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Готові списки джерел за темами / National socialism and art

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Добірка наукової літератури з теми "National socialism and art"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 29 липня 2024

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Статті в журналах з теми "National socialism and art"

1

MATTL, SIEGFRIED. "THE AMBIVALENCE OF MODERNISM FROM THE WEIMAR REPUBLIC TO NATIONAL SOCIALISM AND RED VIENNA." Modern Intellectual History 6, no. 1 (April 2009): 223–34. http://dx.doi.org/10.1017/s1479244308002011.

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Focusing on the spectacular propaganda exhibitions “Degenerate Art” and “Degenerate Music,” critical studies of Nazism's art policy long considered the regime's public attack on modernism and the turn to pseudo-classicism as decisive proof of Nazism's reactionary character. Studies such as Die Kunst im Dritten Reich (1974), which inspired broader research on the topic in the early 1970s, subscribed to a modern conception of aesthetics in which art expresses complex systems of ideas in progress. Artistic style, from this perspective, corresponded to political tendencies and reflected the tradit

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2

Kolcheva, E. M. "100 years of Mari fine art: socialist realism (late 1930s – 1980s)." Finno-Ugric World 14, no. 1 (April 22, 2022): 100–115. http://dx.doi.org/10.15507/2076-2577.014.2022.01.100-115.

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Introduction. The article continues a series of publications dedicated to the 100th anniversary of the Mari autonomy and the emergence of professional fine art among the Mari people. It characterizes the period of socialist realism. From the point of view of the development of the national fine arts of the Mari, socialist realism needs to be comprehended using new methodological paradigms. Materials and Methods. The fine arts of the Mari Region have been analyzed using the author’s cultural and archetypal approach and the methods of historical research. The research materials include works of

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3

Spiridon, Ioana-Cristina. "M. H. Maxy: de la avangardă la socialism." Revista Muzeelor 1 (2023): 216–23. http://dx.doi.org/10.61789/rm.2023.13.

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„M. H. Maxy: from avant-garde to socialism”, opened on the 28th of December 2023 at the Romanian National Museum of Art, uses a chronological line of events to bring up to date the image of Max Herman Maxy (1895 – 1971), seen as a leading artist with a significant role in the Romanian Avant-garde, but also as the first director of the Romanian National Museum of Art. Subsequently, his contribution to the development of the national art scene can’t be denied in art history. Furthermore, the opening was carefully chosen to mark a symbolic anniversary of 145 years since the first Romanian Jew obt

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4

Jelavich, P. "Review article. National socialism, art and power in the 1930s." Past & Present 164, no. 1 (August 1, 1999): 244–65. http://dx.doi.org/10.1093/past/164.1.244.

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5

Eickhoff, Martijn. "German archaeology and National Socialism. Some historiographical remarks." Archaeological Dialogues 12, no. 1 (June 2005): 73–90. http://dx.doi.org/10.1017/s1380203805001595.

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This paper reconsiders German reflection on National Socialist pre- and protohistoric archaeology from 1933 onwards. It tries to do so by means of a case study of the academic contacts between the Dutch prehistorian A.E. van Giffen (1884–1973) and his German colleague H. Reinerth (1900–90). The approach adopted here differs from traditional historiographical writing on National Socialist archaeology in two respects. First, in its analysis of the academic exchange between the two scholars, the case study seeks to bridge the classical caesura between a pre- and post-war period. Second, contempor

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6

Soloshenko, Viktoriia. "Hildebrand Gurlitt’s Art Activities as a Reflection of the National Socialism Epoch." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 28 (December 5, 2019): 231–52. http://dx.doi.org/10.15407/mzu2019.28.231.

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7

Bogdanova, Zlatina. "The “Banner of Peace” assembly as a national brand of Bulgaria during socialism." Bulletin de l'Institut etnographique 70, no. 2 (2022): 83–101. http://dx.doi.org/10.2298/gei2202083b.

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On December 21st 1976, the UN General Assembly proclaimed 1979 as the International Year of the Child on the occasion of the 20th Anniversary of the adoption of the UN Declaration of the Rights of the Child. In June 1978, Lyudmila Zhivkova, Chair of the Committee for Art and Culture, proposed to organize an exhibition of talented children in Bulgaria to mark the occasion. This was how the idea for the ?Banner of Peace? Assembly came about, which evolved into an international festival of children?s art, held under the auspices of UNESCO. In the period of late socialism the ?Banner of Peace? mov

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8

Dow, James R. "German Volkskunde and National Socialism." Journal of American Folklore 100, no. 397 (July 1987): 300. http://dx.doi.org/10.2307/540327.

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PULOY, M. G. "HIGH ART AND NATIONAL SOCIALISM, PART I: The Linz Museum as ideological arena." Journal of the History of Collections 8, no. 2 (January 1, 1996): 201–15. http://dx.doi.org/10.1093/jhc/8.2.201.

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10

Stackelberg, Roderick. "?Cultural aspects of national socialism?" Dialectical Anthropology 12, no. 2 (1987): 253–60. http://dx.doi.org/10.1007/bf00263329.

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Дисертації з теми "National socialism and art"

1

Frietsch, Elke. ""Kulturproblem Frau" Weiblichkeitsbilder in der Kunst des Nationalsozialismus /." Köln : Böhlau, 2006. http://catalog.hathitrust.org/api/volumes/oclc/71712948.html.

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2

Smith, Dana. "The Jewish Kulturbund in Bavaria, 1934-1938 : art and Jewish self-representation under National Socialism." Thesis, Queen Mary, University of London, 2015. http://qmro.qmul.ac.uk/xmlui/handle/123456789/27224.

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Анотація:

This thesis has two foci: the development of a National Socialist anti- Jewish cultural policy and the processes of internal Jewish community cultural self-representations. At the most basic level it is an organisational history of the Jewish Kulturbund in Bavaria between 1934 and 1938. Ultimately, however, the thesis is about the people: the artists, how they employed certain mediums for specific uses and how these events were received. The Kulturbund was the lone state approved Jewish cultural organisation in Nazi Germany; it was, in other words, the only public space for Jewish cultural p

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3

Neidhart, Karin. "Nationalsozialistisches Gedankengut in der Schweiz : eine vergleichende Studie schweizerischer und deutscher Schulbücher zwischen 1900 und 1945 /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb39271938t.

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4

Khut, Chiew-Lee. "Primacy of ideology? : the confiscation and exchange of "degenerate art" in the Third Reich /." Title page, abstract and table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09ARM/09armk45.pdf.

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5

Portevin, Jeanne-Marie. "L'art moderne à l'épreuve du nazisme : historiographie critique de sa réception ( 1945-2015)." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H029.

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Анотація:

Nombreux sont les ouvrages – et ce dans tous les domaines du savoir – qui traitent de l’Allemagne nationale-socialiste. Depuis 1947, et le livre d’Adolf Behne (Entartete Kunst), le sort des artistes dans le Troisième Reich suscite l’intérêt, si ce n’est la compassion, des historiens de l’art. Néanmoins, seuls les persécutés, ceux que le régime nazi avait taxé de "dégénérés", retiennent l’attention, célébrés comme autant de héros. Ce sont eux qui vont être appelés par les Alliés pour "décontaminer" un peuple tout entier corrompu par douze ans de dictature, et racheter la faute. C’est précisémen

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6

French, Rebecca S. C. "The devil in disguise : a comparative study of Thomas Mann's "Doktor Faustus" (1947 and Klaus Mann's "Mephisto" (1936, focussing on the role of art as an allegory of the rise and fall of Nazi Germany /." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1634/.

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Gailus, Manfred. "Protestantismus und Nationalsozialismus : Studien zur nationalsozialistischen Durchdringung des protestantischen Sozialmilieus in Berlin /." Köln : Böhlau Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38828797b.

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8

Stewart, Richard M. (Richard Matthew). "Intellectuals and National Socialism: The Cases of Jung, Heidegger, and Fischer." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279245/.

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Анотація:

This thesis discusses three intellectuals, each from a distinct academic background, and their relationship with National Socialism. Persons covered are Carl Gustav Jung, Martin Heidegger, and Eugen Fischer. This thesis aims at discovering something common and fundamental about the intellectuals' relationship to politics as such. The relationship each had with National Socialism is evaluated with an eye to their distinct academic backgrounds. The conclusion of this thesis is that intellectuals succumb all too easily to political and cultural extremism; none of these three scholars saw themselv

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9

Higham, Jon. "The politics of memory in the Austrian province of Carinthia how distinctive are the collective memories of the three main political parties of Carinthia? /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26086.

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Miller, Jennifer Anne. "The Politics of Nazi Art: The Portrayal of Women in Nazi Painting." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

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Анотація:

The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of the Third Reich is represented within Nazi art itself, it is useful to have a good understanding of the politics and ideology, surrounding the German art world at the time. Women were used in this study as an exemplification of Nazi art. This study uses the subject of women in Nazi painting, to show how the ideology is represented within the art work itself. It was first necessary to understand the fervorent "cleansing" of the German art world init

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Книги з теми "National socialism and art"

1

Heisig, Bernhard. Der faschistische Alptraum: Lithographien und Texte. Köln: Röderberg, 1989.

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2

Ruth, Heftrig, Peters Olaf, and Schellewald Barbara Maria 1952-, eds. Kunstgeschichte im "Dritten Reich": Theorien, Methoden, Praktiken. Berlin: Akademie Verlag, 2008.

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3

Linz, Schlossmuseum, ed. "Kulturhauptstadt des Führers": Kunst und Nationalsozialismus in Linz und Oberösterreich : ein Projekt der Oberösterreichischen Landesmuseen in Kooperation mit Linz 2009 Kulturhauptstadt Europas. Weitra: Publication P No. 1, 2008.

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4

1944-, Palmier Jean Michel, ed. L' Art dégénéré: Une exposition sous le IIIe Reich. Paris: Bertoin, 1992.

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5

Hellwag, Natascha. Unmastered Past?: Modernism in Nazi Germany : art, art trade, curatorial practice. Berlin]: Ferdinand-Möller-Stiftung, 2020.

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6

Bärbel, Manitz, Greifeld Thomas Al, and Barfod Jörn, eds. KuNSt ohne Museum: Beiträge zur Kunst in Schleswig-Holstein, 1933-1945. Heide: Boyens, 1993.

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Czapińska, Wiesława. Artyści w Trzeciej Rzeszy. [Kraków]: ABC, 1997.

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8

Eckel, Peter. Kunst im NS-Staat: Ideologie, Ästhetik,Protagonisten. Berlin: Metropol, 2015.

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9

Städtische Galerie im Buntentor (Bremen, Germany), ed. "entartet", beschlagnahmt: Bremer Künstler im Nationalsozialismus : anlässlich der Ausstellung in der Städtischen Galerie Bremen von 6. September bis 15. November 2009. Bremen: Städtische Galerie, 2009.

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10

Ortwin, Rave Paul. Kunstdiktatur im Dritten Reich. Berlin: Argon, 1987.

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Частини книг з теми "National socialism and art"

1

Hüls-Valenti, Katharina. "6. Flourishing Trade Relations in Vienna and Venice. Benno Geiger and the National Socialist Art Trade." In Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century, 129–44. Köln: Böhlau Verlag, 2022. http://dx.doi.org/10.7788/9783412518899.129.

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2

Jonker, Gerdien, and Isabella Schwaderer. "Introduction." In Palgrave Series in Asian German Studies, 1–12. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40375-0_1.

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AbstractWith the focus on the interface between religion and art, this interdisciplinary volume addresses India as a trope of primaeval religiosity and imagined origins in Imperial Germany, the Weimar Republic, and national socialist Germany, respectively. The book covers the period from 1880 to 1945, but with historical expeditions going back to 1800. Placing the focus on religion, it traces forms of identity-making and nation-building processes involved in the German–Indian entanglement. As a result, the volume offers a global historical approach to religion from a modern transformative perspective.

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3

Dalton, Hugh. "National Parks and Forests and the National Trust." In Practical Socialism for Britain, 284–98. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003308119-32.

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4

Rothnie, Niall. "National Socialism in Germany." In National Socialism in Germany, 1–4. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-08607-8_1.

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5

Przyrembel, Alexandra. "Emotions and National Socialism." In A Companion to Nazi Germany, 399–412. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118936894.ch24.

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Georgiadou, Maria. "National Socialism and War." In Constantin Carathéodory, 275–419. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18562-5_5.

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Moreau, Patrick. "Otto Strasser: Nationalist Socialism versus National Socialism." In The Nazi Elite, 235–44. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-12823-5_22.

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8

"Neue Sachlichkeit, Modern Art, and National Socialism." In Neue Sachlichkeit 1918-33, 140–50. BRILL, 2006. http://dx.doi.org/10.1163/9789401203104_012.

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Jaskot, Paul B. "National Socialists and Art." In The Nazi Perpetrator, 13–46. University of Minnesota Press, 2012. http://dx.doi.org/10.5749/minnesota/9780816678242.003.0002.

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Kleist-Schmenzin, Ewald Von. "National Socialism: A Menace." In Oxford Readers Nazism, 27–29. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780192892812.003.0004.

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Abstract Ewald von Kleist-Schmenzin was a conservative nationalist of deeply undemocratic persuasion who, unlike Rauschning, opposed National Socialism from the start. Rejecting the DNVP’s willingness to entertain the notion of bringing Hitler into a coalition in order to ‘tame’ him, Kleist-Schmenzin realized that National Socialism was a fundamentally anti-conservative force with a dynamism far more powerful than anything the conservatives would be able to harness. His own deeply conservative convictions are evident in his stress on the anti-religious, antimonarchical elements of the movement, while his comments on the populist dynamism and the centrality of racism to National Socialism reveal him to have been a better judge of the movement than those conservatives who believed that Hitler could be incorporated into a stable authoritarian regime.

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Тези доповідей конференцій з теми "National socialism and art"

1

XU, XUE-MEI, and YOU-BIN CHEN. "TOWARDS AN INTEGRATIVE APPROACH TO IDEOLOGICAL AND POLITICAL EDUCATION: A CASE STUDY OF ‘AN INTRODUCTION’ WITH THE ‘XUEXI QIANGGUO’ APP." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35688.

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In this new era of mobile internet, in the face of the demanding task of educating students and helping them to have correct values, so that they can understand socialism with Chinese characteristics better and be willing to make contributions to our Chinese dream of national rejuvenation, we teachers should advance with the times, and design our ideological and political education courses properly to enhance college students’ integrative motivation to make learning a part of their everyday life, and help them develop a good habit in their lifetime. Based on constructivism, we can make use of

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2

Kulik, Sergei. "THE CATHOLICISM AND SUNNI ISLAM POSITION AND ROLE IN THE FASCISM AND NATIONAL SOCIALISM IDEOLOGICAL COORDINATE SYSTEM AT THE TURNING POINT OF THE SECOND WORLD WAR." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b31/s10.059.

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Mokshantsev, Leonid. "Intellectual Roots of National Socialism." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.427.

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Peng, Yixuan, Gerhard Bruyns, and Darren Nel. "Chinese megablock urbanism." In 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/nmmk5982.

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In what way can the study of megablock typologies in the PRD deliver better insight in terms of process and scales of Chinese urbanization? In the Chinese context, the ‘collective’ has stood central to its urbanisms and processes of urbanization (Lu, 2006). As a state where ownership and territoriality are retained by a socialist system, the basic elements of this (urban) model have remained the creation of collective housing founded on publicly owned land. From the ‘neighbourhood-unit' (邻里单位) and ‘working-unit’ (单位大院), to ‘commodity housing’ (商品房) (Lu, 2006), these practices gradually shape C

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5

Hülse, R., M. Hülse, JJ Servais, and A. Wenzel. "Diagnosis of Deafness during National Socialism – Taking Account, Remembrance and Responsibility." In Abstract- und Posterband – 90. Jahresversammlung der Deutschen Gesellschaft für HNO-Heilkunde, Kopf- und Hals-Chirurgie e.V., Bonn – Digitalisierung in der HNO-Heilkunde. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1686403.

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Roland, Stephanie, and Quentin Stevens. "North Korean Aesthetics within a Colonial Urban Form: Monuments to Independence and Democracy in Windhoek, Namibia." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5038pxdax.

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This paper examines two high-profile commemorative spaces in Namibia’s national capital, Windhoek, designed and constructed by North Korean state-owned enterprise Mansudae Overseas Projects. These commemorative projects illustrate the complex and evolving intersections between public art, architecture and urban form in this post-colonial context. They show how sites designed around heritage and collective identity intersect with urban space’s physical development and everyday use. The projects also illustrate the intersecting histories of three aesthetic lineages: German, South African and Nor

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URSACHI, Rodica. "Theoretical and artistic-plastic component in the creation of the painter Nicolae Tonitza." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p286-290.

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The creation of the plastic artist Nicolae Tonitza is focused on two components - theoretical and artistic. Theoretically, Tonitza worked as an artistic columnist and publicist for various magazines and newspapers "Cuvântul liber", "Facla", "Socialismul" and others. His chronicles initially had a polemical character with a sociopolitical accent, and later, a "stylistic" one, with a national aspect. The artistic activity is focused on two genres graphics and painting. The thematic register is varied and includes military and social subjects, portraits of children, nudes, landscapes, the reason

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"[Spine art]." In 2013 30th National Radio Science Conference (NRSC). IEEE, 2013. http://dx.doi.org/10.1109/nrsc.2013.6587899.

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"Cover Art." In 2014 National Wireless Research Collaboration Symposium (NWRCS). IEEE, 2014. http://dx.doi.org/10.1109/nwrcs.2014.34.

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Chiseliţă, Vasile. "Th e repertoire of the performer Nina Ermurachi in the “Folclor” orchestra: dominant categories and aesthetic trends." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.25.

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Th e study ”Th e repertoire of the performer Nina Ermurachi in the Folclor orchestra: dominant categories and aesthetic trends” addresses some methodological and epistemological aspects of the theme, designed as a preliminary stage of a wider research on the contribution of the professional folk orchestra “Folclor” in the work of cultural patrimonialization on the platform of neo-traditional art from the late Soviet period (1960-1980). Th e focus is on elucidating the heuristic relevance of some seminal notions from cultural studies theory. Th e author tries to argue the complexity, multiplici

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Звіти організацій з теми "National socialism and art"

1

Kenes, Bulent. NMR: A Nordic neo-Nazi organization with aims of establishing totalitarian rule across Scandinavia. European Center for Populism Studies (ECPS), April 2021. http://dx.doi.org/10.55271/op0008.

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Right-wing extremism and national socialism (Nazism) are not a new phenomenon in Sweden. White supremacists or neo-Nazis have a long history in the country. Nordic Resistance Movement (Nordiska motståndsrörelsen, NMR) rests on this century-long history of Swedish Nazi and Neonazi activism. Including racism, antisemitism, anti-immigration, and anti-globalisation stances with violent tendencies, NMR which aims to overthrow the democratic order in the Nordic region and establish a national socialist state, has become the primary force of white power in Sweden and other Nordic countries.

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2

Giblin, Matthew C. Relating Operational Art to the National Guard State Partnership Program. Fort Belvoir, VA: Defense Technical Information Center, May 2014. http://dx.doi.org/10.21236/ada612137.

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3

Strachan, Ian Gregory. Columbus's Ghost: Tourism, Art and National Identity in the Bahamas. Inter-American Development Bank, June 2000. http://dx.doi.org/10.18235/0007940.

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4

Muñoz Molina, Antonio. Cervantes and the Art of Storytelling. Inter-American Development Bank, May 2005. http://dx.doi.org/10.18235/0007955.

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5

Gowen, Timothy E. A Proposal to Rethink the Way We Develop National Military Strategy: More Science, Less Art. Fort Belvoir, VA: Defense Technical Information Center, March 2005. http://dx.doi.org/10.21236/ada431832.

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6

Wilt, Julia. A Location Analysis of Vandalism to the Rock Art of the Columbia River Gorge National Scenic Area. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6545.

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7

Trachunthong, Deondara, Suchintana Chumseng, Worrayot Darasawang, and Mathuros Tipayamongkholgul. Risk Factors and National Burden of Selected Noncommunicable Diseases in People Living with HIV: Systematic Review, Meta-Analysis and, Disability-Adjusted Life Years protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, September 2022. http://dx.doi.org/10.37766/inplasy2022.9.0018.

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Review question / Objective: 1. Are the prevalence/incidence of four major groups of NCDs including MetS, DM, CVD, and CKD different among adults with and without HIV infection? 2. Are there relationships between HIV status, ART (ART use, short and long-term effects of ART), traditional risk factors (BMI), and the development of four major NCDs? 3. Does the trend of NCDs burden attributable to HIV in Thailand increase according to the time? Information sources: 1. Electronic databases: the following databases will be searched: PubMed/Medline, Scopus, Embase, Cochrane Library Thai journals onli

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8

Campbell, Stephen A. A Framework for Failure? The Impact of Short Tour Lengths and Separate National Command and Control on British Operational Art and Coalition Warfare in Iraq, 2003-2009. Fort Belvoir, VA: Defense Technical Information Center, December 2013. http://dx.doi.org/10.21236/ada606037.

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9

Huezo Mixco, Miguel. El Salvador and the Construction of Cultural Identity. Inter-American Development Bank, October 1999. http://dx.doi.org/10.18235/0007937.

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10

Luo, Xuexing, Zheyu Zhang, Jue Wang, Qibiao Wu, and Guanghui Huang. Art therapy as a complementary therapy for schizophrenia: a meta-analysis of randomized controlled trials following the PRISMA guidelines. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, May 2022. http://dx.doi.org/10.37766/inplasy2022.5.0099.

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Review question / Objective: How are the effects of art therapy on schizophrenia? Condition being studied: Schizophrenia is a chronic and severely disabling mental disorder that is associated with impairments in cognitive, emotional and psychosocial functioning affecting the prospect of recovery. (Jablensky, 2010; Leucht, 2014). Information sources: A comprehensive literature search will be carried out by two independent researchers (XX Luo and J Wang). Published studies will be retrieved in common databases including PubMed, Web of Science, ClinicalTrials.gov, Cochrane Library, Embase, China

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