Готові списки джерел за темами / Konstantin Franke

Добірка наукової літератури з теми "Konstantin Franke"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 15 лютого 2022

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Статті в журналах з теми "Konstantin Franke":

Kessissoglu, Alexander. "Konstantin Kavafis: Das Hauptwerk. Gedichte griechisch und deutsch, übersetzt und kommentiert von Jörg Schäfer mit Bildnismünzen ausgewählt und kommentiert von Peter Robert Franke." Gnomon 77, no. 5 (2005): 410–14. http://dx.doi.org/10.17104/0017-1417_2005_5_410.

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Puzanov, Vladimir. "Grand Duke Konstantin Pavlovich and the Russian army after the Decembrist uprising." OOO "Zhurnal "Voprosy Istorii" 2020, no. 10-3 (October 1, 2020): 38–69. http://dx.doi.org/10.31166/voprosyistorii202010statyi62.

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The article is devoted to the personality of Grand Duke Konstantin Pavlovich, who served in the Russian army from the age of 16, commanded the guard in the wars with France, and formed the Polish army. The victory over Napoleon and the Decembrist uprising led to new trends in the development of the Russian army. The military elite of the Empire sought to rely on simple, uneducated officers in the army. Konstantin Pavlovich noted that he preferred to command completely uneducated officers, rather than “ostensibly educated rioters”.

Farr, James R. "Confessionalization and Social Discipline in France, 1530–1685." Archiv für Reformationsgeschichte - Archive for Reformation History 94, no. 1 (December 1, 2003): 276–93. http://dx.doi.org/10.14315/arg-2003-0108.

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ZUSAMMENFASSUNG Die Forschung war bis vor kurzem der Auffassung, die Konfessionalisierungsthese sei auf Frankreich nicht anwendbar. Die Untersuchungen zur franzö sischen Religionsgeschichte, die in den letzten zehn Jahren vorgelegt wurden, zwingen jedoch zu einer Überprüfung dieser Einschä tzung. Das gibt Anlaß zu dem Vorschlag, das Konfessionalisierungskonzept für Frankreich auf der Grundlage der Thesen John Bossys zu operationalisieren: Wä hrend die Konfessionalisierungsthese sich auf Mitteleuropa zwischen 1560 und 1650 konzentriert, muß der Zeitrahmen für die Untersuchung des franzö sischen Falls auf die Jahre 1530-1685 ausgedehnt werden. Diese Phase ist - trotz einer weitgehend konstanten Katholisierungspolitik des Staates - geprägt von der (Ko-)Existenz zweier Konfessionen. Diese im Edikt von Nantes festgeschriebene Bikonfessionalität beruhte auf praktischen und politischen Notwendigkeiten. Unter dem Blickwinkel des Konfessionalisierungskonzepts stellt sich die Frage, wie es der hugenottischen Bewegung im 16.Jahrhundert gelang, gegen den Widerstand der Krone und der katholischen Kirche eine institutionalisierte Konfessionskirche mit entsprechendem Selbstverstä ndnis auszubilden - eine Frage, die sich auch für die dévots des 17.Jahrhunderts stellt.

Lvov, K. V. "The Artist’s Diary as a Portrait of Time: About the Diaries of M. Matyushin and K. Somov." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 462–71. http://dx.doi.org/10.25205/2410-7883-2020-2-462-471.

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The essay discusses the diaries of Russian artists of the first third of the 20 th century as a source for a study of their lives and opinions. The diaries of Mikhail Matyushin (1911–1934) and Konstantin Somov (1917–1927) were selected as examples. The author shows different techniques of keeping a diary. Matyushin’s diary is a creative laboratory of an artist and mentor. Somov’s almost daily entries represent a chronicle of his life. His experience is also related to his emigration to Paris. Both diaries were not to be published. Therefore, one can interpret them in terms of a “sincere and frank reports.” Overall, these autobiographical writings allow understand their creative impulses and their idea of artistic creativity as such. They also uncover the circles of their relationships, their preferences and dislikes.

Egorova, L. V. "Konstantin Batyushkov; presented and translated by Peter France. Writings from the Golden Age of Russian poetry." Voprosy literatury, no. 1 (April 2, 2019): 280–85. http://dx.doi.org/10.31425/0042-8795-2019-1-280-285.

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Zavyalova, Anna E. "Jaspar de Isaac’s Engraving “Narcissus”: On the Sources of Konstantin Somov’s Early Art." Observatory of Culture 17, no. 2 (June 30, 2020): 164–72. http://dx.doi.org/10.25281/2072-3156-2020-17-2-164-172.

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The article reveals and introduces into scientific circulation the previously unknown artistic source of Konstantin Andreyevich Somov’s early art – Jaspar de Isaac’s engraving “Narcissus”. There is traced the course of work with this one along with other art sources (works of European masters of the 16th—18th centuries depicting hunting scenes, paintings by Antoine Watteau, Jugendstil graphics), revealed the context of reference to it, and analyzed the stylistic features of including this source in Somov’s work on the watercolor “Rest after a Walk”. These tasks are addressed in the context of the role of artistic sources from the heritage of past eras in early works of Konstantin Somov. The topic’s relevance is determined by the fact that Jaspar de Isaac’s engraving “Narcissus”, made at the very beginning of the 17th century for a French edition of the “Imagines” by Philostratus the Elder, for the first time becomes the object of research as a source of Somov’s art. The scientific novelty of the work lies in the fact that for the first time it attempts to identify (basing on a combination of formal and contextual analysis), and to use a source from the artistic heritage of France of the beginning of the 17th century in the work of K. Somov on the themes of the 18th century. The reveal of the source — the engraving “Narcissus” by J. de Isaac — made it possible to reconstruct the artist’s work on the “Rest after a Walk”. The article examines not only the sketch for this work from the collections of the Pushkin State Museum of Fine Arts, but also the drawing “A Date” from the State Tretyakov Gallery. There is stated that it is a preparatory drawing for the watercolor “Rest after a Walk”, basing on the general iconography of the watercolor, sketch and engraving “Narcissus”. The author concludes that Somov’s appeal to the engraving by J. de Isaac was not conscious, it should be attributed to the phenomenon of artistic memory, and his probable acquaintance with it had taken place before the artist left for Paris in the autumn of 1897.

Nabytowycz, Ihor. "Manuscript "Happy Belarusian Nobleman" XVII–XVIII Centuries from the Collection of Ivan Franko." Studia Białorutenistyczne 12 (March 27, 2019): 69. http://dx.doi.org/10.17951/sb.2018.12.69-82.

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<p>Przedmiotem analizy w artykule jest opublikowany przez Iwana Frankę pamiętnik Tomy-Konstantija Dusiackiego-Rudomyny, „szczęśliwego białoruskiego szlachcica”, żyjącego na przełomie XVII–XVIII w. Ten niewielki rękopis składa się z krótkich opowiadań, z elementami diariusza, autobiografii i kroniki rodzinnej. W kontekście historii codzienności oraz historii mentalności jest to niezmiernie ciekawy dokument nie tylko o znaczeniu ogólnohistorycznym, lecz również przynoszący informacje na temat modelu życia prywatnego białoruskiego przedstawiciela epoki baroku. Autor diariusza stara się wpisać swoją małą historię w przestrzeń burzliwej historii Rzeczypospolitej ostatnich trzech dziesięcioleci XVII–początku XVIII w. Swój życiorys przedstawia na szerokim tle politycznych uwarunkowań współczesności. Osobista historia ginie jednak w opisywanych przez diarystę wydarzeniach historycznych. Biograficzny zapis pozostaje pod względem kompozycji oraz struktury literackiej utworem niedoskonałym. Wspomnienia Dusiackiego-Rudomyny są interesującym źródłem informacji, zarówno jeśli chodzi o fakty historycznych, jak i o sposób ich postrzegania przez przedstawicieli różnych grup społecznych. W diariuszu pojawiają się także wpisy tworzone na podstawie plotek i domysłów związanych z życiem i działalnością osób współczesnych autorowi. Przeprowadzona analiza pozwala zrekonstruować rzeczywistość, która funkcjonowała poza „oficjalnymi” źródłami historycznymi. Memuarystyka, uwzględniając plotki, ustne przekazy, legendy, pozwala odtworzyć historię codzienności, a także panoramę społeczną XVII–XVIII w.</p>

Rudenko, Oleh. "The importance of «interprint» in the development of Ukrainian graphics." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 29 (December 17, 2020): 60–65. http://dx.doi.org/10.33838/naoma.29.2020.60-65.

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The article studies Ukrainian graphic art of the late twentieth century, undergoing changes caused by political events in Eastern Europe. Two iconic exhibitions became the turning point for native art as they revealed the Ukrainian graphic arts, and broke through the "iron" curtain of the totalitarian regime. The ideological seclusion of the USSR focused solely on the themes celebrating the life of a happy worker, peasant, or intellectual, did not let the works of another content to be displayed in public. Moreover, all areas of art creativity were controlled by the Union of Artists of Ukraine, headed by people with party membership cards. This prohibition referred especially to works of national-patriotic, conceptual, abstract, or surrealistic nature. The idea to hold an international exhibition that would present Ukrainian graphics to the world arose in the heads of a few independent politicians. At the state level, that idea certainly did not gain any support, but some people contributed to its implementation. Interestingly, the first exhibition of graphics "Interdruk'90" took place just before the collapse of the USSR, and the second, "Interdruk'92", in an already independent Ukraine. The exhibitions showed a high level of Ukrainian graphics, which equaled and sometimes surpassed the works of foreign masters. Among the exhibited art were works by such masters of national graphics as Valeriy Demya- nyshyn, Oleg Denysenko, Mykhaylo Alexandrov, Volodymyr Gumenny, Konstantin Kalinovich, Ivan Kravetz, Pavlo Makov, Mychaylo Moskal, Volodymyr Pinigin, Igor Podolchak, Yuriy Pshenychny, Roman Romanyshyn, Yevgen Ravsky, Alexander Aksinin et al. Their works reflected the whole spectrum of current life themes, which were seen and interpreted in new ways, imaginative technical and formal solutions. Most of those national artists had been exhibited abroad and won the most prestigious graphic contests, yet they were little known in their Motherland. On the other hand, the Ukrainian audience got a chance to learn about the works and achievements of graphic artists from France, Great Britain, Argentina, Korea, Israel, Spain, Holland, Poland, Canada, Russia, Japan, Italy and other countries. We may state that those two exhibitions of printmaking art opened the way to the development of graphics in independent Ukraine.

Pogorelskaia, E. I. "“On the Edge of Siberia with Ivanov”. An Article in the Newspaper “L’Humanité”." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 53–62. http://dx.doi.org/10.25205/2410-7883-2020-2-53-62.

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Since May of 1926 and till December of 1928, Leon Bazalgette (1873–1928), French writer, translator, and literary critic who was a close friend of Stefan Zweig, wrote the weekly column Foreign literature in the French Communist party newspaper L’Humanité. Among the materials published in the newspaper there are articles about Soviet writers and their most famous works. The article dedicated to Vsevolod Ivanov was published on March 14, 1928, after the publication of materials about Boris Pilnyak, Lidia Seifullina, Konstantin Fedin, and before the publication of an article about Isaac Babel. In this paper we publish a translation from French of Bazalgette’s article about Ivanov. This article provides a brief outline of Ivanov's biography, which is based on his Autobiography, written for the VOX Bulletin in 1927, before his trip abroad, to France and Germany. This part of the article deals with several stages of his youth, his work in the printing house and performances in the circus, his participation in the revolutionary events in Siberia and the beginning of his writing career. To introduce the French reader to the work of Ivanov, Bazalgette chose the works of the writer of the early 1920s, united by the theme of Civil war and partisan struggle: the novella Armored Train 14-69, which was well known in Russia and was published by that time in Paris in French translation, the stories Bull of times and Child. Bazalgette highlights the main problem raised by Ivanov in these works – the cruelty and devaluation of human life in the conditions of class struggle. Analyzing the three named works of Ivanov, the author of the ar- ticle characterizes the features of his style, says about the saturation of his texts with convex, strong, unexpected and vividly outlined images. At the same time, as the author of the article notes, these three works reflect only the stage of Ivanov’s creativity, which went far ahead in his stories and novellas written by him in the middle of 1920s. The notes to the translation of Bazalgette’s article comment on the realities mentioned in the article and correct the mistakes and inaccuracies made in this article.

Śliwa, Joachim. "Zygmunt Mineyko (1840-1925) i poszukiwanie starożytnej Dodony." Rocznik Biblioteki Naukowej PAU i PAN 64 (2019): 87–102. http://dx.doi.org/10.4467/25440500rbn.19.005.14148.

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Zygmunt Mineyko (1840 –1925) and the Discovery of Ancient Dodona The text is devoted to Zygmunt Mineyko – a participant of the 1863 January Uprising, who had to look for safety in Western Europe after the collapse of the patriotic insurrection and the resulting repressions. Having acquired relevant professional qualifications in France, Mineyko worked as a specialist in civil engineering in the vast territory of the Ottoman Empire. In the years 1875–1876, working in the north-western part of Greece (Epirus), he managed to identify the location of Dodona – the main ancient sanctuary of Zeus. Due to the shortage of funds, he accepted financial support from a rich Greek Konstantinos Karapanos. In 1878, Karapanos issued a publication in Paris in which he attributed the discovery of the sanctuary and the results of work entirely to himself, mentioning only briefly Mineyko as his assistant engineer. From that moment on, Mineyko started to strive for the acknowledgement of his rights as a discoverer. His actions were not always effective, but the essential argument still laid in his hands. The most important historic items still belonged to him, as they had been discovered already at the time when he carried on the search by himself. A particularly valuable group of these objects (the famous group of the “Dodona bronzes”) was sold to the Museum in Berlin via his eldest daughter and sonin-law Ludwik Karol Potocki only in 1904. The text quotes also archive materials from the collection of the Academy of Arts and Sciences that were drawn up in 1877; Mineyko tried to arouse interest in his discovery also by presenting it directly to Polish experts in ancient history. Within the scope of the activity of the Archaeological Commission, on the basis of materials submitted by Mineyko, Professor Marian Sokołowski prepared a long report, defending Mineyko’s rights to the discovery (the text was published in the subsequent year).

Більше джерел

Дисертації з теми "Konstantin Franke":

Specht, Christoph. "Das Neue Deutsche Musical musikalische Einflüsse der Rockmusik auf das Neue Deutsche Musical." Berlin Frank & Timme, 2008. http://d-nb.info/99081274X/04.

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Tsuruga, Mimi [Verfasser], Frank Hagen [Akademischer Betreuer] Lutz, John Matthew [Akademischer Betreuer] Sullivan, and Konstantin [Akademischer Betreuer] Mischaikow. "Constructing complicated spheres / Mimi Tsuruga. Gutachter: Frank Hagen Lutz ; John Matthew Sullivan ; Konstantin Mischaikow. Betreuer: Frank Hagen Lutz ; John Matthew Sullivan." Berlin : Technische Universität Berlin, 2015. http://d-nb.info/1076588034/34.

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Sill, Frank [Verfasser]. "Untersuchung und Reduzierung des Leckstroms integrierter Schaltungen in Nanometer-Technologien bei konstanten Performanceanforderungen / Frank Sill." München : GRIN Verlag, 2008. http://d-nb.info/1187617814/34.

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Konstantis, Panagiotis [Verfasser], and Frank [Akademischer Betreuer] Loose. "Three-Dimensional Homogeneous Spaces and their Application in General Relativity / Panagiotis Konstantis ; Betreuer: Frank Loose." Tübingen : Universitätsbibliothek Tübingen, 2013. http://d-nb.info/1162843977/34.

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Braun, Katharina Antonia Margaretha Verfasser], Frank [Akademischer Betreuer] Böhnke, Henning [Akademischer Betreuer] [Bier, and Konstantin [Akademischer Betreuer] Holzapfel. "Dreidimensionale Rekonstruktion humaner Cochleae mit implantierten Cochlea Implantat-Elektroden / Katharina Antonia Margaretha Braun. Gutachter: Henning August Bier ; Konstantin Holzapfel ; Frank Böhnke. Betreuer: Frank Böhnke." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1068002484/34.

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Machleidt, Konstantin Verfasser], Lothar [Akademischer Betreuer] [Litz, Ping [Akademischer Betreuer] Zhang, and Frank [Akademischer Betreuer] Schiller. "Preventive maintenance of Safety-related Systems – modeling, analysis, and optimization / Konstantin Machleidt. Betreuer: Lothar Litz ; Ping Zhang ; Frank Schiller." Kaiserslautern : Technische Universität Kaiserslautern, 2016. http://d-nb.info/1094662062/34.

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Intziegianni, Konstantina [Verfasser], and Frank [Akademischer Betreuer] Mayer. "Influence of age and pathology on Achilles tendon properties under functional tasks / Konstantina Intziegianni ; Betreuer: Frank Mayer." Potsdam : Universität Potsdam, 2017. http://d-nb.info/1218402636/34.

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Panagiotopoulos, Konstantinos [Verfasser], Frank [Akademischer Betreuer] Schäbitz, and Helmut [Akademischer Betreuer] Brückner. "Late Quaternary ecosystem and climate interactions in SW Balkans inferred from Lake Prespa sediments / Konstantinos Panagiotopoulos. Gutachter: Frank Schäbitz ; Helmut Brückner." Köln : Universitäts- und Stadtbibliothek Köln, 2013. http://d-nb.info/1049523407/34.

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Neumann, Katrin [Verfasser], Konstantinos [Akademischer Betreuer] Anastassiadis, Francis [Akademischer Betreuer] Stewart, and Frank [Akademischer Betreuer] Buchholz. "H3K4 methyltransferases Mll1 and Mll2 have distinct roles and cooperate in neural differentiation and reprogramming / Katrin Neumann. Gutachter: Francis Stewart ; Frank Buchholz. Betreuer: Konstantinos Anastassiadis." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://d-nb.info/1068448938/34.

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Tzani, Nikoleta. "Costas Dimitriadis (1879-1943) : la carrière européenne d'un sculpteur grec." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG007.

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Costas Dimitriadis (1879-1943) est l’artiste grec le plus célèbre sur le plan international de la première moitié du XXe siècle, entre Paris et Athènes. Par ses fonctions, il contribua à la création et à la modernisation des institutions artistiques publiques grecques, en assumant de 1930 à sa mort, la direction de l’École Supérieure des Beaux-Arts d’Athènes. Dans cette thèse, nous racontons la vie de Dimitriadis en Roumélie Orientale, où il est né, et puis à Athènes, dans le premier atelier libre où il fit son apprentissage et ses études à l’École des Beaux-Arts. Ensuite, nous suivons la trace de ses premiers pas en Europe ainsi que le rôle déterminant qu’ont joué dans sa survie artistique certains membres éminents des cercles parisiens tels que Jean Moréas et Jean Pischari, de même que son mécène, le marchand d’armes Basil Zaharoff. En passant par Paris et Londres, nous déterminons les processus qui l’ont conduit à des commandes en France, en Angleterre et en Grèce. Nous recherchons aussi de quelle façon Dimitriadis se rangea du côté des gouvernements grecs pro-venizelistes (1922-32) en vue de la modernisation de l’État grec par l’européanisation des institutions artistiques et quelle fut sa contribution à l’exercice de la diplomatie culturelle. Finalement, nous examinons l’évolution décroissante de son rôle protagoniste, interrompu par la politique d’intervention du dictateur Ioannis Metaxas ainsi que par l’Occupation jusqu’à sa mort, en octobre 1943. Sans exclure les analyses thématiques, nous avons choisi pour ce travail de suivre une structure chronologique accompagnée d’un catalogue raisonné de l’oeuvre du sculpteur
Costas Dimitriadis (1879-1943), who lived and worked in Athens and Paris, was the most famous Greek artist of the first half of the twentieth century. Through his directorship of the School of Fine Arts in Athens (1930-1943), he defined the role and viewpoint of public art institutions in Greece to this day. This dissertation traces Dimitriadis’ life and work. It begins with his youth in Eastern Roumelia followed by an examination of his studies in Athens both as an apprentice and in the School of Fine Arts. The dissertation continues with an exploration of his early career in Europe and the role Paris intellectual circles played in his artistic development, mainly the prominent members Jean Moréas and Jean Pischari, and his patron, the arms dealer Basil Zaharoff. In addition, this dissertation establishes the process by which Dimitriadis established ateliers in Paris and London, as well as a leading role in the art life of these cities as well as in Greece. His political viewpoints are also examined; for example, his support to the Venizelist Governments (1922-1932), which promoted modernization of the Greek state through the Europeanization of art institutions and his role in cultural diplomacy are documented and discussed. Circumstances that limited Dimitriadis’ leading role are also examined, including policies of the dictator Ioannis Metaxas and the Occupation of Greece during World War II. Although chronological in structure, the dissertation also explores thematic issues. It includes moreover a Catalogue Raisonné of the artist

Книги з теми "Konstantin Franke":

Russ, Tom. Finger Lakes Wine and the Legacy of Dr. Konstantin Frank. The History Press, 2015.

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Obolevitch, Teresa. Faith and Science in Russian Religious Thought. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838173.001.0001.

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The book brings forth a comprehensive presentation of one of the most interesting of contemporary issues, namely an analysis of the relation between science and faith in Russian religious thought. It is a synthetic approach on the development of the problem throughout the whole history of Russian thought, starting from the medieval period and arriving in contemporary times. The key topic is considered the relationship between science and religion in the eighteenth century, the so-called academic philosophy of the nineteenth and twentieth centuries, the thought of Peter Chaadaev, the Slavophiles, and in the most influential literature figures, such as Fedor Dostoevsky and Lev Tolstoy. The book also analyzes two channels of the formation of philosophy in the context of the relationship between theology and science in Russia. The first is connected with the attempt to rationalize the truths of faith and is exemplified by Vladimir Soloviev and Nikolai Lossky; the second, the apophatic tradition, is presented by Fr. Pavel Florensky and Semen Frank. The book then describes the relation to scientific knowledge in the thought of Lev Shestov, Nikolai Berdyaev, Sergius Bulgakov, and Alexei Losev as well as the original project of Russian Cosmism (in the examples of Nikolai Fedorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky). Finally, the book presents the current state of the discussion on this topic by paying attention to the Neopatristic synthesis (Fr. Georges Florovsky and his followers) and offers a brief comparative analysis of the relationship between science and religion from the Western and Russian perspectives.

Частини книг з теми "Konstantin Franke":

Betz, Albrecht. "In Frankreich bisweilen, in Frankreich konstant." In Douce France?, 95–108. Wien: Böhlau Verlag, 2008. http://dx.doi.org/10.7767/9783205118428-007.

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"11. Konstantin Frank: Zealot at Work." In The Makers of American Wine, 195–214. University of California Press, 2019. http://dx.doi.org/10.1525/9780520952225-014.

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Cattell, Hudson. "Dr. Konstantin Frank and the Pro-Vinifera Crusade." In Wines of Eastern North America, 44–63. Cornell University Press, 2013. http://dx.doi.org/10.7591/cornell/9780801451980.003.0004.

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"Chapter Three: Dr. Konstantin Frank and the Pro-Vinifera Crusade." In Wines of Eastern North America, 44–63. Cornell University Press, 2017. http://dx.doi.org/10.7591/9780801469008-006.

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"Briefe an Konstantin Stepanovič Veselovskij (1819–1901)(AW)." In Der Linguist Anton Schiefner (1817–1879) und sein Netzwerk – Briefe an Emil Schlagintweit, Leo Reinisch, Franz v. Miklosich, Vatroslav Jagić, K. S. Veselovskij, Eduard Pabst, Vilhelm Thomsen und andere, 557–684. Verlag der österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.2307/j.ctv1z7kj2g.10.

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Звіти організацій з теми "Konstantin Franke":

Klemt, Myrjam. Haltung = Handlung? Inwieweit entsprechen sich Haltung und Handlung bezüglich des nachhaltigen Kleidungskonsums? Bachelorarbeit an der Universität Göttingen. Sonderforschungsgruppe Institutionenanalyse, May 2019. http://dx.doi.org/10.46850/sofia.9783941627765.

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Angesichts des gegenwärtigen Trends eines zunehmenden Diskurses über einen nachhaltigen Lebensstil, den politischen Debatten um die bestehende Ressourcenknappheit und der globalen anthropogenen Erderwärmung, verfügen diese drei Konstrukte über eine Konstante. Diese Thematiken vereint, dass der Mensch als Akteur die Verantwortung für diese Entwicklungen zu tragen hat. Der Dringlichkeit zu handeln bewusst, stellt sich die Frage, inwieweit die Intention nachhaltig zu Handeln mit der wirklichen Umsetzung übereinstimmt. In Form einer Online-Umfrage zum Thema nachhaltigen Konsum von Kleidung wurden Primärdaten generiert, die es im Rahmen dieser Bachelorarbeit zu analysieren gilt. Dieser Vorgang hat zum Ziel, die Forschungsfrage inwieweit sich Intention und Handlung, in Hinblick auf nachhaltigen Konsum von Kleidungsstücken entsprechen, eigenständig zu konzeptualisieren und zu beantworten. Die damit verbundenen Erkenntnisse offerieren neue Handlungschancen, um ein nachhaltigeres Konsumverhalten in Bezug auf Kleidung in einem gesellschaftlichen Kontext zu ermöglichen. Die Gliederung der Arbeit orientiert sich an einem thematischen Aufbau, der das Verständnis dieser Thematik uneingeschränkt zulässt. Zunächst wird im Rahmen des theoretischen Teils über den entsprechenden Forschungsstand der Wissenschaft informiert. Im Weiteren wird die zugrundeliegende Fragestellung skizziert und die damit einhergehenden Forschungshypothesen hergeleitet. Diese drei Forschungshypothesen ermöglichen im Weiteren analytischen Verlauf letztlich die Beantwortung der Forschungsfrage. Es folgt der empirische Teil, welcher die Forschungsmethode beschreibt und vertiefend die Durchführung und die Auswertungsmethoden veranschaulicht. Bezüglich dessen wird auch die Operationalisierung thematisiert, welche die Realität in Form von Items messbar macht. Um die erlangten Informationen in Verbindung mit der übergeordneten Fragestellung zu setzen, müssen bezüglich der Ergebnisanalyse, zunächst die Daten deskriptiv skizziert werden. Folgend werden im Rahmen linearer und einer multiplen Regression hypothesenprüfende Ergebnisse generiert. Auf Grundlage dieser, wird die Beantwortung der vorangestellten Forschungsfrage ermöglicht. Es gilt die Ergebnisse zunächst zusammen zu tragen, um die Interpretation in den aktuellen Forschungsstand einzuordnen. Anschließend wird die eigene Forschungsmethodik einer kritischen Reflexion unterzogen, um somit mögliche Optimierungsmöglichkeiten zu benennen und weiteren Handlungsbedarf kenntlich zu machen. Konzeptualisiert werden die empirischen Ergebnisse in Form des abschließenden Fazits, welches sich auch Bereichen widmet in denen potenzieller Handlungsbedarf benannt wird. Im besten Fall lädt diese Arbeit und die damit verbundenen neuen empirischen Erkenntnisse ein, Handlungsräume in Bezug auf Determinanten wie Moral, Information und Preis neu zu bewerten, um nachhaltigen Kleidungskonsum zu ermöglichen. Auf dieser Grundlage könnten sich geeignetere Strategien im Rahmen weitergehender Forschung entwickeln lassen, um nachhaltiges Verhalten tiefgreifender zu ermöglichen und damit einen gesellschaftlichen Beitrag leisten zu können.