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Готові списки джерел за темами / London and Blackwall Railway Company / Статті в журналах

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Статті в журналах з теми "London and Blackwall Railway Company"

Автор: Grafiati

Опубліковано: 25 липня 2024

Оновлено: 31 липня 2025

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1

Wemyss, Georgie. "White Memories, White Belonging: Competing Colonial Anniversaries in ‘Postcolonial’ East London." Sociological Research Online 13, no. 5 (2008): 50–67. http://dx.doi.org/10.5153/sro.1801.

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This paper explores how processes of remembering past events contribute to the construction of highly racialised local and national politics of belonging in the UK. Ethnographic research and contextualised discourse analysis are used to examine two colonial anniversaries remembered in 2006: the 1606 departure of English ‘settlers’ who built the first permanent English colony in North America at Jamestown, Virginia, and the 1806 opening of the East India Docks, half a century after the East India Company took control of Bengal following the battle of Polashi. Both events were associated with th

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2

Pettigrew, William A., and Edmond Smith. "Corporate Management, Labor Relations, and Community Building at the East India Company’s Blackwall Dockyard, 1600–57." Journal of Social History 53, no. 1 (2018): 133–56. http://dx.doi.org/10.1093/jsh/shy083.

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Abstract This essay offers a social history of the labor relations established by the English East India Company at its Blackwall Dockyard in East London from 1615–45. It uses all of the relevant evidence from the company’s minute books and printed bylaws and from petitions to the company to assemble a full account of the relationships formed between skilled and unskilled workers, managers, and company officials. Challenging other historians’ depictions of early modern dockyards as sites for class confrontation, this essay offers a more agile account of the hierarchies within the yard to sugge

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3

TURNER, DAVID A. "“Delectable North Wales” and Stakeholders: The London & North Western Railway’s Marketing of North Wales, c.1904–1914." Enterprise & Society 19, no. 4 (2018): 864–902. http://dx.doi.org/10.1017/eso.2017.70.

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This article discusses the London & North Western Railway’s (LNWR) marketing activities before 1914. It extends our understanding of British railway marketing by examining how the company forged links with stakeholders in North Wales, particularly the resort authorities, in support of its development of the tourist trade there. While the company remained the dominant force in promoting the region, cooperative working facilitated the sharing of market intelligence, exchange of best practice, coordination of advertising efforts, coordination of services, and the harmonizing of a promotional

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4

Matlock, Daniel. "DR. SMILES AND THE “COUNTERFEIT” GENTLEMEN: SELF-MAKING AND MISAPPLICATION IN MID-NINETEENTH-CENTURY BRITAIN." Victorian Literature and Culture 46, no. 1 (2018): 83–94. http://dx.doi.org/10.1017/s106015031700033x.

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On the morning of 15 May 1855, career criminal Edward Agar and his associate, William Pierce, walked away from the London Bridge Station of the South-Eastern Railway Company with over £14,000 in stolen gold. The bullion was the property of the City of London merchants, whose intention had been to ship the bars via train to Dover and then on to Calais by ferry. Security was comprehensive and the success of Agar's en route interception was made possible only through labor-intensive planning and meticulous execution. It was the type of job in which the thief specialized. Even before what would be

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5

Bauer, Arnold. "Harold Blakemore, From the Pacific to La Paz: The Antofagasta (Chile) and Bolivia Railway Company 1888–1988 (London: Lester Crook Academic Publishing, 1990), pp. 334. £15.95 hb." Journal of Latin American Studies 24, no. 1 (1992): 203–4. http://dx.doi.org/10.1017/s0022216x00023087.

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6

Шапченко, Юлия. "Дальневосточные зарисовки Александра Яковлева". Acta Polono-Ruthenica 2, № XXIV (2019): 43–53. http://dx.doi.org/10.31648/apr.4460.

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Alexandre Yakovlev was a famous Russian painter, graphic and theatre artist, a graduate from the Imperial Academy of Arts and a member of the “World of Art”. In 1917 by the order of the Academy (material collection to decorate interiors of the Kazanian railway station) Yakovlev went to Beijing, then he traveled a lot throughout China, Mongolia and Japan. He explored Chinese and Japanese theaters, as a result he made many ethnographic sketches, portraits and photographs. He arranged the exhibition of his drawings in Shanghai (in 1919). Finding out about the revolution in Russia he emigrated to

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7

Edwards, Owen Dudley. "PATRICK MACGILL AND THE MAKING OF A HISTORICAL SOURCE: WITH A HANDLIST OF HIS WORKS." Innes Review 37, no. 2 (1986): 73–99. http://dx.doi.org/10.3366/inr.1986.37.2.73.

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Patrick MacGill was born at Glenties, a little village in one of the wildest districts of Donegal on the north coast of Ireland, twenty-one years ago. The eldest of a family of ten, he had to go out into the world at a very early age and begin his fight in the great battle of life. When twelve years old he was engaged as a farm hand in the Irish Midlands, where his day's work began at five o'clock in the morning and went on till eleven at night through summer and winter. It was a man's work with a boy's pay. At fourteen, seeking newer fields, he crossed from 'Derry to Scotland; and there for s

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8

Warner, Deborah. "Exploring Space at Play: the Making of the Theatrical Event." New Theatre Quarterly 12, no. 47 (1996): 229–36. http://dx.doi.org/10.1017/s0266464x00010228.

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Deborah Warner is one of the most exciting of the generation of directors who emerged during the 'eighties – incidentally claiming for women a natural entrance into a profession previously dominated by men. In 1980 she formed the Kick Theatre Company, with whom over the following, formative years of her career she directed The Good Person of Szechwan, The Tempest, Measure for Measure, King Lear, Coriolanus, and Woyzeck. In 1988, following a production for the RSC of Titus Andronicus in the previous year, she became one of the company's resident directors, staging King John and Electra before m

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9

Dr., M. Nithyadevi. "A STUDY ON PASSENGERS AWARENESS AND SATISFACTION TOWARDS SOUTHERN RAILWAYS SPECIAL REFERENCE TO COIMBATORE CITY." June 7, 2025. https://doi.org/10.5281/zenodo.14916129.

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One of the accessible and affordable modes of land transportation is the railways. The railway holds a long-standing and significant occurrence in transportation infrastructure. They are crucial to the industrialization and advancement of the contemporary world. A lot of people can be transported at a low price by rail as a mass public transportation system. It also saves space, is highly secure, comfort and ecological friendly, promotes adaptive technology development and creates a less congested atmosphere. Railways are a significant mode of public transit because of

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10

Primmer, Andrew. "Market Failure, Information Asymmetries, and Monopoly Profits: The Barranquilla Railway and Pier Company in Colombia, 1888–1933." Enterprise & Society, September 20, 2024, 1–32. http://dx.doi.org/10.1017/eso.2024.18.

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This article presents a business history of the Barranquilla Railway and Pier Company (BRPC) and its impact on Colombia’s Caribbean region. It explores the company’s operations, profitability, shareholders, infrastructure development, and competition with other coastal railways for insights into the role of foreign capital in regional growth. The BRPC’s railway and port infrastructure connected the coastal city of Barranquilla with the Colombian interior, allowing the city to supplant Cartagena as the country’s principal international port. Statistical analysis reveals the railway’s remarkable

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11

"George Frederick James Temple, 2 September 1901 - 30 January 1992." Biographical Memoirs of Fellows of the Royal Society 40 (November 1994): 383–400. http://dx.doi.org/10.1098/rsbm.1994.0046.

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George Temple was born in London on 2 September 1901. There is no record of any previous scientific activity in his family; his father James Temple and his mother Frances ( née Compton) were country folk from Oxfordshire, although by the time George was born James was working for the Great Western Railway at Paddington Station. George himself stressed his good fortune in having three teachers of mathematics of outstanding ability, the first two being Ray Gilbert (who taught George briefly at Northfields Elementary School) and P. G. Goodall (at Ealing County School). James Temple’s death meant

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12

Teague, Christine, Lelia Green, and David Leith. "An Ambience of Power? Challenges Inherent in the Role of the Public Transport Transit Officer." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.227.

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In the contemporary urban environment of mass transit, it falls to a small group of public officers to keep large number of travellers safe. The small size of their force and the often limited powers they exert mean that these public safety ‘transit officers’ must project more authority and control than they really have. It is this ambience of authority and control which, in most situations they encounter and seek to influence, is enough to keep the public safe. This paper examines the ambience of a group of transit officers working on the railway lines of an Australian capital city. We seek t

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13

Lombard, Kara-Jane. "“To Us Writers, the Differences Are Obvious”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2629.

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   Introduction It appears that graffiti has begun to clean up its act. Escalating numbers of mature graffiti writers feel the removal of their graffiti has robbed them of a history, and are turning to legal projects in an effort to restore it. Phibs has declared the graffiti underground “limited” and Kano claims its illegal aspect no longer inspires him (Hamilton, 73). A sign of the times was the exhibition Sake of Name: Australian Graffiti Now which opened at the Wharf 2 Theatre in January 2001. The exhibition was commissioned by the Sydney Theatre Company and comprised twe

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14

West, Patrick Leslie. "Towards a Politics and Art of the Land: Gothic Cinema of the Australian New Wave and Its Reception by American Film Critics." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.847.

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Many films of the Australian New Wave (or Australian film renaissance) of the 1970s and 1980s can be defined as gothic, especially following Jonathan Rayner’s suggestion that “Instead of a genre, Australian Gothic represents a mode, a stance and an atmosphere, after the fashion of American Film Noir, with the appellation suggesting the inclusion of horrific and fantastic materials comparable to those of Gothic literature” (25). The American comparison is revealing. The 400 or so film productions of the Australian New Wave emerged, not in a vacuum, but in an increasingly connected and inter-mix

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15

West, Patrick Leslie. "Between North-South Civil War and East-West Manifest Destiny: Herman Melville’s “I and My Chimney” as Geo-Historical Allegory." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1317.

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Literary critics have mainly read Herman Melville’s short story “I and My Chimney” (1856) as allegory. This article elaborates on the tradition of interpreting Melville’s text allegorically by relating it to Fredric Jameson’s post-structural reinterpretation of allegory. In doing so, it argues that the story is not a simple example of allegory but rather an auto-reflexive engagement with allegory that reflects the cultural and historical ambivalences of the time in which Melville was writing. The suggestion is that Melville deliberately used signifiers (or the lack thereof) of directionality a

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