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Статті в журналах з теми "Movie fairy tale"

Автор: Grafiati

Опубліковано: 7 червня 2025

Оновлено: 2 серпня 2025

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1

Khan, Mehwish Ali, and Fouzia Rehman Khan. "Intertextual Elements Highlighting the Postmodernist Features of Tangled (2010)." Global Language Review IV, no. II (2019): 50–58. http://dx.doi.org/10.31703/glr.2019(iv-ii).08.

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The present study focuses on one of the contemporary American fairy tale movies to analyze the postmodernist aspects present in these movies. The researcher has selected the movie Tangled released in 2010 for this purpose, it is a remake of the famous fairy tale Rapunzel recorded by famous fairy tale writers, Jacob and Wilhelm Grimm. One of the most prominent patterns of analyzing the movies through the lens of postmodernism is the framework by Kevin Paul Smith, in his book The Postmodern Fairytale, Folkloric Intertexts in Contemporary Fiction. He has presented eight elements of intertextualit

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2

Sampurna, Hadi, Intan Salindri, and R. Lakshmi Priya. "Feminism In The Adaptation Of Brothers Grimm’s Little Snow White Into Movie." Journal of Feminism and Gender Studies 4, no. 2 (2024): 29. http://dx.doi.org/10.19184/jfgs.v4i2.45617.

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The aim of this study is to identify changes in ideology on character and the plot in the adaptation of the fairy tale Little Snow White by Brothers Grimm. The research data consists of narrative texts from the fairy tale and visual scenes from the movie adaptation. The data are analyzed with comparative approach and Barthes' semiotics theory. In addition, the visual scenes are analyzied with cinematography and mise en scene approach. The findings show the changes of ideology in the fairy tale into movie adaptation. The dominant ideology of fairy tales is patriarchy, which emphasizes gender in

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3

Hendriyanto, Restu Dedy, and Yusuf Kurniawan. "FROM FAIRY TALES TO ACTION ADVENTURE MOVIE: THE MAINTENANCE OF WOMEN AS VICTIM OF VIOLENCE IN THE MOVIE SNOW WHITE AND THE HUNTSMAN (2012)." Jurnal Penelitian Humaniora 21, no. 1 (2020): 1–14. http://dx.doi.org/10.23917/humaniora.v21i1.7196.

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Gender representation is one of the most prominent subjects of discussion in American society. Fairy tales as one of the first cultural products consumed by the American society are a medium with an influential presence in the issue. They provide gender representations and convey the idea of masculine and feminine- myths of how to be men and women. However, in 20th century, many movies are changing the perspective by presenting women and action and break the traditional myth. In the same year, a movie entitled Snow White and the Huntsman appears as the remake of the written fairy tale Snow Whi

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4

Demkina, Anna V. "THE "KIND EVIL" IN THE LATE SOVIET ANIMATED FAIRY TALE MOVIE." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 8 (2019): 259–72. http://dx.doi.org/10.28995/2686-7249-2019-8-259-272.

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5

Arum, Vincentia Sekar, Supiastutik Supiastutik, Imam Basuki, and Eko Suwargono. "TRANSFORMATION OF THE IDEOLOGY IN CINDERELLA BY CHARLES PERRAULT INTO THE MOVIE BY KAY CANNON." JEELL (Journal of English Education, Linguistics and Literature) 12, no. 2 (2025): 156–73. https://doi.org/10.32682/jeell.v12i2.62.

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All literary creations are engaged with ideology because a literary creator always comes with an ideology. This research aims to identify the shift of ideology of patriarchy in the Cinderella fairy tale by Charles Perrault into feminism in the movie by Kay Cannon. The research method utilized is descriptive qualitative, and the data consists of narrative text from the fairy tale and visual scenes from the movie adaptation. The data is then compared and analyzed using Barthes' semiotics theory. In addition, through the shift of the ideologies, the motives of the adaptation are uncovered based o

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6

Widyahening, Ch Evy Tri, and Nugraheni Eko Wardhani. "Deconstruction of maleficent characters in the movie titled 'maleficent'." Linguistics and Culture Review 5, S3 (2021): 1453–67. http://dx.doi.org/10.21744/lingcure.v5ns3.1681.

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The purpose of this study was to analyze 1) Maleficent character deconstruction, 2) female image deconstruction in the story, and 3) character values ??contained in the studied films. The research method used is a qualitative method with an emphasis on the character of Maleficent. Data collection techniques used are literature study techniques or documentation studies. The data analysis technique analyzes the content or text-based deconstruction survey theory, which begins with selecting data from the rewatching film 'Maleficent' and the rereading of the Sleeping Beauty fairy tale. The idea wa

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7

Pędzich, Angelika, and Joanna Łukasiewicz-Wieleba. "Forming of children's creative imagination by animated cartoons and fairy tale books." Problemy Opiekuńczo-Wychowawcze 589, no. 4 (2020): 45–58. http://dx.doi.org/10.5604/01.3001.0014.0911.

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Currently, there has been a big change in the form of spending free time because a large part of the average person's life is occupied by the Internet. Every day we browse pages, watch programs, movies and series. Activities involving children have also changed. Today, full playgrounds or libraries are a rare picture. The youngest generations absorb visual content much more often - various types of animated cartoons, which they often watch several hours a day. Sometimes cartoons are also used by parents as a form of bribery or as a kind of seizing the child's attention for some time. The purpo

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8

Lim, Seonae. "Animation Movie <The Little Prince>, Overcoming Reality with Fairy Tales." Korean Society of Culture and Convergence 44, no. 12 (2022): 263–75. http://dx.doi.org/10.33645/cnc.2022.12.44.12.263.

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The purpose of this study is to reveal that the animated film <The Little Prince> (Mark Osborne, 2015) is a narrative that overcomes the problems of reality by utilizing the mid-length fairy tale <The Little Prince> (Saint-Exupery, 1943). The girl with her success-oriented mother has a schedule set by her mother, which was set by her mother after a meeting with her grandfather next door, who was an aviator from the fairy tale <The Little Prince>. can't keep the schedule When her grandfather next door tells her the story of <The Little Prince>, the girl is drawn to her g

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9

Kudryashova, Alexandra. "To problem of helping families in art-therapy." Bulletin of the Donetsk National University. Series D: Philology and Psychology 4 (October 27, 2024): 170–79. https://doi.org/10.5281/zenodo.13998314.

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The article addresses psychotherapeutic and psycho-corrective resources aimed at helping families. The resources in question can be used during art therapy classes for undergraduates and master's students. The research theoretical and methodological fundamentals are grounded on the works by foreign and Russian family psychotherapy and art therapy pioneers, as well as on art therapeutic approaches, and goals for conducting lessons, and on classical works by Vladimir Propp on fairy tale canon, in particular. The animated musical Coco is used as material for the analysis. The analysis of key frag

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10

Mulya, Sri, and Murni Mahmud. "SPEECH STYLE IN MALEFICEN'T MOVIE." ELITERATE : Journal of English Linguistics and Literature Studies 3, no. 1 (2024): 1. https://doi.org/10.26858/eliterate.v3i1.46123.

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When people converse with one another, they utilize a variety of speech. The goal of this study was to ascertain the main character's speech pattern and how language style is used from a linguistics standpoint. This study employed a qualitative research methodology. The movie Maleficent served as the study's data source. Maleficent is a 2014 American dark fantasy adventure film directed by Robert Stromberg from a screenplay by Linda Woolverton. Loosely inspired by Charles Perrault's original fairy tale, the film is a live action retelling of Walt Disney's 1959 animated film Sleeping Beauty, an

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11

Putyńska, Urszula. "Karykatura jugosłowiańskiej rzeczywistości – Nowe szaty cesarza Ante Babai." Przestrzenie Teorii, no. 41 (November 28, 2024): 233–61. http://dx.doi.org/10.14746/pt.2024.41.13.

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This article aims to analyze The Emperor’s New Clothes (1961), the first feature movie by Ante Babaja. The director employed his vivid literary imagination to retell the classic fairy tale by Hans Christian Andersen. Babaja’s theoretical self-awareness, his deep understanding of the very process of adapting literature, enabled him to create a layered allegory of Yugoslavia under the rule of Josip Broz-Tito.

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12

Pająk, Patryk. "Zdarzenie – między horrorem a baśnią." Slavia Meridionalis 16 (October 21, 2016): 520–40. http://dx.doi.org/10.11649/sm.2016.025.

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An Event – between horror and fairy taleAn Event (Događaj, 1969) is one of the few Croatian horror movies. In comparison to other examples of the use of the horror genre in Croatian cinema, the film is distinguished by its aesthetic sophistication and skilful use of fairy-tale elements. The director Vatroslav Mimica evokes the mood of horror primarily through a suitably chosen space (the movie takes place mainly in the forest and two homes) as well as the right dosage and gradation of scenes of violence. The topic of An Event is the child’s initiation into adulthood. To highlight the most impo

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13

Ávila, Myriam. "Catarse e final feliz." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 127–32. http://dx.doi.org/10.17851/2317-2096.8..127-132.

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Resumo: É a certeza de que nada mais – ou nada importante – pode acontecer após o final de um conto que permite o acontecimento da catarse. Se na maioria das narrativas existe algum tipo de dénouement, em algumas delas isso acontece de maneira especialmente satisfatória e afirmativa. O conto de fadas é uma dessas formas narrativas onde o efeito catártico é extremo e preenche objetivos específicos, de acordo com Bruno Bettelheim. Hollywood mimetizou essa forma como estratégia de sedução, iniciando a tradição do final feliz no cinema. A partir do conto de fadas Cinderela, em diferentes versões,

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14

Moon, Duk-Soo, and Geon Ho Bahn. "Concept of Synchronized Individuation Based on the Characters in a Movie and a Fairy Tale." Journal of the Korean Academy of Child and Adolescent Psychiatry 33, no. 2 (2022): 48–54. http://dx.doi.org/10.5765/jkacap.220004.

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15

Mik, Anna. "Od herosa do superbohatera, od „potwora” do celebryty. Disnejowski Herkules w drodze na popkulturowy Olimp." Kultura Popularna 3, no. 49 (2017): 14–23. http://dx.doi.org/10.5604/01.3001.0009.8041.

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Hercules by Walt Disney is a fairy-tale type movie that re-tells well-known greek myth about Heracles, ancient Greek hero. In this paper I try to analyze the title character in order to prove that he is a monomythical realization of the contemporary superhero, with it’s main features, like: „the otherness”, being a celebrity and a potential lover. The movie also provides the actualization of a myth with its new American conservative values. However, many suggestions in it imply creating a distance between this new production and the classical Disney’s animations, like Snow White. Hercules also

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16

Ibrahim, Mahesa. "Peran Sinematografi dalam Indoktrinasi pada Film Midsommar." DIVAGATRA - Jurnal Penelitian Mahasiswa Desain 3, no. 1 (2023): 1–14. http://dx.doi.org/10.34010/divagatra.v3i1.9434.

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The movie of Midsommar (2019) tells a story about a grief-stricken and lonely young woman, Dani Ardor, who was horrified by the sadistic tradition of The Hårga but eventually becomes part of the commune. It is a fairy tale where at some point the Big Bad Wolf convinced Little Red Riding Hood that happily-ever-after can be found in his sharp teeth. This movie is often classified as “elevated horror”, “folk horror”, and even a sadistic breakup movie. At the same time, this movie is also tells a story about indoctrination carried by a group whose strategy is also used by the writer-director, Ari

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17

Stamatis, Panagiotis J., Vasileios Papavasileiou, and Afrodite Ntouka. "Detecting Emotions by Observing Nonverbal Behaviors of Preschoolers during Narration and Movie Presentation of a Fairy Tale." International Journal of Early Childhood Learning 20, no. 1 (2014): 13–22. http://dx.doi.org/10.18848/2327-7939/cgp/v20i01/48407.

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18

Zunaidi, Arzeti, Chintya Tuffahati Fadhilah, and Elaine Atha Zafirah Gumay. "PRINCESS AND WARRIOR: A COMPARATIVE STUDY OF SNOW WHITE’S CHARACTERIZATION IN SNOW WHITE AND THE SEVEN DWARFS STORYBOOK WITH SNOW WHITE AND THE HUNTSMAN FILM." E-Journal of Cultural Studies 17, no. 3 (2024): 35. http://dx.doi.org/10.24843/cs.2024.v17.i03.p03.

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This comparative study investigates on how Snow White has been portrayed in various media. It draws comparisons between the 2012 film Snow White and The Huntsman and the traditional fairy tale Snow White and the Seven Dwarfs, focusing on how her strength and agency are depicted. Snow White is portrayed in classic storybooks as a helpless, innocent character who needs other people's protection. This version of the narrative is frequently based on the Brothers Grimm version (MA Arthawati, 2023). On the other hand, the film presents a rebellious reworking. Snow White shows herself to be a proacti

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19

Дыбовский Александр, Сергеевич. "О киносериале «Трудно быть мужчиной», его герое и некоторых особенностях японской культурной традиции (новая редакция)". Дальневосточный филологический журнал, № 3 (5 вересня 2024): 126–49. http://dx.doi.org/10.24866/2949-2580/2024-3/126-149.

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This article is an attempt to analyze the content of the longest Japanese movie series “It’s Tough Being a Man”. The fifty-episode film, spanning over 50 years, was directed by the distinguished Japanese filmmaker Yoji Yamada, who also wrote the screenplay for the series. The article examines the circumstances of the film creation, its compositional, genre, and conceptual features, as well as its connection to Japan’s social history and the development of Japanese cinema. Characteristics of the main characters of the film are provided, the reasons for the popularity of the movie series are exp

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20

Zernova, P. Y. "The Semantic Potential of the Koshchei Archetype in Modern Russian Cinema." Vestnik VGIK 17, no. 1(63) (2025): 160–73. https://doi.org/10.69975/2074-0832-2025-63-1-160-173.

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The article surveys the evolution of Koshchei figure in Russian cinema from Soviet movie fairy tales to the present day. It proves the dependence of the growing sophistication of the character’s distinctive features and the type of the role model on the cultural peculiarities and the demands of times. The author analyzes the significance of Koshchei's death and the change of attitude to it as an important step in adapting the folklore image for modern audiences. In the final part of the article, the author comes to the conclusion that alongside with the complexity of Koshchei's image, the addi

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21

Putri, Novia Ardellia. "Disney Frozen." LITERA KULTURA : Journal of Literary and Cultural Studies 10, no. 2 (2023): 59–67. http://dx.doi.org/10.26740/lk.v10i2.55373.

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Society's expectations of how we should act, speak, dress, take care of ourselves, and behave are known as gender roles. For instance, it is expected of girls and women in general to behave politely, be accommodating, and be caring. Men are typically thought to be powerful, aggressive, and brave. Gender expectations exist in every civilization, ethnic group, and culture, albeit they might differ greatly from group to group. They might alter over time even within the same society The 3D computer-animated musical fantasy movie Frozen was created in the United States and distributed by Walt Disne

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Retzlaff, Steffen. "Drei Haselnüsse für Aschenbrödel." Zeitschrift für Slawistik 63, no. 2 (2018): 301–29. http://dx.doi.org/10.1515/slaw-2018-0021.

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Summary‚Three Wishes for Cinderella‘ (Tři oříšky pro Popelku / Drei Haselnüsse für Aschenbrödel) is one of the most successful fairy tale films in Czech and German TV. Produced in 1973, it is shown up to now regularly around Christmas in both countries. Every year around the same time, at Moritzburg Castle near Dresden, which has been chosen as place of the ball in the movie, one can see a special Cinderella exhibition. In his paper the author investigates the question of the success of this film. He presents the conditions of the Czech-German joint production during the time of the so called

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23

Mik, Anna. "Od herosa do superbohatera, od "potwora" do celebryty. Disnejowski Herkules w drodze na popkulturowy Olimp." "Kultura Popularna" 3 (49) (March 29, 2017): 14–23. https://doi.org/10.5604/01.3001.0009.8041.

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[From Hero to "Superhero" from "Monster" to Celebrity. Disney's Hercules on his Way to the Pop Culture Olympus] Hercules by Walt Disney is a fairy-tale type movie that re-tells well-known greek myth about Heracles, ancient Greek hero. In this paper I try to analyze the title character in order to prove that he is a monomythical realization of the contemporary superhero, with its main features, like: "the otherness", being a celebrity and a potential lover. The movie also provides the actualization of a myth with its new American conservative values. However, m

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24

Sosnizkaja, Margarita S. "Parallels of A.S. Pushkin’s tales and Giambattista Basile’s “Tale of Tales” of 17th century." Neophilology, no. 21 (2020): 134–40. http://dx.doi.org/10.20310/2587-6953-2020-6-21-134-140.

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First in Russian the collection “Tale of Tales” by the Neapolitan writer Giambattista Basile (1566–72?–1632) was published in 2016. Most people know plots fragments of the collection from the tales of Brothers Grimm, Carlo Gozzi, Charles Pierrot and A.S. Pushkin. Inspired by the book the movie “Tale of Tales” was shot in 2015, it was directed by Matteo Garrone and got the Italian national film award “Davide di Donatello”. There are some selected plots of these tales; we indicate who actually is “the little animal” (and the Puss in Boots), what mythological background the figures of the Swan Pr

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R, Roshini, and Rajasekaran V. "An Analysis of Disability in The Little Mermaid: Examining Disparities and Similarities in the Fairytale and Its Movie Adaptation." Studies in Media and Communication 11, no. 4 (2023): 220. http://dx.doi.org/10.11114/smc.v11i4.6128.

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Differences and disabilities have always been a part of oral tradition and folklore. These differences greatly influenced story-telling that eventually stemmed from oral tradition. The western canon has included disability in their literature for some time now, but their portrayal of disability from the beginning to the twentieth century has drastically improved. Fairytales and folktales were historically associated with values and morals, and the moral system during the olden times was completely patriarchal and abelistic. The tales never offered any space for disability to exist as a simple

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26

Klinkmann, Sven-Erik. "Amélie mellan fantasi och turistisk verklighet." Kulturella Perspektiv – Svensk etnologisk tidskrift 12, no. 2 (2003): 14–32. http://dx.doi.org/10.54807/kp.v12.30748.

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The point of departure of this article is the notion that the movie Amélie from Montmartre (2001) is situated in a liminal space between nostalgic fantasy and touristic reality. The director of the movie, Jean-Pierre Jeunet, has stated that his film, much criticized for the allegedly too nostalgic, reactionary and ethnically and culturally too simplistic picture it gives of contemporary Paris and France, should really be seen as an attempt to recreate a nostalgia for a France which once was in his childhood, especially a nostalgia for its pictures, designs and artifacts. In order to understand

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Gjelsvik, Anne. "Etiske lesninger i fiksjonens frirom." K&K - Kultur og Klasse 36, no. 106 (2009): 120–41. http://dx.doi.org/10.7146/kok.v36i106.22027.

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Ethical Readings in the Unbiassed Sphere of Fiction:This article defends an ethical criticism of fiction film. Drawing on the so-called »ethical turn« in philosophy and literary criticism, as well as perspectives from new tendencies in cognitive film theory, Gjelsvik argues that an ethical criticism is not just possible, but unavoidable.Using contemporary American fiction film and the depiction of violence as her main case-study, she aims to show that there is no such thing as a separate fictional realm beyond the scope of ethical evaluations. A central example in her discussion is Quentin Tar

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Miller-Klejsa, Anna. "Cud w Mediolanie Vittoria De Siki na tle recepcji włoskiego neorealizmu w polskim piśmiennictwie filmowym do 1956 roku." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 31, no. 40 (2023): 187–99. http://dx.doi.org/10.14746/i.2022.40.12.

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   After the end of the Second World War, cinema culture in the People’s Republic of Poland underwent a crucial transformation. One of the aspects of this change was the new movie import model: most international sources were replaced by films from the Communist bloc, principally the Soviet Union. Italian movies constituted an important exception. In addition, translations of works by C. Zavattini and U. Barbaro were published (the latter was even appointed a professor at the Film School in Lodz). However, some movies deemed neorealist were either not permitted by the censors

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Valéria, Sabrina Pereira, and Clara Amaral de Oliveira Ana. "From dwarf to dwarfism: the different representations in Snow White." Revista Letras Raras 12, no. 2 (2023): 283–300. https://doi.org/10.5281/zenodo.8302744.

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The purpose of this article is to critically analyze the evolution of the representation of dwarfs, from Romanticism to the present day. Firstly, the representations made in Grimm’s collection of fairy tales will be analyzed, and the terminology used to designate marvelous characters of short stature will be debated and their narrative function will be presented according to Vladimir Propp's theory. Then, the focus will be placed on the various reinterpretations of Snow White, the most remembered tale when it comes to the popular imagery of dwarfs. Disney's full-length movie and

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Andriana, Natasya, and Selvia Selvia. "PENGGAMBARAN KARAKTER CHANG’E DALAM FILM “OVER THE MOON”." Haluan Sastra Budaya 7, no. 1 (2023): 69. https://doi.org/10.20961/hsb.v7i1.62300.

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<em>Myths and legends have been told from generation to generation by being spoken from thousands of years ago. Myth in Chinese language is Shen hua (神话), shen means god, spirit and holy; hua is a saying, a fairy tale, an oral story. In the movie “Over the Moon”, there are characters in Chang'e’s legend story, such as Hou Yi, even the Jade rabbit appears in the movie. The portrayal of Chang'e's character in the film has undergone several changes and “Alih Wahana” by filmmaker's. Therefore, researchers are interested in analyzing the depiction of Chang'e in the film "Over the Moon". The p

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Ş. AKPINAR, Neslihan. "AN EXAMINATION OF THE FILM “MATRIX RESURRECTIONS” IN THE CONTEXT OF JUNGIAN CONCEPT OF ARCHETYPE." SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, no. 38 (2023): 146–53. http://dx.doi.org/10.31567/ssd.959.

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While the common ground of art and popular culture products is human creativity, popular culture products, as the name suggests, are the products of the people. But it is possible that the productions that the public will like, turn into mass culture today, where the economic determinant is dominant. However, regardless of its basic motivation, it is possible to say that every work that contains the core of creativity has a relationship with the unconscious, which is the field of creativity. What can we see by considering movies with an analytical psychology approach? What do these productions

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Antony, Ms Priya. "BREAKING THE STEREOTYPES: A STUDY ON THE MALAYALAM MOVIE JAYA JAYA JAYA JAYA HEY." Vidhyayana 9, si1 (2023): 77–82. http://dx.doi.org/10.58213/vidhyayana.v9isi1.1583.

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A gender stereotype is an oversimplified belief or view about the characteristics, abilities, or roles that men and women should or should not possess or do. When a gender stereotype prevents men and women from pursuing their professional goals, growing as individuals, or making life decisions, it is damaging. Gender stereotyping is the practice of appointing specific characteristics or duties to a man or woman just because they are members of the same social group. This recently released Mollywood movie humorously captures the various patriarchal stereotypes/mindsets that a girl usually encou

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Tan, Haoxiang. "A New Dawn of the Samurai –The Insight of Kimeitsu no Yaiba’s Success and Comparing it with the Chinese Anime Industry." Journal of Education, Humanities and Social Sciences 31 (April 27, 2024): 90–95. http://dx.doi.org/10.54097/zbb9gp45.

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The Japanese Anime industry has grown wildly during the last few decades and has become one of the dominant forces in the media market in the 21st century. Among all the anime of Japan, one specific anime gained massive success in 2020, as the COVID-19 pandemic started. The “Demon Slayer” (Kimeitsu no Yaiba) has defeated the well-known Spirited Away by Miyazaki Hayao and won the best-selling manga and movie of all time in Japanese anime-making history in a depression session of the industry. Its influence also went viral worldwide, especially in the younger generation, ages 10 to 20. The story

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B.B. Nimanuho, Maria Salvatrix. "THE ANALYSIS OF NON-LITERAL MEANING IN CHRISTMAS CAROL BY CHARLES DICKENS." JURNAL ILMIAH BAHASA DAN SASTRA 4, no. 2 (2019): 104–15. http://dx.doi.org/10.21067/jibs.v4i2.3182.

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This study investigates non-literal meaning in ‘Christmas Carol’ story written by a famous British author, Charles Dickens. This study used a descriptive qualitative method. The data were taken or collected from words, phrases, and sentences on ‘Christmas Carol’ novella, without reducing, adding, or changing any parts from the original source. The data were analyzed to answer three research questions: (1) What types of non-literal meaning are found in Christmas Carol story? (2) What are the interpretations of those non-literal meanings found in Christmas Carol story? (3) What is the most domin

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Aleksandra, Tarasova. "Tale about a Girl and a Dying Earth on the Big and Small Screens of South Korea." TECHNOLOGOS, no. 3 (2024): 84–97. http://dx.doi.org/10.15593/perm.kipf/2023.3.07.

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South Korean movies and TV series are not only world-famous entertainment products that attract global audiences with a combination of a system of genres that generally reproduce the global one and details – sometimes plot-forming – closely related to national history and culture. It is also a valuable source of information about how ideas are exchanged between the contemporary Korean audience and Korean media culture, how they influence each other. Among the problems raised in the process of communication between media products and their consumers, issues related to the state of the environme

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Dutta, Dr Debaleena. "From Text to Screen: Assessing SHREK through the lens of Barthes’ Narrative Functionalities and Eckart Voigt’s Metadaption." YMER Digital 21, no. 04 (2022): 346–56. http://dx.doi.org/10.37896/ymer21.04/31.

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The debate between fidelity discourse and cinematic interpretation has been a long one, wherein critics of each side have battled over the question of rightful ownership over adaptation studies since its time of inception. The production and reception of adapted films have always suffered an anxiety of influence: their merit was often judged through hierarchical comparisons with the source-text. Of late, critics like Thomas Leitch, Eckart Voigts-Virchow and Linda Hutcheon have pointed towards the prospect of adaptedscreenplay being considered as an intermedial, intertextual work that claim art

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Bulat, Snežana. "The play of Lola Montes: Dramatic vision by Todor Manojlović." Bastina, no. 51 (2020): 77–93. http://dx.doi.org/10.5937/bastina26999.

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Lola Montes (Marie Dolores Eliza Rosanna Gilbert) is a dominant heroin of Todor Manojlović's drama Fascinated king: historical movie in seven pictures with intermezzo. Manojlović is one of the many writers who have dedicated a piece to the fatal Lola Montes, whose dance adorned stages of the European cities. Having a great faith on authentic historical data, our playwright has created a drama portrait of the Spanish dancer who seduced Bavarian king Ludwig I and became his mistress and the very important political figure. It has been shown, on adequate examples, that the game and adventure are,

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Szczepański, Jędrzej. "O Drive i Lacanowskim spojrzeniu w obliczu teorii Todda McGowana." Panoptikum, no. 32 (December 30, 2024): 196–214. https://doi.org/10.26881/pan.2024.32.13.

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The main aim of the article is to present Nicolas Winding Refn’s Drive (2011) through Todd McGowan’s theory of Real gaze. Contrary to traditional Film Theory, based on the mirror-stage, McGowan examines the gaze in Lacanian film theory. McGowan proposes four different types of cinema relationships with the gaze, which according to Lacan’s thought, is a sign of the presence of the Real. The author analyzes Drive, comparing it to McGowan’s types of cinema of fantasy and cinema of intersection. The first type exposes the excess, the second one describes the intersection of desire and fantasy. Whi

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Basuki, Edi Pujo, Djuwari Djuwari, Tiyas Saputri, Nailul Authar, and Mujad Didien Afandi. "Creative Writing Using Scaffolding of Vladimir Propp Theory-Based." Nusantara: Jurnal Pendidikan Indonesia 4, no. 1 (2024): 127–44. https://doi.org/10.14421/njpi.2024.v4i1-8.

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Purpose – This research aims to prove whether students’ writing creativity can be increased by implementing the plot of the Black Adam movie based on Propp’s morphology structure as scaffolding in making a narrative story. This study was conducted because students feel the necessity and lack self-motivation to create their own story. Methods – This research was quantitative with an experimental design. The data collected from the pre-test and post-test results were then analyzed by quantitative analysis through SPSS 25. The sample for this research was 25 students of English education in the f

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Mittermeier, Sabrina. "‘What’s important is being in the room’: Ryan Murphy’s Hollywood and the politics of queer history." Queer Studies in Media & Popular Culture 7, no. 1-2 (2022): 83–94. http://dx.doi.org/10.1386/qsmpc_00070_1.

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In his 2020 Netflix miniseries Hollywood, producer Ryan Murphy presents us with an almost utopian version of Hollywood, an alternate history that centres queer and Black voices over the realities of the repressive queerphobic and racist nature of the 1940s US society. It tells the story of an ultimately Oscar-winning film project surrounding the story of the real-life suicide of silent movie actress Peg Entwistle, put together by marginalized creators. In many ways, the miniseries commits to the screen a classic narrative of the American dream, of the marginalized overcoming adversity and ‘mak

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Indayanti, Pindy, Rosma Tami, and Ahmad. "THE MEMORY OF MOTHER IN DISNEY’S FAIRY TALE MOVIES." Elite : English and Literature Journal 9, no. 2 (2022): 204–14. http://dx.doi.org/10.24252/elite.v9i2.33746.

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This study discusses the memory to the mothers in Disney’s fairy tale movies. This study aimed to analyze the princesses’ remembrances to their mothers and the effects of those remembrances by using the nostalgia theory by Linda Hutcheon. Three Disney movies, Cinderella, Beauty and The Beast, and Frozen II were studied using descriptive qualitative methods. The result of this study shows that the princesses remember their mothers due to adversities faced in their lives, and this memory is accessed through several media such as mother’s words, the mother’s old dress, the Lullaby, and places. It

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Terzieva, Margarita. "WORKING WITH CINEMA FAIRY TALES IN A PREPARATORY GROUP." Education and Technologies Journal 13, no. 1 (2022): 81–84. http://dx.doi.org/10.26883/2010.221.4115.

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The research reveals peculiarities using cinema fairy tales in the process of literary education in kindergarten. The author’s work with students creates new methods and techniques and also enriches with new content the existing ones: introduction of film terminology, screening and discussion of film footage, making a movie poster, guessing a film title by listening to an excerpt from film music, arranging a movie puzzle, guessing the name of a character from a movie line and etc. The introduction of film pedagogical accents raises the problem of the synchronous use of theater pedagogy, media

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Jivanyan, Alvard. "From Fairy Tale Narratives to Their Animated Versions." Armenian Folia Anglistika 2, no. 1-2 (2) (2006): 111–17. http://dx.doi.org/10.46991/afa/2006.2.1-2.111.

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The article offers a contrastive study of several classical fairy tales and their animated versions. Animated movies based on fairy tales can be considered the visual version of the tale. Along with a number of similarities, there are also radical differences between the fairy tale narratives and their animated versions. When the fairy tale narrative is converted into a script, along with noticeable plot similarities, a number of essential changes of the linguostylistic and rhetorical features occur. This is conditioned by the character of the cartoon genre. Despite the fact that the poetics o

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Haase, Donald P. "Gold into Straw: Fairy Tale Movies for Children and the Culture Industry." Lion and the Unicorn 12, no. 2 (1988): 193–207. http://dx.doi.org/10.1353/uni.0.0169.

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Jorgensen, Jeana. "A Tale of Two Trans Men: Transmasculine Identity and Trauma in Two Fairy-Tale Retellings." Open Cultural Studies 5, no. 1 (2021): 181–93. http://dx.doi.org/10.1515/culture-2020-0128.

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Abstract Transgender identities in fairy tale retellings are rare, but can reveal much about gender fluidity. Helen Oyeyemi’s novel Boy, Snow, Bird conflates transgender identities with mirrored falsehoods and fairy-tale spells, pathologizing a trauma victim who turns out to also become an abuser, while Gabriel Vidrine’s novella “A Pair of Raven Wings” depicts a queer transgender man with dignity, making it clear that the trauma he suffers is at the hands of bigots rather than being an invention of a sick mind or the cause of his transition. Pairing these fairy-tale retellings illuminates the

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Amna Haq and Dr. Farzana Masroor. "Heroic Quests, Magical Helpers and Obstacles: An Exploration of Archetypal Patterns and Traditional Narrative in Modern Day Fairy Tales." International Journal of Linguistics and Culture 5, no. 1 (2024): 29–44. http://dx.doi.org/10.52700/ijlc.v5i1.256.

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The book by Vladimir Propp, titled ‘Morphology of Folktale,’ discusses thirty-one narrative functions claimed to be present in every fairy tale. Propp’s seminal work on Russian folktales provides a comprehensive framework to analyze and unveil the underlying narrative structural patterns and functions which shape and connect present-day fairy tales with traditional folklore. The present research employs Propp’s Narrative Theory (1968) as lens to explore the narrative structures of ‘Frozen’ (2013) and ‘Brave’ (2012), two renowned Disney animated movies. The study focuses on the plot of both mov

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Calderaro, Monica, and Marta Senesi. "Disney: crime in fairy tales*." Rivista di Psicopatologia Forense, Medicina Legale, Criminologia 22, no. 1-2-3 (2017): 27–30. http://dx.doi.org/10.4081/psyco.2017.10.

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The screen is colored by a celestial sky and begins to outline a castle under whose white gold stands the "Walt Disney Pictures", a semi-crown crown all and the doors of the fantasy are ready to open to the spectators. This is the classic presentation of a Disney Movie that at least once in a lifetime will happen to each of us to attend and accompany the childhood of millions of children. But what is waiting behind that castle? Charming spells and sparks of magic? Absolutely. Princesses to save and charming princes to dream? Absolutely yes. Speaking animals and an Never Land? All this and much

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Anjirbag, Michelle Anya. "But They Still Lived Happily Ever After – or at Least, Happily." Fabula 65, no. 3-4 (2024): 403–19. http://dx.doi.org/10.1515/fabula-2024-0021.

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Abstract This paper examines three films that mark Disney’s foray into postmodern fairy-tale narratives to determine if these attempts to move beyond or complicate Disney princess or fairy-tale narratives are successful. Drawing from fairy-tale studies and age studies, it particularly examines how gendered narratives and stereotypes operate within these narrative spaces, looking at the figures of the princess, the godmother, and the stepmother in Enchanted (2007), Godmothered (2020), and Disenchanted (2022). Through this study I aim to discover if Disney’s contemporary postmodern fairy-tale na

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Markova, Maria V. "THE WONDER TALE AND THE WONDER OF ANIMATION." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2025): 213–25. https://doi.org/10.28995/2686-7249-2025-1-213-225.

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This paper examines the context of creation of the first full-length animated film by Walt Disney – Snow White and the Seven Dwarfs (1937) – and suggests a hypothesis that the reason behind the success of Disney adaptations of European fairy tales may be found, among other things, in the typological similarity between the animation technology and the poetics of folk tales. Using Snow White as an example we will analyze the way in which color film, a flat and bright image, universally understandable and at the same time responding to the specific demands of the Great Depression era, became the

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Bednarek, Magdalena. "Prince Charming na licencji? Totalizacja baśni." Literatura i Kultura Popularna 25 (July 28, 2020): 149–68. http://dx.doi.org/10.19195/0867-7441.25.9.

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The aim of the paper is to present how the culture of convergence has influenced the fairy tale. Jack Zipes stated that since Snow White and the Seven Dwarfs the “sense of wholeness, seamless totality, and harmony” has become a basic experience of the fairy tales’ audience. The totalisation of the fairy tale is both a continuation and a transformation of the described tendency, claims the author. Creating fairy tales’ universes in comics, TV series, movies etc. and building fairy tales’ supersystems are the expressions of the phenomenon. As opposed to Disney productions, contem-porary fairy ta

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