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Статті в журналах з теми "Modo epico"

Автор: Grafiati

Опубліковано: 10 березня 2023

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1

Bancheri, Salvatore. "Elementi di plurilinguismo nell’opera di Filippo Orioles." Quaderni d'italianistica 36, no. 2 (2016): 23–40. http://dx.doi.org/10.33137/q.i..v36i2.26898.

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La prima metà del Settecento — periodo in cui scrisse Filippo Orioles (1687–1793), autore del Riscatto d’Adamo — fu segnato in Sicilia da un continuo alternarsi di dominazioni e quindi anche da normale commistione di linguaggi. Di riflesso, i lavori dell’Orioles (La notte in giorno, La S. Rosalia, Il S. Alessio e Il San Basilio Magno), analizzati brevemente nella loro esemplarità linguistica, sono uno specchio di questa realtà. Nelle opere esaminate troviamo una mescolanza di lingue (italiano, spagnolo e latino), frequenti latinismi, dialetti (siciliano e napoletano). La contaminazione dei lin

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2

Fernandelli, Marco. "Ovidio e le ambiguità dell'Eneide." Tabula, no. 17 (November 16, 2020): 125–68. http://dx.doi.org/10.32728/tab.17.2020.5.

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L'ambiguità è un tratto caratteristico del linguaggio epico virgiliano. L'idea che essa sia l'espressione di un dualismo tra piani di significato rappresentati da voci (“Two voices theory'), cui attribuire un grado maggiore o minore di autenticità, è stata superata a favore di una lettura che riconosce tale autenticità nello stato aperto del testo, che insieme stimola all'interpretazione e si presta a una continua riattualizzazione dei propri significati. L'“ambivalenza” (del testo) ha preso il posto della dialettica di “ottimismo” e “pessimismo” (nella visione dell'autore). Virgilio, in Ovidi

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3

Dung, Nguyen Tien. "“Living” Epics in Central Highland-Vietnam." Global Research in Higher Education 2, no. 1 (2019): 59. http://dx.doi.org/10.22158/grhe.v2n1p59.

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<em>This article is about h’mon, an epic genre of Bahnar ethnic in the Central Highlands of Vietnam. Typical of this epic type is H’mon Dam Giong (or The Dam Giong epics). The contents of this article include space and mode of performance of h’mon; characteristics of the “living epic” of h’mon (It is the ability to refresh the content of h’mon by adding new details); characteristics of the character system (including the central character and the re-appearing characters).</em>

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4

Nguyen, Viet Hung. "ARTISTS CHANTING - NARRATING EPIC POEMS PROFESSIONAL OR UNPROFESSIONAL?" UED Journal of Social Sciences, Humanities and Education 10, Special (2020): 62–69. http://dx.doi.org/10.47393/jshe.v10ispecial.881.

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Homer’s creative works Iliad, Odyssey have undergone a history of thousands of years, but the Homeric issues have never ceased to be new to generations of researchers. There still remain unanswered questions: Was Homer a professional writer or a folk artist? Did his epical compositions belong to the written or oral literary genre? Were Homer's poems the works of a single poet or of many contributors? We refer to Homer as an artist, a collector and compiler of Greek epics in relation to the type of epic artists in Vietnam. A study of the artists chanting-narrating epic poems from various perspe

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5

Chalise, Keshav Raj. "Mayavini Sarsi (Circe): Devkota’s Reworking to Western Myths." Literary Studies 33 (March 31, 2020): 20–30. http://dx.doi.org/10.3126/litstud.v33i0.38032.

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Laxmi Prasad Devkota, celebrated poet as the Mahakavi or Poet the Great wasborn in 1966 BS. Writing in distinct style from the tradition, Devkota has broken the convention in Nepalese writing, both in form and content, though he was in the difficult mode of free expression due to Rana observation over writings and even the discouraging situation on free thinking and creative writing. He has adapted Sanskrit tradition of writing epics, (Mahakavya) and also, he has composed the epic on free verse. He has introduced and applied western Romantic trend of writing poetry. With these new modes,

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6

Watten, Barrett. "An Epic of Subjectivation: The Making of Americans." Modernism/modernity 5, no. 2 (1998): 95–121. http://dx.doi.org/10.1353/mod.1998.0044.

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7

Esty, Joshua. "Colonial Odysseys: Empire and Epic in the Modernist Novel (review)." Modernism/modernity 12, no. 3 (2005): 519–21. http://dx.doi.org/10.1353/mod.2005.0083.

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8

Reed, M. D., A. Slayton, A. S. Baran, et al. "Pulsating subdwarf B stars observed with K2 during Campaign 7 and an examination of seismic group properties." Monthly Notices of the Royal Astronomical Society 507, no. 3 (2021): 4178–95. http://dx.doi.org/10.1093/mnras/stab2405.

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ABSTRACT We report the discovery of four new pulsating subdwarf B (sdBV) stars from Campaign 7 of the Kepler spacecraft’s K2 mission. EPIC 215776487, EPIC 217280630, EPIC 218366972, and EPIC 218717602 are all gravity (g)-mode pulsators and we also detect two pressure (p)-mode pulsations in EPIC 218717602. We detect asymptotic $\ell \, =\, 1$ sequences in all four stars, allowing us to identify nearly all of the g modes. We detect evenly spaced frequency multiplets in EPIC 218717602 from which we determine a rotation period near 7 d. Spectroscopic observations determine that EPIC 218366972 is i

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9

Alexander, Neal. "C. D. Blanton, Epic Negation: The Dialectical Poetics of Late Modernism." Modernist Cultures 11, no. 3 (2016): 452–56. http://dx.doi.org/10.3366/mod.2016.0150.

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10

Giesenkirchen, Michaela. ""But Sordello, and My Sordello?": Pound and Browning's Epic." Modernism/modernity 8, no. 4 (2001): 623–42. http://dx.doi.org/10.1353/mod.2001.0084.

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11

Kragl, Florian. "Vergil und das Epische Erzählen." Literaturwissenschaftliches Jahrbuch 61, no. 1 (2020): 9–51. http://dx.doi.org/10.3790/ljb.61.1.9.

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The article discusses Jan-Dirk Müller’s concept of ›epic narration‹ with respect to the dominant Virgilian tradition during the Middle Ages. Müller’s ›epic narration‹ is defined as a quasi-autochthonous vernacular mode of medieval, (at least seemingly) archaic narration, strictly distinct from the, so-to-speak, Virgilian world of the litterati, and closely resembling everyday conversation: ›Epic narration‹ is narration in the presence of narrator and audience; it unfolds common narrative knowledge; the narrated past and the presence of narration are closely intertwined; what is told, is simply

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12

Gailus, Andreas. "Book Review: Modern Epic: the World System from Goethe to Garcia Marquez." Modernism/modernity 4, no. 3 (1997): 175–77. http://dx.doi.org/10.1353/mod.1997.0045.

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13

Agali Jafarova, Reyhana. "On Epic Cliches." SCIENTIFIC WORK 60, no. 11 (2020): 158–61. http://dx.doi.org/10.36719/2663-4619/60/158-161.

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Here ready-made frames and epic cliches used in folk-arts were attracted into research work. Research works done in this genre show that one can easily notice using of ready-mode constructions in the introductory parts, conclusions and in the whole texts as well. In the “Book of Dada Gorgud” consisting of 12 bois (parts) each of them begins with introductory epic clichés. In some of these parts use of these epic clichés with some little changes can be seen. The frames of introductory parts and the conclusions as well are rather different for content and the sense. Key words: epos, frame, clich

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14

Nogueira, Paula Souza Dias. "TRADUÇÃO COMENTADA DE MEMOIRES DE PORC-EPIC, DE ALAIN MABANCKOU (2006)." Belas Infiéis 4, no. 3 (2016): 175–87. http://dx.doi.org/10.26512/belasinfieis.v4.n3.2015.11361.

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Neste artigo iremos propor a tradução dos parágrafos finais de cada um dos seis capítulos do romance Mémoires de porc-épic, do escritor congolês Alain Mabanckou, a fim de analisar e comentar algumas escolhas tradutológicas concernentes a elementos formais e culturais propostos no texto original. Para nós, seguindo a abordagem sugerida por Berman (2007), tais elementos fazem parte do modo de significar do texto de partida e devem ser passados ao leitor estrangeiro tanto quanto possível, de modo que ele possa, assim como o leitor francês, experienciar o universo africano recriado pelo autor. Des

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15

Merilai, Arne. "A. H. Tammsaare’s Epic Musicality." Interlitteraria 26, no. 1 (2021): 265–80. http://dx.doi.org/10.12697/il.2021.26.1.18.

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A. H. Tammsaare was drawn to the musical tonality of prose. Importantly though, he did not wholeheartedly embrace sound patterning as a mode of writing. Rather, he preferred a semantic widening of ordinary language within a comprehensively holistic “spherical music”. In his novels, we can detect a deliberate use of rhythmic motion in sentences. This is evident primarily in the wealth of lexical and syntactic repetitions resulting in a parallelism of patterns. An obvious, although discreet, rhythmic design emerges in the thesisantithesis- synthesis parataxis the core words of which are the adve

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16

Qu, Y. "Тайская этническая группа в Китае и тайский эпос (по материалам китайских исследований)". Эпосоведение, № 3(15) (27 вересня 2019): 5–16. http://dx.doi.org/10.25587/svfu.2019.15.36594.

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Abstract. This article introduces the Tai ethnic group in China, and then discusses the Tai epic in the context of dualistic beliefs. The Tai ethnic group is one of 55 minorities in China its several branches reside in different areas, but mainly in Yunnan Province. According to historical documents, Tai groups have been developing for hundreds of years separately and as a result, there are four Tai dialect areas: the Sipsong Panna (Xishuangbanna) Tai dialect groups, the Daikong (Dehong) Tai dialect groups, the HongJin Tai dialect groups, and Jinping Tai dialect groups. Most of them have adopt

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17

Melnic, Vlad. "The Remediation of the Epic in Digital Games: The Elder Scrolls V: Skyrim." American, British and Canadian Studies 30, no. 1 (2018): 153–70. http://dx.doi.org/10.2478/abcsj-2018-0009.

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Abstract This paper examines whether certain computer games, most notably RPGs, can be thought of as examples of the postmodern epic. Drawing on more recent critical frameworks of the epic, such as the ones proposed by Northrop Frye, Adeline Johns-Putra, Catherine Bates or John Miles Foley, the demonstration disembeds the most significant diachronic features of the epic from its two main media of reproduction, that of text and oral transmission, in order to test their fusion with the virtual environment of digital games. More specifically, I employ the concept of “epic mode” in order to explai

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18

Davis, Alex. "Collaborator: Ezra Pound, Translation, and Appropriation." Modernist Cultures 14, no. 1 (2019): 17–35. http://dx.doi.org/10.3366/mod.2019.0238.

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This article discusses a number of Pound's poetic works, including Homage to Sextus Propertius, Hugh Selwyn Mauberley, and selected cantos, in relation to the practice of collaborative translation undertaken by numerous modernist authors. In Pound's case, such collaboration takes the form, in the main, of a creative partnership with poets central to his conception of the ‘Tradition’, for example, Homer and Propertius. In Pound's hands, the source text is ‘made new’ for a modernist target culture by means of strategies allied to his development of a poetics of appropriation, beginning with his

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19

Gabriel, Gösta Ingvar. "An Exemplificational Critique of Violence: Re-Reading the Old Babylonian Epic Inūma ilū awīlum (a.k.a. Epic of Atramḫasīs)". Journal of Ancient Near Eastern History 5, № 1-2 (2018): 179–213. http://dx.doi.org/10.1515/janeh-2018-0011.

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AbstractThe article approaches the mythical epic Inūma ilū awīlum with respect to its narrative structure and procedure. Within this framework, it investigates the ideas pertaining to the nature of violence that is communicated through the sequence of events within the poem. The mode chosen to inform the epic’s reader is understood as narrative exemplification, being an equivalent to the demonstration of general principles through representative examples that can often be found in other epistemic contexts in ancient Mesopotamia, e. g. in mathematics or divination. Thus, the paper not only reco

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20

Kirsch, M. G. F., E. Kendziorra, and R. Staubert. "Phase-resolved Spectroscopy of the Crab Pulsar with XMM-Newton." Symposium - International Astronomical Union 218 (2004): 331–34. http://dx.doi.org/10.1017/s007418090018129x.

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The Crab pulsar (PSR B0531+21) has been observed with the EPIC-pn camera on board the ESA XMM-Newton satellite. The high time resolution of the EPIC camera (7 μs) in its special Burst mode in combination with the huge effective area and the high quantum efficiency of the pn-CCD allows phase resolved spectroscopy of good quality over the energy range 0.6–8.5 keV. We performed phase resolved spectroscopy of the modulated flux of the Crab pulsar and found a significant hardening of the photon index in the inter-pulse region. Also the second pulse is harder in index by 0.1 than the first pulse.

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21

Seitlheko, Bokang, and Laban Mwansa. "Exploring the decomposition of epics using natural language processing." Zambia ICT Journal 6, no. 1 (2022): 1–6. http://dx.doi.org/10.33260/zictjournal.v6i1.127.

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Agile user requirements are typically givens as user stories written using natural language and they come in different forms. The most complex form of stories to work with are epics. If epics are poorly understood, they can contribute to threats regarding the sprints or projects becoming behind schedule. It can be attributed to the epic's complexity. The research aimed to explore and attempt the use of Stanza from the Stanford NLP group in the decomposition of epics by creating a text generative model. We have also utilised the chunking technique to formulate the tasks from the generated user

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22

Coe, Richard N. "Poetry and the child-self lyric and epic in the autobiographical mode." Neohelicon 12, no. 2 (1985): 47–93. http://dx.doi.org/10.1007/bf02093319.

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23

Wilhelms, Frank, Heinrich Miller, Michael D. Gerasimoff, et al. "The EPICA Dronning Maud Land deep drilling operation." Annals of Glaciology 55, no. 68 (2014): 355–66. http://dx.doi.org/10.3189/2014aog68a189.

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AbstractWe report on the EPICA Dronning Maud Land (East Antarctica) deep drilling operation. Starting with the scientific questions that led to the outline of the EPICA project, we introduce the setting of sister drillings at NorthGRIP and EPICA Dome C within the European ice-coring community. The progress of the drilling operation is described within the context of three parallel, deep-drilling operations, the problems that occurred and the solutions we developed. Modified procedures are described, such as the monitoring of penetration rate via cable weight rather than motor torque, and modif

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24

Piňos, Václav Gabriel. "Agency and Agnosis in the Orlando furioso." arcadia 56, no. 1 (2021): 27–43. http://dx.doi.org/10.1515/arcadia-2021-9014.

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Abstract This article foregrounds human epistemological disorientation in the Orlando furioso with a view to theological implications which, if not rigorously followed up by Ariosto’s verse (too supple to endure rigor), are nevertheless made possible by its discourse. Beginning with the recurring fantasy-inducing impotence of will (madness) that unite the narrator with the characters, the article examines the Furioso’s own transition from romance to epic mode, aiming to highlight the survival of romance and its subversion of the epistemological exhaustiveness of the epic. By turning to the the

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25

Gransden, K. W. "The Fall of Troy." Greece and Rome 32, no. 1 (1985): 60–72. http://dx.doi.org/10.1017/s001738350003014x.

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Fragments and summaries are all that survive of the two primary epics which originally covered the fall of Troy: theLittle Iliadof Lesches and theIliou Persisof Arktinos. I shall also be referring to the latePost-Homericaof Quintus Smyrnaeus. Certain details in Virgil's narrative imply that he and Quintus knew the same source material, though for my purpose here Quintus is chiefly used to indicate another possible mode of narrative treatment, particularly of the relation between the Sinon and Laocoon stories.

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26

Ma, Xiao-Yu, Weikai Zong, Jian-Ning Fu, et al. "K2 Photometry on Oscillation Mode Variability: The New Pulsating Hot B Subdwarf Star EPIC 220422705." Astrophysical Journal 933, no. 2 (2022): 211. http://dx.doi.org/10.3847/1538-4357/ac75b8.

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Abstract We present an analysis of oscillation mode variability in the hot B subdwarf star EPIC 220422705, a new pulsator discovered from ∼78 days of K2 photometry. The high-quality light curves provide a detection of 66 significant independent frequencies, from which we identified nine incomplete potential triplets and three quintuplets. Those g- and p-multiplets give rotation periods of ∼36 and 29 days in the core and at the surface, respectively, potentially suggesting a slightly differential rotation. We derived a period spacing of 268.5 s and 159.4 s for the sequence of dipole and quadrup

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27

Catalfamo, Antonio. "Emilio Salgari e i “pirati della Malesia”: Colonizzati e colonizzatori." Forum Italicum: A Journal of Italian Studies 48, no. 3 (2014): 522–35. http://dx.doi.org/10.1177/0014585814542785.

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L’autore, nel presente saggio, attraverso un’analisi articolata delle opere di Emilio Salgari, dimostra che i luoghi comuni riproposti intorno a esse da buona parte della critica in occasione del centenario della morte dello scrittore vanno superati. Salgari non è un “minore”, da collocare nell’ambito della “paraletteratura”, né uno scrittore buono solo per l’infanzia, né un uomo e un artista fuori dal suo tempo. Egli si rivolge al nuovo pubblico che si affaccia alla lettura in seguito alla legge Coppino sull’istruzione obbligatoria e si fa portavoce di un’“epica popolare anticoloniale”, di un

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28

Delmonte, Barbara, Jean Robert Petit, and Valter Maggi. "LGM–Holocene changes and Holocene millennial-scale oscillations of dust particles in the EPICA Dome C ice core, East Antarctica." Annals of Glaciology 35 (2002): 306–12. http://dx.doi.org/10.3189/172756402781816843.

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AbstractMeasurements of the concentration and size distribution of dust particles found in the EPICA (European Project for Ice Coring in Antarctica) Dome C ice core, East Antarctica, provide records covering the last 27000 years. the total concentration decreased drastically by a factor of 55 from the Last Glacial Maximum (LGM) (800 ppb) to the Holocene (15 ppb), with a well-marked absolute minimum around 11500–11600 years ago. This latter almost corresponds to the end of the Younger Dryas in Greenland, which was marked by a methane peak related to the expansion of tropical wetlands. Assuming

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29

Kurtz, Donald W., Dominic M. Bowman, Simon J. Ebo, Paweł Moskalik, Rasmus Handberg, and Mikkel N. Lund. "EPIC 201585823, a rare triple-mode RR Lyrae star discovered in K2 mission data." Monthly Notices of the Royal Astronomical Society 455, no. 2 (2015): 1237–45. http://dx.doi.org/10.1093/mnras/stv2377.

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30

Thalhofer, Helga. "Epos und Periplous: Dichtung und Dokumentation in Camões’ Lusíadas." arcadia 51, no. 2 (2016): 247–70. http://dx.doi.org/10.1515/arcadia-2016-0022.

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AbstractIn Luís de Camões’s epic The Lusiads, diverse semantic levels of writing overlap. The intertwining of poetry and documentation results here in perspectives on writing that judge it in different ways, since a tension springs up in The Lusiads between poetry and the new fields of knowledge concerning experimental ‘New Science’ and nautical experience. With respect to the poetics of The Lusiads, this tension becomes evident when a line is drawn from the Renaissance to classical antiquity. A further level of writing can be seen in the field of the shipping of writings – primarily of the fo

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31

Xu, S., G. F. Liu, Y. F. Gan, et al. "The development of the alarm system for HLS-II." Journal of Instrumentation 17, no. 06 (2022): P06027. http://dx.doi.org/10.1088/1748-0221/17/06/p06027.

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Abstract Hefei Light Source II (HLS-II) is a vacuum ultraviolet synchrotron light source. The control system of HLS-II is a distributed system based on the experimental physics and industrial control system (EPICS). The alarm system of HLS-II is responsible for monitoring the alarm state of the facility and distributing the alarm message in time. It facilitates the operator to troubleshoot problem efficiently, so as to improve the availability of HLS-II. Phoebus/Alarms (Alarms) is the latest alarm software released in EPICS community. Based on Alarms, the alarm system of HLS-II is designed, de

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32

Dorfman, Daniela. "Epica Relevante: la Cultura Legal Argentina y las Escenas Judiciales del Martín Fierro." Caracol, no. 20 (December 23, 2020): 438–59. http://dx.doi.org/10.11606/issn.2317-9651.i20p438-459.

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Este artículo investiga los modos en que la literatura argentina del siglo XIX articula las relaciones de los habitantes con el Estado y con la ley. Interroga las maneras en que la literatura argentina representó e intervino en lo que Lawrence Friedman llama la “cultura legal”: el conjunto de opiniones, expectativas, valoraciones, y actitudes de la sociedad hacia la ley. A partir del estudio de las escenas judiciales en el Martín Fierro, de José Hernández (1872, 1879), y la disputa que entabla con las nociones estatales de criminalidad y de justicia, mi argumento es que el texto fija una posic

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33

Rizzo, Laura Katz. "Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler." Dance Research 40, no. 2 (2022): 139–57. http://dx.doi.org/10.3366/drs.2022.0366.

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This essay traces my journey as a dance artist, scholar, and teacher, and elucidates the strategies with which I have learned to articulate my creative voice, to locate myself within the field of dance, and to perform my identity with self-determined agency. Using the first person and locating myself within this text is a strategy that I have drawn from feminist methodology, a meditation on voice, and a mode of autobiographical performance. This essay also examines the life, career and choreography of Ricki Starr, a ballet-dancing wrestler. Starr became a symbolic icon for me, and his use of b

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34

de Jong, Irene J. F. "HOMER: THE FIRST TRAGEDIAN." Greece and Rome 63, no. 2 (2016): 149–62. http://dx.doi.org/10.1017/s0017383516000036.

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It is a commonplace to link Homer with tragedy. Plato calls Homer the first tragedian, Aristotle praises the dramatic concentration of his plots, and pseudo-Plutarch claims that in Homer we find ‘all elements of tragedy: great and unexpected deeds, epiphanies of gods, and speeches full of thought and representing all kind of characters’. Likewise, modern critics write studies onNature and Culture in the Iliad. The Tragedy of Hector, ‘Tragic Form and Feeling in theIliad’, ‘Homeric Epic and the Tragic Moment’, andHomer and the Dual Mode of the Tragic.

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Looney, Dennis, and Albert N. Mancini. "I "Capitoli" letterari di Francesco Bolognetti: Tempi e modi della letteratura epica fra l'Ariosto e il Tasso." Italica 70, no. 2 (1993): 242. http://dx.doi.org/10.2307/479898.

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Mitchell, Bonner, and Albert N. Mancini. "I "capitoli" letterari di Francesco Bolognetti: Tempi e modi della letteratura epica fra l'Ariosto e il Tasso." Sixteenth Century Journal 22, no. 3 (1991): 564. http://dx.doi.org/10.2307/2541480.

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Tommaso, Andrea di. "I Capitoli Letterari di Francesco Bolognetti: Tempi e modi della letteratura epica fra l'Ariosto e il Tasso." Symposium: A Quarterly Journal in Modern Literatures 45, no. 2 (1991): 153–55. http://dx.doi.org/10.1080/00397709.1991.10733741.

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Scioli, Emma. "Incohat Ismene: The Dream Narrative as a Mode of Female Discourse in Epic Poetry." Transactions of the American Philological Association 140, no. 1 (2010): 195–238. http://dx.doi.org/10.1353/apa.0.0049.

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Zekas, Christodoulos. "Odysseus as Storyteller." Mnemosyne 70, no. 5 (2017): 721–39. http://dx.doi.org/10.1163/1568525x-12342196.

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AbstractThe scene in which Helius requires that Zeus avenge the slaughter of his sacred cattle is a unique case among the divine dialogues in Homeric epic. Its distinctiveness can be attributed to the fact that the demanding tone of the request, and the direct reply it receives, depart significantly from the communicative mode found in the other speech exchanges between the gods, principally in theOdyssey, but also in theIliad. I argue that this variation is intrinsically associated with the special narrative circumstances of the scene as reported by Odysseus, who as a human lacks the (precise

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Minas, Steven Aaron. "“The heat of Milton's mind”: Allusion as a Mode of Thinking in Paradise Lost." Milton Studies 61, no. 2 (2019): 186–211. http://dx.doi.org/10.5325/miltonstudies.61.2.0186.

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ABSTRACT One of the most contested and arguably misunderstood aspects of Milton's poetry is his use of allusion. The long critical tradition on Paradise Lost, in particular, has spent much of its labor not only identifying the poem's allusions and their significance, but also teasing out the terminological differences between allusion, echo, imitation, topoi, reference, and pun. But rich, insightful, and complex disagreements among readers of Milton's epic poem nevertheless remain. This article suggests that part of the difficulty of Milton's allusions lies in the fact that he did not use allu

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Ricieri, Francine Weiss. "Modos diversos de atingir a Índia: gêneros literários e descontinuidade." Revista do Centro de Estudos Portugueses 34, no. 52 (2014): 117. http://dx.doi.org/10.17851/2359-0076.34.52.117-133.

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<p>Publicado em 2010, <em>Uma viagem à Índia: </em>melancolia contemporânea (um itinerário), de Gonçalo M. Tavares, é um poema narrativo, com 10 seções denominadas “<em>cantos</em>”, que se organiza, entre outros aspectos, por analogias formais com <em>Os Lusíadas</em>, para mencionar apenas um dos livros com que dialoga. Além de cada canto da obra contemporânea conter o exato número de <em>estâncias </em>presentes no poema de Luís de Camões, discernem-se outras aproximações, em diversos níveis, o que parece permitir supor que o modo de pro

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Gu, Yu, Mengqi Fan, Chuanqian Tang, Guojing Zhang, and Xiaodan Zhang. "Progress in Data Transmission and Storage for Long Pulse Data Acquisition System." Journal of Physics: Conference Series 2113, no. 1 (2021): 012065. http://dx.doi.org/10.1088/1742-6596/2113/1/012065.

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Abstract Since the study in the field of fusion has gradually developed toward the long-pulse experiment mode, long-pulse data has gradually become one of the main data types for pulsed experiments in the field of fusion. For long-pulse data, which is a kind of pulse-type data, it will be more difficult to transmit and store than short-pulse data because of its significant characteristics. In addition, in the design of data acquisition and control system (DACS) in fusion field, Experimental Physics and Industrial Control System (EPICS) has now gradually become the main framework of experimenta

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Chervaneva, Victoria A. "FOLK TEXT IN DIALOGIC MODE: ON THE STATUS OF THE LANGUAGE OF FOLKLORE." Folklore: structure, typology, semiotics 3, no. 2 (2020): 72–87. http://dx.doi.org/10.28995/2658-5294-2020-3-2-72-87.

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The status of the language of folklore is a theoretical problem of Folklore Studies that has a long history, but it has become even more relevant recently due to the expansion of the Folklore Studies research field. Traditionally, characteristic features of the language of folklore were defined in relation to dialect and literary language, and the researchers supposed that the language of folklore is supradialectical phenomenon, like the literary language of dialect speakers. However, observations of linguistic organization of oral prose with a focus on reliability (mythological stories, etc.)

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Ng, Kenny K. K. "Theory and Practice of the Long Novel." Prism 17, no. 2 (2020): 326–52. http://dx.doi.org/10.1215/25783491-8690412.

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AbstractThis article examines the promises and predicaments of May Fourth writers in their experimental writing of the “long novel” (changpian xiaoshuo 長篇小說) as a Chinese brand of the modern epic. May Fourth intellectuals showed a conscious effort to institute a new brand of fictional genre to enlighten the reading public. Yet their “education of the novel” was far from complete, as New Literature writers found fictional expressions primarily in the form of the short story, with strong undertones of individualism, subjective lyricism, and elitism. By focusing on Mao Dun's 茅盾 (1896–1981) Ziye 子

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Yildirim, Riza. "In the Name of Hosayn’s Blood: The Memory of Karbala as Ideological Stimulus to the Safavid Revolution." Journal of Persianate Studies 8, no. 2 (2015): 127–54. http://dx.doi.org/10.1163/18747167-12341289.

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Over the past century, one of the most heavily debated topics within Safavid historiography has been the ideological sources of the Qezelbash zeal that carried the Safavid dynasty to the throne of Persia. By now, a near-consensus has been formed about Shah Esmaʿil’s personality as an incarnation of the Godhead armed with a messianic mission of salvation. This article partly challenges this long-entrenched conceptualization by calling attention to a heretofore overlooked mission that the shaykhs of the revolutionary period set for themselves. This was their desire to avenge the spilling of Hosa

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Lorek-Jezińska, Edyta. "Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama." Text Matters, no. 7 (October 16, 2017): 353–67. http://dx.doi.org/10.1515/texmat-2017-0019.

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The main objective of my article is to investigate the ways in which contemporary Anglophone drama and theatre actively employ diegetic and narrative forms, setting them in conflict with the mimetic action. The mode of telling seems to be at odds with the conviction not only about the mimetic nature of performance and theatre but also about the growing visuality of contemporary theatre. Many contemporary performances and dramatic texts expose the tensions between the reduction of visual representations and the expansion of the narrative space. This space offers various possibilities of explori

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Köhler, P., and H. Fischer. "Proposing a mechanistic understanding of changes in atmospheric CO<sub>2</sub> during the last 740 000 years." Climate of the Past Discussions 2, no. 1 (2006): 1–42. http://dx.doi.org/10.5194/cpd-2-1-2006.

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Abstract. Atmospheric carbon dioxide (CO2) measured in Antarctic ice cores shows a natural variability of 80 to 100 ppmv during the last four glacial cycles and variations of approximately 60 ppmv in the two cycles between 410 and 650 kyr BP. We here use dust and the isotopic temperature proxy deuterium (δD) from the EPICA Dome C Antarctic ice core covering the last 740 kyr together with other paleo-climatic records to force the ocean/atmosphere/biosphere box model of the global carbon cycle BICYCLE in a forward mode over this time in order to reconstruct the natural variability of pCO2. Our s

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Gendre, Renato. "Nota Gotica." Linguistica 42, no. 1 (2002): 5–7. http://dx.doi.org/10.4312/linguistica.42.1.5-7.

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Dalla documentazione presentata, ancorché in modo non completo, si può constatare che ogni qual volta il testo greco presenta i1 verbo nella posizione 'in incastro', 2 anche in quello gotico troviamo la stessa situazione. E benché crediamo a una sostanziale dipendenza dal greco dalla prassi sintattica gotica, 3 tuttavia riteniamo che non si possa del tutto escludere di trovarsi in presenza di uno stesso tratto sintattico, cioé di uno stesso modo di distribuire l'informazione, secondo un preciso ordine dei costituenti di frase, di origine indoeuropea. La "spezzatura di ciò che secondo il nostro

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Duro, R., T. Dauser, J. Wilms та ін. "The broad iron Kαline of Cygnus X-1 as seen byXMM-Newtonin the EPIC-pn modified timing mode". Astronomy & Astrophysics 533 (19 серпня 2011): L3. http://dx.doi.org/10.1051/0004-6361/201117446.

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Pintore, F., A. Sanna, T. di Salvo, et al. "Testing rate-dependent corrections on timing mode EPIC-pn spectra of the accreting neutron star GX 13+1." Monthly Notices of the Royal Astronomical Society 445, no. 4 (2014): 3745–54. http://dx.doi.org/10.1093/mnras/stu2001.

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