Добірка наукової літератури з теми "Larrikin"

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Статті в журналах з теми "Larrikin"

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Bellanta, Melissa, and Simon Sleight. "The Leary Larrikin." Cultural and Social History 11, no. 2 (June 2014): 263–83. http://dx.doi.org/10.2752/147800414x13893661072915.

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Bellanta, Melissa. "The larrikin girl." Journal of Australian Studies 34, no. 4 (December 2010): 499–512. http://dx.doi.org/10.1080/14443058.2010.519108.

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Hainge, Greg, and Alistair Rolls. "The Larrikin as Hero (in French Studies)." Australian Journal of French Studies 51, no. 2-3 (May 2014): 269–81. http://dx.doi.org/10.3828/ajfs.2014.21.

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Beatton, Tony, Michael P. Kidd, Stephen Machin, and Dipanwita Sarkar. "Larrikin youth: Crime and Queensland's Earning or Learning reform." Labour Economics 52 (June 2018): 149–59. http://dx.doi.org/10.1016/j.labeco.2017.11.003.

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Slesareva, Ekaterina R., Оlga A. Ryzhkina, and Anatoli F. Fefelov. "Faces and Visions of the Australian Identity in the Aussie National Press." NSU Vestnik. Series: Linguistics and Intercultural Communication 18, no. 1 (2020): 105–19. http://dx.doi.org/10.25205/1818-7935-2020-18-1-105-119.

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Анотація:
The current paper is concerned with linguocultural (ethnolinguistic) analysis of australianisms as culture specific words which are either not found in British English (the mother tongue) or are different from their British counterparts to some extent. The main research question was to identify the key lexemes of this type and establish correlation between them and Australian values (the national identity) as well as ethnostereotypes in modern Australian society. The novelty of the approach to studying these lexical units is in looking at them in terms of their functioning in speech and pragmatics based on the most sensitive to social change and dynamic type of discourse – the media (The material was drawn for the national papers “The Daily Telegraph, Australia” and “The Australian” over the past decade). By means of the random selection method, definitional and contextual analyses six key concepts have been identified (fair go, fair dinkum, larrikin, battler, bludger, (hard) yakka – the last word being aboriginal) and their place in the national identity structure defined. Also, we found some differences in how the same australianisms were presented and ranked in either paper manifesting certain values (for example, battler) or anti-values (for example, bludger) depending on the editorial board’s opinion and/or the content. For instance, “The Daily Telegraph” clearly highlighted the idea of justice (e.g. fair go, fair dinkum), while “The Autralian” put more focus on praising the stubbornness of Australians in the struggle against various obstacles (e.g. battler). References to the boisterous (larrikin) nature of Australians were somewhat more frequent “The Daily Telegraph”, although this concept was quite important for both newspapers. One of the most interesting results we got was a shift in connotations of several australianisms. Thus, it was shown that some words (for example, larrikin), originally having a negative meaning, with time may become positively connoted, characterising a certain previously disapproved type of person / behavior as normal. The study can be continued to include more words of this type, especially aboriginal ones which are already used in media and call for ethnolinguistic (linguocultural) interpretation by researchers.
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Kavaarpuo, Godwin, Nana Yaw Oppong-Yeboah, and Ana Vuin. "Darwin: Towards the sustainability of the Larrikin of Australian capital cities." Cities 120 (January 2022): 103457. http://dx.doi.org/10.1016/j.cities.2021.103457.

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Van Acker, Wouter. "Peter Corrigan, the Bodgie Wolf, and Other Larrikin Tygers of Wrath." Fabrications 28, no. 1 (January 2, 2018): 3–24. http://dx.doi.org/10.1080/10331867.2017.1410518.

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8

Gottschall, Kristina. "Always the larrikin: Ben Mendelsohn and young Aussie manhood in Australian cinema." Continuum 28, no. 6 (August 4, 2014): 862–75. http://dx.doi.org/10.1080/10304312.2014.941332.

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Sleight, Simon. "Interstitial Acts: Urban Space and the Larrikin Repertoire in Late-Victorian Melbourne." Australian Historical Studies 40, no. 2 (June 2009): 232–50. http://dx.doi.org/10.1080/10314610902896030.

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Nelson, H., and Richard Cashman. "'Ave a Go, Yer Mug! Australian Cricket Crowds from Larrikin to Ocker." Labour History, no. 52 (1987): 116. http://dx.doi.org/10.2307/27508836.

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Дисертації з теми "Larrikin"

1

Smith, Kylie. "The larrikin subject hegemony and subjectivity in late nineteenth century Sydney /." Access electronically, 2008. http://ro.uow.edu.au/theses/87.

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Vine, Josie, and josie vinces@rmit edu au. "The Larrikin Paradox: An Analysis of Larrikinism's Democratic Role in Australian Journalism." RMIT University. Applied Communication, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090721.140654.

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The Larrikin Paradox is concerned with the unexplored nexus between Australian journalism's larrikin tradition and Enlightenment-informed normative theories relating to journalism's public responsibility in liberal democracy. Australian journalism's larrikin tradition, with its connotations of irresponsibility, has so far been considered an inappropriate lens through which to conceptualise Australian journalism's public role. Yet, paradoxically, it is the larrikin's capacity for irresponsibility that gives him, or her, the potential to be an enacting agent of Australian journalism's public responsibility. Using a form of Cultural Historiography, The Larrikin Paradox tests this Thesis Statement: In Australian history, larrikin journalists have been responsible for facilitating and protecting democratic freedom in the public sphere from authority. Because this freedom is in a state of vulnerability, contemporary Australian journalism still needs its larrikin tradition to vouchsafe a work culture capable of maintaining its declared responsibility to 'inform citizens' and 'animate democracy'. However, the dearth of theory concerning the larrikin as a democratic figure has meant that The Larrikin Paradox has had to conceptualise it, more or less, from scratch. After first assembling the figure from over a century of references to the larrikin, The Larrikin Paradox approaches this conceptualisation using a process of historiographical recovery and interpretation. Using a literature review of larrikinism in general, The Larrikin Paradox investigates a possible larrikin axiology relevant to Australian journalism micro-culture. This axiology is gleaned from an analysis of the term's meanings in sources such as dictionaries and commentaries on Australian English, as well as biographical and autobiographical material directly related to Australian journalism. Once gleaned, this axiology is used to inform an investigation into the history of larrikinism in Australian journalism. The history is drawn from those salient sources of journalism as a micro-culture: biographies and autobiographies by, or about, Australian journalists. Here we assume that our axiological 'compass' can help us seek out the larrikin elements in those micro-cultural sources; thereby identifying manifestations of larrikinism within almost 150 years of Australian journalism history. With larrikinism's historical and axiological significance established, The Larrikin Paradox moves on to a comparative analysis of Australian journalism during the Whitlam (1972 - 1975) and Howard (1996 - 2007) eras using oral history and industry-specific publications. This part of the investigation finds there is marked divergences in Australian journalism's cultural interpretation of its larrikin tradition arising from distinct socio-political contexts. In short, the Howard generation (1996 - 2007) of journalists is found to be less larrikin than those of the Whitlam generation (1972 - 1975). However, with the cultural theories of Stuart Hall (1978) and Raymond Williams (1958, 1977) in mind, The Larrikin Paradox concludes that the larrikin, as a democratic figure, can be re-constructed within the micro-culture of Australian journalism.
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Dale, Graeme. "'Stepping out of the Shadows': an examination of female larrikins in Melbourne and the influence of popular culture on their behaviour (1878-1888); an Exegesis and Documentary Theatre play, ‘Flash Donahs’." Thesis, 2019. https://vuir.vu.edu.au/42231/.

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This thesis is a two-part practice-based research project comprised of a Documentary Theatre play-script, ‘Flash Donahs’, and an accompanying exegesis, entitled, 'Stepping out of the Shadows': an examination of female larrikins in Melbourne and the influence of popular culture on their behaviour (1878-1888)’. This thesis is also comprised of a live performance and recording of ‘Flash Donahs’ (20/4/18). Despite the best efforts of a patriarchal ‘Victorian-era’ society to suppress female dissent and activism, the defiant and often confronting behaviour of larrikin women was a contributing social factor in the struggle for increased equality for women. ‘Flash Donahs’ embodies and performs the research undertaken into the lives of female larrikins. The Exegesis elucidates the choices taken in the construction of the play and provides an historical perspective to the research It also evaluates the use of Documentary Theatre when re-presenting archival artefacts in a contemporary theatrical context. Contrary to the derisive content of contemporary publications such as the Bulletin, young women were active participants in larrikin culture, and not merely the property of male larrikins (Bellanta 2012). In recent years, the work of Australian historians, particularly that of Melissa Bellanta, have initiated a change in our awareness of female larrikins by revealing that they were not simply subordinates of their male counterparts. Bellanta’s work, Larrikins: A History (2012) has informed the analytical and creative components of my thesis by showing that amidst the everyday aspects of their lives, young larrikin women were active participants in a broader struggle for female emancipation. ‘Flash Donahs’ is a re-presentation of gender-related issues in Melbourne during 1878-1888, and of two significant events1 affecting women during this period. In order to accentuate the female characters chosen to ‘people’ the world of the play, an all-female cast playing all the roles (including male roles), has been utilized. The characters in the play are based on actual people and events. They are mostly strong and independent women from a broad cross-section of life, including from the religious sector. They highlight the often oppressive socio-economic and cultural factors affecting young larrikin women from this period, and their responses to critical social issues such as inequality in the workplace and danger in the family environment. Because of the significant influence of popular culture in reinforcing gendered social values, their lives are shown in a theatrical and performative context using aspects of Victorian-era melodrama and burlesque (Bellanta 2012). Drawing upon a diverse range of archival sources and material, the research methodology was the creation of a Documentary Theatre play featuring popular songs and music. ‘Verbatim’ material was incorporated into the playscript but this was often disassembled and then used in a different setting. Wherever possible, the structure and syntax of the original textual material has been kept intact, even when using the technique of bricolage to construct dialogue between characters. The Exegesis situates ‘Flash Donahs’ within the history of Documentary Theatre, and also positions itself in relation to recent examples of the genre. Its aim is to examine and present new information about female larrikins and to do so in the context of feminist history, including recent feminist theatre practice. Within this practice, female writers, performers and producers have sought to highlight the roles played by women throughout history. It has also been argued that feminist theatre offers an opportunity to reverse the historical marginalization of women.
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Larrin, Rosanna M. "Belial's daughter." 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1467108.

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Книги з теми "Larrikin"

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Crosby, Graeme. Croz: Larrikin biker. Auckland: HarperSports, 2012.

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Ned Kelly: The larrikin years. Wangaratta, Vic: Charquin Hill Pub., 1990.

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Oram, James. The last showman: Larry Dulhunty's larrikin life. Chippendale, Sydney: Sun Australia, 1992.

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4

Apter, Jeff. Shirl: The life of legendary larrikin Graeme 'Shirley' Strachan. Richmond, Victoria: Hardie Grant Books, 2013.

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5

Crittenden, Victor. John Lang: Australia's larrikin writer : barrister, novelist, journalist, and gentleman. Canberra, ACT: Mulini Press, 2005.

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Backs to the Wall: A larrikin on the Western Front. Crows Nest, NSW: Allen & Unwin, 2010.

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7

Corporation, Australian Broadcasting, ed. The great Fletch: The dazzling life of Wimbledon Aussie larrikin Ken Fletcher. Sydney, N.S.W: ABC Books for the Australian Broadcasting Corporation, 2008.

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8

Chaos theory and the Larrikin Principle: Working with organisations in a neo-liberal world. Malmö: Liber, 2010.

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9

Marks, Bill. South to Sillytown: Tales of battlers & larrikins. South Fremantle, W.A: Fremantle Arts Centre Press, 1997.

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Vine, Josie. Larrikins, Rebels and Journalistic Freedom in Australia. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8.

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Частини книг з теми "Larrikin"

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Vine, Josie. "Larrikin-Journalists: WWII (1939–1950)." In Larrikins, Rebels and Journalistic Freedom in Australia, 75–98. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_4.

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Vine, Josie. "Larrikin-Journalists: Conservatism and Communism (1950s)." In Larrikins, Rebels and Journalistic Freedom in Australia, 99–117. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_5.

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Vine, Josie. "Larrikin-Journalists: Post-Whitlam (1975–1985)." In Larrikins, Rebels and Journalistic Freedom in Australia, 143–66. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_7.

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Vine, Josie. "Larrikin-Journalists: Federation to Appeasement (1901–1939)." In Larrikins, Rebels and Journalistic Freedom in Australia, 51–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_3.

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Vine, Josie. "Larrikin-Journalists: The Swinging Students (1960–1975)." In Larrikins, Rebels and Journalistic Freedom in Australia, 119–42. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_6.

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Vine, Josie. "The Larrikin-Journalist: Past, Present, and Future." In Larrikins, Rebels and Journalistic Freedom in Australia, 211–31. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_10.

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Vine, Josie. "Larrikin-Journalists and the Media Moguls (1986–2001)." In Larrikins, Rebels and Journalistic Freedom in Australia, 167–85. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_8.

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Milner Davis, Jessica, and Lindsay Foyle. "The Satirist, the Larrikin and the Politician: An Australian Perspective on Satire and Politics." In Satire and Politics, 1–36. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56774-7_1.

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Vine, Josie. "Colonial Larrikins." In Larrikins, Rebels and Journalistic Freedom in Australia, 25–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_2.

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Vine, Josie. "Larrikins, Rebels, and Journalistic Freedom in Australia." In Larrikins, Rebels and Journalistic Freedom in Australia, 1–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-61856-8_1.

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Тези доповідей конференцій з теми "Larrikin"

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Labaka Etxeberria, Ainitze, Josune Zubeldia Etxebarria, Maider Ugartemendia Yerobi, Udane Elordi Guenaga, Nagore Zinkunegi Zubizarreta, and Beatriz Pereda Goikoetxea. "EAEko emakumeek modu larrian ospitaleratzeko aukera handiagoa zuten zenbait bihotz-hodietako gaixotasunen kasuan 2016-2018 urteen artean." In IV. Ikergazte. Nazioarteko ikerketa euskaraz. Bilbao: UEU arg, 2021. http://dx.doi.org/10.26876/ikergazte.iv.04.16.

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