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Готові списки джерел за темами / Jewelry / Статті в журналах

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Статті в журналах з теми "Jewelry"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 25 липня 2025

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1

Jia, Ma. "Representations of Jewelry as a Source of Metaphorization in the Modern Russian Linguistic Picture of the World." Vestnik NSU. Series: History and Philology 23, no. 9 (2024): 44–52. http://dx.doi.org/10.25205/1818-7919-2024-23-9-44-52.

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Анотація:

Purpose. The article describes the linguocultural specifics of metaphorization of general representations of jewelry in the Russian linguistic picture of the world. The relevance of the topic is related to the use of lexemes with the root jewel- in various contexts based on metaphorization and figurative representation of heterogeneous phenomena. The purpose of the research is to determine main directions of metaphorization in the semantic field «Jewelry» based on lexicographic data and contexts from the «National Corpus of the Russian Language». The sample consists of 144 examples with metaph

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2

Auble, Cassandra. "Royal Jewelry Exchange in Sixteenth Century Anglo-Scottish Politics." Explorations in Renaissance Culture 46, no. 1 (2020): 70–82. http://dx.doi.org/10.1163/23526963-04601002.

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This paper explores how Mary, Queen of Scots and Elizabeth i utilized jewelry in political settings to construct meaning, represent themselves, and negotiate personal and political relationships. Studying the complexities of jewelry’s exchange and circulation between the courts of England and Scotland provides a more nuanced picture of early modern diplomacy and material culture. Jewelry provided a valuable resource from which rulers and diplomats regularly drew when framing their political discourse. Jewels used in diplomacy were as politically meaningful as the gestures and rituals of formal

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3

Luts, Sergii. "Jewelery Art of Ukraine at the Turn of the XX–XXI ct.: Genesis of Progress." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (2019): 93–111. https://doi.org/10.31866/2617-7951.2.1.2019.170361.

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Анотація:

The aim of the research is to analyze the genesis of the main factors of evolutionary;transformations in the jewelry of Ukraine at the end of the XX – the beginning of the XXI ct.;Research methodology. A number of scientific methods have been applied: comparativehistorical,;analytical-descriptive, figurativestylistic, as well as methods of analogies and;assumptions. Scientific novelty. In this study an attempt to show a generalized picture of;the progress of Ukrainian jewelry on the turn of the XX–XXI ct. has been made. Conclusions. It;has been proved that consolidation of domestic

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4

Dadamukhamedov, Bobur. "DEVELOPMENT PROCESSES OF INNOVATIVE JEWELRY ART IN UZBEKISTAN." CURRENT RESEARCH JOURNAL OF HISTORY 04, no. 02 (2023): 1–6. http://dx.doi.org/10.37547/history-crjh-04-02-01.

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The article analyzes the innovative style and jewelry based on it, created in 2000-2022 on the basis of such trends as modern, non-traditional, modern, avant-garde in the work of young jewelers and their creations. It was analyzed that the creativity of representatives of the older generation and many other young talented jewelers in the innovative direction continue to strive to create innovative jewelry, as well as to produce high-quality original jewelry in jewelry factories, enterprises and brands.

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5

Gabriel, Galina Nikolaevna. "Poetics of meanings and forms in the avant-garde work of women jewelers of the 20th century." Vestnik of Saint Petersburg State University of Culture, no. 2 (63) (2025): 92–97. https://doi.org/10.30725/2619-0303-2025-2-92-97.

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In the history of avant-garde jewelry of the 20th century, women artists played a particularly significant role. However, their names, as a rule, are mentioned only after famous male jewelers. In fact, they were quite independent and successful in their experiments with form, plasticity, materials and technologies in contemporary jewelry making. This article examines the work of iconic European and American women jewelers of the second half of the 20th century, who made a significant contribution to the formation of a new concept, artistic, plastic, figurative language of jewelry design. They

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6

Afzal, Syeda Sadia. "Importance of jewelry in Women: Case Study in Pakistan." Journal La Sociale 1, no. 2 (2020): 27–32. http://dx.doi.org/10.37899/journal-la-sociale.v1i2.92.

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Анотація:

Jewelry’s anecdotes have been growing up since kingdom times. Getting acceptation day by day, women are using jewelry cutturely, etiquette generation and acquiesce. Passion of jewelry in women has trending now a days, another trending of young generation to become more attractive and beautiful with the help of jewelry. Everyone use jewelry for their capacity like, Diamon, Gold, Silver, Pearls and other materials. Time is changed and the importance of jewelry has been increased, Gold and Silver’s values are different but getting expensive of Gold other material take place here some other introd

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7

GÜNEY, Hilmi, Menekşe SAKARYA, Hamide Tuba KIZILKAYA, and Esra VAROL. "EXAMINATION OF THE NECKLACE AND PENTANDS FOUND IN NİĞDE MUSEUM." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (2022): 259–72. http://dx.doi.org/10.46291/zfwt/140214.

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The tradition of using jewelry has always preserved its importance as a means of adornment. The most precious metals and gemstones have been used in the making of jewelry for a long time, and they have been produced by developing special techniques. Gemstone and precious metal processing started in ancient times as well as in every period with the aim of providing faith, fertility, magic, and good luck; In addition to these meanings from time to time, religious rituals also included purposes such as presenting gifts to the gods or the dead, an indicator of social privilege and status, an expre

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8

Ермалицкая, К. Ф., and Н. А. Плавинский. "Preliminary Results of the Nonferrous Metals Articles from the Barrow Cemeteries in Western Regions of Polotsk Land Element Composition Study." Археология и история Пскова и Псковской земли, no. 33 (December 25, 2018): 288–94. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-278-0.288-294.

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В белорусской археологии Средневековья мало внимания уделяется технологии изготовления и составу металла ювелирных изделий. Такая ситуация не позволяет получить полное понимание особенностей технологии ювелирного ремесла, определение центров ювелирных изделий производство и способы попадания в регион сырья, необходимого для работы ювелиров. В данной публикации представлены предварительные результаты исследования ювелирных изделий с погребальных памятников верхнего Повилья. In Belarusian archeology of the Middle Ages little attention is paid to the technology of manufacturing and composition of

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9

Pereira, Beulah, Kevin Teah, Billy Sung, and Min Teah. "Building blocks of the luxury jewellery industry: conversations with a CEO." Asia Pacific Journal of Marketing and Logistics 31, no. 4 (2019): 817–29. http://dx.doi.org/10.1108/apjml-10-2018-0415.

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Purpose The purpose of this paper is to conduct an in-depth interview with the Chief Executive Officer (CEO) of Larry Jewelry, a luxury jeweller with boutiques in Hong Kong and Singapore. Given the ever-evolving luxury jewellery market in South East Asia, it is paramount to understand the success factors of the luxury jewellery sector. Design/methodology/approach An in-depth interview approach is used to understand the antecedents of the success of the luxury jewellery sector. Specifically, this paper presents a complex business model of Larry Jewelry and an in-depth interview with the CEO of

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10

Kravchenko, Marta. "Artistic peculiarities of jewellery in Ukraine at the beginning of the 21st century. Concepts of morphogenesis." Text and Image: Essential Problems in Art History, no. 1 (2019): 77–89. http://dx.doi.org/10.17721/2519-4801.2019.1.05.

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The article reveals the tendencies in development of contemporary art jewelry in Ukraine in 2000-2015. The feature of jewelry art of the last third of XX - beginning of XXI century in Ukraine is a parallel activity of three generations of artists, which apply to different materials, imaginative solutions in decorations. During 2000-2015, modern Ukrainian decorative applied art reached a new level, there was a galaxy of young artists who interpret a new jewelry and possess strong position in the European artistic space. Alternative or avant-garde thinking was closer to the young generation of j

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11

Sapfirova, N. "AN ECLECTIC TREND IN PRODUCTS OF JOZEPH MARSHAK'S JEWELRY FACTORY ON EXAMPLE OF A SILVER TEA AND COFFEE SET, EXIBITED AT THE ALL-RUSSIAN EXIBITION IN KIEV IN 1913." Innovative Solution in Modern Science 6, no. 42 (2021): 204. http://dx.doi.org/10.26886/2414-634x.6(42)2020.12.

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The subject of research is the legacy of Joseph Abramovich Marshak – famous Kiev jeweler and owner of a jewelry enterprise, whose period of activity covers 1878–1918. Among the large number of jewelry made during the forty years of the factory's operation, it should be noted products that correspond to the stylistic trends of the era of historicism, in particular, the silver tea and coffee set, exhibited at the All-Russian Exhibition in Kiev in 1913. The main task of this work is to investigate artful language of eclecticism, expressiveness of which allowed artists of J. Marshak's era to combi

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12

Ariza, Nur, Nuriadi Manurung, and Masitah Handayani. "FORECASTING THE GOLD JEWELRY SALES USING SINGLE EXPONENTIAL SMOOTHING METHOD." Jurnal Teknik Informatika (Jutif) 3, no. 6 (2022): 1573–80. http://dx.doi.org/10.20884/1.jutif.2022.3.6.395.

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Gold is a precious metal that plays an important role in people's daily lives. People use gold jewelry as a dowry so that gold is sought after, such as earrings, necklaces, pendants, bracelets, rings and others. However, buying and selling gold jewelry at a gold jewelry store has a different strategy. Gold sellers must carry out the gold jewelry production process to meet gold jewelry supplies and market demand. The results of the sale of gold jewelry sometimes increase and decrease every day which cannot be predicted every day, so this can affect the store to find out the profits and losses t

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13

Khurmetbek, A., Z. O. Dukenbaeva, and V. V. Nomogoeva. "Historical and Cultural Connection of Restoration of Museum Objects with Traditional Crafts." Vestnik NSU. Series: History and Philology 24, no. 5 (2025): 148–58. https://doi.org/10.25205/1818-7919-2025-24-5-148-158.

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Purpose. The article analyzes the restoration methods of archaeological finds in museums of Kazakhstan and the historical connection of restorers with traditional artisans, jewelers; the current state of jewelry art passed down from generation to generation, actual problems of the current relationship between the historical relic and traditional methods in the past jewelry art; and the state of application of methods in the restoration literature of the Soviet period. The purpose of the article is to analyze the historical and cultural relationship between traditional jewelry art and modern re

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14

Waridah Muthiah and Agus Sachari. "MOTIF KALAMAKARA PADA TEMUAN PERHIASAN EMAS ERA MAJAPAHIT KOLEKSI MUSEUM NASIONAL JAKARTA." PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 3 (February 17, 2021): 36–41. http://dx.doi.org/10.33153/semhas.v3i0.135.

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Jewelry in the Classical era in Indonesia, especially in the Late Classic era, occupies an important position in society. Apart from being a symbol of a person's status and position, when discussing the depiction of jewelry on a statue or relief, the jewelry worn by a character is also an indication in determining the identity of the character. Jewelry in the Late Classical era was made of gold, which was considered to have high material, symbolic, and religious value in society at that time. Based on the findings of jewelry in the Late Classic era, especially the Majapahit era, there is an in

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15

Valeev, R. M., and D. D. Rashitov. "Tatar jewelry business of the Kazan province of the early XX century in the context of professional development." Heritage and Modern Times 6, no. 2 (2023): 103–12. http://dx.doi.org/10.52883/2619-0214-2023-6-2-103-112.

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The article deals with the historical and cultural component of the Tatar jewelry business of the Kazan province at the beginning of the 20th century. The purpose of the article is to present a comprehensive historical and cultural analysis of the Tatar jewelry of this period: to create a general picture of the development of the jewelry craft, its interaction with professional cultural traditions, and consideration of the decorative and symbolic meaning of jewelry. To address the issues raised, a typology of jewelry typical of Tatar jewelers during the study period was carried out, technical

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16

Hussein, Rifaat. "LEGAL SOLUTIONS To SELL GOLD and SILVER JEWELRY in DEBT." Islamic Sciences Journal 10, no. 4 (2023): 51–80. http://dx.doi.org/10.25130/jis.19.10.4.4.

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    This research deals with the ruling on selling gold and silver jewelery in debt. It is well known that the majority of jurists and modern Fiqh Jurisprudence have agreed on the inviolability of selling gold and silver jewelery with religion. Therefore I wanted to look for legal solutions and jurisprudential exegesis from falling into forbidden riba. There are two legitimate ways to get rid of falling into riba: The first is his photo: two people are contracted to buy jewelery in cash, but the buyer buys the jewelry from the seller, then he buys all or part of t

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17

Rashitov, Danil Damirovich, and Anton Evgen'evich Lestev. "Modern jewelry art of Kazan: jewelry models of architectural monuments." Культура и искусство, no. 5 (May 2021): 101–13. http://dx.doi.org/10.7256/2454-0625.2021.5.33445.

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Анотація:

The subject of this research is the modern history of development of Kazan jewelry art. The article explores the development of Kazan jewelry art in the 2000s; the creation of remarkable jewelry artworks as the models of famous architectural monument and their authors. The research material contains the iconographic sources &ndash; unique images of the jewelry art patterns, as well as testimonies of the eyewitnesses &ndash; the jewelry artists. One of the authors is the direct participant and co-author of the jewelry works under review Thus, the article employs the method of overt obse

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18

Varyvonchyk, Anastasiіa, Oleksandr Tsugorka, and Bogdan Mazur. "Historical context and current trends in the jewelry art of Ukraine." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 32–36. http://dx.doi.org/10.32461/2226-2180.39.2021.238677.

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Анотація:

The purpose of the article. Illumination of the problem of the decline of traditional folk arts associated with the functioning of unique art crafts in Ukraine in the direction of jewelry art. Methodology. The research methodology is based on the use of observations of art-historical, historical and cultural analysis. The scientific novelty lies in focusing on the disclosure of historical facts of the development of jewelry art in Ukraine, which further contributed to mass production on enterprises organized by the state and the definition of the overall issue of jewelry. Conclusions. At the e

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19

Matcan-Lisenco, Inga. "THE PROMOTION OF NATIONAL IDENTITY AND ROMANIAN TRADITIONAL AESTHETICS THROUGH THE USE OF CONTEMPORARY ADORNMENTS." Journal of Social Sciences VI, no. 4 (2024): 41–51. http://dx.doi.org/10.52326/jss.utm.2023.6(4).04.

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This study accentuates the importance of the contemporary jewelry in the promotion of the national Bessarabanian identity. Romanian jewelry and adornments can include traditional elements, materials and techniques for the purpose of creating a unique masterpiece, which reflect Romanian culture. The ways through which contemporary jewerly can help promote Romanian national and traditional identity include inspiring traditional motifs, exploring cultural symbols, education and awareness, collaborating with local designers, and promoting sustainability. This study highlights the vital role of con

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20

Li, Jian Wen. "The Material Aesthetics Transformation of Jewelry Design." Advanced Materials Research 785-786 (September 2013): 1590–92. http://dx.doi.org/10.4028/www.scientific.net/amr.785-786.1590.

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With the Value Change of Jewelry itself, Jewelry Culture has Become an Independent Art Discipline. Modern Jewelry has Widely Served as Expression Media of Information，and the Standard Judging the Value of Jewelry has Transferred from those Expensive Materials such as Gold, Silver and Jewel to those Cheap, Common Materials of Environmental Protection. in the Process of Redefining the Material, the Common Materials are Endowed with Rich Cultural Connotations through Design and Become the Carrier of the Multisense of Modern People.

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21

Rudenko, Konstantin A. "Treasures of the Elite of the Bulgharian Ulus of the Golden Horde." Golden Horde Review 9, no. 3 (2021): 520–46. http://dx.doi.org/10.22378/2313-6197.2021-9-3.520-546.

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Research objectives: To analyze the materials of the most famous hoards of the Golden Horde era found on the territory of the Bulgharian ulus on the basis of a comprehensive analysis. To identify the coincidence of jewelry that they contained. To determine the similarities and differences with other finds from this territory, as well as to identify the possible place of their manufacture and their connection with archaeological sites. Research materials: Preserved jewelry from the Karasham and Juketau hoards. The former was found in 1950 near the village of Karasham in the Zelenodolsk district

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22

Жилина, Н. В. "MEDIEVAL JEWELRY OF THE SLAVIC PEOPLES: JEWELERY (COMPARATIVE ANALYSIS)." Вестник Тверского государственного университета. Серия: История, no. 1(65) (April 21, 2023): 77–95. http://dx.doi.org/10.26456/vthistory/2023.1.077-095.

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Статья посвящена характеристике ювелирной стадии убора из украшений славянских народов (IX–XV вв.). Автор показывает, что в славянских государствах в процессе восприятия византийского ювелирного дела и взаимодействия с ним был выработан общеславянский филигранный ювелирный набор. Сформировавшийся первоначально в Моравии, ювелирный убор, попадая вместе с выходцами из Моравии в другие славянские государства, перерабатывался, здесь устоялись отличные в деталях формы украшений. Показывается развитие в славянских государствах собственных технологических навыков, основа которых всё же оставалась виз

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23

RASHITOV, Danil D. "Russian jewelry school in Kazan at the beginning of the 20th century." Service plus 19, no. 1 (2025): 74–80. https://doi.org/10.5281/zenodo.15169981.

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The article examines the historical and cultural component of Russian jewelry in Kazan in the early 20th century. The purpose of the article is to make a comprehensive historical and cultural analysis of Russian jewelry of the period. The objectives are to identify the conditions for the development of jewelry, its interaction with culture, and to consider the decorative and symbolic meaning of jewelry. The main principle of constructing the article was the methodology of the history of everyday life, which provides objective facts inherent in the period. To solve the tasks, it is necessary to

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24

Ермакова, Екатерина Станиславовна. "From Folk Tradition to the Modern Studio Jewelry Art of Central Asia." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 63–76. http://dx.doi.org/10.26158/tk.2020.21.2.006.

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В Средней Азии авторское ювелирное искусство возникает в 1970-1980-х гг. Оно пришло на смену народному традиционному. В статье исследуются характерные признаки традиционного и современного авторского (студийного) ювелирного искусства. Среди выделенных свойств самыми важными являются объем информации и свобода выбора. Сегодня сформировались три основных стилистических направления, для каждого из них характерно определенное отношение к традиционным и новым материалам. Первое - традиционная школа, в рамках которой мастера копируют старинные украшения, используя традиционные материалы. Второе - эт

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25

Umgaeva, O. V. "REGISTRATION FORMS FOR SMALL JEWELRY BUSINESS WORKING WITH PRECIOUS STONES AND METALS." ECONOMIC VECTOR 1, no. 40 (2025): 115–21. https://doi.org/10.36807/2411-7269-2025-1-40-115-121.

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Анотація:

The jewelry business in the sphere of turnover of precious metals and stones (DMDK) operates in various forms proposed by Russian legislation. In 2024, a registration form as a jeweler artist is additionally proposed for manufacturers who individually produce precious products. A comparative assessment of the current forms of registration of the jewelry business emphasizes the need to clarify some concepts of legislation, since based on the mechanism for obtaining the status of an artist-jeweler, there are no obvious benefits for participants yet. In the author's opinion, the status of an arti

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Zhang, Guoqing, Jiangtao Wang, Junxin Li, Xiaoyu Zhou, and Yongsheng Zhou. "Research on Key Technologies of Jewelry Design and Manufacturing Based on 3D Printing Technology." Coatings 14, no. 6 (2024): 701. http://dx.doi.org/10.3390/coatings14060701.

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Анотація:

In conjunction with the swift enhancement of China’s economic prowess, the demand for jewelry among the populace is gradually evolving towards personalized, customized, and intricate designs. Traditional manufacturing approaches are increasingly inadequate to meet these evolving demands. However, the advent of 3D printing technology presents a viable solution for the direct fabrication of such sophisticated jewelry. To this end, the conceptualization of personalized jewelry inspiration is initiated, followed by the implementation of parametric design using SolidWorks 2018 software. Subsequentl

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Rosmita, Rosmita, Kasman Bakry, Sri Reski Wahyuni Nur, Maryam Maryam, and Yulianti Yusuf. "HUKUM ZAKAT PERHIASAN EMAS DALAM PERSPEKTIF ISLAM (STUDI KOMPARASI ANTARA MAZHAB HANAFI DAN MAZHAB SYAFI’I)." Ar-Risalah Media Keislaman Pendidikan dan Hukum Islam 22, no. 1 (2024): 131. http://dx.doi.org/10.69552/ar-risalah.v22i1.2072.

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Анотація:

This study aims to determine the law of zakat on gold jewelry according to the Ḥanafī and Syāfi'ī schools as well as the similarities and differences between the two schools. To get answers to the above problems, the type of research used is qualitative research in the form of library research focused on manuscript and text studies. The research results found are; First, according to the Ḥanafī school of thought, gold jewelry is obliged to pay zakat based on general and specific arguments regarding the law of gold zakat. Second, the Syafi'i School views that zakat on gold jewelery is not oblig

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Lipczik, Agata. "Making a Name in a Male-dominated Industry: Women Jewelers in Poland Before 1939." Załącznik Kulturoznawczy, no. 9 (2022): 803–21. http://dx.doi.org/10.21697/zk.2022.9.40.

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The article aims to present the opportunities for women’s professional development in the jewelry industry in prewar Poland. By analyzing the biographies of selected women jewelers who trained in the 1930s, the career paths available at that time were indicated. The article also tries to answer the question of how the conditions in which the jewelry industry in Poland operated at that time influenced the situation of women entering the profession. It can serve as a reference point for further research on the presence of women in jewelry in Poland and Central and Eastern Europe.

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Samedova, Sevda T. "Bronze goods as a reflection of the ethnocultural ties of the South Caucasus peoples in ancient times." Historical Ethnology 10, no. 2 (2025): 161–79. https://doi.org/10.22378/he.2025-10-2.161-179.

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The object of the study are ancient bronze goods discovered in the South Caucasus as a result of archaeological excavations at the sites of ancient settlements and burial grounds of the Bronze and early Iron Ages. Among the various types of bronze jewelry, bracelets were the most numerous and functionally in demand, as they were used simultaneously as decoration and amulets. There is an opinion that they were an equivalent of money and served as a means of commodity-money exchange. In the era of antiquity, in the region, jewelers continued to produce bronze jewelry along with jewelry made of s

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NALÇACIGİL, Emre, and Ahmet Fatih ÖZYILMAZ. "A Research on Marketing and Consumer Habits in Konya Jewelry Sector." ISPEC International Journal of Social Sciences & Humanities 4, no. 4 (2020): 350–86. http://dx.doi.org/10.46291/ispecijsshvol4iss4pp350-386.

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More than 50 percent of the world's gold production and more than 90 percent in our country are used in jewelry making. Gold, which has been used for decoration and investment instrument for centuries, continues to be demanded by the people of our country in order to both decorate and saving with a habit stemming from our traditions. Turkey’s jewelry sector, which is in the top 5 in the world gold demand and ranked 2nd in gold jewelry exports, currently has 5500 jewelry shops, 20 large jewelry production complexes, 100 wholesale jewelry stores, 40 thousand jewelry shops and 250 thousand employ

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31

Taelen, Ebba Van der. "Double activation: the ephemeral interaction between body and jewelry." Journal of Textile Engineering & Fashion Technology 11, no. 2 (2025): 59–62. https://doi.org/10.15406/jteft.2025.11.00404.

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Анотація:

Contemporary jewelry is a niche within the applied arts, yet recent years there has been substantial theoretical development in this field. However, a particular category of jewelry has remained underexplored: pieces that actively assert their presence rather than merely adorning the body passively. These 'active' jewelry pieces have not been theorized, a gap I aim to address by coining the concept 'double activation'. According to Kevin Murray and Rock Hushka, every piece of jewelry becomes ‘activated’ when worn on the body. However, I argue that 'double activation' jewelry also ‘activates’ t

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32

Dipali Ghatge, Sharvari Deshmukh, Ankita Gaikwad, Kaustubh Iparkar, and Anuj Mane. "Virtual Jewellery Try-On: Enhancing Consumer Engagement and Personalization." International Research Journal on Advanced Engineering Hub (IRJAEH) 2, no. 12 (2024): 2811–15. https://doi.org/10.47392/irjaeh.2024.0388.

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This study presents a mobile-based augmented reality (AR) solution for virtual jewelry try-on, designed to enhance the e-commerce user experience by enabling customers to visualize and interact with jewelry in real time. The system employs Google ML Kit for real-time pose detection and tracking of body landmarks such as shoulders and fingers. By integrating Flutter-based modules with machine learning models, the application achieves accurate overlay of virtual jewelry on detected positions. Interactive gesture-based controls, including tap-to-place, scaling, and rotation, allow users to custom

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33

Condraticova, Liliana. "The local school of jewelry: unknown and unjustly lost names." Dialogica. Revistă de studii culturale și literatură, no. 1 (May 2023): 55–62. http://dx.doi.org/10.59295/dia.2023.1.07.

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Associated in workshops or as freelancers, working mainly in the city of Chișinău as one of the most important socio-economic and cultural centers of the country, jewelers and craftsmen have left an indisputable legacy, conceived in many articles of historical, artistic and memorial value. The 1972–1991 years were marked by the founding of the Jewellery Workshop of the Plastic Fund of the UNAP (1972), which allowed the concentration and unification of the efforts of the few artists who artistically processed metals. The jewelers worked in the Jewellery Workshop, promoting and continuing the tr

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Rutkowska, Joanna. "Motywy roślinne i zwierzęce w nazwach biżuterii." Język. Religia. Tożsamość. 1, no. 29 (2024): 121–30. http://dx.doi.org/10.5604/01.3001.0054.5830.

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Modern jewelry has its origins in ancient times. Among the jewelry motifs used by jewelers and other artists, some of the most popular are elements of fauna and flora, as evidenced by the assortment offered by the companies: Aparat, Kruk and Yes. Due to the very large cross-section and diversity of the analyzed material, it is difficult to make specific calculations regarding individual motifs. Most often, they appear in a series whose name includes the type of jewelry, the material from which the element is made, and the name of the floristic or faunal element, which means that all nomination

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Wijaya, I. Putu Sinar, and Ngurah Adhi Santosa. "Kajian Manuk Dewata pada Hiasan Kerajinan Bungkung Bali “Ornamen Bali”." Journal on Education 5, no. 1 (2022): 808–14. http://dx.doi.org/10.31004/joe.v5i1.687.

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Balinese jewelery from the royal era is still popular and has also been developed by several jewelery craftsmen, with existing and new designs and motifs, Balinese handicrafts with manuk dewata motifs and the addition of Balinese ornaments, where the manuk dewata motif has a different philosophy. Strong with Balinese Hindu culture and customs. The method used is descriptive research which aims to describe, record, analyze and interpret current conditions that occur in the field. Types and approaches are very important in the preparation of research, while the type of research used is qualitati

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36

Podosenova, Yu. "Grain-filigree cross-shaped pendants of the Permian Pre-Urals region." Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences, no. 1 (May 17, 2023): 19–25. http://dx.doi.org/10.19110/1994-5655-2023-1-19-25.

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The jewelry heritage of the Rodanovo culture, the Western Urals, includes cross-shaped pendants with a silver plate as a base with a grain-filigree decoration. The article highlights the study results of these jewels. Collection, visual analysis, and study of sources with different methods allow for a detailed view about the design of items, their production specificity and decoration techniques, as well as about their origin and distribution period. The jewels were made of silver and decorated in various jewelry techniques as granulation and filigree, with inserts of ornamental stones and gla

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S., Umameswari* &. N. G. Kumaran**. "ROLE OF VENUS IN JEWELERS / JEWELRY BUSINESS." International Journal of Computational Research and Development (IJCRD) 8, no. 2 (2023): 10–14. https://doi.org/10.5281/zenodo.8287616.

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In the nine planets of the zodiac Venus is the sixth one. Venus is the son of saint Brigu and Pilomisai.  Saint Brigu is the son of Lord Brhma. So, Venus is also called as Bhrgava and also as Kavi. Venus, have Garuda (egale) as his vaahan (Vehicle).  Venus is   the karak for arts. He is the lord for the three stars - Ababarani,   Poorva Pulguni and Poorvashada. Gold is used mostly in ornaments. If  Jupiter and Venus are placed in the 4<sup>th</sup> house, or 4<sup>th</sup> lord have conjunction with the benefic planets Jupiter, Venus, the Moon and the Mercury

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Hogan, Elena N. "Jewels of the Occupation: Gold Wedding Jewelry in the West Bank." Journal of Palestine Studies 39, no. 4 (2010): 43–49. http://dx.doi.org/10.1525/jps.2010.xxxix.4.43.

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This article examines the social role and broader cultural meanings of gold jewelry used in Muslim weddings in the West Bank---"marriage jewelry" that by right belongs exclusively to the woman and whose socio-symbolic value extends far beyond its market value. Through interviews with muftis, gold dealers, and especially Palestinian women, the article explores the unwritten "rules" governing marriage jewelry's exchange, and how these rules are affected in a context of occupation and economic hardship. In particular, the author discusses the relatively new phenomenon of imitation (or "virtual")

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39

Nováková, Kateřina Nora. "Šperk v roli geometrické abstrakce. Eleonora Reytharová." Fontes Nissae 25, no. 2 (2024): 2–11. https://doi.org/10.15240/tul/007/2024-2-001.

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We have encountered the name of Liberec jeweler Eleonora Reytharová in exhibitions and publication presentations of contemporary Czech jewelry since the end of the 1960s. Her distinctive creative style focuses mainly on geometric shapes in the intentions of geometric abstraction. She worked with squares, triangles and circles in both silver and copper in combination with acolored enamel surface. In some jewelry, she also applied elements of structural abstraction through wires, surface relief, or precious stones.

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Umarova, Zarrina. "Characteristics of development of Tajik jewelry art at the turn of the 21st century." SHS Web of Conferences 50 (2018): 01226. http://dx.doi.org/10.1051/shsconf/20185001226.

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The paper identifies and analyzes the characteristic features of the development of Tajikjewelry art in the late 20th - early 21st centuries. The author believes that at this time, after a long period of oblivion, there is a marked way to restoration of many lost and nearly forgotten folk traditions in Tajik jewelry art. This period of time can be distinguished as a transitional period in the history of Tajik jewelry art development. This issue carries a significant value in the history of Tajikistan because the jewelry art in the period from the 80ies ofthe 20th century to the early 20th cent

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Matcan-Lisenco, Inga. "SMART JEWELRY DESIGN, AESTHETICS AND INNOVATION IN THE DIGITAL AGE." JOURNAL OF SOCIAL SCIENCES 7, no. 4 (2025): 42–53. https://doi.org/10.52326/jss.utm.2024.7(4).04.

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This research analyzes the integration of smart jewelry, which combines fashion with technology, meeting the functional and aesthetic requirements of the 21st century. These advanced accessories, equipped with features such as health monitoring and Bluetooth/NFC connectivity, require a multidisciplinary approach in the design process. The study emphasizes the balance between aesthetic appeal and utility, highlighting the use of recyclable materials and classifying jewelry into four distinct categories, each with specific advantages and challenges. It also investigates the impact of emerging te

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Chernetsov, A. V. "Treasures of Staraya Ryazan’: Two Hundred Years of Research and New Discoveries." Herald of the Russian Academy of Sciences 92, S8 (2022): S684—S694. http://dx.doi.org/10.1134/s1019331622140039.

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Abstract This article is dedicated to study of the jewelry craft of Staraya Ryazan’. It has been prepared for the 200th anniversary of the discovery of the first hoard there (1822), which marked the beginning of the study of ancient Russian towns, the most important area in the science of Russian antiquities. The marks of the individual style of a craftsman who served representatives of the princely family (interpretation of the images of animals, birds, anthropomorphic figures, and elements of ornamentation, as well as features of the technique) are considered. Jewelry made by him was found i

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Ionesov, Vladimir I., and Ilgiz F. Fazulzyanov. "Aesthetics of Samarkand in Ilgiz Fazulzyanov’s Jewelry Art: Heritage as an Area of Creativity." Sphere of culture 4, no. 1 (2023): 121–30. http://dx.doi.org/10.48164/2713-301x_2023_11_121.

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The editorial board of the journal presents a conversation of Vladimir Ionesov (Doctor of Culturology, Professor, Samara State Institute of Culture) with Ilgiz Fazulzyanov, a well-known Russian artist and jeweler. The issues of aesthetic transformation of national traditions in modern applied art are discussed on the example of the jewelry collection Samarkand. The article reveals the peculiarities of artistic design in jewelry art, the aesthetics of the historical heritage of Samarkand, and the interaction of the past and the present in the dialogue of cultures and time as well as semantic, s

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44

Alcalde-Llergo, José Manuel, Aurora Ruiz-Mezcua, Rocío Ávila-Ramírez, Andrea Zingoni, Juri Taborri, and Enrique Yeguas-Bolívar. "Automatic Identification and Description of Jewelry Through Computer Vision and Neural Networks for Translators and Interpreters." Applied Sciences 15, no. 10 (2025): 5538. https://doi.org/10.3390/app15105538.

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Identifying jewelry pieces presents a significant challenge due to the wide range of styles and designs. Currently, precise descriptions are typically limited to industry experts. However, translators and interpreters often require a comprehensive understanding of these items. In this study, we introduce an innovative approach to automatically identify and describe jewelry using neural networks. This method enables translators and interpreters to quickly access accurate information, aiding in resolving queries and gaining essential knowledge about jewelry. Our model operates at three distinct

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45

Reed, James. "Jewelry." Organization & Environment 16, no. 2 (2003): 231. http://dx.doi.org/10.1177/1086026603016002010.

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Belko, Tatyana V., Tatyana V. Kozlova, and Svetlana Yu Osipova. "Role of jewelry and accessories in traditional women`s Russian costume of the 16th–17th centuries." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 294–306. http://dx.doi.org/10.37816/2073-9567-2021-59-294-306.

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The paper conducts analysis of decor, accessories and jewelry in the context of traditional Russian costume of the 16th–17th centuries; it consists of an introduction and two parts. In the introduction, the authors note the importance of preserving and structuring information about ancient Russian accessories and costume jewelry for modern creative activity. The paper identifies socio-cultural significance of the ensemble of jewelry and costume in traditional Russian society. It examines the clothing of the South Russian and North Russian women's clothing complex, reflecting the specifics of t

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47

Dospěl Williams, Elizabeth. "Gems in Cloth and Stone: Medium, Materiality, and the Late Antique Jeweled Aesthetic." Textile Museum Journal 45, no. 1 (2018): 22–39. http://dx.doi.org/10.1353/tmj.2018.a932727.

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Abstract: In The Jeweled Style: Poetry and Poetics in Late Antiquity , Michael Roberts argues that color, opulence, repetition, and variety epitomized the period’s aesthetics, a phenomenon he terms the “jeweled style.” Although Roberts did not consider textiles in his analyses, this article argues that fabrics participated in the same trends, perhaps even serving as intermediaries in the transfer of motifs between actual gemstones and architectural decoration. The first part of the article shows how Roberts’s definition of the jeweled style fits in larger art historical discussions about late

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A., SHTANGRET, and KARAYM M. "Problems of the development of the domestic jewelry industry as the basis for the implementation of anti–crisis management." Market Relations Development in Ukraine №3 (202) 154 (May 11, 2018): 131–36. https://doi.org/10.5281/zenodo.1245582.

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Conditions for the development of the domestic jewelry industry can be defined as those that are characterized by high aggressiveness of the external environment of functioning. Complicating the situation and the lack of jewelry industry enterprises sufficient flexibility in management, the ability to counteract negative influences and adapt to the rapidly changing conditions of management. It was found out that the solution of a significant number of problems is possible through the use of anti–crisis management. The methodical bases of realization of anti–crisis management at the

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Хавлюк, Павло. "Ювелірна справа в уличів". Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University Series History, № 1 (12 червня 1999): 13–19. http://dx.doi.org/10.31652/2411-2143-1999-01-13-19.

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Since the middle of the last century, a significant number of women's earrings of original shapes have been found on the territory of the forest-steppe Right Bank of Ukraine, which have attracted the attention of researchers for their perfection and artistic completeness. Although these finds were discovered mainly during household work, which made it difficult to determine the place of their manufacture, bronze stamps from the Peresopnytsia burial site in Volyn were attributed to women and associated with their earrings. Most of the finds of such earrings are concentrated in the Southern Pobu

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Er, Birnaz. "The Position of Traditional Anatolian Jewellery in the Jewellery Sector and Production Problems." European Journal of Economics and Business Studies 5, no. 1 (2016): 113. http://dx.doi.org/10.26417/ejes.v5i1.p113-122.

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Traditional jewelry is a symbol of Anatolian culture. Anatolia has a rich identity in respect to handcrafts and nearly all of Anatolia districts have its own identical handicrafts. Jewelry is among this handicrafts that is produced only in special area and symbolizes its own region. Unfortunately, technological achievements adversely effects the traditional jewelry production such as, reducing the demands of them and decreased interest. The jewelry industry prefers the mass production techniques and this leads to destruction of traditional jewelry preferences. Nowadays, traditional jewelry is

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