of the media and society, and also academic research. Despite its long history, its promotion, admission and protection are recent. In this sense, the intangible heritage is still "young". As a new field and new object of research, the study involves many disciplines and safeguards require innovation and a bold research. Animation is one of the cultural industries more fashionable in China and most of the research on the animation focus on the development of the animation industry. This research considers the intangible cultural heritage as a cultural resource for animation, and explore the possible uses to promote the Chinese animation. We believe that in the contemporary cultural context, the animation is as a cultural industry that artistic entertainment and leisure, and a means of cultural transmission; it can also, by extension, be considered an employee visual imaging tool in the production and life of people. The animation is vibrant and rich in inspiration, naturally attractive, especially for young people. In a way, it is the common language of humanity. Animation must be an integral part of the protection of intangible cultural heritage; she is able to promote the heritage and transmission of intangible cultural heritage. Thus, this thesis proposes that we consider animation as a means of promoting the heritage and transmission of intangible cultural heritage. The transmission is the means, and the inheritance is the ultimate goal of protecting intangible cultural heritage. The thesis shows that animation can actually be entrusted with this mission. After the presentation of the research topic, we systematically discuss the subject through historical research, interdisciplinary research, document analysis, case analysis, field survey, etc., and dating back to foundations of existing research on the animation and intangible cultural heritage
Benoit, Lucie. "Un patrimoine culturel immatériel émergent : le Courir du Mardi Gras de Faquetaique, Louisiane." Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/25930.
This thesis examines how Cajuns are keeping the tradition of the “Courir du Mardi Gras” alive in a perspective of sustainable development of their heritage through the case study of the Courir of Faquetaique. After a presentation of the Cajun Mardi Gras, the Faquetaique run is put in context, as it detaches itself from other Courirs considered more touristic or commercial. Drawing from participant observations of the event and interviews with participants, this research analyzes the organization and some specific aspects of the Faquetaique run. Through the perspective of the criteria of a sustainable development of heritage proposed by the ICOMOS, in 2011, our analysis concludes that it is not so much the local and geographical character that defines, in the eyes of the participants, the Faquetaique run, but, rather, the “spirit of place” that takes place and the people, or community, by which it is performed. These actors show how they consciously develop this tradition by inscribing it into continuity.
Nguyen, Van Quân. "La protection du patrimoine historique et esthétique face à la mondialisation : l'exemple de la France et du Vietnam." Thesis, Toulouse 1, 2014. http://www.theses.fr/2014TOU10071/document.
The heritage, which often leads to the notion of legacy transfer, is the result of a series of choices made upon the definition that a society or a group of people want to give themselves. Expressing both that identifies and differentiates it from other groups or societies, heritage involves some interpretation or even reconstruction of the past based on present issues. This way of conceiving heritage is directly tied to a past that is socially and historically constructed: invented in the West during the modern era, it was then extended to other societies. This extension of the concept of heritage seen as such is supported by the intensification of exchanges that characterizes the new global context for the past century. Indeed, in a context of globalization marked by the acceleration of international exchanges and the questioning of some traditional institutional frameworks, the heritage sector experiences a number of changes in both forms of its management and its valuation. Given the role of heritage on national identity and its increasing impact on the economy, heritage policy always plays an important role in the cultural policy of the State. Facing a world without borders, the state’s heritage policy undergoes significant changes. The considerable changes of the globalized world as we know do require new measures to protect, conserve and enhance the cultural heritage
Provost, Monique. "Les usages sociaux du djembé au Québec : construction locale d'un patrimoine culturel immatériel mondial." Doctoral thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/26663.
This thesis is part of that field of ethnological studies which concerns the transnational movements of the intangible cultural heritage. It deals with the appropriation of the djembé, a West African drum, by Quebec society. Beginning with a multidisciplinary approach which draws on ethnology, history and ethnomusicology, this thesis adds to our knowledge regarding music making in Quebec and to the research which seeks to understand how new forms of intangible cultural heritage are created at the local level within a global context. The study of the transnational migration of the drum tells the story its evolution, along with the recontextualization and the adaptation of playing styles and the transformations of its Mandinka repertoire in Quebec. Following is a Quebec genealogy relating to the manner in which the drum, beaten by hand, illustrates the global nature of traditions linked by percussive rhythms. Lastly, the ethnography of these practices and the oral research carried out in conjunction with recreational djembé players demonstrate that this cultural activity is, first and foremost, the expression of a form of “social corporeality, ” that is, the construction of, new, albeit transitory, socio-musical entities. Synchronizing the bodies engaged in producing the beat and the rhythm requires as well developing a mind set so as to build a heightened presence of belonging to the group. Furthermore, this drumming activity appears at various social events in addition to those focusing on music. The potential, found in djembé playing, to create a collective experience through the synchronizing of bodies is used for relieving stress in recreational contexts, for teambuilding in the workplace, for motivating youth to persevere in their studies at both primary and secondary levels and, last but not least, in opening new channels for communication with autistic children or those showing behavioural problems at school.
Wang, Li. "La Convention pour la sauvegarde du patrimoine culturel immatériel et son application en droits français et chinois." Paris 11, 2010. http://www.theses.fr/2010PA111002.
Anzellotti, Elisa. "Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080130.
This paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy
Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
Huleux, François. "La contribution de la Convention pour la sauvegarde du patrimoine culturel immatériel à la conservation de la biodiversité." Doctoral thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66718.
La diversité biologique connaît un schéma d'érosion face auquel la communauté internationale tente de lutter. Depuis quelques années, les communautés locales et autochtones sont reconnues comme un modèle de conservation et d'utilisation durable de cette diversité. Elles recréent, expriment et transmettent des connaissances et pratiques de gestion des ressources naturelles depuis des temps immémoriaux pour certaines. En 2003, la Convention pour la sauvegarde du patrimoine culturel immatériel (ci-après « Convention PCI ») est adoptée afin de préserver ce patrimoine qui est lui aussi sur le point de disparaître en raison de l'acculturation, la mondialisation, la déforestation, etc. Malgré la relation d’interdépendance qui caractérise certains éléments du patrimoine culturel immatériel (ci-après « PCI ») avec les éléments matériels naturels auxquels ils sont associés, la Convention ne guide pas ses Parties vers la reconnaissance et préservation de cette relation. Plus précisément, elle ne guide pas ses Parties vers la conservation et l’utilisation durable de l’ensemble des éléments de la biodiversité nécessaires à la sauvegarde du PCI (réseau de vie). C’est pourquoi, certains pourraient s’interroger sur la capacité de la Convention PCI à sauvegarder le PCI associé à la biodiversité ? A l’heure de l’extinction des espèces et de la raréfaction des connaissances et pratiques « traditionnelles », il apparaît primordial de faire évoluer la mise en œuvre de la Convention par une révision de ses Directives opérationnelles chargées de préciser les engagements des Parties et régulièrement amendées par le Comité intergouvernemental de sauvegarde du PCI et l’Assemblé générale des États parties à la Convention vers une sauvegarde mieux adaptée au PCI associé à la biodiversité. L’approche par écosystème développée sous l’empire de la Convention sur la diversité biologique (ci-après « CDB ») dont les objectifs sont la conservation, l’utilisation durable de la biodiversité et le partage juste et équitable des avantages découlant de l’utilisation des ressources naturelles sert de base à cette proposition de révision des directives de la Convention PCI. L’approche permet de gérer des écosystèmes considérés comme des réseaux de vie dont les Hommes et la diversité culturelle sont un élément à part entière.
The international community is trying to fight the current pattern of biodiversity erosion. In recent years, local and indigenous communities have been recognized as models in the conservation and sustainable use of biodiversity. Some of them have been recreating, expressing and transmitting knowledge and natural resources management practices for centuries. In 2003, the Convention for the Safeguarding of Intangible Cultural Heritage (hereinafter “ICHConvention”) was adopted in order to preserve this heritage, which is also on the verge of disappearing due to acculturation, globalization, deforestation, etc. Despite the interdependent relationship which characterizes certain elements of intangible cultural heritage (hereinafter“ICH”) with the natural material elements associated to it, the Convention does not guide its Parties towards the recognition and preservation of this unique relationship. More specifically, it does not guide them towards the conservation and sustainable use of the elements of biodiversity that are necessary to the safeguarding of ICH (considered as a network of life). This is why, somemight question the capacity of the ICH Convention to safeguard ICH associated with biodiversity? At a time when species and tradition knowledge and practices are going extinct, it is essential to refine the implementation of the Convention by a revision of its Operational Directives responsible for specifying the commitments of the Parties – and which are regularly amended by the Intergovernmental Committee for the Safeguarding of ICH and the General Assemble of State Parties to the Convention – towards a better suited safeguarding of ICH associated with biodiversity. The ecosystem approach developed for the implementation of the Convention on Biological Diversity (hereinafter “CBD”) – whose objectives are the conservation, sustainable use of biodiversity and the fair and equitable sharing of the benefits obtained from the use of natural resources – is the basis for this proposal to revise the Operation Directives of the ICH Convention. This approach allows the sustainable management of ecosystems considered as being networks of life including humans and their biodiversity.
Tran, Cam Thi. "Mise en tourisme du patrimoine culturel immatériel - Etude de la ville d'Hoi An, Viet Nam." Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAH002.
The city of Hôi An, which extends over 63 km2, has been known as the “ancient town” with its world cultural heritage". The territory of the ancient town extends over 30 ha (0.3 km2) and has greeted more than four thousand visitors each day. based on our surveys, we have noticed that evening is the time when the town receives the highest number of tourists; especially domestic tourists. The official nomination of Hôi An as the ancient town by UNESCO has brought it benefits in many fields such as economy, social and culture. However, there are several negative effects coming along with the benefits. In this context, it is concerned that whether the intangible cultural heritage has been managed by people in charge to become an effective mean which can help to spread out the effects and the benefits to other parts of the city for the sustainable development of cultural tourism? Through our methods of qualitative and quantitative analyst, we have studied the differences of behaviors in regards to the use of the intangible cultural heritage by both international tourists and domestic tourists. It finally has been shown in our research that the city has been concerned about deploying the resources of this heritage in order to generate sustainable tourist products. However, it still have not been envisaged creating particular products for each trend of tourist. Our study also have indicated that there are convergences as well as divergences in approaching tourist spaces in the city between international tourists and domestic tourists
Blanchet, Pierre-Adrien. "La valorisation du patrimoine immatériel des personnes publiques." Thesis, Paris 2, 2018. http://www.theses.fr/2018PA020087.
Over the past decade, public entities have become aware of the economic potential of their "intangible assets". Upon analysis, such assets are highly diversified and include both irrelevant and relevant items, which can be described as "intangible public properties". It is critical for public entities to achieve a balance between different constraints when promoting their "intangible assets". They must be able to generate new financial resources from such assets by exploiting them while ensuring its adequate protection. Irrelevant elements usually included in the "intangible assets" are often subject to autonomous legal regimes which, taken altogether, allow public entities to contemplate a balanced valuation. As for intangible public properties, the analysis will focus on the challenges faced while incorporating them into the domain regime - whether public or private - and then on the available options to implement a legal regime capable of ensuring an optimal valuation
De, Araujo Aguiar Luciana. "Les stratégies d’authenticité et les politiques de patrimoine culturel immatériel : une étude à partir de deux cas." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30058/document.
This thesis aims to understand the strategies (used in the representation of authenticity and the policies of intangible cultural heritage, based on the study of two cultural practices currently recognized as instances of intangible cultural heritage: fest-noz, present in the cities and countryside of Brittany, France; and jongo, present in the cities of the Paraíba do Sul river valley, located in the southeast region of Brazil. The comparative approach results from a double case study; on the one hand, the relations between fest-noz and authenticity in Brittany, and on the other hand, jongo and Afro-Brazilian authenticity. The thesis addresses three principle questions. First of all, an effort to understand fest-noz and how it shapes authenticity in Brittany; secondly, how jongo impacts the quest for Afro-Brazilian authenticity; and finally, a comparative analysis into both practices and the conclusions drawn from this approach. The field data collected from ethnographic writing archives were treated from a Bourdieu perspective. In addition, the analysis of institutional documents, including the heritage files of both fest-noz and jongo, and the documents relating to UNESCO and ICP legislation in France and Brazil, was of crucial importance. Furthermore, interviews with policy makers for the safeguarding of fest-noz and jongo and for cultural policies in the field of ICH in Brazil and France enabled a more nuanced elaboration of institutional documents. This thesis relies on contextual historical data that has contributed to a better understanding of the cultural practices in question
Chalmel, Johann. "La pédagogie, un patrimoine immatériel ? : exemple de la pédagogie de Jean-Frédéric Oberlin." Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0129/document.
Intangible cultural heritage (ICH) is the emerging category created by UNESCO through the 2003 convention which helps protect intangible cultural elements, hitherto under responsibility of individuals and communities in charge. This innovative approach of protecting such elements provides new ways to valorize them. The main hypothesis of this PHD work is that pedagogy, defined as a practice, can be entered in the lists of intangible cultural heritage. To support this hypothesis, our study uses the example of pedagogy implemented by J.-F. Oberlin in Ban de la Roche (XVIII century). An ICH has to be alive and renewed permanently. That is why we examine later its successive reinterpretations made by his heirs until the one developed by the community of practice within the Oberlin museum Waldersbach. We focus particularly on its educational service (La Maison des Enfants)
Vincent, Mélissa. "Le sens du patrimoine culturel immatériel dans la formation de l'identité propre aux québécois d'origine canadienne française." Thèse, Université du Québec à Trois-Rivières, 2008. http://depot-e.uqtr.ca/1660/1/030083651.pdf.
Euvrard, Élisabeth. "La valorisation du patrimoine culturel immatériel en Sardaigne : les jeux traditionnels entre loisir, identité et développement local." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3048.
The present study focuses on the promotion of intangible cultural heritage and the prospect of resulting economic and touristic development generated in Sardinia, based on the example of traditional games. In various parts of the world, its current transformation in local development resources and / or instrumentalisation in favour of identity fall under a general trend of heritagisation, accelerated by the UNESCO Convention in 2003.The study of games played in Sardinia analyses the games themselves but even more so the multiplicity of the players and projects, dynamics that involve them and motives that support them: enjoyment, consolidation of identity, development. Games are thus detectors of origin, of land disputes, indicators of undergoing social and cultural change.The thesis examines the positioning of a peripheral region heavily affected by the economic crisis through its cultural heritage, in a resolutely glocal perspective
Barradi, Hanane. "Approche communicationnelle du patrimoine immatériel dans le développement territorial : cas de la région Dakhla-Oued Eddahab." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30063.
This project falls within the framework of territorial reorganization in Morocco and the recent passage from 16 to 12 regions. One of the axes of this regionalization is the heritage as an entity and a social construction, marked by the identity aspects of individuals and communities. This research will shed light on the need of territorial communication which is crucial towards the population of that territory and the various actors who participate in its animation, development and promotion. The patrimonialization, the labelling and the material and immaterial preservation, here are many concepts mobilized giving to this project an international dimension. It aims to question the components of the Hassanie culture of the populations of Sahara and to analyze the enhancement and the transmission of the immaterial cultural heritage, as well as the natural heritage. It also targets the public policies intended towards the protection of the heritage, as well as the plans of action deployed for its promotion. The purpose of this research, in the field of Communication, is to examine the link between the territory and the cultural heritage using a communicative approach
Khalaf, Husam. "Le droit du patrimoine culturel en Irak : approche locale et internationale." Thesis, Clermont-Ferrand 1, 2013. http://www.theses.fr/2013CLF10424.
In the twentieth and twenty-First centuries, the idea of protection of tangible and intangible heritage and cultural properties developed tremendously at both national and international levels. This idea is specially coming out by defining the properties to protect, developing the standards necessary and establishing the institutions mandatory for this purpose.This study focuses on the formation of cultural heritage law in Iraq in a historical perspective by tracing the genesis of concepts related to cultural heritage, evolution of the legislation but also by analyzing the institutions and legal Contemporary rules developed to ensure the protection. In case of Iraq, especially with the recent conflicts, the embargo years and the damage caused to the cultural heritage, the effectiveness of national and international provisions remains questionable.From an analysis of committed violations despite international conventions, determination an implementation of the responsibility for the cultural heritage may be considered. Since 2003, a strategy is established to strengthen the protection, to conserve and valuate this precious heritage with the support of international cooperation. Using all these elements, this thesis suggests recommendations to contribute to further possible developments
Jeong, Hyunkyung. "Médiation et construction du patrimoine culturel et artistique de Byeolsin-gut (rituel chamanique) de la côte est (Donghae) de Corée : une étude sur l'évolution socioculturelle d'un rituel chamanique vers un patrimoine culturel immatériel." Paris 7, 2012. http://www.theses.fr/2012PA070091.
The new generation of shamans is emerging in living heritage byeolsin-gut (shamanistic ritual) of east coast (donghae-ari) recognized as intangible cultural heritage since 1985. What is the new generation of shamans appeared in the living and minority world of byeolsin-gut of east coast? How are these individuals defined?They are a group of individuals non-shamans having an artistic skill and an artistic vocation, but actually the students of shamans. They could replace the status of successor of hereditary shamans not having their lineal heir in direct or indirect to transmit the profession of shamans reborn with the title of cultural treasure or living héritage. Thus, the new generation is considered as the first generation of the living heritage of byeolsin-gut of east coast out of filiation. What type of persons are interested particularly in this special area and by what process ? What is the meaning that they are assigning to their action ? This research is to comprehend the actual situation of the new generation of shamans in the living heritage of byeolsin-gut of east coast, which is about to perceive the cultural reality of the special group. This thesis is interested in the status of the actor as such and particularity by which are characterized the new generation of shamans appeared in this current environment. We have thus investigated with the faithful individuals, that is to say, the actual students of shamanic actors adopting a qualitative approach
Huleux, François. "La contribution de la Convention pour la sauvegarde du patrimoine culturel immatériel à la conservation de la biodiversité." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASV028.
The international community is trying to fight the current pattern of biodiversity erosion. In recent years, local and indigenous communities have been recognized as models in the conservation and sustainable use of biodiversity. Some of them have been recreating, expressing and transmitting knowledge and natural resources management practices for centuries. In 2003, the Convention for the Safeguarding of Intangible Cultural Heritage (hereinafter “ICH Convention”) was adopted in order to preserve this heritage, which is also on the verge of disappearing due to acculturation, globalization, deforestation, etc. Despite the interdependent relationship which characterizes certain elements of intangible cultural heritage (hereinafter “ICH”) with the natural material elements associated to it, the Convention does not guide its Parties towards the recognition and preservation of this unique relationship. More specifically, it does not guide them towards the conservation and sustainable use of the elements of biodiversity that are necessary to the safeguarding of ICH (considered as a network of life). This is why, some might question the capacity of the ICH Convention to safeguard ICH associated with biodiversity? At a time when species and tradition knowledge and practices are going extinct, it is essential to refine the implementation of the Convention by a revision of its Operational Directives responsible for specifying the commitments of the Parties – and which are regularly amended by the Intergovernmental Committee for the Safeguarding of ICH and the General Assemble of State Parties to the Convention – towards a better suited safeguarding of ICH associated with biodiversity. The ecosystem approach developed for the implementation of the Convention on Biological Diversity (hereinafter “CBD”) – whose objectives are the conservation, sustainable use of biodiversity and the fair and equitable sharing of the benefits obtained from the use of natural resources – is the basis for this proposal to revise the Operation Directives of the ICH Convention. This approach allows the sustainable management of ecosystems considered as being networks of life including humans and their biodiversity
Boulghallat, Adil. "L' Unesco et l'institutionnalisation du patrimoine culturel immatériel : le cas marocain de la place Jama'l-Fna et ses conteurs." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0657.
This thesis concerns the preservation process of the “intangible cultural heritage”. The case study: The Jama‘ l-fna Square and its storytellers, analyses the safeguarding of “intangible cultural heritage”. It draws, on the one hand, on an anthropological study of the concept of “heritage” based on the examination of the Unesco’s conventions. On the second hand, it relies the analysis of the sociocultural role of orality highlighted through an ethnographic fieldwork conducted among the storytellers (hlaïqiyya) of Jama‘ l-fna Square (Marrakech, Morocco). The study also enlightens the singularities of the patrimonialisation process in Morocco. It shows how legacy management practices and the different business activities which have induced a marginalization of the storytellers which went with a noticeable change of the art of storytelling, nowadays threatened to disappear. Finally, our thesis reveals a discrepancy between the exotic imaginary of the national and international visitors—which makes the practice of tales in the center of this emblematic area—and the socioeconomic difficulties endured by the narrators who are especially exposed to poverty and health problems. Generally speaking, the thesis contributes to the study of the stakes of the preservation of the transmission of the oral culture and the sustainability, and helps to gain a better understanding of the repercussions of globalization in traditional towns opened to global tourism
Niang, Abiboulaye. "Sauvegarde et valorisation du patrimoine culturel immatériel du Sénègal: projet de création d'un écomusée des pratiques divinatoires et curatives." Master's thesis, Universidade de Évora, 2015. http://hdl.handle.net/10174/18722.
Zhao, Zhiyong. "La protection juridique du patrimoine culturel en Chine." Thesis, Clermont-Ferrand 1, 2013. http://www.theses.fr/2013CLF10408.
Chinese cultural heritage consists of a multitude of tangible and intangible assets. It embodies the vitality and creativity of the Chinese Nation, and also participates in the pursuit of Chinese civilization Cultural heritage is the main problem of contemporary Chinese society. According to political developments, legal measures have been adopted. Because of current challenges for the Government and local authorities, specific regulations have been put in place to ensure the protection of cultural heritage. They are constantly being added to and improved in with the Global Heritage phenomenon, under the Convention Concerning the Protection of World Cultural and Natural Heritage and the Convention for the safeguarding of Intangible Cultural Heritage. The application of the law for the protection of Cultural Relics and the law for the safeguarding of Intangible Cultural Heritage and the intervention of jug allow appreciating its effective range
Kandou, Koumba Marie Josée. "Anthropologie et sauvegarde du patrimoine culturel vivant au Gabon : le rôle des musées." Thesis, Pau, 2019. http://www.theses.fr/2019PAUU1058/document.
In recent decades, museums have multiplied in most African societies; each cultural sector, each community, each city wants its own, for prestige or to develop economic and tourism activity. As a result, the design of the museum has evolved in its form, objectives, organization and management. This has given rise to financial challenges, from which concepts such as the cultural enterprise and its relationship with the market, the preservation of collections and their enhancement through exhibitions open to different audiences have emerged. As the museum becomes a driving force in cultural policies, both at the national and local levels, Gabon is lagging behind in this area, despite its potential. However, a museum without a collection does not exist: it must be a place of exhibition or interpretation. And a museum without a public would be a reserve or a center for the study of collections. It is through the consumption of images of history in time and space that individuals' subjective experiences of cultural policy are shaped. This individual subjectivity leads us to conceive the museum differently. Today, however, this revision seems problematic, especially for a Gabonese man. Indeed, instead of being part of a more or less homogeneous local identity that is circumscribed within the national identity, it maintains broader ethnic ties because of personal, economic, professional or financial relationships that sometimes transcend the nation's geographical and cultural borders. Thus, in Gabon, the management of cultural heritage must take into account not only the benefits of its enhancement but also local actors. The aim is to enable local populations to benefit from the benefits of the enhancement of their heritage. For, unframed development leads to mass tourism with its disadvantage, namely the erosion of heritage and cultural values, caused by either natural or human degradation. This is why it is necessary to introduce a new approach that requires considering cultural heritage management as a factor in local and national development
Blondel-Gaborieau, Celia. "La transmission du patrimoine culturel immatériel à l'école primaire : le cas du projet choral scolaire "Les Voix de la mémoire"." Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCC017/document.
Through an action research which has involved fifteen classes from the urban district of Vesoul, thispaper aims at questioning the link between remembering and transmitting our intangible culturalheritage, reflecting on the stakes surrounding a memorial choir project, and records what aneducation on such topics can be like today.The year 2014 marked the hundred-year anniversary of the beginning of WWI and theseventy-year anniversary of the WW2 Liberation. In this context, the Direction des Servicesdépartementaux de l’Éducation nationale de la Haute-Saône, along with other contributors of thearea, initiated the project entitled « The Voices of Memory ». Under the instruction of musicprofessionals, over three hundred children practiced historical, traditional and contemporary songs about war and peace, all year long. The project concluded with a performance in a subsidised theatre for an audience including families and officials.This research has aimed at gathering as many viewpoints as possible through itsquestionnaires, interviews and observations. The teachers, one Education Inspector, the families and the pupils all talk of what took place at school. The children are viewed as active participants in the project they are made to take part in. A specific methodology was developed so as to record, listen to and value their words. The joys and hardhips of the learning experience of all involved have been carefully highlighted and decyphered, with careful emphasis on the emotions triggered by the memorial itself, viewed as a rite in honour of the French Republic
Kanakari, Aikaterini. "Patrimoine rural et développement : un inventaire dans l'île grecque d'Amorgos (Cyclades)." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080136.
This thesis discusses the interaction of heritage, landscape and tourism and identifiestheir relationship, either associative or contradictory. Tourism, being the main sourceof financial activity in Greece influences and dominates almost every geographicallocation, particularly the islands, as these constitute priority destinations for visitors inevery island. Urban development and tourism have often contributed in compromisingthe integrity of natural and cultural heritage of islands, including their territories,water tables, customs and architecture. Without doubt, a key and decisive factor is thedisposition of local populations to act and react to these changes. Before everythingtransforms, we decided to study culture through the rural built heritage that dominatesa space that is insular and agricultural at the same time. In this framework, we decidedto choose as a case of study the island of Amorgos, in Cyclades, which seems toexhibit a moderate tourism development and has managed to preserve its profile andidentity. Tourism and rural landscape coexist harmoniously, keeping a balancebetween environment (landscape) and development (tourism), a balance that allowsthe preservation of the local identity, and has the potential to resist time. Asmethodology, we decided to use an inventory, which identifies rural buildingscontributes to the recognition and mapping out of the insular rural world
Αυτή η διατριβή αναλύει τις αλληλεπιδράσεις του τριπτύχου κληρονομιάς, τοπίου καιτουρισμού και εξετάζει τη σχέση τους, σε συνδυασμό ή σε αντίθεση. Ο τουρισμός,κύρια πηγή της οικονομικής δραστηριότητας στην Ελλάδα, επηρεάζει και καθορίζεισχεδόν κάθε χωρικό πεδίο και κυρίως τα νησιά, ως κυρίαρχο τόπο προτίμησης τωνεπισκεπτών. Σε όλα τα νησιά, ο τουρισμός είχε επιδράσεις θετικές και αρνητικές,αισθητές. Η αστική ανάπτυξη και ο τουρισμός θέτουν σε κίνδυνο την ομοιογένεια τουφυσικού και πολιτισμικού τοπίου των νησιών: το χώρο, τον υδάτινο ορίζοντα, τα ήθηκαι την αρχιτεκτονική. Ο αποφασιστικός παράγοντας είναι η διάθεση των τοπικώνκοινωνιών να δράσουν και να αντιμετωπίσουν αυτές τις αλλαγές. Πριν μεταβληθείριζικά η κατάσταση, αποφασίσαμε να μελετήσουμε την πολιτισμική κατάσταση μέσωτης αγροτικής κληρονομιάς που χαρακτηρίζει ένα χώρο νησιώτικο και αγροτικό. Μεαυτό τον άξονα, επιλέξαμε να ερευνήσουμε το τοπίο της Αμοργού, που έχειδιατηρήσει μια τουριστική ανάπτυξη μεσαίου μεγέθους και μπόρεσε να κρατήσει τοναυθεντικό της χαρακτήρα. Ο τουρισμός και το αγροτικό τοπίο συνυπάρχουναρμονικά, διατηρώντας μια ισορροπία ανάμεσα στο περιβάλλον(τοπίο) και τηνανάπτυξη(τουρισμό), επιτρέποντας έτσι τη διατήρηση της τοπικής ταυτότητας κιέχοντας τη δυνατήτητα να αντισταθεί στο πέρασμα του χρόνου. Σα μεθοδολογικόεργαλείο χρησιμοποιήσαμε την καταγραφή που θα ταυτοποιήσει τα αγροτικάκτίσματα και θα συνεισφέρει στην αναγνώριση ενός κόσμου νησιώτικου καιαγροτικού
Martinet, Lily. "Les expressions culturelles traditionnelles en droit international." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01D018.
At the beginning of the 21st century, the use of the term "traditional cultural expression" spread among several international forums. Although they have never been legally defined, traditional cultural expressions are mentioned by two instruments originating within the United Nations system: the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005) and the United Nations Declaration on the Rights of Indigenous Peoples (2007). This thesis presents how this notion emerged and evolved in international law. It also identifies the characteristics of this new legal concept to understand its meaning. This step allows to differentiate traditional cultural expressions from neighboring notions, such as "traditional knowledge" and "intangible cultural heritage." This leads to the study of legal issues relating to traditional cultural expressions and their safeguarding. Among these issues, the most paramount question is to ascertain the legal form that should be given to the link that binds a traditional cultural expression to the community that created and preserved it. In this view, two approaches appear. The first one considers traditional cultural expressions as a factor of economic development, whereas the second one contemplates them as a tool for the preservation of cultural identities. Confrontation of these two approaches demonstrate the limited role of traditional cultural expressions in the field of economic development
Fontaine, Alexine. "Histoire et actualité d'un inventaire du patrimoine alimentaire (Rhône-Alpes,1995-2014)." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20035/document.
This thesis deals with the study of a book published in 1995 by Albin Michel Editor and carried out by the Conseil national des arts culinaires : l’Inventaire du patrimoine culinaire de la France-Rhône-Alpes, produits du terroir et recettes traditionnelles – 8th book of a collection of 24th – and its impact on Rhone-Alpes territory and its possible updating. The documentation is based on an rich bibliography, on documents from departmental files, private documentation and oral inquiries.This work, achived thanks to a contract CIFRE, fulfills an order from the Comite de Promotion/R3AP, inter consular organism. It’s a global study of the book and the productions reviewed in it. It tries to analyse the stakes of this inventory and to tell the history of this book to understand past issues while assessing the situation and putting it in context in the current debate about food patrimonialization.This work enlightens the story of a solid method: the inventory, applied to a specific theme : food. The book is analyzed in its context– political, economical and social – and we study its aspect, its place inside the collection and its content. We explain the lack of influence inside the territory it deals with through two initial objectives which have been met more or less : first, a cultural goal in order to make products known and also an economical objective to boost still unknown products. A current state of products has been made, which underlines the need to update the book : even if the food heritage monuments are still alive, even if the patrimonialization is active, some products have disappeared. This Inventaire, as it has been highlighted, is a precious catalog of products that would require much more study and development. With this thesis, once more we tackle the question of food heritage and we ask ourselves what we need to save and preserve it while refusing to make it become a museum
Blanchard, Nolwenn. "Identité culturelle et patrimoine immatériel : la collection sonore constituée par Herbert Pepper au Gabon (1954-1966)." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20062/document.
This study draws on a fund of sound recordings, made in Gabon between 1954 and 1966 by Herbert Pepper, Orstom's researcher. Going through the whole country, the ethnomusicologist and his colleague collected a wide variety of music, tales and other oral expressions, and created the Arts and Traditions’ Museum of Libreville to preserve, catalog and enhance the results of this research in a sustainable way.These records may be considered as representative components of “intangible cultural heritage” of Gabon, a concept which was defined by the Unesco Convention in 2003. Many countries such as Gabon, whose traditions are orally transmitted, were previously rarely represented on the World Heritage List. It’s therefore interesting to trace the evolution and expansion of the concept of heritage since the early nineteenth century, significant moment in Europe which has seen development of interest in the past’s relics, both of collecting oral traditions and conserving material traces in Museum. Today, the advent of digital media has significantly changed practices and conceptions in the area of conservation and heritage development. Through digitization, oral traditions now have suitable tools for their diffusion and it’s possible to continue the work begun by Herbert Pepper when he wished the character « total » to retain for gabonese cultural expressions
Acosta, Carmen Diaz. "Propositions de protection et valorisation du patrimoine industriel de la baie de La Havane." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31084.
Boutteville, Monique de. "L’art populaire en Amazonie (île de Marajó) : la sauvegarde d’un patrimoine immatériel par sa réinvention artistique." Thesis, Paris 8, 2019. http://www.theses.fr/2019PA080047.
The present research is located in the Amazonian region, more precisely on the island of Marajó,and it involves some of its traditional artistic practices: carimbó, traditional dance and musicthat are caracteristics of the state of Pará and in certain Amazonian regions including theMarajó, and the story tellers. Carimbó artists and story tellers of this island live in solidaritywith the local population and produce reference points that contribute to the identityconstruction of the marajoaras (the habitants of the island). They contribute to the fight againstthe invisibility of the populations in Amazonia, caused by the strong economic interests and thelack of efficient public policies in the region. The non-recognition, by the authorities, of theseterritories - which are imaginary as well as geographical and which belong to the Amazonians/ marajoaras - accentuates the submission that is imposed on these local population. That's whywe question the possible conditions of maintaining these practices on the island of Marajó, asaesthetic and social acts capable of opposing a protean crush and a symbolic, institutional,economic and political purposes. Thus, the central problematic, which we attempt to answerwith our study, questions the possibility of a "living safeguard" of these immaterial cultureheritages
Gagliani, Gabriele. "International Investment Law and the Tangible and Intangible Aspects of Cultural Heritage : Substantive Discipline and Dispute Settlement Interactions." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLN012.
The relationship between international investment law and cultural heritage has commanded little attention and only recently. Certainly, international investment law has become one of the most prominent branches of international law. Its development has been strictly connected to the soaring growth of bilateral treaties on the promotion and protection of foreign investment and free trade agreements with foreign investment chapters. n turn, the status and place of cultural heritage under international law has grown, significantly progressing from some provisions included in international humanitarian conventions on the protection of heritage during armed conflicts. In light of the few studies existing on the subject of this thesis, which have in general concluded that conflictual and ambiguous relations exist between international investment law and cultural heritage, this thesis proposes to analyze this relation from both the substantive and dispute settlement standpoints. The idea that the relation between foreign investment and cultural heritage, regulated in different ways and ‘intensities’ by international law, could be positive was a general premise for all the research. Indeed, among investments, foreign investments have a great importance in a moment of economic crisis and difficulty in finding appropriate resources to safeguard heritage. Investments are hence vital for culture. The researches and analyses carried out for the thesis have shown that investment treaties often contain a number of provisions concerning culture and cultural heritage. With regard to international disputes, investment disputes have involved or touched upon different cultural forms and expressions: from UNESCO sites to cultural industries, to lieux de mémoire and indigenous communities’ heritage. Further, quite surprisingly, the international rules protecting foreign investors have sometimes been invoked, or resorted to, by subjects that had invested specifically in cultural ‘resources’ or to protect economic activities based on indigenous communities’ culture. The studies and researches carried out for this thesis have made it possible to reach and demonstrate a number of conclusions. First, the researches carried out have demonstrated that foreign investments are necessary to protect, safeguard, preserve and promote any form of cultural expression, and a strong interaction exists between the international regulation of foreign investments and cultural heritage. It has thus been shown that there exists a symbiotic relationship between international investment law and cultural heritage. Second, it has been possible to prove that, within international culture and cultural heritage law, there exists a ‘legitimate space’ for international investment law. Symmetrically, international investment arbitration can represent a valid cultural dispute settlement mechanism. Lastly, it is possible to assert that merging international rules on foreign investments and international rules on culture or cultural heritage can lead to create, or support the existence of, a more transparent, legitimate and rule-of-law-based system. In the light of all these considerations, the research, analysis and reflection carried out for the thesis has demonstrated how positive the relation between international investment law and cultural heritage can be fro states and the society. This, without denying any potentially negative effect. One might hope that the results obtained allow to adapt any practice in the field of culture. The protection of cultural heritage can indeed be strongly enhanced through the regulation of foreign investment
Mijit, Mukaddas. "La mise en scène du patrimoine musical ouïghour : construction d’une identité scénique." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100163.
This thesis focuses on the staging of Uyghur traditional art in its musical, chorographical and theatrical forms. For decades, large multidisciplinary performances depicted the Uyghur cultural heritages. Distended to share with their own, these performances are created by the artists of the community. Rearrangement, canonization, dramatizing (in Western style) are used to transform traditional art, to be more attractive on stage. This created an outstanding “bricolage” of all aspect of one culture, to be put in one space and in a limited time. These findings lead to questioning the ways of listening to music and watching dance in contemporary Uighur society. Equally, this phenomenon questions the role of art and culture in their everyday life. Furthermore, the impact of all these transformation on the sense of national identity is at the heart of our reflections. This thesis is interested in the origin of artistic professionalization established by the reform movements in the 1920s-30s, which played a role of educating and at the same time entertaining the population/poeple, and became a symbole of resistence in the region. Today, the stage represents an important aspect of uyghur society. After many years of fieldwork, analysing the discourse and different kinds of professional performances this thesis identifies the self- representation mechanisms of Uyghurs, as one nation, one ethnic group, to the outside world. It relies on historical sources, years of fieldwork in different regions of Xinjiang, includes different kinds of professional or amateur performances, and interviews of the actors and experts's discourse
Alexandre, Caecilia. "L'insertion du concept de développement durable aux règles internationales et aux programmes nationaux et locaux de sauvegarde du patrimoine culturel immatériel : regard croisé Québec - Maroc." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29774/29774.pdf.
Ciambrone, Alessandro. "Patrimoine mondial et développement local : étude comparative de systèmes touristiques locaux en Italie et en France." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100005/document.
The main objective of this study is to demonstrate, in times of global economic crisis, how it is possible to combine economic growth needs and strategies for the protection and enhancement of the heritage in a sustainable way, starting from the assumption that tourism is one of possible areas for regional development, social integration and improvement of living conditions of local communities. The Campania Region and the Province of Caserta – territories object of study in Italy - have a unique cultural, landscape and intangible heritage but is not sufficiently protected and enhanced. To this end, the research analyzes and proposes policies for managing assets through the study of international "best practices", in particular in France, in the field of cultural tourism, seen as an engine for sustainable development of local communities. France, the first country in the world for number of international visitors, according to updated data, provided by the World Tourism Organizations, has developed a long-term government policy aimed at the protection and enhancement of heritage, through actions on assets, on the organizational structure of the institution in charge, and targeted promotion of all art forms of intellectual production. In Italy, however, the management strategy has often shown inadequate compared to the international prestige of the country for its cultural, landscape, food, wine and intangible heritage, with a limited growth of economy if compared with this heritage’s potential with the consequent negative effect on heritage
Yacouba, Sam. "L’inventaire du patrimoine culturel materiel en danger au Burkina Faso, un outil de protection: le cas de la commune de Koudougou au debut du XXIème siecle." Master's thesis, Universidade de Évora, 2018. http://hdl.handle.net/10174/30157.
Du, Yixiong. "La transmission du patrimoine culturel immatériel par le biais de la formation : étude comparative du mode de formation professionnelle des artisans de la céramique en Chine et en France." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100193.
Today, the transmission of intangible cultural heritage remains an international issue that touches not only the preservation of the past but also the practical question of the development of creative economy. However, this transmission can be realized via various educational channels, whether it is formal or non-formal, which could aim to train professionals or amateurs. This thesis decided to choose the artisanal heritage and its transmission as the research subject, with a particular focus on formal and non-formal formations, which are considered as devices for the professional transmission of the artisanal heritage. The author advanced the topic towards a specific field, that of the craft of ceramics and carried out a comparative study on formal and non-formal formations, organized under the context of two contrasting societies, that of China and France, which transmit this craft. By analyzing the talks of 28 ceramists, including 14 independent ceramists (7 Chinese and 7 French) and 14 ceramists-employees (7 Chinese and 7 French), this thesis aims to offer a clear understanding on what are the prevailing modes (formal and non-formal) of vocational training in the craft of ceramics, that favored mostly by the ceramic practitioners in China and France. Observations and perspectives have been made on the similarities and differences in terms of practices and routines of transfer, acquisition, and creation of knowledge and the know-how of each of the training mode, adopted under the different social contexts of China and France, which are marked by sharp contrasts
Chen, Yi-Jen. "Les sites taïwanais potentiellement éligibles au patrimoine mondial : perspectives et enjeux historique, politique, législatif et social." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3032.
In 2003 and 2009, the Taiwanese Council for Cultural Affairs started the project to select eighteen potential World Heritage Sites in Taiwan, the first step in the process that precedes UNESCO’s World Heritage selection process. After a brief presentation of the potential sites, we will try to understand the historical reasons for Taiwan’s exclusion from the World Heritage program. For this purpose, we will go back to 1949 when Taiwan was separated from China after a civil war. Thereafter, China would be governed by the communist party, and Taiwan, the refuge of the defeated nationalist government, would live in international isolation. In this context, the project seems to be an opportunity to overcome political obstacles. However, world heritage is itself political. In recognition of this reality, some potential sites are exploring possible collaboration with China or Japan. We will exam why these two countries and what the possibilities and difficulties are for these partnerships. At the international level, Taiwan has little leeway in the diplomatic domain, so it is primordial for the island to highlight its soft power and play a significant role in the world’s heritage. At the national level, we should also examine the mechanism of the potential sites project where we found many judicial and financial issues as well as human problems. In fact, this project is executed by different stakeholders, so it is essential for all of them to work in concert in order to ensure the project’s success. In addition to a strong judicial system to avoid any kind of possible fraud, education is crucial to raise citizens’ awareness of the heritage that they own
Demesvar, Kenrick. "Interprétation et mise en valeur du patrimoine naturel et culturel, matériel et immatériel dans les parc nationaux-Cas du Parc National Historique : Citadelle, Sans-Souci, Ramiers de la République d’Haïti." Doctoral thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26223.
The purpose of this essay is to propose a global program of interpretation, which integrates the different kinds of heritage, natural and cultural, tangible and intangible. It takes its inspiration from the international principles of interpretation arising out of various practices (followed, for example, by national parks, museums, historic sites) and their application to the overall values of a park, understood as a heritage site in the context of a developing country. The case study presented is that of the National Historic Park: Citadelle, Sans-Souci, Ramiers (PNH-CSSR), Haiti’s most significant heritage and tourist site, which includes monuments considered as symbols of the national historic identity. On the UNESCO world heritage list since 1982, this park has, as yet, no program of interpretation. As a result, the study sets out to fill this gap by proposing a complete interpretative program that takes into account all the potential of PNH-CSSR, while showing how this tool can help accentuate its best qualities. Using a multidisciplinary approach, the study is based on participant observations and semi-directive interviews along with a corpus made up of historical and ethnographic documents. The interpretation process puts into use a host of resources, such as theatrical performances, musical presentations, museum exhibitions both virtual and real, brochures, interpretive panels and signage, and local guides trained on site. In this way, emphasis is laid on local participation through group activities, the communication of the site’s values and interpretive products along with essential cultural services for the development on the site of sustainable tourism. Joining practice to theory, this essay includes an experimental phase on the site of the proposed interpretive program. Assessing the application of this program has shown it to be adapted to both the current and future needs of the park, to the goals set by the Haitian State for touristic development in the region and at the site, to the expectations of residents and of visitors, those at present and those to come. This research constitutes a pioneering endeavour to assist in the advancement of knowledge in the field of heritage interpretation, especially in Haiti. This original interpretive program seeks to serve as a model for that country’s national parks as a whole and, further, for national parks worldwide.
Lamothe, Mathilde. "De la neige à la terre battue : approche comparative ethnologique de pratiques sportives - raquettes à neige au Québec et quilles de 9 en France - au prisme du patrimoine culturel immatériel." Doctoral thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28111.
Although at first sight they may appear diametrically opposed, the fields of heritage and sport invite us to reflect on their relationships and to look beyond the classical binary pattern of tradition/modernity. In this way, identifying of sport practices which may fall within the intangible cultural heritage (as defined by Unesco in 2003) can help to critically examine the processes of this new form of heritage, as well as the political, scientific and methodological issues associated with them. The hypothesis of this study is based on the postulate that the concept of intangible cultural heritage can be a heuristic tool to understand living cultures and appreciate the heritage value of cultural practices and manifestations. This hypothesis is empirically tested through an ethnographic study of traditional games and sports. It puts in perspective the concept of intangible cultural heritage through two different cultural practices : that of snowshoeing in Quebec (Canada) and that of the ninepins game in Gascogne (Aquitaine, France). The comparative study of these sporting activities provides a point of entry into an analysis of the production of new cultural activities from traditional practices and how local actors position themselves with relation to their cultural heritage. In so doing, they are reinventing new transmission processes in a syncretism involving both sport and heritage which questions the definitions of these practices and each fieldwork. Key-words : intangible cultural heritage, Quebec, France, traditional games and sports, patrimonialization, sportivation.
Léonard, Julie. "Des cours de fermes à l'Unesco : la patrimonialisation du fest-noz en Bretagne." Thesis, Amiens, 2019. http://www.theses.fr/2019AMIE0032.
Nomination file n° 707 - Wednesday December 5th, 2012. UNESCO headquarter, Paris. The Unesco Intergovemmental Committee for the safeguarding of the intangible cultural heritage (ICH) proclaims the inscription of the fest-noz on the representative List of the ICH of humanity Resulting from a long term ethnographie study, this research focuses on the way how an International category such as the ICH has been applied to a local context (here, Brittany, France), and supported by a State unwilling to acknowledge its communities. The institutionalization, as a global standard, of the social actors's participation for the safeguarding of the ICH invites us to take a closer look at the various actors who form the heritage community bearing the fest-noz's application. From a historical synthesis, these actors will be reviewed as the continuation of identity initiatives which since the 19th century, have contributed to build the depictions of Brittany from a rural society of which the traditional culture would be the expression. Understanding the ICH as a new political category of public action, the goal is also to analyse the contemporary strategies regarding the heritage status turning local revival practices into a heritage process representative of global cultural values
Charron, Catherine, and Catherine Charron. "Eau, patrimoine et communautés : le cas du Tribunal des eaux de Valence (Espagne)." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37662.
Ce mémoire étudie le fonctionnement et les processus de patrimonialisation du Tribunal des eaux de Valence (Espagne), ainsi que les mécanismes de la participation des communautés autonomes d'irrigants dans sa conservation, sa transmission et sa mise en valeur. Il s'intéresse aux perceptions des acteurs du milieu agricole, des juges (syndics) du Tribunal et des agriculteurs de la huerta valencienne, quant à la fonction sociale actuelle du Tribunal et à son rôle dans la sauvegarde des savoir-faire d'irrigations traditionnels. Le mémoire permet en outre de comprendre les impacts de la patrimonialisation de l'UNESCO sur le patrimoine culturel immatériel du point de vue des individus impliqués dans le Tribunal et du point de vue des agriculteurs sur le terrain.
This master thesis proposes an in-depth analysis of the functioning and heritage processes of the Valencia Water Tribunal (Spain), included in the Lift of the Intangible Cultural Heritage in 2009. In doing so, it provides new empirical evidence of the ways the participation of autonomous communities of irrigators impact its conservation, transmission and enhancement. The study details the actors’ perceptions of the role played by the judges of the Tribunal and the farmers in the huerta in safeguarding traditional irrigation knowhow and into current social functions of the Tribunal. One notable contribution this dissertation defends consists in better understanding the impacts of UNESCO's designation on intangible cultural heritage from the point of view of the actors (e.g. judges, farmers) involved in the Tribunal.
This master thesis proposes an in-depth analysis of the functioning and heritage processes of the Valencia Water Tribunal (Spain), included in the Lift of the Intangible Cultural Heritage in 2009. In doing so, it provides new empirical evidence of the ways the participation of autonomous communities of irrigators impact its conservation, transmission and enhancement. The study details the actors’ perceptions of the role played by the judges of the Tribunal and the farmers in the huerta in safeguarding traditional irrigation knowhow and into current social functions of the Tribunal. One notable contribution this dissertation defends consists in better understanding the impacts of UNESCO's designation on intangible cultural heritage from the point of view of the actors (e.g. judges, farmers) involved in the Tribunal.
Mi tesis se centra en el estudio del funcionamiento y del proceso de patrimonializacion del Tribunal de las Aguas de la vega de Valencia, nominado por la Lista del Patrimonio Cultural Inmaterial de la Humanidad de la UNESCO en 2009. También trata sobre los mecanismos de participación de las comunidades autonómicas de regantes de la huerta valenciana en su conservación, transmisión y mejora. Me intereso en las percepciones de los actores agrícolas, los síndicos del Tribunal y los regantes respecto alas funciones sociales actuales del Tribunal y su rol en la conservación, transmisión y mejora de los conocimientos tradicionales de riego. Mi tesis también permite de entender los impactos de la patrimonializacion por la UNESCO de un patrimonio cultural inmaterial desde el punto de vista de los actores implicados en la institución del Tribunal y desde el punto de vista de los agricultores.
Mi tesis se centra en el estudio del funcionamiento y del proceso de patrimonializacion del Tribunal de las Aguas de la vega de Valencia, nominado por la Lista del Patrimonio Cultural Inmaterial de la Humanidad de la UNESCO en 2009. También trata sobre los mecanismos de participación de las comunidades autonómicas de regantes de la huerta valenciana en su conservación, transmisión y mejora. Me intereso en las percepciones de los actores agrícolas, los síndicos del Tribunal y los regantes respecto alas funciones sociales actuales del Tribunal y su rol en la conservación, transmisión y mejora de los conocimientos tradicionales de riego. Mi tesis también permite de entender los impactos de la patrimonializacion por la UNESCO de un patrimonio cultural inmaterial desde el punto de vista de los actores implicados en la institución del Tribunal y desde el punto de vista de los agricultores.
Tancons, Gauthier. ""Moi mangrove" de "l'amor mundis" comme écosophie pour un enseignement actionnable et enseignable du patrimoine immatériel culturel en Guadeloupe. : Une épistémologie du vivre ensemble laïc en aire créolophone. L'esclavage, l'éducation, la franc-maçonnerie." Thesis, Perpignan, 2015. http://www.theses.fr/2015PERP0009.
Are Guadeloupeans determined by stereotypes attributed to blacks resulting in an inferiority complex ?I expose how, in light of the diurnal and nocturnal imaginary regimes by actualizing the potential of mecanist and organic knowledges in my teaching and past theses, I have been able to negotiate my share of shadow, to wreak havoc on the paranoid Master, to absolve time with non-Promethean weapons and to propose an education of compagnonnage for an epistemology of secular living together devoid of victimizing feelings.Through prolegomena that carry the fundamentals of my current thesis, I awake sleeping knowledges from the structures of the Imaginary, the metaphore of Me-Mangrove acting through an ethics aesthetics. I further bring attention to paradoxes from which the Imaginary can extricate archetypal images of cognitive emancipation made actionnable through an analysis of play, games, and popular traditions as pedagogical instruments according to the classifications of Roger Caillois concretization, individuation, and dialogy—and the notion of understanding both as understanding to create and creating to understand. Finally, I also carry out this analysis of the structure of the Guadeloupe an Imaginary through her relationship to the natural and man-made environment and risks.An over reaching, top down education could suggest an alienating form of liberation through promethean weapons. I suggest instead, as an alternative, the teaching of actionable knowledges that does not encapsulate knowledge but is a dynamic following of a corpus of expanding knowledges that go beyond the speculative and amount to a cognitive emancipation whose weapons are knowledge and reflection