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Дисертації з теми "Literary and artistic anthroponym"

Автор: Grafiati
Опубліковано: 3 червня 2025
Оновлено: 31 липня 2025

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1

Кобякова, Ірина Карпівна, Ирина Карповна Кобякова, Iryna Karpivna Kobiakova та Т. Барсук. "Статус антропонімів у художньому дискурсі". Thesis, Видавництво СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/16979.

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2

Balat, Samah Mohamed. "The study of Andalusian “Muwashaḥāt”: a literary and artistic approach"". University of the Western Cape, 2020. http://hdl.handle.net/11394/7267.

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Анотація:
Magister Artium - MA<br>This thesis aims at presenting a comprehensive study, through which more will be learnt about the art of the Andalusian Muwashaḥāt. This is a study of their artistic structure, types, and poetic purposes. The art of the Muwashaḥāt was different in form and rhythm from the classic Arabic poem, because the Muwashaḥāt had multi meters and rhymes, and it relied on the musical rhythm. Besides, the poetic language of the Muwashaḥāt was based on both classical and vernacular Arabic. The Muwashaḥāt was invented by the Andalusian poets to keep pace with the musical develop
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3

Morris, Kathleen. "Weird science : affect and epistemology in contemporary literary and artistic projects." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b4b1f633-b1ee-424f-b254-0814ebe5c9b0.

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Анотація:
Contemporary cultural practices sometimes appear dispassionate, distant and clinical—committed to conceptualism or formalism. Yet works by Jacques Roubaud and Jacques Jouet (both members of the Oulipo, a group of experimental writers in France that use formal and mathematical constraints to generate new literary forms) suggest a complex relationship between epistemology and affect. This thesis argues that contemporary literary and artistic projects that appropriate the tropes of clinical procedure and experimental constraint, suggest alternative forms of knowledge that implicate the body and e
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4

Kakavas, George. "Dionysios of Fourna (c. 1670-c.1745) : artistic creation and literary description." Thesis, Courtauld Institute of Art (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431679.

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5

Brown, Luke. "Tension between artistic and commercial impulses in literary writers' engagement with plot." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5158/.

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Анотація:
This thesis explores whether plot and story damage a literary writer’s attempt to describe ‘reality’. It is in two parts: a critical analysis followed by a complete novel. The first third of the thesis is an essay which, after distinguishing between story and plot, responds to writer critics who see plot as damaging to a writer’s attempt to describe ‘the real’. This section looks at fiction by Jane Austen, Henry James, Jeffrey Eugenides, Julian Barnes, Tom McCarthy and Zadie Smith, against a critical background of James Wood, Roland Barthes, David Shields and others including Viktor Shklovsky
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6

Wedel, Valerie A. "The undoing of the self an artistic exploration /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5004.

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Анотація:
Thesis (M.F.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 4, 2008) Vita. Includes bibliographical references.
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7

Rockage, Jennifer. "Overheard-collected-remade." Morgantown, W. Va. : [West Virginia University Libraries], 2010. http://hdl.handle.net/10450/11086.

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Анотація:
Thesis (M.F.A.)--West Virginia University, 2010.<br>Title from document title page. Document formatted into pages; contains iii, 49 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 44-45).
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8

Findlay, Linda. "Murky waters: navigating through the myths and rules of art making /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2337.

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9

Green, Charles. "Thief in the attic : artistic collaborations and modified identities in international art after 1968 /." Connect to thesis, 1998. http://eprints.unimelb.edu.au/archive/00000866.

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10

Payne, Emily. "The creative process in performance : a study of clarinettists." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:652aa4a1-347b-41e2-8ba3-a71eee9c3e5a.

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Анотація:
This thesis examines creativity in performance through the study of the performance practices of professional clarinettists. Creativity research has tended to emphasise the innovative, revelatory qualities of the creative process, rather than the more pragmatic activities related to notated performance. This corresponds to a tension between the perceived creative opportunities of improvisation and notated music, and has resulted in a discourse that associates improvisation with spontaneity and novelty, and notated performance with repetition and reproduction. How might this discourse be challe
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11

Schoess, Ann-Sophie. "Re-writing Ariadne : following the thread of literary and artistic representations of Ariadne's abandonment." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:dfe15854-b0d8-4971-9127-c60e2417ad62.

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Анотація:
This thesis takes Ariadne's abandonment as a case study in order to examine the literary processes of reception that underlie the transmission of classical myth in different eras and cultural contexts - from Classical Antiquity through the Italian Renaissance. Rather than focusing on the ways in which visual representations of Ariadne relate to literary treatments, it draws attention to the literary reliance on a cultural framework, shared by writer and reader, that enables dynamic storytelling. It argues that literary variation of the myth is central to its successful transmission, not least
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12

Gao, Wei Zhi. "Creative criticism : the example of James Joyce /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/9422.

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13

Kehoe, Peggy. "Self discovery and personal creation /." Online version of thesis, 1991. http://hdl.handle.net/1850/11073.

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14

Saxton, Linda K. "Computer imagery and creative energy /." Online version of thesis, 1987. http://hdl.handle.net/1850/10309.

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15

Thomas, Christopher. "The place of art in Spinoza's naturalist philosophy." Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=237177.

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Анотація:
The lack of discussion on art in Spinoza's works has led to the belief that a) the principles of his philosophy are actively hostile to art, and b) that his philosophy has nothing to offer regarding art's theorisation. This thesis examines the few places that Spinoza refers to art in order to discern three things: I) what Spinoza's thoughts on art are; II) how his views on art fit into the wider themes of his philosophy; and III) how his general philosophical position as well as his specific ideas on art might contribute to new models of theorising art. In Chapter One I develop Spinoza's relat
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16

Heine, Martin Alfons. "Versus the vox populi reflections on the practice of art as a quest for liberation /." Connect to full text, 2003. http://hdl.handle.net/2123/640.

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Анотація:
Thesis (Ph. D.)--University of Sydney, 2004.<br>Title from title screen (viewed 5 May 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney College of the Arts. Degree awarded 2004; thesis submitted 2003. Includes bibliographical references. Also available in print form.
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17

Southwell, Graham Clifton. "Bronze Southern Doors of the Mitchell Library, Sydney: A Hidden Artistic, Literary and Symbolic Treasure." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19594.

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Анотація:
The building of the major part of the Mitchell Library (1939 - 1942) resulted in four pairs of bronze entrance doors, three on the northern facade and one on the southern facade. The three pairs on the northern facade of the library are obvious to everyone entering the library from Shakespeare Place and are well documented. However very little has been written on the pair on the southern facade apart from brief mentions in two books of the State Library buildings, so few people know of their existence. Sadly the excellent bronze doors on the southern facade of the library cannot readily be ope
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18

Tavassoli, Zea Zahra. "La bande des quatre : nineteenth-century artistic and literary sources in late Nouvelle Vague filmmaking." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/61010/.

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Анотація:
This thesis examines the different ways the cinemas of Éric Rohmer, Jacques Rivette, François Truffaut and Jean-Luc Godard adapted literary and artistic motifs characteristic of the nineteenth-century romantic and realist traditions, from the 1960s to the 1980s. The selection of these four directors is based on their early and formative commitment to the politique des auteurs, a film criticism trend that was significantly indebted to central aesthetic precepts of the realist and naturalist novels. The profound social changes of the 1960s led directors, artists and writers to question long-acce
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19

Hall, Wendy E. "Ceramic handbuilt vessels." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/725080.

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Анотація:
The creative project involved the exploration and to cone 06 in an development of eight large handbuilt ceramic vessels. False bottoms, double walls, and amorphous forms were constructed inside the vessels and textured with various implements. To create contrast on the exterior of the forms, a variety of experimental glazes, porcelain slips, and stains were applied. The pieces were then fired electric kiln. After this process, the outer surfaces were manipulated again with the use of a sandblaster and sandpaper.Each piece created for this project had a particular character and life of its own.
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20

Murphy, Eric. "Five earthenware vessels with mixed media for reflection and contemplation." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941719.

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Анотація:
As humans and society have evolved, living has become more abstract and individualized. This report on the creative project discusses the artistic process and how each of the five works personalized or called attention to the abstractness of a beholder's existence. Each of the mixed-media works centered around a hand-built ceramic granary form which referenced the human drive to store resources. During exhibition at Ball State University, beholders would construct an association to storage by resolving the disparities caused by the mix of images and materials in each artwork.The artistic proce
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21

Furtado, Michael Anthony 1958. "Islands of Castile: Artistic, Literary, and Legal Perception of the Sea in Castile-Leon, 1248-1450." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12098.

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Анотація:
xiii, 322 p. : col. ill.<br>Before Spain encountered the Americas, it first encountered the sea. This dissertation explores the roots of that encounter by examining perceptions of the sea in late medieval Castile-Leon reflected in art, literature, and law. It analyzes the changing attitudes of the Castilians towards the sea through an examination of its perceived place in their world, underscoring the complexity of Castilian attitudes toward the dangers and opportunities presented by the marine environment. Conceptual separation and union serve as the two foundational concepts employed for the
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22

Lambie, Eileen. "A phenomenological explication of the artistic creative experience of a painter, a writer and a playwright." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1004605.

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Анотація:
The aim of the thesis was to explore two focus questions using the phenomenological approach. Firstly, what it meant to be an artist for three particular artists; a painter, a writer and a playwright. Secondly, what a general explicitation (after Van Kaam, 1958) of the three subjects' artistic creative experience and working processes revealed in essence. The taped data of the three artists were reduced and explored through a number of phenomenological strategies. This led to the formulation of four essential descriptions for each artist, which were based structurally on Van den Berg's experie
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23

Lam, Yung, and 林勇. "Writing in the shadow, or writing the present in the past and writing the past for the present." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950620.

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24

Cseh, Genevieve. "Flow in visual creativity." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=225306.

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Анотація:
Although flow theory (Csikszentmihalyi, 1975; being 'in the zone') arose from early observations of artists, experimental research of creative flow is lacking, particularly in the visual arts. Assumptions are made about the universality of flow in all domains; however creativity is a uniquely complex domain which may have different antecedents, experiences, and consequences related to flow. This thesis focuses on potential mechanisms and effects of feedback/goal ambiguity and the sense of control that are thought essential to flow but which have unclear relationships to creativity. Using an ex
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25

Leclerc, Josée. "La poïétique, lieu du jaillissement de l'oeuvre picturale /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1995. http://theses.uqac.ca.

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26

Lam, Yung. "Writing in the shadow, or writing the present in the past and writing the past for the present." [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13762084.

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27

Harvell, Marta Krogh. "A New Literary Realism: Artistic Renderings of Ethnicity, Identity, and Sexuality in the Narratives of Philip Roth." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115092/.

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Анотація:
This dissertation explores Goodbye, Columbus and Five Short Stories (1959), the Ghost Writer (1979), the Counterlife (1986), the Facts (1988), Operation Shylock (1993), Sabbath's Theater (1995),and the Human Stain (2000), arguing that Roth relishes the telling of the story and the search for self within that telling. with attention to narrative technique and its relation to issues surrounding reality and identity, Roth's narratives stress unreliability, causing Roth to create characters searching for a more complex interpretation of self. Chapter I examines Roth’s negotiation of dual identitie
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28

Ray, Sumana. "The rise of the 'liminal Briton' : literary and artistic productions of black and Asian women in the Midlands." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49169/.

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Анотація:
Black and Asians occupy an increasingly prominent position within British society today and London is considered central to the multicultural imagination of Britain. This thesis leans away from the established Londoncentric discourses and shifts spotlight specifically to the Midlands, which occupies an equivalent, if differently significant status, in terms of its multicultural status. Hegemonic notions of the dominant status of London are thus contested through the peripheral focus. The project analyses some of the regional expressions of ‘Britishness’ by women in this region as articulated i
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29

Grewal, Harsimrat Kaur. "The creation of artistic space and literary possibility through speculative fiction in Octavia E. Butler's Kindred and Fledgling." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/460587554/viewonline.

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30

Metze, Stefanie. "An imperial enlightenment? : notions of India and the literati of Edinburgh, 1723-1791." Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=179528.

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Анотація:
This dissertation highlights the influence of the extension of Empire in India on Enlightenment in Scotland. It argues, consistently, that an ever increasing contact with the Eastern parts of Empire over the eighteenth century created productive tensions between the personal, material and intellectual worlds of the Edinburgh literati. Scottish thinkers stood in close contact to one another and congregated in the Select Society and the Poker Club. Beyond the domestic boundaries, they had practical and personal interests in contemporary events in the East Indies. All had relatives or acquaintanc
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31

Goudreau, Hélène. "Influence de l'enseignement de l'esthétique sur la créativité des élèves de sixième année primaire en regard du programme du ministère de l'éducation du Québec en art /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1991. http://theses.uqac.ca.

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32

Bradley, S. Burtis. "Sacramental elements of creativity in the work of Dorothy L. Sayers." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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33

Witt, Susanna. "Creating creation readings of Pasternak's Doktor Živago /." Doctoral thesis, Stockholm : Almqvist och Wiksell International, 2000. http://catalog.hathitrust.org/api/volumes/oclc/46340409.html.

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34

Keasorn, Thitacharee Rennels Max R. "A cross-cultural comparison of style of perceptual mode and creativity among subjects majoring in art from Thailand and the United States." Normal, Ill. Illinois State University, 1989. http://wwwlib.umi.com/cr/ilstu/fullcit?p9004087.

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Анотація:
Thesis (Ed. D.)--Illinois State University, 1989.<br>Title from title page screen, viewed October 21, 2005. Dissertation Committee: Max R. Rennels (chair), Normand W. Madore, Marilyn P. Newby, Thomas E. Malone. Includes bibliographical references (leaves 73-78) and abstract. Also available in print.
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35

De, Muro Theodore Edward. "Making a case for clay in art education /." Access Digital Full Text version, 1992. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1130215x.

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Анотація:
Thesis (Ed.D.)--Teachers College, Columbia University, 1992.<br>Typescript; issued also on microfilm. Sponsor: David S. Nateman. Dissertation Committee: Judith Burton. Includes bibliographical references (leaves 203-216).
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36

Lebel, Jean. "Pérégrination sur une ligne de vie /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1995. http://theses.uqac.ca.

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Анотація:
Mémoire (M.A.)--Université du Québec à Chicoutimi, 1995.<br>"Communication de recherche présentée pour l'obtention du grade de maître es arts (M.A.), extensionné de l'Université du Québec à Montréal à l'Université du Québec à Chicoutimi" Les diapositives qui accompagnent ce document sont disponibles à l'audiovidéothèque. CaQCU CaQCU Document électronique également accessible en format PDF. CaQCU
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37

Dolack, Thomas William. "Literary ventriloquism : Pound, Celan, Mandelstam and twentieth-century poetic translation /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404336851&sid=5&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Анотація:
Thesis (Ph. D.)--University of Oregon, 2007.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 276-292). Also available for download via the World Wide Web; free to University of Oregon users.
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38

Harwood, Sophie Victoria. "Women and war in the Old French Troy tradition : literary and artistic representations of female agency in the Romans d'antiquité." Thesis, University of Leeds, 2017. http://etheses.whiterose.ac.uk/18623/.

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Анотація:
The Old French romans d’antiquité (the Roman de Thèbes, the Roman de Troie, and the Roman d’Enéas) are often admired for their depiction of war, this being a focal concern of their respective narratives. However, the significant roles played by women in their representation of warfare are far less acknowledged. This thesis seeks to remedy that gap in the scholarship. The methodology is based on new philology, a gender studies approach, and new historicism. Attention is given not just to the romans’ texts but also to later manuscript copies and their illustrations as a way of interpreting the t
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39

Still, Frederick George. "Digital Collage-Access to inspiration: The use of multimedia as a catalyst for creative thought." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2891.

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Анотація:
This paper takes the position that creativity can be enhanced by multimedia. Computer software was designed and a study was conducted to measure that proposition. The author used participant self-analysis as a means to gather data on creativity enhancement holding to the presupposition that people can tell when they are creative and when their creativity is inhibited. The results of the study supported the belief that multimedia and the software designed for that purpose was able to enhance creativity.
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40

Wirtz, Jason. "Poets on inventing revisioning invention theory, practice and pedagogy within rhetoric, composition, English education and creative writing /." Diss., Connect to online resource - MSU authorized users, 2008.

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41

Duda, Cynthia M. "The city, the girls, the composer--the phenomenon influences on the performance of Vivaldi's bassoon concertos at the Ospedale della Pietà /." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1249490783.

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Анотація:
Thesis (M.Mus.)--University of Akron, School of Music, 2009.<br>"August, 2009." Title from electronic thesis title page (viewed 11/11/2009) Advisor, Brooks A. Toliver; Faculty Reader, Galen S. Karriker; School Director, William K. Guegold; Dean of the College, James M. Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
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42

Parsons, Rosemary Frances. "Group devised theatre a theoretical and practical examination of devising processes /." Master's thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/71211.

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Анотація:
Thesis (MPhil)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department of Critical and Cultural Studies, 2007.<br>Bibliography: leaves 241-251.<br>Introduction -- Re-devising theatre: towards a genealogy of devising practice -- Pre-devising: group formation, development and games -- Devising theatre: This is not an exit -- Conclusion.<br>This non-traditional thesis explores the practical and theoretical processes of group-devised theatre. The research informing this thesis is derived from two interrelated components - a practical project in group devising, and a t
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43

Secunda, David. "Developing a performance with special needs students : a case study in creativity." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29481.

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Анотація:
This thesis advances the proposition that learning disabled students' participation in kinesthetic or dance and mime performance activities provides an alternative expressive mode to the verbally oriented activities through which creativity has traditionally been examined and evaluated. Between February and May, 1989, I designed and carried out research project in an elementary school in Vancouver, B.C. A group of students, characterized as "learning disabled," participated under my direction in the design, rehearsal, and presentation of a performance of mime and movement to a narrated text de
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44

Cairns, Robert J. "A test of selected aspects of Peter Webster's conceptual model of creative thinking in music." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ28544.pdf.

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45

Merrill, Cecily P. "Embodied communication : visually representing movement /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/232.pdf.

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46

Dunn, Jennifer Erin. "Ambiguous and ambivalent signatures : rewriting, revision, and resistance in Emma Tennant's fiction." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:6a4e8319-422a-48b9-8e43-cd05d742450f.

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While existing criticism of Emma Tennant's work emphasizes its feminist agenda, less attention has been paid to her rewriting of different narratives and discourses. Tennant's career has centered on challenging literary values as well as generic categories, realist conventions, and gender stereotypes. Contrary to implications that rewriting is "re-vision," an "act of survival" that corrects or subverts earlier texts, this thesis argues that Tennant's characteristic resistance to categories also extends to the work of rewriting and revision. Her texts suggest that the act of "writing back" is n
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47

Alleoni, Natália Vasconcellos 1985. "Entre rastros, laços e traços : o corpo, suas memórias e um processo criativo em dança." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284490.

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Анотація:
Orientador: Elisabeth Bauch Zimmermann<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T07:07:10Z (GMT). No. of bitstreams: 1 Alleoni_NataliaVasconcellos_M.pdf: 8691973 bytes, checksum: ff49f315ab5bd106472a0f79ac10e20e (MD5) Previous issue date: 2013<br>Resumo: Entre Rastros, Laços e Traços: O corpo, suas memórias e um processo criativo em dança.A pesquisa baseou-se na competência dos laboratórios como espaços de (dês) condicionamento, de reflexão e (re) construção das memórias, bem como propôs uma dança compostas pel
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48

Dallaire, Sylvie. "Fables d'O : images de l'invisible." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1994. http://theses.uqac.ca.

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Mémoire (M.A.)-- Université du Québec à Chicoutimi, 1994.<br>Ce travail de recherche a été réalisé à l'Université du Québec à Chicoutimi dans le cadre du programme de la maîtrise en arts plastiques extentionné de l'Universtié du Québec à Montréal à l'Université du Québec à Chicoutimi. CaQCU Document électronique également accessible en format PDF. CaQCU
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49

Helguero, Lorenzo. "Transgresion y modernidad la prosa de Rubén Darío /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/453505739/viewonline.

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50

Millward, William H. "Beneath the surface : the role of intuition in the creative process /." View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030902.102902/index.html.

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