Дисертації з теми "Monologue the music"
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Bahr, Mickey. "...and then, Claire an indie-rock monologue; integrating the independent music scene into American musical theatre." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/653.
Повний текст джерелаB.F.A.
Bachelors
Arts and Humanities
Theatre
Stinton, Nicole Desiree. "Acting as song: A holistic pedagogy for sung characterisation in music theatre." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2025. https://ro.ecu.edu.au/theses/2925.
Повний текст джерелаTorres, Michael Rene. "Joseph Kreines and his Music for Alto Saxophone: A Biography, Analysis, and Performance Guide." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338398066.
Повний текст джерелаImbert, Jeanne. "Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040145.
Повний текст джерелаEdouard Dujardin (1861-1949), the founder of Revue wagnérienne (the Wagnerian Journal) and Revue Indépendante de littérature et d’art (the independent journal of literature and art) has not only been a theoretician on symbolism but also a practitioner. His literary work between 1885 and 1893 explores verse as well as prose and traces back its questionings. Being resolutely engaged in the avant-Garde, it does not only tackle the structure of realism but also questions the model of mimesis in a sort of formal and intense research. It thus happens that Dujardin’s literary work testifies, in an exemplary way for that matter, to the crisis in verse that the literary universe was undergoing. Genres, forms and confrontations of different forms of arts define this course in three parts which does not follow a linear plan nor a chronological one but rather a specific questioning determined by each literary work. This is the reason why we started by studying his drama which raised the question of the character’s identity. The name of Antonia was thus used as a thread to tackle the relationship between prose and verse, as shown in the poem in prose or in free verse.In a second part, we questioned the forms-The poetic prose of his short stories and of his novel- which partly fulfil the criteria of the poem in verse. Lastly, in the context of the confrontation between the different types of arts, we focused on the text viewed as a phenomenon- Les Lauriers sont coupes- considered by critics as a form of “stream of consciousness” then on the connection between poetry and music through the study of the work Litanies, “mélopées” for piano and song, which confronts poem and music
Bjuggfält, Jonathan. "Hej till publiken - är ni där? : Ett arbete om att hitta vägar att nå sin publik." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-65171.
Повний текст джерелаLütteken, Laurenz. "Das Monologische als Denkform in der Musik zwischen 1760 und 1785 /." Tübingen : M. Niemeyer, 1998. http://catalogue.bnf.fr/ark:/12148/cb39956009r.
Повний текст джерелаYonemaru, Tomoko. "Something about Marybell." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6035.
Повний текст джерелаRinker, John Thomas Glass Philip. "And one of time a composition for full orchestra with narration /." view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses/open/19993/rinker%5Fjohn%5Fl/index.htm.
Повний текст джерелаFeezel, Mark Brandon. "The light for two narrators and chamber orchestra /." connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/feezel%5Fmark%5Fbrandon/index.htm.
Повний текст джерелаChristian, Bryan W. Christian Bryan W. Christian Bryan W. Christian Bryan W. "Wanderings." Diss., [La Jolla, Calif.] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/fullcit?p1477876.
Повний текст джерелаTitle from first page of PDF file (viewed July 14, 2010). Available via ProQuest Digital Dissertations. Sound files consist of recordings of North and Yet somehow comes emptiness in single-channel and stereo. configurations.
Burkhardt, Rick. "Pipeline : for voice, bass flute, cello, and percussion /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236631.
Повний текст джерелаChang, Debra Wei Kwen. "Songs of the wind." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332464/.
Повний текст джерелаJolley, Jennifer. "Le monde du silence: A Reconsideration of the Symphonic Poem for the Twenty-First Century." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342104000.
Повний текст джерелаChapman, Davis Howard. "Three Ideas, a Collection of Three One-Act (Musical) Plays for Mixed Ensemble." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501209/.
Повний текст джерелаKnudson, Gary. "Celestial Dreams." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc504191/.
Повний текст джерелаSchneider, Gregory Alan. "The Sneetches." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc504291/.
Повний текст джерелаRinker, John Thomas. "'...and one of time.': A Composition for Full Orchestra with Narration." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2267/.
Повний текст джерелаKeefe, Robert Michael. "Mysterium Cosmographicum, for Orchestra, Narrator/Actor, and Computer Music on Tape." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332398/.
Повний текст джерелаKloth, Timothy Tom. "The Squirrel Cage." North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc1038790/.
Повний текст джерелаSamonà, Clara [Verfasser], and Silke [Akademischer Betreuer] Leopold. "Salvatore Sciarrinos "La porta della legge": fast ein kreisender Monolog nach Franz Kafka. Eine Untersuchung zum Musiktheaterwerk und zur Rezeption / Clara Samonà ; Betreuer: Silke Leopold." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/121732822X/34.
Повний текст джерелаFeezell, Mark Brandon. "The Light, for Two Narrators and Chamber Ensemble." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4220/.
Повний текст джерелаHeilpern, Jaime Ginsberg Allen. "The lion for real!" Diss., 1997. http://catalog.hathitrust.org/api/volumes/oclc/38077229.html.
Повний текст джерела"Text by Allen Ginsberg"--p. 1. For Bb clarinet, tenor saxophone, piano, amplified double bass or electric bass, percussion, spoken voice. Typescript.
Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.
Повний текст джерелаMasasabi, Abigael Nancy. "Verbal-text as a process of compositional and improvisational elaboration in Bukusu Litungu music." Thesis, 2011. http://hdl.handle.net/10500/4939.
Повний текст джерелаThe Bukusu community is predominantly found in Bungoma district of Western Kenya. The Litungu is a word referring to a lyre among the Bukusu community. Music accompanied by this instrument is what is referred to as Litungu music. This music makes use of sung text and “verbal-text”/ silao-sikeleko (speech and speech-melody) and silao-sikeleko is the focal point of this study. Silao-sikeleko is performed in alternation with sung text in Litungu music. This study seeks to identify the cultural and compositional role of silao-sikeleko in the music. To achieve the objectives of this study I used a qualitative approach to collect and analyze data. Data collection included the use of interviews and observation. The interviewees included performers of Litungu music, whose music was audio recorded and video recorded for analysis. In addition, I made observations of the performance sites and performance behaviour, taking notes and making audio and video recording. Music for analysis was then selected on the basis that it had the silao-sikeleko component. The Bukusu cultural view of silao-sikeleko is discussed in relation to their customs and way of life. The execution of silao-sikeleko is based on a culturally conceived framework that allows the involvement of various performers in the performance composition process. Here the contexts within which silao-sikeleko is performed are identified. Analysis of the relationship between sung text and silao-sikeleko established that whereas the two are thematically unified, silaosikeleko substantiates the sung texts by facilitating an understanding of messages contained in the songs. The analysis of language use ascertained that silao-sikeleko makes use of language devices such as proverbs, idioms, symbolism, riddles and similes. I established that silao-sikeleko as a performance compositional element has its own presentational structure that influences the overall structure of the Litungu music. Litungu music has a quasi-rondoic structure whose output is not static but varies according to context and the wishes of the soloist. The soloist interprets how effectively a given message has been communicated during performance determining how much silao-sikeleko should be performed. Silao-sikeleko is in most cases composed and performed by various members of a performing group.
Arts History, Visual Arts & Musicology
D. Mus.