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Книги з теми "Ironic discourse"

Автор: Grafiati

Опубліковано: 3 червня 2025

Оновлено: 31 липня 2025

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1

Mustapha, Trabelsi, Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines., and Jāmiʻat Ṣafāqis. Kullīyat al-Ādāb wa-al-ʻUlūm al-Insānīyah., eds. L' ironie aujourd'hui: Lectures d'un discours oblique. Presses universitaires Blaise Pascal, 2006.

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2

Mustapha, Trabelsi, Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines., and Jāmiʻat Ṣafāqis. Kullīyat al-Ādāb wa-al-ʻUlūm al-Insānīyah., eds. L' ironie aujourd'hui: Lectures d'un discours oblique. Presses universitaires Blaise Pascal, 2006.

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3

Mustapha, Trabelsi, Université de Clermont-Ferrand II. Centre de recherches sur les littératures modernes et contemporaines., and Jamiat Safaqis. Kulliyat al-Adab wa-al-Ulum al-Insaniyah., eds. L' ironie aujourd'hui: Lectures d'un discours oblique. Presses universitaires Blaise Pascal, 2006.

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4

Boudon, Pierre. Une interface discursive: L'ironie. Université de Limoges, 1997.

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5

Treviño, María Eugenia Flores. Función poética del lenguaje: La ironía en el habla de Monterrey (1985-1986). Universidad Autonóma de Nuevo León, 2008.

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6

Merrett, Robert James. Presenting the past: Philosophical irony and the rhetoric of double vision from Bishop Butler to T.S. Eliot. English Literary Studies, University of Victoria, 2004.

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7

Merrett, Robert James. Presenting the past: Philosophical irony and the rhetoric of double vision from Bishop Butler to T.S. Eliot. English Literary Studies, University of Victoria, 2004.

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8

Han-gyu, Kim, and Yi Ch'or-ho, eds. Yŏmch'ŏllon: Discourses on salt and iron: a debate on state control of commerce and industry in ancient China. Somyŏng Ch'ulp'an, 2002.

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9

Suriano, Alba Rosa. al-Farāfīr. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-240-6.

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Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation,

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10

Ironia em perspectiva polifônica. Editora da Unicamp, 1996.

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11

Moricheau-Airaud, Berengere. Representation du Discours Autre et Ironie. Classiques Garnier, 2024.

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12

Saito, Yuriko. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199672103.003.0009.

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Everyday aesthetics is becoming established as a subdiscipline of aesthetics. In one sense, it is ironic that such a subdiscipline be created anew, because neither the original Greek meaning of the term aesthesis nor Baumgarten’s formulation of aesthetics as a discourse regarding senses excluded any dimensions of our lives from deliberation. Furthermore, until about a century ago, the subject matters of aesthetics in the Western philosophical tradition ranged from natural objects and phenomena, built structures, utilitarian objects, and human actions, to what is today regarded as fine arts....

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13

Ironie et paradoxe: Le discours amoureux romanesque. Honoré Champion, 1998.

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14

Miernowski, Jan. Montaigne on Truth and Skepticism. Edited by Philippe Desan. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.31.

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The incipit of the Essays presents it as a book of good faith. The truthfulness of this claim has traditionally been seriously called into question given how extensively ironic and deeply self-contradictory Montaigne’s text is. In this article I argue that Montaigne’s opening statement about good faith should not be understood as the author’s claim, but rather as a dramatic call addressed to the reader. According to Montaigne, truth is beyond our reach since we deal only with our own “phantasies” about God, the world, and ourselves. Most notably, Montaigne’s Pyrrhonian skepticism, ontologicall

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15

Findlay, Alison. ‘Make My Image but an Alehouse Sign’. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0010.

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Queen Margaret’s words ‘Make my image but an alehouse sign’ in 2 Henry VI (III. ii. 81) offer an appropriate metaphor for the female voice in Shakespeare’s texts because they advertise the ways female characters strive to speak out within a discursive environment that silences them as images. The chapter explores how women in Shakespeare’s plays negotiate a space to speak within a poetic discourse that repeatedly objectifies them as signs, focusing on Catherine’s role in Henry V and the blason, and the Jailer’s Daughter’s self-inscription into a ballad tradition in Two Noble Kinsmen. A second

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16

Ruiz-Gurillo, Leonor, and M. Belén Alvarado Ortega. Irony and Humor: From Pragmatics to Discourse. Benjamins Publishing Company, John, 2013.

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17

Irony and humor : from pragmatics to discourse. John Benjamins Publishing Company, 2013.

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18

Mizzau, Marina. L'ironia: La contraddizione consentita (Campi del sapere). 2nd ed. Feltrinelli, 1986.

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19

Opozycje sensu w dyskursie. Wydawnictwo Werset, 2011.

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20

Carbonell, Curtis D. Dread Trident. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620573.001.0001.

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Dread Trident examines the rise of imaginary worlds in tabletop role-playing games (TRPGs), such as Dungeons and Dragons. With the combination of analog and digital mechanisms, from traditional books to the internet, new ways of engaging the fantastic have become increasingly realized in recent years, and this book seeks an understanding of this phenomenon within the discourses of trans- and posthumanism, as well as within a gameist mode. The book explores a number of case studies of foundational TRPGs. Dungeons and Dragons provides an illustration of pulp-driven fantasy, particularly in the w

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21

L' ironie d'Alberto Savinio à la croisée des discours: Lecture sémiotique de l'Introduction à une vie de Mercure et d'Achille énamouré mêlé à l'Evergète. P. Lang, 1999.

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22

Iselin, Pierre. ‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0005.

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Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on th

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23

Presenting the Past: Philosophical Irony And the Retoric of Double Vision from Bishop Butler to T. S. (E L S Monograph Series). Univ of Victoria Dept of English, 2005.

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24

Smith, Leonard V. The “Unmixing” of Lands. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199677177.003.0004.

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Chapters 3 and 4 draw in an ironic way from Lord Curzon’s phrase of peacemaking in the twentieth century as comprising the “unmixing of peoples.” Both chapters consider territoriality as a political practice of “unmixing” both lands and peoples. The term “unmixing” actually meant imposing rigid categorizations of ethnicity with considerable political consequences. British, French, and American schools of political geography provided the intellectual infrastructure. The council of Great Powers in its various forms established itself as a sovereign court in Paris that heard and adjudicated claim

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25

Moreno, Hugo. Rethinking Philosophy with Borges, Zambrano, Paz, and Plato. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978727175.

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In Rethinking Philosophy with Borges, Zambrano, Paz, and Plato, Hugo Moreno argues that in Ficciones, Claros del bosque, and El mono gramático, Jorge Luis Borges, María Zambrano, and Octavio Paz practice a literary way of philosophizing—a way of seeking and communicating knowledge of reality that takes up analogical procedures. They deploy analogy as an indispensable and irreplaceable heuristic tool and literary device to convey their insight and perplexities on the nature of existence. Borges’ ironic approach involves reading and writing philosophy as fiction. Zambrano’s poetic reason is a mo

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26

Wirtz, Kristina. “With Unity We Will Be Victorious!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0006.

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This chapter investigates the relationship between monologue and dialogue in Cuban revolutionary discourse. It proposes to attend to the “mono-logic”—the semiotic and ideological forces designed to compel alignments toward unity, coherence, and continuity, that are, asymptotically, never quite reached. Cuba’s political leaders have for decades insisted that citizens undergo a continual process of conscientization in which inner selves and outer displays jointly cultivate commitment to revolutionary principles. There are two semiotic calibrations of such discourse: (1) the charismatic, in which

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27

Boddice, Rob. Scientism and Practice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040580.003.0007.

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The conclusion argues that a discussion on the origin, purpose, evolution and moral implications of sympathy led to cultural and policy changes in Victorian life, as well as to new expressions of the self. It establishes the extent of scientific influence in policy creation, and illustrates the irony of Darwin’s key intellectual contribution to public life: although he meant only to describe the evolution of sympathy in order to justify Victorian morals, the description nevertheless contributed to the transformation of Victorian practices as justified by Darwinian morals. The conclusion emphas

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28

Hatten, Robert. The Troping of Topics in Mozart’s Instrumental Works. Edited by Danuta Mirka. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199841578.013.0020.

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An eighteenth-century musical topic is a familiar figure, texture, genre, or style that is imported into a new context, where it may interact with other topics and the prevailing discourse of a movement in ways that may spark creative meanings. These interactions are analogous to the processes that produce tropes in literary language. A merger of expressive meanings may produce an effect akin to metaphor, whereas resistance to merger may signal some form of irony. Degrees of compatibility, dominance, creativity, and productivity among topics and tropes are explored in Mozart’s instrumental wor

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29

Williams, Will. Kierkegaard and the Legitimacy of the Comic. Lexington Books, 2018. https://doi.org/10.5040/9781666998191.

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While some see the comic as trivial, fit mainly for amusement or distraction, Søren Kierkegaard disagrees. This book examines Kierkegaard’s earnest understanding of the nature of the comic and how even the triviality of comic jest is deeply tied to ethics and religion. It rigorously explicates terms such as “irony,” “humor,” “jest,” and “comic” in Kierkegaard, revealing them to be essential to his philosophical and theological program, beyond aesthetic interest alone. Drawing centrally from Kierkegaard’s most concentrated treatment of these ideas, Concluding Unscientific Postscript (1846), thi

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30

Powers, Melinda. ‘Disidentification’ in Allain Rochel’s Bacchae, Tim O’Leary’s The Wrath of Aphrodite, and Aaron Mark’s Another Medea. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777359.003.0005.

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This chapter discusses Allain Rochel’s Bacchae (2007), Tim O’Leary’s The Wrath of Aphrodite (2008), and Aaron Mark’s Another Medea (2013), based on Euripides’ Bacchae, Hippolytus, and Medea respectively. Through their use of performance strategies such as ‘camp’ (an aesthetic characterized by irony, ostentation, and exaggeration), these productions engage in queer performative counter-discourses that challenge popular stereotypes of gay men, such as the ‘fit, fashion-savvy sidekick’ and the ‘tragic’ or ‘suicidal homosexual’. In the process, they illustrate what José Esteban Muñoz has defined a

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31

Feinberg, Melissa. Battling the Big Lie. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644611.003.0003.

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This chapter examines the characterization of Eastern Europe in the American media, concentrating on the role of East European émigrés in shaping American perceptions of their homeland. It focuses on the role of American-sponsored radio stations, such as the Voice of America and Radio Free Europe These radio stations broadcast an anticommunist perspective to Eastern Europe and played key roles in creating American knowledge about the region. The annual Crusade for Freedom, designed to raise money for RFE, sought to mobilize Americans against totalitarian regimes in Eastern Europe. In the Ameri

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32

Gillespie, Caitlin C. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190609078.003.0001.

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The introduction outlines the aims of the book and justifies the thematic approach. It discusses the complications in establishing the details of Boudica’s life and revolt due to the lack of contemporary literary accounts, and the need to juxtapose written narratives against material evidence of late Iron Age and early Roman Britain in order to gain a more comprehensive picture. This study analyzes literary and material evidence alongside comparative figures of female leadership and rebellion, from the seer Veleda to Cartimandua, queen of the Brigantes. The interpretation of Tacitus’s and Cass

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33

Pioske, Daniel. Hebrew Prose and Stories of an Early Iron Age Past. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649852.003.0002.

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Chapter 1 examines two crucial theoretical questions for the study that follows: when did the writing of Hebrew prose emerge in the ancient world, and what type of knowledge informed the creation of prose texts that recounted past occurrences? This chapter begins by addressing the historical question of when? by drawing on recent epigraphic evidence from the Iron Age period and connecting this evidence to considerations surrounding the rise of vernacular writing and its interface with older, oral forms of discourse. After establishing a rough terminus post quem for the emergence of written Heb

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34

Feinberg, Melissa. Curtain of Lies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644611.001.0001.

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Curtain of Lies examines the role of truth in the political culture of the Cold War by looking at Eastern Europe during the period from 1948–1956. It examines how actors on both sides of the Iron Curtain tried to delineate the “truth” of Eastern Europe and how this worked to set the parameters of knowledge about the region. Eastern Europe’s Communist governments, under the guidance of the Soviet Union, tried to convince their citizens that the West was the land of imperialist warmongers and that Communism would bring a glorious future to the region. Their propaganda efforts were challenged by

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35

Murley, Jean. The Rise of True Crime. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216009276.

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During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True C

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36

Trencsényi, Balázs, Michal Kopeček, Luka Lisjak Gabrijelčič, Maria Falina, Mónika Baár, and Maciej Janowski. A History of Modern Political Thought in East Central Europe. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737155.001.0001.

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A History of Modern Political Thought in East Central Europe is a two-volume synthetic overview, authored by an international team of researchers. Covering twenty national cultures and 250 years, it goes beyond the conventional nation-centered narratives and presents a novel vision especially sensitive to the cross-cultural entanglement of discourses. Its principal aim is to look at these cultures within the global “market of ideas” and also help rethink some of the basic assumptions about the history of modern political thought and modernity as such. The second volume starts with the repercus

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37

Trencsenyi, Balázs, Michal Kopeček, Luka Lisjak Gabrijelčič, Maria Falina, and Mónika Baár. A History of Modern Political Thought in East Central Europe. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198829607.001.0001.

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A History of Modern Political Thought in East Central Europe is a two-volume synthetic overview, authored by an international team of researchers. Covering twenty national cultures and 250 years, it goes beyond the conventional nation-centered narratives and presents a novel vision especially sensitive to the cross-cultural entanglement of discourses. Its principal aim is to look at these cultures within the global “market of ideas” and also help rethink some of the basic assumptions about the history of modern political thought and modernity as such. The second volume starts with the repercus

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38

Brisku, Adrian, Martin Gumiela, and Lars Fredrik Stöcker, eds. Varieties of Economic Nationalism in Cold War Europe. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350428676.

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Investigating the trajectories of economic nationalisms in Cold War Europe, this open access book explores the scope and limits of small (nation-)state actors pursuing and defending national economic interests in a globalizing world. In so doing, it contributes a new perspective in the economic history, political economy and nationalism literatures on post-war Europe. With this remit underscoring the inherent vulnerabilities of smaller national economies and their strategies of economic survival beyond the constraints of Cold War alignments,Varieties of Economic Nationalism in Cold War Europer

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39

Strawser, Michael. Kierkegaard and the Philosophy of Love. The Rowman & Littlefield Publishing Group, 2015. https://doi.org/10.5040/9781666999587.

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Ironically, the philosophy of love has long been neglected by philosophers, so-called “lovers of wisdom,” who would seemingly need to understand how one best becomes a lover. In Kierkegaard and the Philosophy of Love, Michael Strawser shows that the philosophy of love lies at the heart of Kierkegaard’s writings, as he argues that the central issue of Kierkegaard’s authorship can and should be understood more broadly as the task of becoming a lover. Strawser starts by identifying the questions (How should I love the other? Is self-love possible? How can I love God?) and themes (love’s immediacy

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40

The author of the Apocalypse: A review of the prevailing hypothesis of Jewish-Christian authorship. Mellen Biblical Press, 1997.

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